This document outlines the Almaty Programme of Action, which aims to address the special needs of landlocked developing countries. Its objectives are to secure access to the sea for landlocked countries, reduce trade costs and improve competitiveness, and promote efficient transit transport systems through partnerships between landlocked and transit countries. Key priorities include fundamental transit policy reforms, infrastructure development and maintenance, international trade facilitation, international support measures, and implementation/review.
The document discusses key issues facing landlocked developing countries and provides recommendations. It covers 5 priority areas: 1) fundamental transit policy issues, 2) infrastructure development and maintenance, 3) international trade and trade facilitation, 4) international support measures, and 5) implementation and review. Some of the major challenges identified include high transport costs due to lack of direct access to sea, poor infrastructure, and inefficient border procedures. Recommendations focus on improving transit policies, increasing investment in transport infrastructure, and facilitating international trade.
Red arrow international company presentationbatnasanb
Red Arrow International is a leading global production and distribution company operating in fiction, formats, and factual entertainment. It has production assets in 9 countries through 14 production companies. Red Arrow finances, produces, and distributes high-quality scripted dramas, formats, and factual shows worldwide and has a strong presence in the US market through partnerships with producers. The company sells content to over 150 countries and has numerous successful international format adaptations and co-productions.
Mtvf panel on piracy and copyright mr finalbatnasanb
The document discusses intellectual property rights and piracy related to television copyright. It outlines that the US Federal Copyright Act governs public display of copyrighted movies and TV shows without permission from copyright owners. Copyright laws protect creators' exclusive rights to their work and help support jobs in the film and television industries globally. However, piracy is a major problem in Mongolia, where 90% of broadcasting is illegal and the top 10 most pirated US shows in 2013 are widely viewed. The current situation in Mongolia damages its television industry unless piracy is controlled.
Warner Bros. has the largest film library of any Hollywood studio with over 6,000 titles. They own highly successful franchises like Harry Potter, Batman, and Superman which have grossed billions worldwide. Warner Bros. also has been the top television studio for the last nine years, producing more scripted primetime series than any other. They have a wide variety of popular animated and live-action shows across genres.
Endemol Asia is the leading content provider in Asia, with over 80 companies worldwide producing over 2,000 TV formats. They have a strong production network across Asia, including new offices in Beijing and Shanghai, and have sold over 90 formats in 14 Asian territories in the past 3 years. Looking ahead to 2014 and beyond, Endemol Asia plans to focus on local content creation across Asia, establish China, Malaysia and India as production hubs, and continue expanding their brand portfolio through pan-regional productions and partnerships. Their goal is to provide programming solutions and ratings successes for clients through proven formats that combine local and international resources.
Jargalan.B - Hollywood movie supply in Mongolian Marketbatnasanb
Theaters were the only way for Mongolians to view legitimate foreign content until 2004 when the first modern multi-screen cinema was introduced. Currently there are only 11 screens in Mongolia. Movie theater attendance has increased each year from 2010 to 2012, but declined slightly in 2013. Mongolia needs more theaters and screens to increase access to foreign films, as global data shows much higher theater attendance, more screens, and lower population per screen in other countries. New opportunities are emerging in Mongolia for video on demand and IPTV/digital cable services to provide more access to foreign content beyond theaters.
IMG is a global sports, fashion, and media company that has been in operation for over 50 years. It has nearly 3,000 employees in over 60 countries. IMG represents over 1,200 athletes and celebrities and owns or manages over 600 global sports and lifestyle events each year. It is also the world's leading independent producer of sports programming, producing over 8,000 hours of content annually. IMG has offices and operations on every continent, demonstrating its truly global footprint and leadership across multiple industries.
Sony Pictures Television showcases its television division and content library. It introduces key executives in Asia and describes divisions for production, distribution and licensing of films and TV shows globally across platforms. It provides examples of award-winning and popular content including movies, TV series, children's shows and anime. The document promotes partnerships and opportunities for networks and platforms to license Sony Pictures Television content.
David Kao - Television Industry Technologiesbatnasanb
The document discusses ITV, the largest commercial broadcaster in the UK. ITV produces over 40,000 hours of content annually, including 2,000 hours of original productions. It operates multiple channels that provide new British television programming in over 40 countries in Asia, the Middle East, and Africa within 24 hours of airing in the UK. ITV Studios Global Entertainment partners with broadcasters worldwide and represents production companies internationally. It covers all genres but drama and entertainment formats have always been at the core of its brand offerings.
Peter Markey - Building success in the digital erabatnasanb
The document discusses trends in the media and entertainment industry in Asia Pacific. It notes that Asia Pacific's GDP growth and rising consumer spending are fueling strong growth in advertising revenues, greatly benefiting M&E companies. Digital media is growing and expected to account for 27% of ad revenues by 2017, up from 19% in 2012. Investments in networks and the proliferation of mobile devices are driving increased digital media consumption. M&E companies face challenges monetizing digital content and need to become more agile through new business models and leveraging technologies like cloud, analytics and social media.
