Task 1 sound
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Mics can be attached to stands or booms using clips. Pop shields block plosive sounds. Mounts isolate frame vibrations or attach mics directly to surfaces. Acoustics is the science dealing with mechanical waves, including vibration, sound, ultrasound, and infrasound. Interior acoustics refers to how background sound interacts with surface noise within an enclosed space. Studio acoustics aim for a very short reverberation time and soundproofing to isolate recordings. Exterior acoustics consider how ambient outdoor sounds may overlap surface noises in an open environment. Foley effects add everyday sound effects in post-production like footsteps or breaking glass.
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Music Effects
Distortion effects compress the peaks of sound waves and add overtones to create warm, dirty, and fuzzy sounds as demonstrated in the song "All Around the World" by Red Hot Chili Peppers. Reverberation or reverb is created when sound echoes in an enclosed space and decays slowly, heard in the song "Guilt" by Nero. A phaser filters a signal by creating modulated peaks and troughs, producing a sweeping effect showcased in Pink Floyd's "Another Brick in the Wall".
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This document discusses acoustics and noise control. It begins by defining acoustics and describing the basics of sound, including properties like amplitude, frequency, wavelength. It then explains sound propagation principles such as reflection, refraction, diffraction and absorption. Different materials and their effects on sound are described. Noise control techniques like site planning, architectural design and sound barriers are discussed. Specific examples of architectural designs that enhance sound are provided.
Room Acoustics
Visit https://alexisbaskind.net/teaching for a full interactive version of this course with sound and video material, as well as more courses and material.
Course series: Fundamentals of acoustics for sound engineers and music producers
Level: undergraduate (Bachelor)
Language: English
Revision: February 2020
To cite this course: Alexis Baskind, Room Acoustics
course material, license: Creative Commons BY-NC-SA.
Course content:
1. Time-Space perspective: Sound propagation in a room
Raytracing, example of a rectangular room, evolution from free field to diffuse field, initial time delay gap (ITDG), direct sound, first reflections, late reverberation, exponential decay of the pressure, definition of the reverberation time, T60, T30, T20, Schroeder curve, critical distance, flutter echoes, diffusion, effect of distance, effect of room size
2. Frequency-Space perspective: Room modes
Reminder: monodimensional standing waves, axial modes, tangential modes, oblique modes, eigenfrequencies, effect of room size on modal density, duration and bandwidth of modes, effect of absorption on modes, Schroeder Frequency
3. Time-Frequency perspective
Early reflections, modes and diffuse reverberation in an unified time-frequency perspective, waterfall view
4. Room acoustics design
prediction of the reverberation time, Sabine formula, frequency-dependent absorption, porous absorbers, effect of absorber’s thickness and air gap, resonant absorbers, membrane absorbers, Helmholtz absorbers
5. Room acoustics of listening rooms
importance of symmetry, need for a sufficient room size and controlled reverberation time, recommended reverberation time, need for controlling the early reflections, LEDE design, RFZ design
6. Spatial hearing in a room
perception of distance in a room, perception of the room size, clarity, apparent source width, envelopment, reverberation timbre
Auditorium
This document discusses key concepts in auditorium acoustics, including how sound propagates both in open and enclosed spaces. It explains the effects of different types of reflections - from flat, concave, and convex surfaces - on sound propagation. Key acoustic factors that determine the listener's experience are identified as direct sound, early reflections, and reverberant sound. The precedence effect and how it relates to localization is also summarized. The document provides an overview of how reverberation time is determined and measured, and the role of absorption properties in influencing reverberation time. It concludes with criteria for achieving good acoustics in an auditorium setting.
The Recording Environment Part 2
Absorption Coefficients
The Sabine Equation
Reverb Calculation Example 1
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Reverb Calculation Example 2
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3. Studio design aims to control sound through soundproofing techniques. Walls have patterns to absorb sound and prevent leakage. Reverberation and unwanted noise are also issues that studio design and equipment aim to mitigate for high quality recordings.
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Distortion effects compress the peaks of sound waves and add overtones to create warm, dirty, and fuzzy sounds as demonstrated in the song "All Around the World" by Red Hot Chili Peppers. Reverberation or reverb is created when sound echoes in an enclosed space and decays slowly, heard in the song "Guilt" by Nero. A phaser filters a signal by creating modulated peaks and troughs, producing a sweeping effect showcased in Pink Floyd's "Another Brick in the Wall".
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Room Acoustics
Visit https://alexisbaskind.net/teaching for a full interactive version of this course with sound and video material, as well as more courses and material.
Course series: Fundamentals of acoustics for sound engineers and music producers
Level: undergraduate (Bachelor)
Language: English
Revision: February 2020
To cite this course: Alexis Baskind, Room Acoustics
course material, license: Creative Commons BY-NC-SA.
Course content:
1. Time-Space perspective: Sound propagation in a room
Raytracing, example of a rectangular room, evolution from free field to diffuse field, initial time delay gap (ITDG), direct sound, first reflections, late reverberation, exponential decay of the pressure, definition of the reverberation time, T60, T30, T20, Schroeder curve, critical distance, flutter echoes, diffusion, effect of distance, effect of room size
2. Frequency-Space perspective: Room modes
Reminder: monodimensional standing waves, axial modes, tangential modes, oblique modes, eigenfrequencies, effect of room size on modal density, duration and bandwidth of modes, effect of absorption on modes, Schroeder Frequency
3. Time-Frequency perspective
Early reflections, modes and diffuse reverberation in an unified time-frequency perspective, waterfall view
4. Room acoustics design
prediction of the reverberation time, Sabine formula, frequency-dependent absorption, porous absorbers, effect of absorber’s thickness and air gap, resonant absorbers, membrane absorbers, Helmholtz absorbers
5. Room acoustics of listening rooms
importance of symmetry, need for a sufficient room size and controlled reverberation time, recommended reverberation time, need for controlling the early reflections, LEDE design, RFZ design
6. Spatial hearing in a room
perception of distance in a room, perception of the room size, clarity, apparent source width, envelopment, reverberation timbre
Auditorium
This document discusses key concepts in auditorium acoustics, including how sound propagates both in open and enclosed spaces. It explains the effects of different types of reflections - from flat, concave, and convex surfaces - on sound propagation. Key acoustic factors that determine the listener's experience are identified as direct sound, early reflections, and reverberant sound. The precedence effect and how it relates to localization is also summarized. The document provides an overview of how reverberation time is determined and measured, and the role of absorption properties in influencing reverberation time. It concludes with criteria for achieving good acoustics in an auditorium setting.
The Recording Environment Part 2
Absorption Coefficients
The Sabine Equation
Reverb Calculation Example 1
Estimating the Reverberation Time
Reverb Calculation Example 2
Correcting the Reverberation Time
Control of Interfering Noise
Absorbers
Recording Solutions
b. 3 to 1 Rule
c. Working in Mono
d. Comb Filtering
Indoor and outdoor acoustics
1. Sound is the result of shifting air pressure over time and travels in the form of longitudinal waves through air. Acoustics is the science of sound and how it affects our lives through communication, music, and other applications.
2. A recording studio consists of a live room for performances, isolation booths for loud instruments, and a control room for equipment. Additional rooms include dead rooms which have little reverberation for clear vocal recordings.
3. Studio design aims to control sound through soundproofing techniques. Walls have patterns to absorb sound and prevent leakage. Reverberation and unwanted noise are also issues that studio design and equipment aim to mitigate for high quality recordings.
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This document discusses sound waves and room acoustics. It explains that sound travels as longitudinal waves through air and other substances. When sound waves hit surfaces in an enclosed space, they are reflected and create reverberation over time. The time it takes for reverberation to decay by 60dB is known as the reverberation time or RT60, which provides an objective measurement of room acoustics. Room reflections are important for both the direct sound picked up by microphones and the diffuse room tone, which conveys information about the size and surfaces of the space.
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auditorium
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Acoustics is the scientific study of sound, including how it behaves and is perceived. It deals with properties of sound waves like reflection, refraction, absorption, and interference. Acoustics is important for learning environments and other spaces where noise can be distracting or carry too much. Good acoustics involve distributing sound well, creating a sense of intimacy, and having proper reverberation times. Factors like reverberation time, loudness, echoes, and sound reflections off surfaces can impact architectural acoustics. A variety of materials like sound absorbers, reflectors, and diffusers are used to control sound.
Script
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Microphones
This document discusses different types of microphones used for recording. It describes a condenser mic as more sensitive than a dynamic mic and prone to noise interference. It needs to be mounted on a mic stand and protected from spitting with a mic guard or shield. A shotgun mic picks up sound from any direction through its omni-directional pattern. It requires phantom power and an XLR cable to operate. A dynamic mic is handheld and better suited than a condenser for handling high sound pressure levels during music and vocals.
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The document discusses acoustics in buildings and outlines conditions for good acoustics such as producing sound that can be heard evenly throughout a space without distortions. It also covers types of noise from indoor and outdoor sources and how noise can be classified based on transmission path. The document proposes measures for noise control including suppressing noise at its source, layout planning, insulation design, and absorption design.
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This document discusses strategies for noise control at the source, along the transmission path, and at the receiver. It describes how noise can be controlled at the source through methods like vibration damping, isolation, proper equipment siting and maintenance. Noise can be blocked along the path using barriers, absorbers, insulators and strip curtains. At the receiver, noise control involves enclosing the space using sealed doors/windows and absorptive internal surfaces, as well as using protective equipment like ear plugs.
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This document discusses various acoustical defects that can occur in buildings, including reverberation, echoes, sound foci, dead spots, insufficient loudness, and exterior noises. It provides explanations of each defect and potential remedies. Reverberation time should be between 0.5 to 5 seconds depending on the quality of sound desired. The shape of the room and use of sound absorbing materials can help control reverberation time. Echoes can be reduced by using splayed walls and absorptive ceiling materials. Sound foci and dead spots arise from the geometric shape focusing or reducing sound in areas and can be addressed through diffusers, reflectors, and absorbent materials. External noise insulation and location away from noise sources also
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auditorium
Acoustical considerations in designing musical auditoriums are complex with many interrelated factors. An ideal reverberation time (RT) must balance fullness of tone with loudness, definition, and diffusion. However, RT alone does not guarantee acoustic excellence - it is one contributing factor. Definition is satisfactory if the initial time delay gap is under 20 milliseconds, direct sound is loud relative to reverberant sound, and there is no echo. Providing adequate bass over large audiences is difficult since many instruments are weak in fundamentals.
SIBKL Acoustic Design Analysis Report
The document provides details about the acoustic design of an auditorium for the Sidang Injil Borneo Kuala Lumpur church. It discusses the building and auditorium layout, sound absorption and finishing materials used, the sound system and sources, and how sound propagates through the space. Absorptive materials like carpet, fabric, and timber are used on floors, walls and ceilings to reduce reverberation. The sound system includes various speaker types to distribute sound evenly. Potential noise intrusion areas are also identified.
Acoustic, Sound and Noise Control
This topic comprises of noise, sound and noise control in relation with environmental control system intended for architecture students
Factors affecting acoustics of buildings and their remedies.
Acoustics plays an important role in the sound ergonomics
due to which sound can be distributed equally to entire hall.
the following slide gives an overview of the factors of acoustics and its remedies.
Acousticsandsoundinsulationsby K R Thanki
This document provides information about building acoustics and sound absorption materials. It discusses characteristics of sound including pitch, intensity, wavelength, speed of sound in different mediums, reflection, refraction, interference, reverberation, and more. It then describes different types of sound absorption materials like foam panels, fabric wrapped panels, ceiling tiles, baffles, and gives specifications for each. The goal is to educate on acoustics and available soundproofing options.
Acoustics
The document discusses various acoustic panel materials and their properties that can be used to improve acoustics in auditoriums. It describes acoustic panels made of sound absorbing cotton and aluminum frames that provide wide frequency sound absorption. It also mentions decorative acoustic wall panels that have both acoustic and decorative functions. Acoustic tiles, drywall, carpet, foam and eco-friendly absorption materials are outlined with their acoustic properties and applications in rooms where optimal sound is desired such as recording studios, theaters and meeting halls. Seating for auditoriums is also covered, describing molded foam, finishes and numbered/identified seats for ease of use.
Building Acoustics
Acoustics is the scientific study of sound, including how it behaves and is perceived. It deals with properties of sound waves like reflection, refraction, absorption, and interference. Acoustics is important for learning environments and other spaces where noise can be distracting or carry too much. Good acoustics involve distributing sound well, creating a sense of intimacy, and having proper reverberation times. Factors like reverberation time, loudness, echoes, and sound reflections off surfaces can impact architectural acoustics. A variety of materials like sound absorbers, reflectors, and diffusers are used to control sound.
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Architectural acoustics topics and remedies - short presentation
Architectural acoustics topics and remedies - short presentation
Factors affecting acoustics of buildings and their remedies.
Factors affecting acoustics of buildings and their remedies.
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Script
The document outlines the script for a debate show discussing views on cosmetic surgery. It introduces the host and opens the floor to four speakers - Dimitar, Berfin, Ali, and Nick - each giving a short viewpoint on the topic. Afterwards, the debate is opened to others in attendance. Near the end, Nick further comments as things get out of hand, before the host closes out the show by asking viewers to tune in next time.
Microphones
This document discusses different types of microphones used for recording. It describes a condenser mic as more sensitive than a dynamic mic and prone to noise interference. It needs to be mounted on a mic stand and protected from spitting with a mic guard or shield. A shotgun mic picks up sound from any direction through its omni-directional pattern. It requires phantom power and an XLR cable to operate. A dynamic mic is handheld and better suited than a condenser for handling high sound pressure levels during music and vocals.
Tv studio evaluation
The document summarizes a television studio evaluation for a segment on cosmetic surgery. As a group, they planned roles and setup equipment in the studio, including 4 panelists interviewed by a host, 4 camera operators, a director, floor manager, and 3 people organizing technical equipment. There was initial disagreement on the topic but later agreement. They did a practice run to check equipment and sound quality. The first take did not go as planned due to microphone issues, but adjustments were made and a third take was successful. Areas for improvement include properly adjusting microphones, especially those on booms, and ensuring booms do not get in shots.
Schedule
The document outlines a filming schedule from 11:40 to 16:00. It allocates time for planning in the morning, an introduction to equipment from 13:50 to 14:10, sound checks from 14:20 to 14:30, and shooting from 14:40 to 15:50, concluding at 16:00.
Call sheet
Timothy Litondo is the visual mixer for an LSC debate. The call sheet lists the roles of 17 people involved in the production, including camera operators, floor managers, panelists, and those holding the microphone and mixing sound. It provides contact information for Vanessa Clyne from 9am to 5pm at an email address and phone number to reach any of the crew members.
Equipment list
This document discusses audio equipment and acoustics for recording. It describes various microphone mounts like clips, pop shields, and shock mounts. It also covers acoustic concepts such as reverb from sound bouncing off walls, absorption and reflection filters, the proximity effect of bass increasing the closer a microphone is placed, and how outdoor recording has no reverb but ambient sound. Boundary microphones can be mounted directly onto surfaces.
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The document discusses various acoustics principles and concepts related to indoor and outdoor sound recording. It covers how sound travels, different room types used for recording like live rooms and dead rooms, surface types that impact sound reflection and absorption, and challenges of outdoor recording like dealing with wind noise and ambient noise. It provides examples of techniques used to reduce unwanted noise, like using directional microphones, windshields, isolation panels, and positioning microphones away from noise sources.
Report
1) Mono recording uses a single channel and microphone to record sound, which is played back through one speaker. This results in smaller file sizes but lacks stereo sound.
2) Stereo recording uses two channels to create a mirrored sound representation played back through two speakers. This allows for sound perspective and location.
3) Audio editing software like Logic and Audacity can be used to clean up recordings by removing unwanted noise and adding effects. A fixed or detached microphone can improve sound quality depending on the recording situation.
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Task 1 and 2
Dynamic microphones are useful for close, loud sound sources where bass and mid-range frequencies are predominant. They have good sensitivity but less high frequency detail than condenser microphones. Dynamic microphones are durable and inexpensive without needing phantom power. The Shure SM58 is a handheld dynamic microphone commonly used for interviews. Condenser microphones like the Rode NT2 pick up sound better and are best suited for studio recording. Different microphones have different polar patterns to pick up sound from different directions. Shock mounts protect microphones from physical damage. A variety of connectors are used to connect microphones to audio equipment.
What is sound
Sound is vibrations that travel through the air and can be heard when they reach an ear. Different rooms have different acoustics depending on the objects inside, with harder surfaces reflecting more sound. Music studios use foam panels on walls to absorb and break up sound instead of letting it bounce around the room. Reverberation is how long it takes sound to die out in a space, with open areas creating longer echoes than small, enclosed rooms. When recording outside, windshields help avoid wind interruptions and background sounds should be considered as unwanted ambience. Simulated acoustics are effects deliberately added to alter a room's natural acoustics.
Magazine articleee
Sound is a mechanical wave that transmits pressure oscillations through gas, liquid, or solid. A recording studio aims to capture high quality sound and consists of four key rooms: the live room, isolation booth, dead room, and control room. The live room allows musicians to play but drums are isolated to prevent bleed. A dead room absorbs echoes for clean vocal recordings. Studio walls have irregular surfaces that absorb sound instead of reflecting it back. Reverberation is the persistence of sound decaying as walls absorb it. Effective soundproofing increases distance, uses barriers, damping, or active noise cancellation between sound sources and external receivers.
Magazine Article
The document discusses various topics related to indoor acoustics, including:
1) It defines sound and acoustics, and describes how acoustics applies to many aspects of modern society.
2) It discusses acoustic treatment in recording studios to improve sound quality and accuracy for monitoring.
3) It describes different room types commonly found in recording studios, such as the live room, control room, and isolation booths.
Fundamentals of acoustics
studio acoustics, reverberation, wall couplings,resonant frequencies,early reflections,room modes, standing waves,reflections, diffusers, audio in engineering
Acoustic Analysis on Permata Pintar Auditorium (presentation)
The auditorium was designed to distribute sound evenly throughout the seating areas. Several design elements help achieve this:
1. The fan-shaped layout and minimal 16.5 degree splay angle between rows allows sound to propagate equally without flutter echoes.
2. CMU block walls and a suspended forestage canopy reflect and diffuse sound to reinforce direct sound within 30ms of delay.
3. Measurements found sound intensity levels varied minimally except for areas under the deep gallery, which experience sound shadows due to obstruction of indirect sound waves.
Sound
Sound is a type of energy made by vibrations that cause air particles to bump into each other, creating sound waves. Recording studios are designed with specific acoustics in mind, treating rooms with sound absorbing and diffusing materials and soundproofing walls to isolate rooms. Key aspects of acoustic treatment include absorption to reduce reverberation, diffusion to prevent sound from grouping in one area, bass traps to reduce low frequencies, and isolation between rooms.
Indoor and Outdoor Acoustics
Sound is a pressure wave that travels through air or other mediums and is perceived by humans and animals as hearing. It is produced when a medium such as air is set into vibration. Acoustics is the science of sound, including how it is transmitted and perceived. Recording studio acoustics aim to control the room environment to accurately capture sound without unwanted reverberation or leakage. Key aspects of studio design include soundproof live rooms, isolation booths, and absorbing surfaces and patterns on walls. Outdoor acoustic considerations include reducing wind noise, unwanted ambient noise, and ensuring the background atmosphere matches the intended recording.
MODULE-VI BUILDING PLANNING AND DESIGN BTCVC606
Absorption of sound, various materials, Sabine’ s formula, optimum reverberation time, conditions for good acoustics
Sound insulation: Acceptable noise levels, noise prevention at its source, transmission of noise, Noise control-general
considerations
Architectural Science IV (Acoustics).pptx
The common plumbing system noise sources is water flowing through pipes and noise radiating from the walls of pipes.
Magazine Artical
The document discusses various concepts related to acoustics, including:
- Live rooms which bounce sound around in a pleasing way, such as auditoriums and bathrooms, versus dead rooms with high sound absorption like for recording vocals.
- Reverberation, which is the reflection of sound off surfaces that allows sounds to travel further and is used in theaters but can become "muddy" if excessive.
- Soundproofing, which reduces sound transmission between areas.
- Unwanted noise can be minimized through reducing electrical circuitry, editing out noise tails, and using windscreens for outdoor recording.
Sound unit 4
Sound is a vibration that propagates through a medium such as air or water. Humans can hear sounds between 20 Hz and 20 kHz. Dynamic microphones are commonly used for live performances as they are durable, while condenser microphones are commonly used in studios as they have better frequency response. Different types of microphones include lavalier, boundary, and cardioid microphones. Recording equipment includes digital audio workstations, handheld recorders, acoustic cameras, and screen recorders. Multi-track recording allows multiple sources to be recorded simultaneously.
RECORDING STUDIO ACOUSTICS
The document discusses the acoustics design considerations for recording studios. It explains that recording studios aim to have very short reverberation times, unlike auditoriums which enhance reverberation. This requires the enclosure to be very absorbent of sound and isolated from external noise. Common techniques used include double wall construction, soundproofing, bass traps, diffusers, absorbers and decoupling floors. The document provides examples of materials used like fiberglass, sheetrock and rubber for insulation and isolation.
Sound unit 4
Sound is a vibration that propagates through a medium such as air or water. Humans can hear sounds between 20 Hz and 20 kHz. Sound is measured in decibels and moves through vibrations and reflections off surfaces. Dynamic microphones are used for live performances as they are ruggedly built to handle loud noises. They work through electromagnetic induction of a diaphragm, coil, and magnet. Condenser microphones are used in studios as they have better frequency response but are more sensitive. Types of microphones include lavalier, boundary, and cardioid microphones. Recording equipment includes Logic Pro, handheld recorders, acoustic cameras, and screen recorders. Multi-track recording captures multiple sources simultaneously like during
IRJET- An Analysis of Acoustic Treatment on Recording Studio
This document discusses acoustic treatment in recording studios. It explains that recording studios are designed based on room acoustics principles to create spaces with desired acoustic properties. This involves both room treatment using sound absorbing and diffusing materials on surfaces, as well as soundproofing between rooms. Common acoustic materials used include glass wool, foam panels, fabric coverings, bass traps, and fiberglass. Proper acoustic treatment and layout is important for ventilation, storage, door/window placement, lighting, and electrical needs.
Acoustics of buildings
The document discusses acoustics in buildings and sound insulation. It covers topics such as sound absorption, transmission, reflection, and insulation. Proper acoustical design includes considering site selection, volume, shape, interior surfaces, reverberation, seating, and absorption to achieve optimum sound quality. Sound insulation can be improved through rigid wall and floor constructions, double walls, resilient materials, and isolating noise sources. The acceptable noise levels for different building types are also provided.
Auditorium acoustics
1. The Solaris and Leisure Centre is a new performing arts complex in Tallinn, Estonia that includes a multifunctional auditorium.
2. Key aspects of the auditorium design include its acoustics, which were informed by an acoustical consultant. Materials with high sound absorption values were selected to regulate reverberation time.
3. The primary sound reinforcement system anchors twin arrays of line array loudspeakers to left and right of the stage, with an overhead array to provide clarity for both music and spoken performances.
Similar to Task 1 sound (20)
Acoustic Analysis on Permata Pintar Auditorium (presentation)
Acoustic Analysis on Permata Pintar Auditorium (presentation)
IRJET- An Analysis of Acoustic Treatment on Recording Studio
IRJET- An Analysis of Acoustic Treatment on Recording Studio
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Consideratoin of audience
- The logo is for a perfume company called Melange, which means mixture, representing the mixture of ingredients in their perfume.
- The logo design is a 3D square filled with small rectangular boxes and a big "M" in the middle with the name "melange" underneath.
- The document discusses the logo and marketing strategy of Emporio Armani, a luxury brand that also produces fragrances. They target young professionals ages 25-35.
Melange perfume
This document describes the design process for a perfume logo called Melange. The logo features an M inside a box with smaller blue rectangles. It was meant to represent the perfume as a mixture of special ingredients creating a unique fragrance. Initially, different color versions were created for the men's and women's fragrances. The designer experimented with moving elements around and changing colors before settling on the final design with a light blue M inside a dark blue box filled with smaller light blue rectangles and the perfume name below in the same style and color as the M.
Dennotation
The document describes the denotations, connotations, and target audiences of four different logos. It notes that the Olympic rings represent unity across different ethnicities and areas of the world. It says the PlayStation logo symbolizes joy, passion and excellence through its colors. It explains that the Burger King logo depicts the brand as the "king of burgers." Finally, it summarizes that the Fanta logo conveys the drink's exotic and fun taste through its orange bubble and leaf design.
Schedule
The document outlines a film production schedule from 11:40 to 16:00. It allocates time in the morning for planning activities, followed by an introduction to equipment from 13:50 to 14:10. A sound check is scheduled from 14:20 to 14:30, with filming taking place from 14:40 to 15:50. The day concludes at 16:00.
Step by step
The document describes customizing a blog by changing the background, adding images and text boxes, navigating pages, setting titles, and uploading images. Key steps include changing the background color and style, adding a cover image and text box to the front page, navigating and renaming pages, and uploading images to use on the blog.
Dox risk assessment_form
This risk assessment form is for a production and contains:
- A list of potential hazards on a film shoot rated by severity and likelihood of risks.
- Sections to identify hazards, associated risks, people exposed, required actions, responsibilities, and confirmation that exposed people were informed and actions taken to remove risks.
- Sign off by the producer to confirm risk assessment completion.
Reece and booking sheets
Reece and booking sheets are documents related to hotel reservations. They contain important guest information like names, dates of stay, payment details, room numbers and other notes. Hotel staff use these forms to efficiently check guests in and out, manage room assignments, track payments and provide excellent customer service during a guest's visit.
Call sheet
A photography assignment was scheduled for Timothy Litondo on Friday, April 22nd, 2015 from 12PM to 3PM at a photography studio. The assignment was a portfolio shoot for client Culture East. Timothy Litondo would capture raw images for both 300DPI and web resolutions as compensation for a primary shoot contract. The shoot required a bomber jacket, black jeans, snapback, Armani top, and Jordan 6 shoes as props and costumes.
Nwa research
NWA was an influential American hip hop group formed in 1986 in Compton, California consisting of rappers Ice Cube, Eazy-E, MC Ren, and DJ Yella. Their music focused on the violence and hardships in Los Angeles during the 1980s. Their controversial album Straight Outta Compton brought gangsta rap to the mainstream and is considered one of the most influential hip hop albums of all time.
Evaluation
The research the author conducted for an NWA article helped identify important topics to discuss and provided guidance on writing style, but not layout or tone. The pitch was helpful for outlining the author's vision for how they wanted to create and present the article. Feedback received indicated what readers would want to get from the article. The only change made was publishing the article as a blog. The experience helped the author know what to include for any necessary re-drafts.
Adoptation for 65 year old's
Dr. Dre had success as a solo artist and producer before founding his headphone company Beats by Dre, which was acquired by Apple. He and Ice Cube are currently working on the NWA biopic Straight Outta Compton. Ice Cube has also had success as a solo rapper and actor in movies like 22 Jump Street. DJ Yell-O retired from music to work in the adult film industry but has reportedly returned to making an album. MC Ren also had solo success and recently released new music. Tragically, Eazy-E passed away from complications of AIDS in 1995 at age 31, a month after being diagnosed, leaving behind seven children with six women.
adaptation for 65 year olds
NWA was an influential American hip hop group formed in Compton, California in the 1980s. They were considered pioneers of gangsta rap and West Coast hip hop. The group was created by Eazy-E and included members DJ Yella, Dr. Dre, Ice Cube, and MC Ren. Their 1988 debut album Straight Outta Compton reflected the anger of urban youth and protested police brutality. While controversial for its lyrics, the album was critically and commercially successful. An upcoming biopic film titled Straight Outta Compton will depict the group's rise and impact on hip hop.
Adaptation for teenagers part 2
NWA was an influential hip hop group from Compton, California active from 1986-1991. They popularized gangsta rap and west coast hip hop with their debut album Straight Outta Compton. The album's opening tracks criticized police brutality. This led to conflicts with law enforcement and criticism of their lyrics. Internal disputes over money and label contracts led group members Ice Cube and Dr. Dre to leave, causing the group's breakup. Their impact is set to be depicted in the upcoming biopic Straight Outta Compton.
Adaptation for teenagers
Dr. Dre had success as a solo artist before shifting focus to production, mentoring artists like Eminem and 50 Cent. His headphone company Beats was acquired by Apple. He and Ice Cube are working on a biopic about NWA. Ice Cube has found success as an actor but also continues to release rap albums. DJ Yella retired from music to work in adult films but has reportedly returned to making an album. MC Ren also had solo success and recently released new music. Eazy-E died in 1995 from complications from AIDS at age 31, a month after being diagnosed, leaving behind a final album.
Legal and ethical
IPSO is the regulator that enforces the Editors' Code of Practice in the UK press. The Code sets ethical standards for journalism to protect both individual rights and the public interest. It requires accurate reporting, corrections of errors, and prohibits practices like harassment, intimidation of subjects, or interviewing children without permission.
2 piece's of journalism
The document summarizes the design styles of two publications - an e-magazine called RWD and a website called HotNewHipHop. For RWD, a two-page picture serves as the title with sans-serif font. The opening paragraph is in bold. While the font is consistent, some text is bolded for emphasis. Images are clear down to details to aid navigation. The body font is Calibri 12pt with some blue subheadings. For HotNewHipHop, the body font is also Calibri with a consistent structure across sections. News articles feature a picture above bold italic grey subtitles and 11pt grey text, with related articles on the right and trending ones below.
Nwa pitch
The document discusses how publishing media has changed significantly over the past 20-30 years with the rise of the internet and mobile devices. It notes that people can now access newspapers and magazines digitally through apps on their phones and tablets, either as downloadable PDFs or through e-newspaper apps that automatically update articles. The key difference mentioned is that PDF versions do not update while e-newspaper apps allow for continuous updates to articles.
Task 2
Printing has been used since ancient Mesopotamian civilizations, allowing written materials to be produced in large quantities. Letterpress was the primary printing method for over 500 years using raised metal type. Lithography, invented in 1796, used images drawn on a metal plate transferred to paper using oil and water. Desktop publishing began in 1983, allowing journalists to perform page layout on personal computers rather than outsourcing work to printers.
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Task 1 sound
- 1. Mics Mic Clipscrewsontoa mizstand/boom Shotmount:isolatesmizframe vibrations Popshield:blockplosive sound On boardcamera mount Boundarymic mountmicdirectlya surface e.g.forsurroundon the wall ona floorOmei- directional Acoustic –It’sdifferentsoundsandvibrations,its sciencethatdealswiththe studyof all mechanical wavesingases,liquids,andsolidsincludingtopicssuchasvibration,sound, ultrasoundandinfrasound. Interior acoustic-meansthatbackgroundsoundandhow it interactswiththe surface noise and howit wouldaffectthe final soundandcouldevenoverlapthe surface layerof sound, whichare inside andistherefore calledinterior,the waytodeal thisisto clear the backgroundnoise bythe recordingina quietarea. Studio acoustic- insteadof enhancedreverberation,itisusuallydesirable forthe recording (studio) tobe acoustically(dead),havingaveryshort reverberationtime.Notonlydoesthis require the enclosure itself tobe veryabsorbentof soundbutsoundproofingisa very importantfactor Exterior acoustic- This meansthe backgroundsoundandhow it interactswiththe surface noise andhowit wouldaffectthe final soundanditmightevenoverlapthe surface layerof sound,whichare outside that’swhyit’scalledexterior,it’salmostimpossible tostopthe worldlynoise andnature noise ithasnoreverbas there are no reflectiveoutface butan ambientsound. Effect/Foley- Foleyeffectsare soundeffectsaddedtothe FILMduringpost production(after the shootingstops).Theyinclude soundssuchasfootsteps,clothesrustling,crockery clinking,paperfolding,doorsopeningandslamming,puncheshitting,glassbreaking,etc. etc.In otherwords,manyof the soundsthat the soundrecordistsonsetdidtheirbestto avoidrecordingduringthe shoot.