This document discusses teaching classics in an inclusive classroom. It suggests that teachers draw from multiple sources of knowledge to develop engaging activities for students to interact with texts. There are cultural interpretations due to discussion dynamics shaped by social context. The document also discusses assumptions about what literature should be taught, interpretations of texts, and hints and activities for teaching classics to all students, including pre-reading, during reading, after reading, writing, and vocabulary activities. It emphasizes curriculum differentiation and reaching all students.

1. D9 Teaching the Classics in the Inclusive ClassroomKatherine S. McKnight, Ph.D.Katie McKnight, Ph.D.Katie@KatherineMcKnight.comwww.KatherineMcKnight.comTwitter: @LiteracyWorldFacebook: Katie McKnight Literacy

2. Presentation is Based on My Book

3. Why Should We Teach the Classics?History of Teaching the ClassicsPromoting Student Engagement and Self-EfficacyHow do we teach the classics in an inclusive classroom?

4. Teaching Literature as a Three-Way InteractionTeachers must draw from all of their sources of knowledge if they are to develop activities to draw students into the text.Discussion dynamics are shaped by the social and cultural context of schooling.There are multiple cultural interpretations due to these dynamics and three-way interaction.

5. Teacher AssumptionsSome Literature is More Important than Other LiteratureCanon WarsInclusion of Multicultural LiteratureRecognition of Young Adult LiteratureWhat literature should be taught in schools?

6. Some Interpretations are Better than OthersSearching for Meaning in LiteratureTeachers’ knowledge of text, biographical information and historical content contributes to student understanding.Teacher contributes to the students’ initial reading.

7. Teachers Should Lead Students to Better Interpretations of LiteratureTeachers should lead students when an interpretation is unsatisfying or improper. What’s the best interpretation?Often contributes significantly to students’ ability to analyze and interpret text.

8. New Assumptions About Texts and ReadingNew Criticism“close reading”“all meaning resides in the text”Reader ResponseTransaction with text

9. Interpreting TextResearch in literary study indicates that meanings are not found by readers in text, but are made readers in interaction with texts.Interpretations are shaped.

10. We need to ask ourselves these questions:Do we value all children equally?Is anyone more or less valuable?What do we mean by inclusion?Are there some children for whom inclusion is inappropriate?

11. Hints for Struggling ReadersProvide readers who struggle to decode with opportunities to hear the text read aloud (tape assist)Give readers for whom word recognition is a problem supplemental materials that include visual clues to word meaning (or use manipulatives in math)Allot additional time for readers who struggle to complete assignmentsEncourage struggling readers to use the internet because often the symbols and icons that are quite bothersome to good readers provide a means for struggling readers to construct meaning

12. Teaching the Classics to ALL StudentsPre-Reading ActivitiesWhy are pre-reading activities important?Visual Activities (Poster Project, Visual Arts Gallery)Using the arts for pre-reading activities

13. Teaching the Classics to ALL StudentsDuring-Reading ActivitiesMaking text kinestheticCreating Graphing NovelsReader’s TheaterCharacter BookmarksFound Poetry

14. Teaching the Classics to ALL StudentsAfter-Reading ActivitiesCharacter ActivitiesPlot ActivitiesThematic ActivitiesAnalysis Activities

15. Writing ActivitiesJournal WritingReader Response LogsCreative Writing IdeasCharacter DiariesLiterature Letters

16. Vocabulary ActivitiesEnglish Vocabulary OriginsWord SortsWords in Action

17. Reaching and Teaching ALL of our StudentsCurriculum DifferentiationMultiple IntelligencesA Variety of Reading and Literary ExperiencesEclectic Teaching

18. Connector: Your job is to find connections between the book you are reading and the outside world. Discussion Director: Your job is to write a list of questions that your group might want to discuss about this part of the book. Literary Luminary: Your job is to choose a paragraph or sentences from the book to discuss with your group.Illustrator: Your job is to draw some kind of a picture related to what you read in your section.Vocabulary Enricher: Your job is to look for a few important words in your reading. If you find words that are puzzling or unfamiliar

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