The new brochure of NewColorChem that mainly regarding about color change pigment that we provide,including below items
1.Thermochromic pigment
2.Photochromic pigment
3.Photoluminescent pigment
4.Chameleon pigment
5.Reflective powder
6.Fluorescent pigment
7.Hydrochromic ink
The document provides information about reactive dyes, including:
- Reactive dyes form covalent bonds with fiber polymers through reactive groups, giving excellent wash and light fastness.
- Important reactive groups include triazine, vinyl sulfone, and halogen groups.
- Reactive dyes were invented in 1956 and became popular for their bright colors, low temperature dyeing, and simple process.
- Common application methods are pad-batch and pad-dry processes at low temperatures. Proper pH, electrolyte, alkali, and time are required for effective dye fixation to the fiber.
The document discusses various inorganic and organic pigments used in paints and coatings. It describes the chemical composition, synthesis, properties and applications of different classes of pigments including lead chromates, cadmium yellow, yellow oxides, bismuth vanadate, azo pigments, polycyclic pigments, anthraquinone pigments and others. Key pigments discussed are lead chromate, cadmium yellow, diarylide pigments, quinacridone, and metal complex pigments. The document provides information on properties like light fastness, opacity, and heat stability for selecting the right pigment.
This document outlines the preparation of a poly acrylate binder for pigment printing. It discusses selecting monomers like butyl acrylate, ethyl acrylate, and methyl methacrylate. A recipe is provided using these monomers along with acrylic acid and N-hydroxymethyl acrylamide. The glass transition temperature of the polymer is calculated to be 180C. The procedure involves emulsifying the monomers and initiating polymerization at various temperatures until the reaction is complete. The goal is to synthesize a binder with properties like softness, strength, and washability suitable for pigment printing.
This document provides information about various types of dyes used in the textile industry, including their properties and dyeing processes. It discusses natural dyes extracted from plants as well as synthetic dyes like direct dyes, vat dyes, disperse dyes, and reactive dyes. For each dye type, the document outlines their key properties, how they interact with different fibers, and their advantages and limitations. It also mentions sustainability considerations like limiting chemical usage and following eco-label standards.
DEFINITION: Pigment is a substrate in a particulate form which is insoluble in water but which can be dispersed in this medium to modify its color and light scattering properties. They are organic or inorganic coloring materials. They have no affinity to textile materials. They are fixed on the textile material with the help of binding agent in form a thin invisible coating.
This presentation provides an overview of disperse dyes. It was presented on November 27, 2016 at NUB by 4 students. Disperse dyes are organic compounds without ionizing groups that are insoluble in water but can be dispersed to dye synthetic fibers like polyester. The history and properties of disperse dyes are discussed. Disperse dyes are classified by chemical structure and fastness properties. Dispersing agents and carriers are used to aid disperse dyeing at high temperatures or through carrier methods. Examples of commercial disperse dyes and carriers are provided.
The new brochure of NewColorChem that mainly regarding about color change pigment that we provide,including below items
1.Thermochromic pigment
2.Photochromic pigment
3.Photoluminescent pigment
4.Chameleon pigment
5.Reflective powder
6.Fluorescent pigment
7.Hydrochromic ink
The document provides information about reactive dyes, including:
- Reactive dyes form covalent bonds with fiber polymers through reactive groups, giving excellent wash and light fastness.
- Important reactive groups include triazine, vinyl sulfone, and halogen groups.
- Reactive dyes were invented in 1956 and became popular for their bright colors, low temperature dyeing, and simple process.
- Common application methods are pad-batch and pad-dry processes at low temperatures. Proper pH, electrolyte, alkali, and time are required for effective dye fixation to the fiber.
The document discusses various inorganic and organic pigments used in paints and coatings. It describes the chemical composition, synthesis, properties and applications of different classes of pigments including lead chromates, cadmium yellow, yellow oxides, bismuth vanadate, azo pigments, polycyclic pigments, anthraquinone pigments and others. Key pigments discussed are lead chromate, cadmium yellow, diarylide pigments, quinacridone, and metal complex pigments. The document provides information on properties like light fastness, opacity, and heat stability for selecting the right pigment.
This document outlines the preparation of a poly acrylate binder for pigment printing. It discusses selecting monomers like butyl acrylate, ethyl acrylate, and methyl methacrylate. A recipe is provided using these monomers along with acrylic acid and N-hydroxymethyl acrylamide. The glass transition temperature of the polymer is calculated to be 180C. The procedure involves emulsifying the monomers and initiating polymerization at various temperatures until the reaction is complete. The goal is to synthesize a binder with properties like softness, strength, and washability suitable for pigment printing.
This document provides information about various types of dyes used in the textile industry, including their properties and dyeing processes. It discusses natural dyes extracted from plants as well as synthetic dyes like direct dyes, vat dyes, disperse dyes, and reactive dyes. For each dye type, the document outlines their key properties, how they interact with different fibers, and their advantages and limitations. It also mentions sustainability considerations like limiting chemical usage and following eco-label standards.
DEFINITION: Pigment is a substrate in a particulate form which is insoluble in water but which can be dispersed in this medium to modify its color and light scattering properties. They are organic or inorganic coloring materials. They have no affinity to textile materials. They are fixed on the textile material with the help of binding agent in form a thin invisible coating.
This presentation provides an overview of disperse dyes. It was presented on November 27, 2016 at NUB by 4 students. Disperse dyes are organic compounds without ionizing groups that are insoluble in water but can be dispersed to dye synthetic fibers like polyester. The history and properties of disperse dyes are discussed. Disperse dyes are classified by chemical structure and fastness properties. Dispersing agents and carriers are used to aid disperse dyeing at high temperatures or through carrier methods. Examples of commercial disperse dyes and carriers are provided.
Understand what is solvent dyes? And find out what are the types, features, advantages of solvent dyes? Explore some helpful information regarding solvent dyes.
This document discusses chemistry and applications of leuco dyes. It begins by defining dyes and their sources, as well as leuco dyes, which are colorless or light-colored compounds that change color with oxidation or temperature changes. The document then covers the three main classes of leuco dyes - triphenylmethane, sulfur, and indigo dyes - and provides examples like malachite green. Finally, it discusses various applications of leuco dyes in products like color-changing cups, hair color, and thermal indicators.
This document discusses different types of dyes. It begins with an introduction to dyes, noting that they are colored substances that bond to substrates and are often water-soluble. It then covers the main types of dyes including reactive dyes, which form covalent bonds; disperse dyes, which are used for synthetic fibers; azo dyes containing the R-N=N-R' group; sulfur dyes for cotton; and vat dyes which are insoluble but become soluble during the dyeing process. The document provides details on the characteristics and applications of each dye type.
Cellulose acetate is produced from cellulose sources like cotton linters, wood pulp. The cellulose is treated with chemicals to produce cellulose acetate or triacetate fibers. For manufacturing, the cellulose acetate is dissolved in acetone and forced through spinnerets into warm air to dry, forming filaments. There are two types of cellulose acetate fabrics: acetate and triacetate, which differ in their chemical composition. Cellulose acetate fibers are used to make fabrics like taffeta, satin, jersey and lace. The fabrics are resistant to mildew and moths, but can be weakened by sunlight. They are usually dry cleaned but some fabrics can be machine washed.
The document discusses the process of paint formulation and manufacturing. It provides an overview of the paint industry, describing how paint is made and the different types of paints and their uses. It also discusses the key raw materials used in paint formulation, including pigments, binders, solvents, and additives. The document outlines the major steps in paint manufacturing, including premixing, grinding, tinting, and quality control processes.
Polyester can be produced through various polymerization techniques such as self-condensation, condensation of polyhydroxy compounds with polybasic acids, ester exchange, and ring opening of lactones. Polyester has properties including susceptibility to hydrolysis, proton acceptor ester groups, and increased flexibility. Unsaturated polyester resins are produced from glycols and diacids and provide sites for cross-linking. Polyethylene terephthalate is a widely used polyester produced through ester exchange and polycondensation. It has applications as fibers, films, and bottles. Other polyesters include polybutylene terephthalate and aromatic polyesters.
Optical brightening agents (OBAs) are colorless dyes that emit visible blue light when exposed to UV light, making white fabrics appear brighter. They work by absorbing UV light and re-emitting it at a longer, visible wavelength. Historically, OBAs were first used as bleaching auxiliaries in the 1800s and were derived from horse chestnut extracts. Modern OBAs are typically derived from stilbene or triazine compounds. While OBAs improve whiteness, they generally have poor light and wash fastness. Their effects also depend on fiber type and conditions like pH and temperature.
This document discusses how materials modify light and how color is measured. It explains that light can be scattered, reflected, refracted, transmitted, absorbed, or diffracted when interacting with materials. Color measurement is based on spectroscopy, which measures light absorption across the electromagnetic spectrum. The CIE L*a*b* color space is commonly used to define color in a device-independent way using lightness, chroma, and hue. Print density is also measured to characterize color in printing and is calculated from spectral data using virtual filters.
Dyeing of polyester with disperse reactive dyesIIT DELHI
Disperse dyes are used to dye polyester fabrics. They are insoluble in water but can be dispersed onto fibers using dispersing agents. This document discusses the characteristics of disperse dyes and examples of common disperse dyes. It also examines using disperse reactive dyes for dyeing polyester, which have properties of both disperse and reactive dyes, and can provide improved fastness. The dyeing process for polyester using disperse reactive dyes is outlined, and effects of pH and dye concentration on dye uptake are analyzed.
This document defines and discusses right-first-time (RFT) dyeing. RFT dyeing aims to achieve the desired shade of a fabric in one dyeing process without needing to redo the dyeing. The document outlines the objectives, benefits, requirements and factors to consider for successful RFT dyeing. It discusses monitoring dye concentration and other variables during dyeing using specialized equipment to help ensure RFT results. Achieving RFT dyeing can increase productivity and profits while reducing costs, time, and fabric waste.
Article on history, evolution, types, production and uses of various industrial inks, dyes, pigments, colors and there usage in various other applications
This document provides an overview of different types of dyes used in textile dyeing, including their working principles and applications. It discusses vat dyes, reactive dyes, azoic dyes, acid dyes, sulphur dyes, metal complex dyes, basic dyes, disperse dyes, and direct dyes. For each dye type, it describes the general dyeing process, suitable fibers, advantages and limitations, and how the dye bonds to or reacts with the fiber on a molecular level. The document serves as an educational reference on the various classes of dyes and dyeing methods.
The document summarizes a presentation on color theory and color mixing. It discusses the three main types of color theory: trichromatic/ternary combination theory involving red, yellow and blue primaries; additive theory involving red, green and blue light primaries; and subtractive theory involving pigments with cyan, yellow and magenta primaries. It also covers primary, secondary and tertiary colors; color wheels; color values involving tints and shades; and color schemes like monochromatic, complementary, analogous, warm and cool. Color mixing is defined as mixing colored substances or light, and the two types - additive mixing of light colors and subtractive mixing of pigments - are described.
This document provides information on reactive and pigment printing methods. It begins with an introduction to reactive dye printing, which uses heat-activated dyes that permanently bond to substrates. The document then discusses the history, popularity, and processes of both reactive and pigment printing. It provides details on the components, characteristics, advantages, and disadvantages of each method. Overall, the document serves as an overview of reactive and pigment printing techniques for textiles.
This document discusses forbidden dyestuffs in the textile industry that are banned due to health and environmental reasons. It provides examples of forbidden dyestuffs such as azo dyes, phthalates, brominated flame retardants, and heavy metals. These chemical dyes are restricted because they can accumulate in living organisms and the environment, are toxic or cause cancer, hormone disruption, and damage to organs like the liver, kidneys and nervous system over time. The document also describes methods for detecting banned azo dyes in textiles and laws regulating forbidden dyestuffs in Turkey.
This document provides information on the bleaching process. It defines bleaching as the process of decolorizing natural pigments in fabric to produce a white color. The mechanism of bleaching involves breaking double bonds in color-producing organic compounds using oxidizing or reducing agents. Common bleaching agents discussed are sodium hypochlorite, hydrogen peroxide, and sodium chlorite. The effects of factors like pH, time, temperature, and metal ions on bleaching effectiveness are also explained.
Styles of printing; Printing thickeners including synthetic thickeners; Printing auxiliaries; Printing of cotton with reactive dyes, wool, silk, nylon with acid and metal complex dyes, Printing of polyester with disperse dyes; Pigment printing; Resist and discharge printing of cotton, silk and polyester; Transfer printing of polyester; Inkjet printing.
Reactive dyes are organic dyes that form covalent bonds with cellulose fibers. They were first commercially produced in 1956 and have advantages like excellent color fastness and ease of washing. Reactive dyes contain three parts - a chromophore for color, a reactive group that bonds to fibers, and a bridging group connecting these. Dyeing involves exhaustion of dye onto fibers, fixation through alkaline conditions forming covalent bonds, and washing unfixed dye away. Reactive dyeing gives very colorfast results due to the strong covalent bonds formed.
Sm143 rev01 photochromic art kit users guideJohn Romano
This document provides a user guide for photochromic ink test kits. It explains that photochromic inks change from clear to color when exposed to UV light from the sun or black lights, and back to clear when removed from the UV source. The ink can be mixed with other inks or paints. It describes how to mix and apply the ink, possible uses like changing logos or images outdoors, and includes samples of normal versus outdoor activated ink colors. The kit contains samples of red, blue, and yellow inks and paints to experiment with.
This document provides application guidelines for using Createx Airbrush Colors and Wicked Colors paints. It describes the different types of paints available, such as opaque, transparent, fluorescent, and pearlized colors. It also provides tips for surface preparation, application techniques like applying in light coats, and curing methods using a heat gun, shirt press or iron. Safety precautions and additives that can improve flow and reduce drying time are also outlined.
Understand what is solvent dyes? And find out what are the types, features, advantages of solvent dyes? Explore some helpful information regarding solvent dyes.
This document discusses chemistry and applications of leuco dyes. It begins by defining dyes and their sources, as well as leuco dyes, which are colorless or light-colored compounds that change color with oxidation or temperature changes. The document then covers the three main classes of leuco dyes - triphenylmethane, sulfur, and indigo dyes - and provides examples like malachite green. Finally, it discusses various applications of leuco dyes in products like color-changing cups, hair color, and thermal indicators.
This document discusses different types of dyes. It begins with an introduction to dyes, noting that they are colored substances that bond to substrates and are often water-soluble. It then covers the main types of dyes including reactive dyes, which form covalent bonds; disperse dyes, which are used for synthetic fibers; azo dyes containing the R-N=N-R' group; sulfur dyes for cotton; and vat dyes which are insoluble but become soluble during the dyeing process. The document provides details on the characteristics and applications of each dye type.
Cellulose acetate is produced from cellulose sources like cotton linters, wood pulp. The cellulose is treated with chemicals to produce cellulose acetate or triacetate fibers. For manufacturing, the cellulose acetate is dissolved in acetone and forced through spinnerets into warm air to dry, forming filaments. There are two types of cellulose acetate fabrics: acetate and triacetate, which differ in their chemical composition. Cellulose acetate fibers are used to make fabrics like taffeta, satin, jersey and lace. The fabrics are resistant to mildew and moths, but can be weakened by sunlight. They are usually dry cleaned but some fabrics can be machine washed.
The document discusses the process of paint formulation and manufacturing. It provides an overview of the paint industry, describing how paint is made and the different types of paints and their uses. It also discusses the key raw materials used in paint formulation, including pigments, binders, solvents, and additives. The document outlines the major steps in paint manufacturing, including premixing, grinding, tinting, and quality control processes.
Polyester can be produced through various polymerization techniques such as self-condensation, condensation of polyhydroxy compounds with polybasic acids, ester exchange, and ring opening of lactones. Polyester has properties including susceptibility to hydrolysis, proton acceptor ester groups, and increased flexibility. Unsaturated polyester resins are produced from glycols and diacids and provide sites for cross-linking. Polyethylene terephthalate is a widely used polyester produced through ester exchange and polycondensation. It has applications as fibers, films, and bottles. Other polyesters include polybutylene terephthalate and aromatic polyesters.
Optical brightening agents (OBAs) are colorless dyes that emit visible blue light when exposed to UV light, making white fabrics appear brighter. They work by absorbing UV light and re-emitting it at a longer, visible wavelength. Historically, OBAs were first used as bleaching auxiliaries in the 1800s and were derived from horse chestnut extracts. Modern OBAs are typically derived from stilbene or triazine compounds. While OBAs improve whiteness, they generally have poor light and wash fastness. Their effects also depend on fiber type and conditions like pH and temperature.
This document discusses how materials modify light and how color is measured. It explains that light can be scattered, reflected, refracted, transmitted, absorbed, or diffracted when interacting with materials. Color measurement is based on spectroscopy, which measures light absorption across the electromagnetic spectrum. The CIE L*a*b* color space is commonly used to define color in a device-independent way using lightness, chroma, and hue. Print density is also measured to characterize color in printing and is calculated from spectral data using virtual filters.
Dyeing of polyester with disperse reactive dyesIIT DELHI
Disperse dyes are used to dye polyester fabrics. They are insoluble in water but can be dispersed onto fibers using dispersing agents. This document discusses the characteristics of disperse dyes and examples of common disperse dyes. It also examines using disperse reactive dyes for dyeing polyester, which have properties of both disperse and reactive dyes, and can provide improved fastness. The dyeing process for polyester using disperse reactive dyes is outlined, and effects of pH and dye concentration on dye uptake are analyzed.
This document defines and discusses right-first-time (RFT) dyeing. RFT dyeing aims to achieve the desired shade of a fabric in one dyeing process without needing to redo the dyeing. The document outlines the objectives, benefits, requirements and factors to consider for successful RFT dyeing. It discusses monitoring dye concentration and other variables during dyeing using specialized equipment to help ensure RFT results. Achieving RFT dyeing can increase productivity and profits while reducing costs, time, and fabric waste.
Article on history, evolution, types, production and uses of various industrial inks, dyes, pigments, colors and there usage in various other applications
This document provides an overview of different types of dyes used in textile dyeing, including their working principles and applications. It discusses vat dyes, reactive dyes, azoic dyes, acid dyes, sulphur dyes, metal complex dyes, basic dyes, disperse dyes, and direct dyes. For each dye type, it describes the general dyeing process, suitable fibers, advantages and limitations, and how the dye bonds to or reacts with the fiber on a molecular level. The document serves as an educational reference on the various classes of dyes and dyeing methods.
The document summarizes a presentation on color theory and color mixing. It discusses the three main types of color theory: trichromatic/ternary combination theory involving red, yellow and blue primaries; additive theory involving red, green and blue light primaries; and subtractive theory involving pigments with cyan, yellow and magenta primaries. It also covers primary, secondary and tertiary colors; color wheels; color values involving tints and shades; and color schemes like monochromatic, complementary, analogous, warm and cool. Color mixing is defined as mixing colored substances or light, and the two types - additive mixing of light colors and subtractive mixing of pigments - are described.
This document provides information on reactive and pigment printing methods. It begins with an introduction to reactive dye printing, which uses heat-activated dyes that permanently bond to substrates. The document then discusses the history, popularity, and processes of both reactive and pigment printing. It provides details on the components, characteristics, advantages, and disadvantages of each method. Overall, the document serves as an overview of reactive and pigment printing techniques for textiles.
This document discusses forbidden dyestuffs in the textile industry that are banned due to health and environmental reasons. It provides examples of forbidden dyestuffs such as azo dyes, phthalates, brominated flame retardants, and heavy metals. These chemical dyes are restricted because they can accumulate in living organisms and the environment, are toxic or cause cancer, hormone disruption, and damage to organs like the liver, kidneys and nervous system over time. The document also describes methods for detecting banned azo dyes in textiles and laws regulating forbidden dyestuffs in Turkey.
This document provides information on the bleaching process. It defines bleaching as the process of decolorizing natural pigments in fabric to produce a white color. The mechanism of bleaching involves breaking double bonds in color-producing organic compounds using oxidizing or reducing agents. Common bleaching agents discussed are sodium hypochlorite, hydrogen peroxide, and sodium chlorite. The effects of factors like pH, time, temperature, and metal ions on bleaching effectiveness are also explained.
Styles of printing; Printing thickeners including synthetic thickeners; Printing auxiliaries; Printing of cotton with reactive dyes, wool, silk, nylon with acid and metal complex dyes, Printing of polyester with disperse dyes; Pigment printing; Resist and discharge printing of cotton, silk and polyester; Transfer printing of polyester; Inkjet printing.
Reactive dyes are organic dyes that form covalent bonds with cellulose fibers. They were first commercially produced in 1956 and have advantages like excellent color fastness and ease of washing. Reactive dyes contain three parts - a chromophore for color, a reactive group that bonds to fibers, and a bridging group connecting these. Dyeing involves exhaustion of dye onto fibers, fixation through alkaline conditions forming covalent bonds, and washing unfixed dye away. Reactive dyeing gives very colorfast results due to the strong covalent bonds formed.
Sm143 rev01 photochromic art kit users guideJohn Romano
This document provides a user guide for photochromic ink test kits. It explains that photochromic inks change from clear to color when exposed to UV light from the sun or black lights, and back to clear when removed from the UV source. The ink can be mixed with other inks or paints. It describes how to mix and apply the ink, possible uses like changing logos or images outdoors, and includes samples of normal versus outdoor activated ink colors. The kit contains samples of red, blue, and yellow inks and paints to experiment with.
This document provides application guidelines for using Createx Airbrush Colors and Wicked Colors paints. It describes the different types of paints available, such as opaque, transparent, fluorescent, and pearlized colors. It also provides tips for surface preparation, application techniques like applying in light coats, and curing methods using a heat gun, shirt press or iron. Safety precautions and additives that can improve flow and reduce drying time are also outlined.
Latest Century Laminates Lookbook Catalogue 2017-2018Centuryply
Inspired by nature and in keeping with the latest design trends, CenturyPly (laminate manufacturers in India
) introduces a wide variety of new laminate patterns and textures for your home and workspace furniture.
Chemigrams are abstract photographic prints created through a chemical process using light-sensitive paper. Pierre Cordier discovered this process in 1956, finding that certain resists could block the chemical effects of developer and fixer, leaving protected areas that change color with extended light exposure. To make a chemigram, an object is dipped in developer and placed on light-sensitive paper, then exposed to light before continuing the developing process. The order of chemicals - developer then fixer or vice versa - determines whether the print results in a positive or negative image. A variety of materials can be used as resists to create different patterns and textures in chemigrams.
Markers can be used like watercolors by applying them wet but they dry instantly. They allow for realistic colors without mixing and are compatible with other media. Markers can be used on many types of paper including carton, tracing paper, and butter paper. To create gradual value changes, apply lighter markers vertically over darker ones while still wet. Gray markers can also be layered up to three times to create shades from dark to light. Technical tips include outlining drawings in black if the original ink bleeds, using thinner pens for smaller drawings, and applying two coats of color with waiting time in between to darken values.
Prodir is a fully integrated pen manufacturer employing 250 people in 2 Swiss production centers and 7 European offices worldwide. We are the only manufacturer in the
global industry of writing instruments that produces everything from A-Z in Switzerland.
Our 250 staff members who work at various locations in Ticino are covered
by Swiss employment and social norms. And we have no intention of changing
any of this. Where we produce is governed by strict environmental laws: Switzerland
regularly holds the top position in international ecological rankings. When it comes to recycling and conservation of resources, Switzerland leads the way.
Smart textiles are materials that respond to external stimuli like heat, light, or pressure and return to their original state when the stimulus is removed. Some examples of smart textiles discussed in the document are temperature and pressure sensitive foams, D3o material that hardens on impact, thermochromic inks that change color with temperature, photochromic inks that change color with light exposure, microencapsulation of chemicals within fabric, and phosphorescent pigments that glow in the dark. Graphic designers can take advantage of these smart materials to help achieve unique designs and sell products.
Chemigrams are abstract photographic prints created through a chemical resist process discovered by Pierre Cordier in 1956. The process involves dipping objects in photographic chemicals like developer and fixer, placing them on light-sensitive paper to create a print, then processing the print to reveal an intricate pattern resembling a painting. The order and timing of using the developer, fixer, and light exposure determines whether the print results in black lines on a light background or vice versa. Artists are encouraged to experiment with different materials, techniques, papers and chemical combinations to produce unique chemigram artworks.
Invest in yourself with this free opportunity to start your own business, set your own hours and be your own boss. No minimum sales required. No strings attached! No risk guarantee!
This document provides information about cleaning products and supplies available from a direct sales company. It includes descriptions of various microfiber cloths and mop pads for dusting and cleaning floors as well as natural cleaning and personal care products like laundry detergent, shower gel, and anti-aging skin cream. The document aims to educate new consultants about the product line and give an overview of items that can be purchased in starter kits or sold individually.
1. The document describes FLS LPI Liquid Photo imageable Solder Mask Touch Up Paint Ink Pens, which are technical pens used to retouch solder mask on printed circuit boards and protect circuit board traces, components, and electronics from shorts, moisture, abrasion, and other hazards.
2. The pens provide a hard, durable coating with high dielectric strength that helps prevent arcing and shorts while offering excellent coverage and chip resistance.
3. The pens can be used for circuit board manufacturing, data communications, aerospace, instrumentation, controls, and general maintenance and repair applications.
Chemigrams are abstract photographic prints created through a chemical resist process discovered by Pierre Cordier in 1956. The process involves dipping objects in photographic chemicals like developer and fixer, and placing them on light-sensitive paper to create detailed prints of the objects. The paper is then developed further with chemicals to leave an image where the object was placed and change the color of the unprotected areas. Variations include fixing the object first to leave it white against a black background or splattering dilute chemicals on unexposed paper and exposing it to light. Different materials can be used to create resist patterns before development.
The document provides information on health and safety procedures for tasks involving chemicals, sharp tools, and other hazards. It emphasizes taking precautions like using personal protective equipment, following regulations, and not engaging in horseplay. Specific safety data sheets are presented for water-based and solvent-based paints, outlining protective measures for skin, eyes, fire, respiration, and health regulations. The document also lists common tools used for decorative painting and their proper use and maintenance.
This recipe is perfect for all of your own furry friends!
http://www.naturesgardencandles.com/candlemaking-soap-supplies/item/00pugcan/-pug-candle-recipe.html
Copic markers were originally developed in Japan over 25 years ago for designers and fine artists. They use permanent, alcohol-based inks that allow for blending without paper damage. Copic markers come in 334 refillable colors and have replaceable nibs, meaning the markers can last indefinitely. Their alcohol inks are permanent on many surfaces and are acid-free, waterproof, and safe for scrapbooking.
Chemigrams are abstract photographic patterns created through chemical manipulation of light-sensitive paper. Pierre Cordier discovered the process in 1956 when he found that certain resists could block the chemical effects of developer and fixer, leaving patterns. The document provides instructions for creating positive and negative chemigrams using developer, fixer, and light exposure to produce images. It encourages experimenting with different papers, chemicals, and resists to create varied effects outside of the traditional darkroom process.
Operation management of Highlighter Pen.Mamoona Zaeem
Highlighter is a variant of felt-tip pen with water-based ink that is used for marking of text. It uses vivid, translucent color that makes text stand out more without obscuring it. It is very popular with students who use them to mark important parts of text for easier learning.
The document provides instructions for creating cyanotypes, chemigrams, and pairing art and photography students. Cyanotypes are created by exposing objects or images placed on light-sensitive paper to sunlight. Chemigrams involve applying a resist like oil or sugar to photographic paper, then developing or fixing it to create light and dark rings as the resist dissolves. Students in art and photography are paired to swap and respond to each other's cyanotype or chemigram works using various media.
Similar to Thermochromic users guide demonstrates how to use color changing ink sm 142 rev01 (20)
This document describes a thermostrip product that changes color when exposed to UV light at 254 nm, allowing it to monitor exposure to UV light. The thermostrip starts clear and changes to blue the more it is exposed. It is adhesive backed and measures 2” by 1/2”. It can monitor and measure exposure to UV light used for germicidal disinfection, surface sterilization, and sterilization in clean rooms, laboratories, hospitals, and for medical instruments.
Propane Gas Level Tank Indicator (GLI) theoryJohn Romano
.The GLI is a highly sensitive thermometer that measures the temperature change on the outside of the tank caused by evaporation
.The temperature difference causes one or more of the columns on the GLI to change color right where the tank changes temperature.
.The liquid level is shown precisely where the column on the GLI changes color.
LCR Hallcrest Handbook of Liquid Crystal Technology RT006 rev01 usaJohn Romano
This document provides an introduction to thermochromic liquid crystals (TLCs), including the different types of TLC mixtures, their color change properties, applications, and Hallcrest's product range. TLCs are mixtures of organic chemicals that change color reversibly with temperature. The three major types are cholesteric, chiral nematic, and combination mixtures. TLCs are used in temperature indicators, cosmetics, research, and other applications. Hallcrest offers TLC products, a custom microencapsulation service, and tailors products to specific customer needs.
LCR Hallcrest thermochromic label training May 2015John Romano
LCR Hallcrest produces over 100 million temperature indicating labels per year from facilities in the US and UK. Their labels include irreversible wax-based labels that record the highest temperature reached and reversible liquid crystal labels that continuously display temperature through color change. They offer custom non-reversible and reversible labels in various sizes, temperatures, and colors to meet customers' needs for applications like food safety, healthcare, and industrial quality control.
Color Change Temperature (Thermochromic) Indicator ApplicationsJohn Romano
Global leader in the design development and manufacturing of temperature sensitive color changing and chemical reactive temperature measurement labels, indicators and graphics. The company services primarily the industrial and healthcare temperature measure markets with regulatory sensitive products distributed through reseller, private label and OEM channels.
LCR Hallcrest Offers Standard Temperature Indicating Product Portfolios and Designs, Develops & Manufacturers Custom / Private Label Products.
Technology & Capability
• Manufacturing and Research and Development Sites
o Glenview IL & Tampa, Florida
o Deeside & Poole, UK
• Support
o Engineering, Chemical, Regulatory
• Certifications
o CE, ISO13485, CPSIA, ROHS Compliant & FDA Registered
• Brands
o Thermax Irreversible (Permanent Color Change)
o Digitemp Reversible
Core Production Capability
• Microencapsulation (Custom)
• Formulations Inks , Dyes and Masterbatch
• Coating, Screening Printing, Laminating, Die Cutting, Blister Packing
• Labels
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
-------------------------------------------------------------------------------
Find out more about ISO training and certification services
Training: ISO/IEC 27001 Information Security Management System - EN | PECB
ISO/IEC 42001 Artificial Intelligence Management System - EN | PECB
General Data Protection Regulation (GDPR) - Training Courses - EN | PECB
Webinars: https://pecb.com/webinars
Article: https://pecb.com/article
-------------------------------------------------------------------------------
For more information about PECB:
Website: https://pecb.com/
LinkedIn: https://www.linkedin.com/company/pecb/
Facebook: https://www.facebook.com/PECBInternational/
Slideshare: http://www.slideshare.net/PECBCERTIFICATION
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
The chapter Lifelines of National Economy in Class 10 Geography focuses on the various modes of transportation and communication that play a vital role in the economic development of a country. These lifelines are crucial for the movement of goods, services, and people, thereby connecting different regions and promoting economic activities.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
Thermochromic users guide demonstrates how to use color changing ink sm 142 rev01
1. 2 TYPES OF LEUCO DYES
DEFINITION
Leuco Dyes (LD’s) change color with changes in temperature. LD’s are reversible, meaning they change color back
and forth as the temperature fluctuates. It takes about a 5ºF (3ºC) temperature change for the LD to change color.
Activation temperature points range from low refrigeration type temperatures through normal body
temperatures to high temperatures that exceed the pain threshold.
• Touch Activated Thermochromic Ink will vanish
when rubbed or touched to reveal an image or
another color painted or printed beneath.
(Color to Clear at 29ºC / 84ºF)
Think of an apple drawn or printed on a piece of
paper. The touch activated ink is painted on top of
the apple. When the newly applied ink dries and
is heated (touched, rubbed, put near a heat
source), it disappears showing the apple beneath.
• Cold Activated Thermochromic Ink is used on
labels and packaging to create a color change
when cooled. (Clear to Color at 15ºC / 59ºF)
Think of the same drawn or printed apple on
a piece paper. This time the cold activated ink is
painted on top of the apple. The cold based ink
will dry clear. When the painted piece of paper is
stimulated with cold (refrigerator or freezer, icy
liquid) the clear ink on the apple turns to a
color thus hiding the apple.
BACKGROUND
Thermochromic (TC) products predominantly change color in response to temperature fluctuations. There are two
primary types of TC’s, liquid crystals and leuco dyes.
The most famous TC application ever, the “mood” ring of the 1970’s, was a liquid crystal. Today, liquid crystals
are used in many products including forehead thermometers, room thermometers, game pieces, stress testers,
and other applications. While liquid crystal TC’s are extremely capable materials, they are difficult to work with and
require highly specialized manufacturing techniques.
The other type of TC is called a leuco dye and is commonly used in advertising, consumer packaging, product
labels, security printing, novelty applications such as temperature sensitive plastics, mugs, promotional items,
toys and textiles.
Leuco Dye products are available in a wide variety of colors, temperatures and forms, which include powder, slurry,
water and solvent based ink, epoxy, and master batch.
COLOR TO CLEAR CLEAR TO COLOR
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15
59
29
84
ro
te
15°C
59°F
29°C
84°F
room
temp.
Thermochromic Leuco Dye
Art Kit Users Guide
SM142 Rev01 1-3
2. MAKING THE INK
Mix all the contents of the binder bottle with the contents of the slurry bottle. This is a correct weight ratio of 1 to 1 and will make
approximately 1/4 C thermochromic leuco dye screen ink. Stir until you see a unified mixture.
MIXING COLORS
Thermochromic ink colors can be mixed with other thermochromic ink colors. The resulting “Touch Sensitive” mixed
ink color will turn to clear when touched (heated). For cold activated ink, the clear ink will transform into the stated mixed color
when chilled.
Thermochromic ink colors can also be mixed with colored acrylic house paint or artist’s quality acrylic paint.
The result would be that only the thermochromic ink color would change with heat, leaving the original acrylic color behind.
TOUCH ACTIVATED LEUCO DYE KIT
Qty Size Slurry Color Activation
Temperature
1 50g Black Slurry 29°C/84°F
1 50g Binder
1 50g Blue Slurry 29°C/84°F
1 50g Binder
1 50g Red Slurry 29°C/84°F
1 50g Binder
TOUCH ACTIVATED LEUCO DYES COLD ACTIVATED LEUCO DYES
COLD ACTIVATED LEUCO DYE KIT
Qty Size Slurry Color Activation
Temperature
1 50g Black Slurry 15°C/59°F
1 50g Binder
1 50g Blue Slurry 15°C/59°F
1 50g Binder
1 50g Red Slurry 15°C/59°F
1 50g Binder
CONTENTS OF KIT
With the contents of this kit you will be able to experiment with both heat and/or cold activated ink.
TOUCH ACTIVATED LEUCO DYES COLD ACTIVATED LEUCO DYES
NORMAL
NORMAL
COOLED
COOLED
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
Red Thermochromic Ink
Black Thermochromic Ink
Mixed{ Red Thermochromic Ink
Black Thermochromic Ink
Mixed{
NORMAL
NORMAL
TOUCHED(HEAT)
TOUCHED (HEAT)
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
Mixed{Blue Thermochromic Ink
Yellow Acrylic Paint
Blue Thermochromic Ink
disappears when touched
(heated) leaving only
yellow acrylic.
Blue Thermochromic Ink
and yellow acrylic paint mix
to make green. At room
temperature, all colors show.
Red thermochromic ink
and black thermochromic ink
combine to make dark red.
At room temperature, all
colors show.
When touched (heated), red,
black and mixed colors
disappear.
Red thermochromic ink,
and black thermochromic ink
and mixed dark red both dry
clear at room temperature.
When cooled, red, black and
mixed colors appear.
Blue Thermochromic Ink
and mixed green dry clear
showing yellow acrylic only.
When cooled, blue and
mixed green appear.
Mixed{Blue Thermochromic Ink
Yellow Acrylic Paint
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
15°C
59°F
29°C
84°F
room
temp.
SM142 Rev01 2-3
3. See PDS 012 Rev01 Thermochromic Water Based Screen Ink for additional product information including cleaning and storage instructions.
DILUTION
Dilute with water. Inks work when thinned. Too keep a more opaque look, do not dilute.
APPLYING INK
Ink can be applied with a brush, pad, roller or used as a screen ink (silk screening).
FINISHED LOOK
Paint dries to a matte finish. Ink will not come off on skin. Use laminate or over varnish (spot or spray) for more glossy look.
PAINT ON ANY SURFACE
Best on absorbent paper and board substrates. Plastics, glass, wood, and ceramic all make good surfaces as well.
DRYING
Use hot air dryers or IR lamps set to a maximum temperature of 70°C/158°F. Air drying time varies depending on ink thickness.
FADING
UV light will break down the ink over time. Protect painted surface with a UV protective varnish if painted item is to be used outdoors.
CLEAN UP
Thermochromic ink is water based and can be cleaned with water only.
Use with adequate ventilation.
Applications are only limited by the imagination!.
Unique Decorations
Painted hurricane candle holders
turn colors when warmed by a flame.
*Hint-Keep thermochromic ink above
or close to the flame to increase heat
and color shift effect.
Children Learning and Fun
Mix learning and fun with
secret messages. Paint over
permanent marker. Rub dry
ink to reveal message.
*Hint-Use similar colored
marker and ink to help hide
the message.
Art Projects
Paint labels with a base color and cover
with a thermochromic ink to create dramatic
effect labels for craft projects
APPLICATION
IDEAS
Touch Activated
Heat
Activated
Home Projects and Crafts
Paint mug with Thermochromic ink and watch it
disappear when hot drinks are poured into the mug.
*Hint-Mix thermochromic ink and acrylic paint to
make even more dramatic color changes!
hallcrest.com | Glenview, ILSM142 Rev01 3-3