Shooting location
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The document discusses potential shooting locations for the opening of a film. It will begin in an alleyway with the hitman smoking and then entering a dark office to meet with his female boss. The alleyway will set the mysterious tone and only show the hitman's eyes until he enters the dimly lit office, where the boss will give him his next assignment from blueprints on the desk under a single lamp.
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Mise en-scene for our opening – write up in
The document discusses the mise-en-scene plans for the opening of a thriller film. It will feature a female boss and a hitman. Their costumes will be dark to convey danger and power. Minimal makeup will be used except for the boss, who will look sophisticated. The opening scene takes place in an alley where the hitman smokes, then in a dimly lit office where the boss briefs the hitman. Props like cigarettes and office items will be used to set the scene and intrigue audiences with mystery.
Product research buried
Paul Conroy, an American truck driver working in Iraq, wakes up buried alive inside a wooden coffin with only a lighter and cell phone. He realizes there is not enough air to survive long. Through phone calls to the outside world, who struggles to locate him, Paul must rely on himself to escape this claustrophobic death trap in the desert. Facial close-ups are used to show Paul's fear, pain, and determination as he fights for survival against the clock. Dark backgrounds and limited lighting focus viewer attention on Paul's plight and unknown fate.
Mise en scene
The document analyzes the micro elements used in the opening scene of a horror film. It discusses how the setting of a kitchen at nighttime establishes the genre conventions of horror. Various shots like extreme closeups, closeups and medium shots are used to focus attention on specific objects or show the main character's facial expressions and body language of fear. Elements such as costume, props, and diegetic sounds are employed to make the scene seem realistic and believable. The slow pace and lack of non-diegetic music and sounds heighten the suspense and tension without distracting from the diegetic elements within the scene.
Mise en scene
The document analyzes the micro elements used in the opening scene of a horror film. It discusses how the setting of a kitchen at nighttime establishes the genre conventions of horror. Various shots like extreme closeups, closeups and medium shots are used to focus attention on specific objects or show the main character's facial expressions and body language of fear. Elements such as costume, props, and diegetic sounds are employed to make the scene seem realistic and believable. The slow pace and lack of non-diegetic music and sounds heighten the suspense and tension without distracting from the diegetic elements within the scene.
Question 1 evaluation by Raj
The document discusses the opening scene of a thriller film. It analyzes several shots from the scene: 1) A point-of-view shot of the protagonist waking up disoriented from a coma. 2) A mid-shot of the protagonist in low-key lighting walking through the house in shadows to build mystery. 3) A close-up mid-shot of the protagonist walking towards the front door in a quiet, empty house signifying the thriller genre. The scene ends with the protagonist walking through a bright white light, leaving the audience wondering where he is headed and maintaining an element of mystery.
Evaluation send
This document provides an evaluation of 9 frames from a trailer:
1. The first frame shows a classroom setting to immediately identify the school setting and associate it with the protagonist.
2. The second frame shows a man in a suit to indicate he is receiving disciplinary action, establishing a shift in mood.
3. The third frame shows a character hiding a stick, creating danger and showing he received disciplinary action and his intentions are not good.
4. The fourth frame uses a point-of-view shot to create enigma about who is running and where, while darkening the setting to show isolation with an added heartbeat.
5. The opening frame does not immediately reveal the horror genre
Photo/Storyboard
This document discusses filming techniques for a movie trailer. It describes several shots of the main character that will be used in the trailer, including medium close-ups, establishing long shots, and close-ups of the character's face and phone. The shots are intended to introduce the main character while maintaining an air of mystery and building suspense for the audience through the use of varying shot types, scales, and a focus on specific facial features rather than full shots of the character.
Mediaaaa
The document discusses how different camera shots and techniques are used in film openings to set tone and provide meaning, focusing on the techniques of mise-en-scene, close-ups, medium shots, long shots, pans, tilts, zooms, and cuts. It analyzes several example shots from movie openings, examining how elements like setting, costumes, expressions, and props are used to convey information about characters and the story.
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Mise en-scene for our opening – write up in
The document discusses the mise-en-scene plans for the opening of a thriller film. It will feature a female boss and a hitman. Their costumes will be dark to convey danger and power. Minimal makeup will be used except for the boss, who will look sophisticated. The opening scene takes place in an alley where the hitman smokes, then in a dimly lit office where the boss briefs the hitman. Props like cigarettes and office items will be used to set the scene and intrigue audiences with mystery.
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Paul Conroy, an American truck driver working in Iraq, wakes up buried alive inside a wooden coffin with only a lighter and cell phone. He realizes there is not enough air to survive long. Through phone calls to the outside world, who struggles to locate him, Paul must rely on himself to escape this claustrophobic death trap in the desert. Facial close-ups are used to show Paul's fear, pain, and determination as he fights for survival against the clock. Dark backgrounds and limited lighting focus viewer attention on Paul's plight and unknown fate.
Mise en scene
The document analyzes the micro elements used in the opening scene of a horror film. It discusses how the setting of a kitchen at nighttime establishes the genre conventions of horror. Various shots like extreme closeups, closeups and medium shots are used to focus attention on specific objects or show the main character's facial expressions and body language of fear. Elements such as costume, props, and diegetic sounds are employed to make the scene seem realistic and believable. The slow pace and lack of non-diegetic music and sounds heighten the suspense and tension without distracting from the diegetic elements within the scene.
Mise en scene
The document analyzes the micro elements used in the opening scene of a horror film. It discusses how the setting of a kitchen at nighttime establishes the genre conventions of horror. Various shots like extreme closeups, closeups and medium shots are used to focus attention on specific objects or show the main character's facial expressions and body language of fear. Elements such as costume, props, and diegetic sounds are employed to make the scene seem realistic and believable. The slow pace and lack of non-diegetic music and sounds heighten the suspense and tension without distracting from the diegetic elements within the scene.
Question 1 evaluation by Raj
The document discusses the opening scene of a thriller film. It analyzes several shots from the scene: 1) A point-of-view shot of the protagonist waking up disoriented from a coma. 2) A mid-shot of the protagonist in low-key lighting walking through the house in shadows to build mystery. 3) A close-up mid-shot of the protagonist walking towards the front door in a quiet, empty house signifying the thriller genre. The scene ends with the protagonist walking through a bright white light, leaving the audience wondering where he is headed and maintaining an element of mystery.
Evaluation send
This document provides an evaluation of 9 frames from a trailer:
1. The first frame shows a classroom setting to immediately identify the school setting and associate it with the protagonist.
2. The second frame shows a man in a suit to indicate he is receiving disciplinary action, establishing a shift in mood.
3. The third frame shows a character hiding a stick, creating danger and showing he received disciplinary action and his intentions are not good.
4. The fourth frame uses a point-of-view shot to create enigma about who is running and where, while darkening the setting to show isolation with an added heartbeat.
5. The opening frame does not immediately reveal the horror genre
Photo/Storyboard
This document discusses filming techniques for a movie trailer. It describes several shots of the main character that will be used in the trailer, including medium close-ups, establishing long shots, and close-ups of the character's face and phone. The shots are intended to introduce the main character while maintaining an air of mystery and building suspense for the audience through the use of varying shot types, scales, and a focus on specific facial features rather than full shots of the character.
Mediaaaa
The document discusses how different camera shots and techniques are used in film openings to set tone and provide meaning, focusing on the techniques of mise-en-scene, close-ups, medium shots, long shots, pans, tilts, zooms, and cuts. It analyzes several example shots from movie openings, examining how elements like setting, costumes, expressions, and props are used to convey information about characters and the story.
Camera shots and angles
The document discusses different types of camera shots and angles used in filmmaking, including establishing shots, long shots, medium shots, close-ups, high and low angles, over the shoulder shots, and two shots. Each shot type is defined and an example is given of how it is used to convey information to the audience about characters, settings, and emotions.
Shot types in horror films
Horror films commonly use close-up shots to create atmosphere and increase audience fear by showing character facial expressions. Close-ups reveal emotions and create emphasis, according to film theorist Goddard who believed they were invented for tragedy. Extreme close-ups, as in Hitchcock's shower scene in Psycho, add dramatic effect. For a horror film trailer, the document author will use various close-ups of the main protagonist only to increase audience involvement and tension as she is in danger.
Shots and angles analysis
This document discusses different camera shots and angles used in horror films and provides examples from Carrie, Insidious 3, and Don't Breathe. It describes establishing shots that set the scene, high angle shots that make characters seem vulnerable, close-up shots that show facial expressions to build tension, point-of-view shots that put the audience in the character's perspective, and over-the-shoulder shots that create tension by showing what's happening around a character. These various shots are effective techniques for horror films to engage audiences and build mystery, fear and anticipation.
Shots and angles analysis
This document discusses different camera shots and angles used in horror films and provides examples from Carrie, Insidious 3, and Don't Breathe. It describes establishing shots that set the scene, high angle shots that make characters seem vulnerable, close-up shots that show facial expressions to build tension, point-of-view shots that put the audience in the character's perspective, and over-the-shoulder shots that create tension by showing what's happening around a character. These various shots are effective techniques for horror films to engage audiences and increase fear and anticipation of scary events.
Conventional camera shots in horror movie trailers
This document discusses different camera shots that are commonly used in horror movie trailers to create suspense and fear. It describes wide or long shots that make characters feel isolated and vulnerable. It also mentions dolly or tracking shots that give the impression a protagonist is being followed or stalked. Establishing shots are used at the beginning of trailers to set the isolated or ominous location. Point-of-view shots allow the audience to see what the victim sees or that a protagonist is being watched or hunted. Close-ups draw the viewer in to observe reactions and emotions like fear.
Shot types in horror films
The document discusses different types of close-up shots that are commonly used in horror films. Close-ups are used to create atmosphere and increase fear by showing a character's facial expressions. They reveal emotions and create emphasis and suspense by focusing only on the character's face. For their horror film trailer, the author will use various close-ups of the main protagonist to make the audience feel more involved and tense as the character is in danger. Examples of shots they may use include establishing shots to familiarize viewers with the setting, long shots that show full human figures, and hand-held shots to create a sense of realism, though they will not use the last type.
Different types of shot
Long shots show the entire body and are used to establish scenes. Medium shots show people from the waist up and are used for conversations that may include other people. Close shots focus on faces to show emotions and connect with actors during intimate scenes. Point of view shots allow the viewer to see exactly what a character sees to experience the story from their perspective.
Media work
This document analyzes shots from a horror movie trailer. It discusses how various shots are used effectively or unconventionally to engage the audience. Shots show an ordinary couple before the horror begins to allow audience connection. Later shots depict the victims in danger from antagonists, keeping the audience on edge through suspenseful angles and lighting. The final shot unexpectedly reveals all three antagonists clearly over their victims to end on an impactful note given it's based on a true story.
Research camera angles
This document discusses research into effective camera angles for horror trailers. It analyzes angles used in the trailers for films like Sinister and The Exorcism of Emily Rose. Wide establishing shots are used to set the location and context. Medium shots of characters introduce them and show relationships. High angles suggest vulnerability while low angles make a location seem eerie. Shots like over-the-shoulder POV shots draw the audience in. Mysterious close-ups of objects pique curiosity. The document concludes with recommendations for camera angles to use in a horror trailer based on this research.
Media
The opening sequence of the mystery thriller film establishes a sense of intrigue and mystery through its use of various film techniques. Shots quickly cut between a woman smiling during a photo shoot and then being strangled in an attack. This leaves the audience questioning what is happening. Minimal colors and a typewriter title font set a serious tone. Clues suggest the narrative will involve photography in some way, but many details are unclear, enhancing the mystery.
Evaluation of pictures
The document summarizes shots planned for a horror film teaser trailer:
1) A wide shot is used to establish the creepy forest location at night with good lighting.
2) A mid shot shows the central character Rosaline walking with her back to the camera, to introduce her and imply she is being followed.
3) A close side shot of the villain focuses purely on him, creating mystery through only showing his nose.
The shots are designed to introduce characters and locations while hinting at danger and an unknown stalker following Rosaline, leaving the audience with an ominous cliffhanger.
Horror Camera Shots
This document discusses various camera angles and shots commonly used in horror movies to build suspense and tension. Close-up shots are used to show a victim's reaction. Tracking shots follow a killer or stalker chasing their victim. Zoom shots quickly reveal hidden objects. Wide shots establish the setting, while low angles make villains seem intimidating. Over the shoulder shots build tension near reflective surfaces. Handheld cameras put the viewer in the victim's perspective. Bird's eye views portray victims as vulnerable. Centered angles signify something is wrong. These techniques manipulate viewers' emotions and immerse them in the horror story.
Evaluation part 1
The document provides an evaluation of a film opening in 3 sentences or less for each section:
The titles used consistency in font and style to fit the thriller genre. The opening shot showed a mysterious and fast-paced action/thriller through a character confrontation ending in a cliffhanger. Various techniques like camera movements, locations, and special effects like filters were used to further mystery and engage audiences in typical thriller conventions.
Advert and dps_drafts
Charlotte Martin has drafted several advertisements and a digital press sheet (DPS) for her documentary coursework on the case of Penelope. Her drafts explore using silhouettes of Penelope and other victims against a light background to highlight Penelope's story. She considers fonts with lines to represent blood or mud and adding quotes to provide context. Martin's preferred DPS draft places the image on the right with text on the left in different shapes. It features Penelope's face and stories of other victims. The background will be black to focus attention on the unsettling image.
Film Language - narrative
The document discusses narratives and how they are defined as a chain of causally and temporally linked events that build to a resolution. A narrative is established when a series of events can be understood as causes and effects that resolve a conflict, while a random grouping of events without causal or temporal links would not be considered a narrative. The document also examines different narrative devices and techniques used to introduce characters and settings such as narration, exposition, and establishing causal relationships between plot points.
Bfi research
The document discusses techniques used in opening sequences of thriller films, including The 39 Steps, Peeping Tom, and The Arbor. It covers the use of shadows to hide identity in The 39 Steps, close-ups to emphasize being watched in Peeping Tom, and the symbolic use of color in the titles of The Arbor. The document also evaluates how The Arbor conforms to thriller conventions through its use of low-key lighting and a potentially dangerous fire scene.
Shot types within horror films the evil dead
This document analyzes 9 different shot types from the horror film "The Evil Dead" and how they could be used in a film trailer. It describes each shot, including the type of shot, why it was used, its function, when it would appear, and how the information could be applied to making a film trailer. The shots establish settings, characters, story elements, tension, and horror through techniques like close-ups, establishing shots, typography, and revealing scary creatures. Taken together, the shots are meant to represent the horror genre and scare the audience from the beginning to the end of the trailer.
How have you used or challenged forms and
This document discusses how the filmmaker challenged conventions and used techniques from other thrillers in their own psychological thriller. They included a direct camera address to make the audience uncomfortable and feel like they were in the main character's shoes. They also blurred the point-of-view to suggest the character was on drugs or drunk. Tension was created through eye contact between strangers in shots like those passing in a doorframe. Mirror shots and reactions were used to increase tension like in 24. Point-of-view and peephole shots placed the audience in the character's paranoid perspective.
Task 7 evaluation (1)
This document discusses the filming of a preliminary exercise and ways to improve various shots. It analyzes different camera shots taken of a building, a child's bedroom, and a spy character. The shots are evaluated and suggestions are provided for improving angles, reveals, and continuity between shots. The use of camera positioning and types of shots to tell a story and keep characters anonymous is also assessed.
Short film analysis (black hole)
The short film "The Black Hole" takes place in a messy office environment where the protagonist seems unhappy with his job. Through his facial expressions and actions towards the photocopier, it is clear he is displeased. When he notices that a white piece of paper is actually a black hole, a low angle shot is used to make the protagonist appear powerful in his discovery. Throughout the film, the editing and sound create an atmosphere of a boring work environment until the protagonist finds the black hole, when the pace quickens. The lighting in the office is mostly dark, conveying a horrible work atmosphere and the protagonist's growing greed as the film develops further.
Crook - Locations
The document outlines several locations that will be used for the short film "Crook". The main locations include the home of Detective Foster, which may change if the filmmaker moves houses. An office space will also be used for a scene where Detective Foster throws things off his desk in frustration. Additional locations mentioned are a large field, alleyway, and a garage or shed. Further details are provided about scenes planned for each location to advance the plot involving Detective Foster and the serial killer known as The Gripwell Killer.
Mis En Scene
The film will be shot in various locations in London to portray different characters - a poor teenager in northwest London and a businessman closer to the city. Costumes will distinguish the characters' classes, with the teenager dressed raggedly and the businessman professionally. As director, body language and facial expressions will emphasize stereotypes with the businessman walking confidently and the teenager looking uneasy. Properties like a suitcase and plastic bag will further develop the characters. Available lighting from buildings and outdoors will be used, filming during the day. A cold, lonely color scheme and soft background music will set an enigmatic tone, changing based on the scene's emotions.
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Camera shots and angles
The document discusses different types of camera shots and angles used in filmmaking, including establishing shots, long shots, medium shots, close-ups, high and low angles, over the shoulder shots, and two shots. Each shot type is defined and an example is given of how it is used to convey information to the audience about characters, settings, and emotions.
Shot types in horror films
Horror films commonly use close-up shots to create atmosphere and increase audience fear by showing character facial expressions. Close-ups reveal emotions and create emphasis, according to film theorist Goddard who believed they were invented for tragedy. Extreme close-ups, as in Hitchcock's shower scene in Psycho, add dramatic effect. For a horror film trailer, the document author will use various close-ups of the main protagonist only to increase audience involvement and tension as she is in danger.
Shots and angles analysis
This document discusses different camera shots and angles used in horror films and provides examples from Carrie, Insidious 3, and Don't Breathe. It describes establishing shots that set the scene, high angle shots that make characters seem vulnerable, close-up shots that show facial expressions to build tension, point-of-view shots that put the audience in the character's perspective, and over-the-shoulder shots that create tension by showing what's happening around a character. These various shots are effective techniques for horror films to engage audiences and build mystery, fear and anticipation.
Shots and angles analysis
This document discusses different camera shots and angles used in horror films and provides examples from Carrie, Insidious 3, and Don't Breathe. It describes establishing shots that set the scene, high angle shots that make characters seem vulnerable, close-up shots that show facial expressions to build tension, point-of-view shots that put the audience in the character's perspective, and over-the-shoulder shots that create tension by showing what's happening around a character. These various shots are effective techniques for horror films to engage audiences and increase fear and anticipation of scary events.
Conventional camera shots in horror movie trailers
This document discusses different camera shots that are commonly used in horror movie trailers to create suspense and fear. It describes wide or long shots that make characters feel isolated and vulnerable. It also mentions dolly or tracking shots that give the impression a protagonist is being followed or stalked. Establishing shots are used at the beginning of trailers to set the isolated or ominous location. Point-of-view shots allow the audience to see what the victim sees or that a protagonist is being watched or hunted. Close-ups draw the viewer in to observe reactions and emotions like fear.
Shot types in horror films
The document discusses different types of close-up shots that are commonly used in horror films. Close-ups are used to create atmosphere and increase fear by showing a character's facial expressions. They reveal emotions and create emphasis and suspense by focusing only on the character's face. For their horror film trailer, the author will use various close-ups of the main protagonist to make the audience feel more involved and tense as the character is in danger. Examples of shots they may use include establishing shots to familiarize viewers with the setting, long shots that show full human figures, and hand-held shots to create a sense of realism, though they will not use the last type.
Different types of shot
Long shots show the entire body and are used to establish scenes. Medium shots show people from the waist up and are used for conversations that may include other people. Close shots focus on faces to show emotions and connect with actors during intimate scenes. Point of view shots allow the viewer to see exactly what a character sees to experience the story from their perspective.
Media work
This document analyzes shots from a horror movie trailer. It discusses how various shots are used effectively or unconventionally to engage the audience. Shots show an ordinary couple before the horror begins to allow audience connection. Later shots depict the victims in danger from antagonists, keeping the audience on edge through suspenseful angles and lighting. The final shot unexpectedly reveals all three antagonists clearly over their victims to end on an impactful note given it's based on a true story.
Research camera angles
This document discusses research into effective camera angles for horror trailers. It analyzes angles used in the trailers for films like Sinister and The Exorcism of Emily Rose. Wide establishing shots are used to set the location and context. Medium shots of characters introduce them and show relationships. High angles suggest vulnerability while low angles make a location seem eerie. Shots like over-the-shoulder POV shots draw the audience in. Mysterious close-ups of objects pique curiosity. The document concludes with recommendations for camera angles to use in a horror trailer based on this research.
Media
The opening sequence of the mystery thriller film establishes a sense of intrigue and mystery through its use of various film techniques. Shots quickly cut between a woman smiling during a photo shoot and then being strangled in an attack. This leaves the audience questioning what is happening. Minimal colors and a typewriter title font set a serious tone. Clues suggest the narrative will involve photography in some way, but many details are unclear, enhancing the mystery.
Evaluation of pictures
The document summarizes shots planned for a horror film teaser trailer:
1) A wide shot is used to establish the creepy forest location at night with good lighting.
2) A mid shot shows the central character Rosaline walking with her back to the camera, to introduce her and imply she is being followed.
3) A close side shot of the villain focuses purely on him, creating mystery through only showing his nose.
The shots are designed to introduce characters and locations while hinting at danger and an unknown stalker following Rosaline, leaving the audience with an ominous cliffhanger.
Horror Camera Shots
This document discusses various camera angles and shots commonly used in horror movies to build suspense and tension. Close-up shots are used to show a victim's reaction. Tracking shots follow a killer or stalker chasing their victim. Zoom shots quickly reveal hidden objects. Wide shots establish the setting, while low angles make villains seem intimidating. Over the shoulder shots build tension near reflective surfaces. Handheld cameras put the viewer in the victim's perspective. Bird's eye views portray victims as vulnerable. Centered angles signify something is wrong. These techniques manipulate viewers' emotions and immerse them in the horror story.
Evaluation part 1
The document provides an evaluation of a film opening in 3 sentences or less for each section:
The titles used consistency in font and style to fit the thriller genre. The opening shot showed a mysterious and fast-paced action/thriller through a character confrontation ending in a cliffhanger. Various techniques like camera movements, locations, and special effects like filters were used to further mystery and engage audiences in typical thriller conventions.
Advert and dps_drafts
Charlotte Martin has drafted several advertisements and a digital press sheet (DPS) for her documentary coursework on the case of Penelope. Her drafts explore using silhouettes of Penelope and other victims against a light background to highlight Penelope's story. She considers fonts with lines to represent blood or mud and adding quotes to provide context. Martin's preferred DPS draft places the image on the right with text on the left in different shapes. It features Penelope's face and stories of other victims. The background will be black to focus attention on the unsettling image.
Film Language - narrative
The document discusses narratives and how they are defined as a chain of causally and temporally linked events that build to a resolution. A narrative is established when a series of events can be understood as causes and effects that resolve a conflict, while a random grouping of events without causal or temporal links would not be considered a narrative. The document also examines different narrative devices and techniques used to introduce characters and settings such as narration, exposition, and establishing causal relationships between plot points.
Bfi research
The document discusses techniques used in opening sequences of thriller films, including The 39 Steps, Peeping Tom, and The Arbor. It covers the use of shadows to hide identity in The 39 Steps, close-ups to emphasize being watched in Peeping Tom, and the symbolic use of color in the titles of The Arbor. The document also evaluates how The Arbor conforms to thriller conventions through its use of low-key lighting and a potentially dangerous fire scene.
Shot types within horror films the evil dead
This document analyzes 9 different shot types from the horror film "The Evil Dead" and how they could be used in a film trailer. It describes each shot, including the type of shot, why it was used, its function, when it would appear, and how the information could be applied to making a film trailer. The shots establish settings, characters, story elements, tension, and horror through techniques like close-ups, establishing shots, typography, and revealing scary creatures. Taken together, the shots are meant to represent the horror genre and scare the audience from the beginning to the end of the trailer.
How have you used or challenged forms and
This document discusses how the filmmaker challenged conventions and used techniques from other thrillers in their own psychological thriller. They included a direct camera address to make the audience uncomfortable and feel like they were in the main character's shoes. They also blurred the point-of-view to suggest the character was on drugs or drunk. Tension was created through eye contact between strangers in shots like those passing in a doorframe. Mirror shots and reactions were used to increase tension like in 24. Point-of-view and peephole shots placed the audience in the character's paranoid perspective.
Task 7 evaluation (1)
This document discusses the filming of a preliminary exercise and ways to improve various shots. It analyzes different camera shots taken of a building, a child's bedroom, and a spy character. The shots are evaluated and suggestions are provided for improving angles, reveals, and continuity between shots. The use of camera positioning and types of shots to tell a story and keep characters anonymous is also assessed.
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Conventional camera shots in horror movie trailers
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Similar to Shooting location
Short film analysis (black hole)
The short film "The Black Hole" takes place in a messy office environment where the protagonist seems unhappy with his job. Through his facial expressions and actions towards the photocopier, it is clear he is displeased. When he notices that a white piece of paper is actually a black hole, a low angle shot is used to make the protagonist appear powerful in his discovery. Throughout the film, the editing and sound create an atmosphere of a boring work environment until the protagonist finds the black hole, when the pace quickens. The lighting in the office is mostly dark, conveying a horrible work atmosphere and the protagonist's growing greed as the film develops further.
Crook - Locations
The document outlines several locations that will be used for the short film "Crook". The main locations include the home of Detective Foster, which may change if the filmmaker moves houses. An office space will also be used for a scene where Detective Foster throws things off his desk in frustration. Additional locations mentioned are a large field, alleyway, and a garage or shed. Further details are provided about scenes planned for each location to advance the plot involving Detective Foster and the serial killer known as The Gripwell Killer.
Mis En Scene
The film will be shot in various locations in London to portray different characters - a poor teenager in northwest London and a businessman closer to the city. Costumes will distinguish the characters' classes, with the teenager dressed raggedly and the businessman professionally. As director, body language and facial expressions will emphasize stereotypes with the businessman walking confidently and the teenager looking uneasy. Properties like a suitcase and plastic bag will further develop the characters. Available lighting from buildings and outdoors will be used, filming during the day. A cold, lonely color scheme and soft background music will set an enigmatic tone, changing based on the scene's emotions.
Our Pitch
The document summarizes a group's idea for a horror film opening. They will focus on two teenage girls at a house in the middle of nowhere. The opening will introduce a mysterious killer through quick editing, titles, and images without dialogue to build tension. Effects like fog, darkness, and rain will be used to make the empty house seem creepy and set the atmosphere for the horror film.
Mise en-scene-planning
The document discusses the planning for the mise-en-scene of an opening thriller sequence set entirely in a lift. It summarizes the costume, hair, makeup and casting choices for 5 characters that will appear in the sequence. The characters include two businesspeople, a security guard, an average person, and a mysterious stranger. Costume choices were made to distinguish the characters' occupations and social statuses while also hinting at the impending danger. The lighting of the lift was chosen to be bright so as not to immediately signal to the audience that something is wrong, creating a false sense of security. Actors were selected based on their ability to portray the envisioned characteristics of each role.
Pitch
The document outlines the opening scenes of a crime thriller film. It will introduce a young rookie hitman working at a privatized crime agency. Through quick cut shots, the opening will show the hitman engaging in criminal activities and planning his biggest heist as he works his way up the ranks of the agency. The agency is led by a powerful female boss who asserts her authority in a controlled manner. The opening scene will show the hitman outside having a cigarette before cutting to the office scene and main title cards layered over city skyline shots and blueprints.
Eval 1....Anelka evans
This document discusses several generic conventions and challenges of thrillers that the filmmakers considered in their short film. They prioritized including suspense and tension through a stalker voyeuristically watching the main character. Their psychotic stalker character was difficult to portray within the short time constraints. The filmmakers also challenged the convention of only having male detectives by not including strong male characters or actors. They ultimately titled their film "The Hunted" because audience feedback suggested it sounded creepy and precise for the stalker character. The main prop of a phone was used to create significance and foreshadowing. Practical location issues forced changes to the originally planned setting of filming across from houses, but the new woodland location still fulfilled thriller
Evaluation Question 1- Cat
1) The film's title "Barcode" suits the sci-fi genre as it references the barcodes on the characters and is similar to titles from other sci-fi films like The Matrix.
2) The main location of the character's house is used as many sci-fi thrillers are set mostly in houses, and it looks modern fitting for the film's style.
3) The costumes of "the government" characters in dark suits are similar to the superior factions in other films like Divergent to show their power over others, supporting genre conventions.
Media Evalution
The document provides an evaluation of the opening titles for the film "Creep". It summarizes the setting, costumes, camerawork, editing, titles, and how the opening introduces the characters and establishes the genre of horror/thriller. Screenshots are included of the stalker character putting up pictures, the interview scene, and the editing process. The opening sequences shows the stalker character chasing the victim, establishing him as the antagonist and her as the vulnerable protagonist.
Media Evalution
The document provides an evaluation of the opening titles for the film "Creep". It summarizes the setting, costumes, camerawork, editing, titles, and how the opening introduces the characters and establishes the genre of horror/thriller. Screenshots are included of the different locations, costumes, camera angles, and titles used in creating the opening sequence to set up the story of an obsessive stalker character chasing his victim.
Treatment
Connor Brown will lead cinematography, while Derrick Damesi and Seun Idowu will oversee mise-en-scene under the direction of the main actor. Arlind Derri will handle sound and editing. The film, titled "Target", follows a businessman found dead in his office after being secretly followed; when searching his bag, the follower finds nothing and receives a threatening phone call saying "You're Next!". Suspense, mise-en-scene, and camera techniques will be used to build tension around the mystery of the businessman's death.
Evaluation 1 (2)
This document provides an evaluation of a media product called "God of the Hill". It summarizes key elements of the film in separate sections:
1) The opening title sequence uses graffiti-style credits with the title "God of the Hill" to set the tone of the gangster thriller genre.
2) The film is set in East London, known for gang violence and drug trafficking, with an abandoned lock-up used as a stereotypical location.
3) Costumes like black hoodies and a shovel prop follow gangster film conventions.
4) Camera techniques like point-of-view shots, long shots, and tracking shots build suspense and scenery.
5
Evaluation 1 (2)
This document provides an evaluation of a media product called "God of the Hill". It summarizes key elements of the film in separate sections:
1) The opening title sequence uses graffiti-style credits with the title "God of the Hill" to set the tone of the gangster thriller genre.
2) The film is set in East London, known for gang violence and drug trafficking, with an abandoned lock-up used as a stereotypical location.
3) Costumes like black hoodies and a shovel prop follow gangster film conventions.
4) Camera techniques like point-of-view shots, long shots, and tracking shots build suspense and scenery.
5
Evaluation
The document discusses how the media product uses and develops conventions of the spy thriller genre. It examines conventions around characters, settings, costumes, lighting, editing and camerawork. Specifically, it looks at conventions from films like Quantum of Solace and Mission Impossible and how they were applied or challenged in the opening scene. For example, close-up shots and jump cuts were used to create tension, as in Quantum of Solace, while the female character challenges conventions by having power and wearing black instead of just being a damsel in distress. The goal was to meet genre expectations while also challenging some stereotypes.
1
The document discusses how the opening of a student film uses conventions of the thriller genre. It establishes the setting as a city café through an establishing shot with the title. Costumes of suits and formal wear were chosen to portray the professionalism expected of spy thriller characters. Shots like low angles were used to highlight a character's authority. Music, hidden identities, and an exchange of information between characters aim to generate suspense and questions in the audience as is typical in thrillers. The opening aims to set up intrigue around the microchip being exchanged.
Untraceable Question 1
Frame 1 introduces the first production company logo. Frame 2 introduces the second production company logo with special effects. Frame 3 keeps the title font, style, and size consistent. Frame 4 establishes tension through Ross's scared expression and being tied to a chair in dark lighting. Frames 5-6 continue building tension by showing Ross's fear and being tortured. Frame 7 introduces the antagonist Cornelius through his costume and props. Frame 8 shows Cornelius threatening Ross with a saw as Ross expresses fear. Frame 9 displays the movie title. Overall, the document analyzes how the frames use lighting, costumes, props and other cinematic techniques to effectively set up tension and introduce the characters for a thriller genre opening.
Evaluation question 1
Our opening title sequence uses some conventions of real thriller media products. We looked at the 'Man of Steel' titles for inspiration and placed our titles throughout the sequence similarly to thriller films. The fonts and positioning of the titles are subtle yet readable. The credits follow conventions by listing the production company first and actors second, though we placed the film title at the end rather than after the cast. Filming in London provided a dark atmosphere and used natural lighting to still portray thriller elements subtly. Mise-en-scene featured normal clothing to make the main character seem ordinary despite her powers. A news broadcast over the soundtrack informed viewers but in a faster pace than typical slow thriller music. Camera shots like high angles conveyed power and long shots
Question 1
The document discusses several conventions that are commonly used in thriller films and how they are employed or challenged in the author's opening sequence. It addresses conventions like setting stories in cities, including protagonists that solve mysteries, using low-key lighting, incorporating costumes to identify good or bad characters, and maintaining an element of mystery. The summary then analyzes how the author's sequence specifically conforms to conventions like slow pacing, using title sequences and ident, and close-ups to convey emotion, or challenges conventions through omitting an establishing shot and choosing to hide the location. Mise-en-scene elements are also discussed.
Question one 12 02 14
The film Released uses conventions of the psychological thriller genre in its opening title sequence. Shots include low-key lighting, close-ups of eyes to portray mystery, and scenes in a populated area like Brighton to make the audience feel involved. While adhering to thriller conventions like tension-building music and not revealing characters, one shot of an antagonist walking challenges conventions by revealing a character. The font, contrasting colors, and layered shots are intended to portray a confused mind as in psychological thrillers. Overall the sequence aims to set an atmospheric and suspenseful tone through conventional thriller techniques with some unconventional reveals.
In what ways does ur media product use, develop or challenge forms and conven...
1) The document describes 9 frames from the opening of a student film titled "Untraceable". It summarizes the purpose and effect of elements in each frame.
2) Frame 5 shows a close-up of the main character Ross's face which conveys tension and fear through half-lit lighting.
3) Frame 6 shows the victim being tortured from a high angle, establishing the antagonist Cornelius as powerful.
4) Cornelius's costume, props, and backstory, as explained in Frame 7, position him as the "bad man" seeking revenge on Ross for wronging him in the past.
5) Frame 8 creates tension as Cornelius threatens Ross with a saw while Ross
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Evaluation question 4 –
I did not use any media technologies in the construction, research, planning, or evaluation stages. As an AI assistant created by Anthropic to be helpful, harmless, and honest, I do not engage in those types of activities.
Youth gender etc
This document discusses Richard Dyer's star theory and how youth, gender, and ethnicity are represented in indie music videos. It explains that stars are constructed through marketing rather than reflecting the real person. For example, Miley Cyrus' star persona differs from who she is privately. It also notes that stars are made into commodities to generate profit, and this leads record labels to produce similar stars. Gender representation in music videos often depicts a male gaze and women as objects. Ethnicity of stars can influence fans' views, and portrayals sometimes rely on stereotypes that may not accurately represent a group.
Weather research brad
The document discusses planning the filming of an indie music video to achieve specific lighting effects. It states that footage will be filmed from 3:20-5:20pm and 9-11am to capture differences in low and high key lighting. It also notes that these dates of December 2nd and 28th are forecast to be clear and sunny, allowing the desired lighting to be achieved. An example video by The 1975 is discussed, noting how weather is reflected through the girls' contrasting outfits.
Mise en scene t a
The music video for "Hail to the King" by Avenged Sevenfold uses black and white film and medieval imagery and symbols to set a dark, ominous tone. Shots include a skull emerging from clouds, the band playing their instruments, close-ups of tattoos and costumes, and quick flash shots of old paintings and the word "atone." The video has a narrative element of a crown being carried through a dead forest and placed on a figure, but the ending is strange as the figure is revealed to have a skull for a head. Overall, the video uses dark imagery, medieval symbols like crowns and swords, and references to the song lyrics to depict a theme relating to kings, death, and evil
Textual analysis genre
The document discusses several conventions of pop music videos including: including performance elements, fade effects and quick cuts. It analyzes Katy Perry's "Thinking of You" music video, noting it uses these conventions. The video tells a narrative story that reflects the song's lyrics about a couple separated by war. Camera angles focus closely on Perry's lips and eyes during emotional scenes. Costumes and mise-en-scene portray Perry as sexually desirable but the camera remains moderately voyeuristic to match the video's tragic tone.
Coldplay narrative
1) The music video for Coldplay's "The Scientist" tells a story in reverse order, beginning with Chris Martin lying on a mattress and ending with a car crash that kills his female passenger.
2) Scenes show Chris Martin walking through various London locations, appearing ghostly in a white shirt, as the events seem to take place over night and lead towards the accident.
3) Filmed on location in London, the video uses natural lighting, close-ups of Chris Martin's emotional reactions, and long shots to give a sense of journey and disorientation for the audience experiencing the story backwards.
Band
This image of My Chemical Romance presents them as a typical rock band through the use of dark colors like black and red that connote danger and excitement associated with rock music. The band members are standing close together in front of a black brick wall, creating a sense of imprisonment and unity. They look directly at the camera to connect with their mainly male audience.
This image of The Wombats presents them as a typical pop indie band. Their long hair and bright colored clothing represent the indie and pop genres. Daytime lighting and a setting of the band in a car suggest their upbeat songs target a niche, young audience.
This image of Taylor Swift uses nature backgrounds and her natural, feminine appearance to represent her
Evaluation 1 advert
1. The advert uses conventions of real media products by depicting the artists in a romantic setting on a beach to appeal to their target audience of 16-25 year olds.
2. It challenges conventions by making the background black and white rather than colorful, possibly representing a secret or mystery about the artists. This retro style contrasts modern colorful indie pop ads.
3. The artists' name is in the middle of the image on their backs rather than at the top, making it more personal and posing the question of what they are hiding from their audience.
Sam smith representation textual analysis
The document analyzes representations in Sam Smith's music video for "Lay Me Down". It discusses several shots/frames from the video. The first frame shows Sam Smith at a church, appearing to say goodbye to a loved one at a coffin, creating suspense. Subsequent frames provide more context, suggesting it may be a funeral at first but then reveals it is depicting a same-sex marriage, juxtaposing church rules at the time. The analysis discusses the use of lighting, costumes, and other visual elements to represent meanings and themes of loss, spirituality, freedom and equality.
Props list
The document lists and describes various props that were used in a music video to portray the artists and genre in a specific way. It includes props like a ukulele to represent the indie movement, a picnic blanket and bench to symbolize the artists' secret love for each other and lifestyle, a shell to set the beach scene, and sunglasses to characterize the female artist's style. The props were chosen to align with the themes, settings, and target audience of the independent music video.
How I went about creating our Artists Facebook Page ...
First, I logged into Facebook and selected "Start a Page" then clicked "Advertising" and "Create a Page" to build the artists' Facebook page. Second, I selected the category "Artist" as we are a duo. Third, I uploaded a profile picture of the artists that represented them as free and individuals, then completed the "About" section with basic info about the duo. Finally, I invited friends between ages 16-25 who would suit the target audience.
How i went about creating our artists facebook
First, I logged into my Facebook account and selected "Start a Page." Second, I clicked settings and "Advertising" to access the "Create a Page" option and selected the artist category. Third, I uploaded a profile picture of the artists to represent them as free and individuals.
Questionnaire pie chart results
- The majority of people surveyed were female (67%) and aged 16-25 (67%), so the music video will primarily target this demographic.
- Pop (35%) and indie (34%) were the most popular genres, confirming the indie/pop concept. Elements of soul (15%) could also be included.
- Most people watch music videos everyday (42%) or 2-3 times a week (35%), so including relatable elements and vibrant colors will attract viewers.
- Michael Jackson's "Thriller" was the most popular music video (20%) due to being innovative for its time.
- City (London) (27%) and outdoor (beach) (20%) locations were
Respondents answers to our questions focus group
The respondents provided feedback on an indie music video idea:
Nick liked the unique idea and preferred cut shots. Joe thought locations should match the mood and long shots tell stories. Tommy imagined the video in an autumn park and likes how long shots show a story developing. Tom also suggested a park and thought long shots allow the audience to understand the story better.
Description of your target audience
The document discusses planning for a music video for an indie/pop song aimed at a target audience of 16-25 year olds. Research found this age group prefers indie/pop music and engages strongly with it. The music video will feature both male and female artists to appeal to both genders equally within the target demographic. It will use themes of freedom and childhood innocence to transport viewers and draw on theories of utopianism through its bright colors and actors' happy facial expressions.
Music video pitch presentation
The document outlines a music video pitch for the song "Midnight Moon" by Oh Wonder. It discusses why this song was chosen over others considered for its indie genre and duo artists, allowing for more shot variation. Locations like a drama hall, park, and beach are proposed to represent the artists' freedom and eco-friendliness. Potential issues like weather, timing delays, and camera problems are also addressed. The pitch envisions combining performance, concept, and narrative elements in the final video.
Group name questionnaire results
The document discusses and analyzes potential group names for a musical duo: Altered Islands, Magnetic Visions, and Secret Collective. For each name, it lists possible meanings and connotations. It notes that Altered Islands suggests two different people or islands coming together and represents their differences. Magnetic Visions connotes two people with the same visions drawn together magnetically and also connotes love. Secret Collective implies a secret love between the two and collective unity. The document concludes that Altered Islands was chosen as the group name because it is unique, represents changing feelings for one another, and best suits their genre.
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Shooting location
- 1. Shooting Location { Bradley Barnes
- 3. Alleyway Dark Office Locations we are going to use in our opening:
- 4. In our group we have decided to use an alleyway location because our opening begins with the hitman smoking a cigarette and dropping it in the alleyway. This then leads to our main title of the film, when we pan up to see the smoke in which the hitman has exhaled. Once this is shown onscreen the hitman will enter the dark office where he will meet with the female boss. We have decided to use an alleyway as it represents mystery as we’ll only see the main characters eyes in the alleyway until he gets in the office. 1 – Alleyway
- 5. In our group we have also decided to use an office location to be in our opening. We will see this location when the hitman enters the office and the female boss (the dispatcher) will send him on his way. In this location we will also see more titles appear on the blueprints and papers being put out by the female boss which has what the hitman needs to do. This location is key as it sets the scene for the mysterious thriller in which we are going for. By there being a lamp on the light will be directed just on the blueprints and the actors face, not the background. Therefore, keeping the audience focusing in on the most important aspects of the scene, which represent our thriller genre better. 2 – Dark Office