This document provides a character summary and biography of Sir Philip Sidney. Some key points:
- Sidney embodied the Renaissance ideal as a soldier, scholar, poet, critic, courtier and diplomat with broad interests.
- He was well-educated at Shrewsbury School and Oxford before traveling throughout Europe.
- Sidney held several political roles under Queen Elizabeth I, advising her on foreign affairs and serving in Parliament.
- He volunteered to fight for the Protestant cause in the Netherlands and died at age 31 from an injury sustained in battle.
- Sidney wrote the influential works The Defense of Poesy and Arcadia, as well as the sonnet sequence Astrophil and St
Samuel Taylor Coleridge, his life and works
Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
An Apology for Poetry was written by the Elizabethan writer Philip Sidney in his defence of poetry from the accusation that was made by Stephen Gosson in his work "School of Abuse".
Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar, and soldier, who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry), and The Countess of Pembroke's Arcadia.
His artistic contacts were more peaceful and more significant for his lasting fame. During his absence from court, he wrote Astrophel and Stella and the first draft of The Arcadia and The Defence of Poesy. Somewhat earlier, he had met Edmund Spenser, who dedicated The Shepheardes Calender to him. Other literary contacts included membership, along with his friends and fellow poets Fulke Greville, Edward Dyer, Edmund Spenser and Gabriel Harvey, of the (possibly fictitious) 'Areopagus', a humanist endeavour to classicise English verse.
Both through his family heritage and his personal experience (he was in Walsingham's house in Paris during the St. Bartholomew's Day Massacre), Sidney was a keenly militant Protestant. In the 1570s, he had persuaded John Casimir to consider proposals for a united Protestant effort against the Roman Catholic Church and Spain. In the early 1580s, he argued unsuccessfully for an assault on Spain itself. Promoted General of Horse in 1583,[1] his enthusiasm for the Protestant struggle was given a free rein when he was appointed governor of Flushing in the Netherlands in 1585. In the Netherlands, he consistently urged boldness on his superior, his uncle the Earl of Leicester. He conducted a successful raid on Spanish forces near Axel in July, 1586.
An early biography of Sidney was written by his friend and schoolfellow, Fulke Greville. While Sidney was traditionally depicted as a staunch and unwavering Protestant, recent biographers such as Katherine Duncan-Jones have suggested that his religious loyalties were more ambiguous. He was known to be friendly and sympathetic towards individual Catholics.
An Apology for Poetry(also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage.
Samuel Taylor Coleridge, his life and works
Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
An Apology for Poetry was written by the Elizabethan writer Philip Sidney in his defence of poetry from the accusation that was made by Stephen Gosson in his work "School of Abuse".
Sir Philip Sidney (30 November 1554 – 17 October 1586) was an English poet, courtier, scholar, and soldier, who is remembered as one of the most prominent figures of the Elizabethan age. His works include Astrophel and Stella, The Defence of Poesy (also known as The Defence of Poetry or An Apology for Poetry), and The Countess of Pembroke's Arcadia.
His artistic contacts were more peaceful and more significant for his lasting fame. During his absence from court, he wrote Astrophel and Stella and the first draft of The Arcadia and The Defence of Poesy. Somewhat earlier, he had met Edmund Spenser, who dedicated The Shepheardes Calender to him. Other literary contacts included membership, along with his friends and fellow poets Fulke Greville, Edward Dyer, Edmund Spenser and Gabriel Harvey, of the (possibly fictitious) 'Areopagus', a humanist endeavour to classicise English verse.
Both through his family heritage and his personal experience (he was in Walsingham's house in Paris during the St. Bartholomew's Day Massacre), Sidney was a keenly militant Protestant. In the 1570s, he had persuaded John Casimir to consider proposals for a united Protestant effort against the Roman Catholic Church and Spain. In the early 1580s, he argued unsuccessfully for an assault on Spain itself. Promoted General of Horse in 1583,[1] his enthusiasm for the Protestant struggle was given a free rein when he was appointed governor of Flushing in the Netherlands in 1585. In the Netherlands, he consistently urged boldness on his superior, his uncle the Earl of Leicester. He conducted a successful raid on Spanish forces near Axel in July, 1586.
An early biography of Sidney was written by his friend and schoolfellow, Fulke Greville. While Sidney was traditionally depicted as a staunch and unwavering Protestant, recent biographers such as Katherine Duncan-Jones have suggested that his religious loyalties were more ambiguous. He was known to be friendly and sympathetic towards individual Catholics.
An Apology for Poetry(also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage.
The seventeenth century upto 1660 was dominated by Puritanism and it may be called puritan Age or the Age of Milton, who was the noblest representative of the puritan spirit.
Literary Criticism - Essay on Dramatic PoesyRohitVyas25
John Dryden has given good criticism for dramatic poesy. Here in this presentation, I've put introduction of the original essay and Dryden's definition of play.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
The seventeenth century upto 1660 was dominated by Puritanism and it may be called puritan Age or the Age of Milton, who was the noblest representative of the puritan spirit.
Literary Criticism - Essay on Dramatic PoesyRohitVyas25
John Dryden has given good criticism for dramatic poesy. Here in this presentation, I've put introduction of the original essay and Dryden's definition of play.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
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2. Character summary
• Embodying the Renaissance Man ideal Soldier, scholar, poet,
critic, courtier and diplomat
• Breadth of interests
• Dedication of More than 40 works by English and European
Authors
• Poet Edmond Spenser dedicated The Shepheardes Calendar
to him
Main
4. Family background
• Father: Sir Henry Sidney (a Knight by Edward VI)
• Mother: Lady Mary Dudley, daughter of the Duke of
Nothumberland
• Godfather: King Philip II of Spain
• Uncle: Robert Dudley, Earl of Leicester and the Queen’s most
trusted advisor
Main
5. Training
• Shrewsbury school where he met Fulke Greville who became
his lifelong friend and was his early biographer and a court
official under Elizabeth
• Christ Church, Oxford
• Travelling to the continent for studying foreign languages
Paris: He was there the day of the Massacre of St.
Bartholomew and hid in the house of the English Ambassador,
Sir Francis Walsingham, whose daughter Sidney married
twelve years afterwards.
Frankfort: He met Hubert Languet, this French Huguenot,
learned and zealous for the Protestant cause, saw Sidney the
main hope of the Protestant cause in Europe.
Main
6. politics
• Sent on a formal embassy to Rudolph II. upon his becoming
Emperor of Germany
• Wrote privately to the Queen advising her against a proposal
that she enter into a marriage with a Duke of Anjon
• Member of Parliament for Kent
• Interested in the newly discovered America, and the project to
establish the American colony of Virginia
• Official activities were largely ceremonial- attending on the
Queen at court and accompanying her on progresses about
the country
Main
7. Injury and death
• Governor of the town of Flushing and given command of a
company of cavalry
• Volunteered to serve in battle of Zupohen
• His thigh was shattered by a bullet, fighting for the Protestant
cause against the Spanish and died 26 days later, at the age of
31.
• There was a state funeral at St. Paul's Cathedral on16th Feb
1587, first commoner to receive such a tribute.
8. • While lying injured, Sidney , saw a dying soldier carried past,
who eyed it greedily. At once he gave the water to the soldier,
saying, "Thy necessity is yet greater than mine." Sidney lived
on, patient in suffering, until the 17th of October.
• This story demonstrates his self-sacrifice and nobility.
Main
10. Arcadia
• Wrote for her amusement of her sister when she had her baby
first upon her hands
• After his death it was published in 1590 as "The Countess of
Pembroke's Arcadia.“
• Influenced the productions of no fewer than nine playwrights,
including Shakespeare, Beaumont and Fletcher, and Shirley
• Summary: the Duke of Arcadia, Basilius, receives a bleak
prediction: his daughters will be stolen by undesirable suitors,
he will be cuckolded by his wife, and his throne will be usurped
by a foreign state
Main
11. Defense of Poesy
• The finest work of Elizabethan literary criticism
• His style is clear, direct, and manly; not the less, but the more,
thoughtful and refined for its unaffected simplicity
• Believed that he was motivated by Stephen Gosson, a former
playwright who dedicated his attack on the English stage, The
School of Abuse, to Sidney in 1579
• Offers comments on Edmund Spenser and the Elizabethan
stage
Main
12. Astrophil And Stella
• A treatment of courtly love between two "star crossed" lovers
• Although the sonnets take a lyrical form, this sequence has a
strong narrative thread, emphasized by the 11 additional songs,
which offer a slightly more objective view of the two lovers than
Astrophil's subjective sonnets
• Not the most passionate love poetry ever written, but one of the
great poetic achievements of the Elizabethan age
Main
13. Progress of story in the poem
Major themes
Analysis
Final points
Main
14. Progress of story in the poem
• 1-40: the beloved is a distance figure
• 40: first intimate relation
• 66: sign of love from Stella
• 69: she confesses her love for him but asks a platonic love
• 73: stolen kiss
• Up to 80: her anger, his excuses
• 84: journey to her house
• 86: the change in her looks
• 93: grief for an unknown action
• 94-100: he is mourning for his action
• 102: her sickness
• 104:he meets her on the boat
• 108: her love is not shading from his heart
Main
15. The topic
• Breaks the convention of naming
• Employing a Greek name (Astrophil) and a Latin one (Stella)
introduced the idea of contradiction and ambiguity and the
impossibility of the realization of their love
• Their meaning illustrate the impossibility of reaching or
obtaining one
16. First sonnet
• A cause and effect series that describes the state of our "star
lover,"
• Then accepted practice of turning to the works of others to find
inspiration
• Disgusted with himself for attempting a pathetic approach
• 'Fool,' said my Muse to me, 'look into they heart and write'
• Alliteration, metaphor, Personification, pun, synecdoche
Main
17. Major themes
• Poetic ability
• Day vs. night
• Love vs. desire
• Reason vs. love
• Greece mythology: Cupid
• Petrarch
18. Main
My mouth doth water, and my breast doth swell,
My tongue doth itch, my thoughts in labour be:
Listen then, lordings, with good ear to me,
For of my life I must a riddle tell.
Toward Auroras Court a nymph doth dwell,
Rich in all beauties which mans eye can see;
Beauties so farre from reach of words that we
Abase her praise saying she doth excell;
Rich in the treasure of deseru'd renowne,
Rich in the riches of a royall heart,
Rich in those gifts which giue th'eternall crowne;
Who, though most rich in these and eu'ry part
Which make the patents of true worldy blisse,
Hath no misfortune but that Rich she is.
Lady Rich
20. Fulke Greville in his book : Life of Sidney
His end was not writing, even while he wrote; nor his
knowledge molded for tables, or schools; but both his wit
and understanding bent upon his heart, to make himself and
others, not in words or opinion, but in life and action, good
and great.