The document discusses how the media product uses and develops conventions of the spy thriller genre. It examines conventions around characters, settings, costumes, lighting, editing and camerawork. Specifically, it looks at conventions from films like Quantum of Solace and Mission Impossible and how they were applied or challenged in the opening scene. For example, close-up shots and jump cuts were used to create tension, as in Quantum of Solace, while the female character challenges conventions by having power and wearing black instead of just being a damsel in distress. The goal was to meet genre expectations while also challenging some stereotypes.
Feature films are full-length movies that audiences pay to see in cinemas. They typically run over 40 minutes, with most being between 75-210 minutes. Feature films follow a three-act structure of introduction, rising action, and resolution to tell a story. Short films have a similar structure but must establish characters and settings immediately without long title sequences due to their shorter time frame. Both feature and short films use techniques like camera work, lighting, music, and character development to effectively communicate their narrative and engage audiences.
EVALUATION - Question 1 - In what ways does your film opening use, develop or...Sarah Nurse
The document discusses how the film opening uses conventions of the thriller genre in its use of sound, color, editing, text, lighting, mise-en-scene, and setting. It explores how the opening incorporates slow building music, low key lighting, minimal credits, props to convey plot points, and costumes to represent character nature. While following many conventions, it also challenges some like using simpler credits and starting with high key lighting then shifting to low key. The conclusion is that the opening successfully uses thriller conventions but also makes some original choices.
The document discusses how the media product represents certain social groups through the character introduced in the opening sequence. It represents:
- Ethnicity/race by having a white female character to portray vulnerability and need for rescue, following stereotypes.
- Gender by having a young, attractive female as the main character who is both the "damsel in distress" but also challenging norms by being the lead.
- Age by having a teenage character who challenges stereotypes of being irresponsible by having responsibility and maturity, aiming to provide a positive representation.
The character representations aim to appeal to target audiences by following some stereotypes but also challenging others to make the character and film more interesting and thought-provoking
This document describes the shots and sequence of scenes in an opening film sequence. It introduces the protagonist Lauren and apparent antagonist Tinika through a series of shots showing Lauren receiving a cryptic text, encountering Tinika on a path, calling a friend for help, and then running from and eventually confronting Tinika at a house in increasing tension and confusion, leaving the audience with many unanswered questions at the end.
(1) This document describes the shots and editing decisions made in creating an opening sequence for a horror film based on Little Red Riding Hood. It provides details on each shot, including camera angles, lighting, movement, and how they advance the plot and build tension.
(2) The sequence begins by establishing the dark, ominous forest setting through various landscape shots. It then introduces the main character and follows her journey through the woods as she grows more fearful. Suspense is built through close-ups of claw marks and disturbed objects that imply danger.
(3) The character is startled by an unseen stalker, and the point-of-view shots and music ramp up tension. She discovers blood on
The trailer uses effective camera work, editing, lighting, sound, and props to create suspense without revealing too much of the plot. It begins by establishing a normal setting but gradually shifts to darker lighting and handheld shots that make the viewer feel engaged yet unsure of what will happen. Fast pacing and brief shots maintain mystery around the antagonist while close-ups of characters' scared reactions heighten tension. Throughout, conventional horror trailer techniques like distorted sound, blurred images and a building sense of dread leave the audience wanting to learn more.
The document discusses how the opening of a horror film challenges conventions through its use of characters, plot elements, and technical aspects. The female antagonist and focus on dialogue are unconventional for the genre. However, it also employs some standard horror conventions through its music, lighting, locations, and allusion to serial killers. Vertigo Films would be a suitable independent distributor given their experience with low-budget British films and promotion through film festivals and online campaigns. The process taught the student about using online resources and collaboration tools to research, plan, and reflect on a media production.
The document discusses how the student's media product follows conventions of real thriller movies. It summarizes how the student's thriller uses conventions like low key lighting, shadows, angles/shots, sound, and iconography seen in movies like Scream, The Shining, and Se7en. It also discusses the thriller's characters, settings, editing, costumes, facial expressions/body language, opening credits, target audience age rating, and how it follows a conventional narrative structure. The student aimed to craft an authentic thriller experience for the audience through strategic use of common thriller conventions.
Feature films are full-length movies that audiences pay to see in cinemas. They typically run over 40 minutes, with most being between 75-210 minutes. Feature films follow a three-act structure of introduction, rising action, and resolution to tell a story. Short films have a similar structure but must establish characters and settings immediately without long title sequences due to their shorter time frame. Both feature and short films use techniques like camera work, lighting, music, and character development to effectively communicate their narrative and engage audiences.
EVALUATION - Question 1 - In what ways does your film opening use, develop or...Sarah Nurse
The document discusses how the film opening uses conventions of the thriller genre in its use of sound, color, editing, text, lighting, mise-en-scene, and setting. It explores how the opening incorporates slow building music, low key lighting, minimal credits, props to convey plot points, and costumes to represent character nature. While following many conventions, it also challenges some like using simpler credits and starting with high key lighting then shifting to low key. The conclusion is that the opening successfully uses thriller conventions but also makes some original choices.
The document discusses how the media product represents certain social groups through the character introduced in the opening sequence. It represents:
- Ethnicity/race by having a white female character to portray vulnerability and need for rescue, following stereotypes.
- Gender by having a young, attractive female as the main character who is both the "damsel in distress" but also challenging norms by being the lead.
- Age by having a teenage character who challenges stereotypes of being irresponsible by having responsibility and maturity, aiming to provide a positive representation.
The character representations aim to appeal to target audiences by following some stereotypes but also challenging others to make the character and film more interesting and thought-provoking
This document describes the shots and sequence of scenes in an opening film sequence. It introduces the protagonist Lauren and apparent antagonist Tinika through a series of shots showing Lauren receiving a cryptic text, encountering Tinika on a path, calling a friend for help, and then running from and eventually confronting Tinika at a house in increasing tension and confusion, leaving the audience with many unanswered questions at the end.
(1) This document describes the shots and editing decisions made in creating an opening sequence for a horror film based on Little Red Riding Hood. It provides details on each shot, including camera angles, lighting, movement, and how they advance the plot and build tension.
(2) The sequence begins by establishing the dark, ominous forest setting through various landscape shots. It then introduces the main character and follows her journey through the woods as she grows more fearful. Suspense is built through close-ups of claw marks and disturbed objects that imply danger.
(3) The character is startled by an unseen stalker, and the point-of-view shots and music ramp up tension. She discovers blood on
The trailer uses effective camera work, editing, lighting, sound, and props to create suspense without revealing too much of the plot. It begins by establishing a normal setting but gradually shifts to darker lighting and handheld shots that make the viewer feel engaged yet unsure of what will happen. Fast pacing and brief shots maintain mystery around the antagonist while close-ups of characters' scared reactions heighten tension. Throughout, conventional horror trailer techniques like distorted sound, blurred images and a building sense of dread leave the audience wanting to learn more.
The document discusses how the opening of a horror film challenges conventions through its use of characters, plot elements, and technical aspects. The female antagonist and focus on dialogue are unconventional for the genre. However, it also employs some standard horror conventions through its music, lighting, locations, and allusion to serial killers. Vertigo Films would be a suitable independent distributor given their experience with low-budget British films and promotion through film festivals and online campaigns. The process taught the student about using online resources and collaboration tools to research, plan, and reflect on a media production.
The document discusses how the student's media product follows conventions of real thriller movies. It summarizes how the student's thriller uses conventions like low key lighting, shadows, angles/shots, sound, and iconography seen in movies like Scream, The Shining, and Se7en. It also discusses the thriller's characters, settings, editing, costumes, facial expressions/body language, opening credits, target audience age rating, and how it follows a conventional narrative structure. The student aimed to craft an authentic thriller experience for the audience through strategic use of common thriller conventions.
The document discusses the conventions used in creating a crime/thriller film trailer and ancillary products like a magazine and poster. It analyzes how conventions of genre, form, characters, camera work, editing, sound, props, and layout were incorporated from research on similar media. Conventions like fast pacing, voiceovers, close-ups, and naming actors were used in the trailer. The magazine cover featured a close-up shot, sans-serif fonts/layout, and related colors. The poster employed a mid-shot, similar fonts/layout, and matched the trailer's color scheme.
This document provides analysis of several short films. It discusses the shots, editing, sound, and themes of the films. Key points include:
- Close ups and extreme close ups are used to show emotion without dialogue. Medium shots provide background context.
- Wide depths of field keep everything in focus to emphasize all details are important.
- Editing techniques like match cuts create meaning and tension. Music sets atmosphere.
- Locations and lighting provide symbolic meaning, like a bright room representing heaven.
- Films send messages about topics like substance abuse, temptation, and bringing light to people's lives.
The document discusses conventions that the author observed from analyzing teaser trailers in similar genres. Some conventions included company logos appearing for only a few seconds at the beginning of trailers, multiple logos being included, dark backgrounds, simple white text, fade transitions between logos and trailers, and logos being animated without filmed elements. The author also notes design elements they want to incorporate from two sample logos including spaced out text and an overlay effect to create logos for their coursework that fit thriller genre conventions.
The document summarizes the research and development process for a student creating a movie trailer for a horror/thriller genre film. The student researched conventions of similar horror/thriller trailers such as The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to understand techniques to include. Elements like low lighting, shadowed figures, and implied danger were analyzed. The student also researched other genres to understand differences and ensure focusing on appropriate conventions. Feedback from the research will be applied to creating an engaging trailer that draws in viewers.
This document provides analysis of trailers and posters for the films The Girl with the Dragon Tattoo (2011) and Gone Girl (2014) to inform the creation of a teaser trailer. Key elements analyzed include the use of montage editing, low key lighting, repetition, mystery, and suspenseful music and dialogue. Specific shots are examined for their composition, lighting, and how they reveal or conceal information to intrigue audiences. Ideas are discussed for incorporating similar techniques that build mystery and leave audiences questioning in the group's teaser trailer project.
We created an effective horror trailer by adapting techniques from our research, such as varying the soundtrack speed and lighting to build tension. Key effective elements were special effects like an earthquake effect and echo on a scream. Our initial trailer was less developed, using basic transitions and no effects. The poster and magazine cover maintained a simple format focused on the central image but were improved with effects, varied fonts and placement of text/images to better attract attention.
The trailer for the horror film "The Woman in Black" uses many common horror film conventions. It begins with an establishing shot of the haunted house location to set the scene. Eerie non-diegetic music plays to create tension and establish the horror genre. Close-ups focus on characters' fearful facial expressions and scary objects. Fade outs between scenes add to the tense atmosphere. Sound is also used effectively, with overlapping sounds at the beginning building anticipation of something frightening. The trailer summarizes the key elements of a typical horror film through its visuals and audio.
The document discusses the analysis and planning that went into creating a film trailer and other promotional materials. Research was conducted on existing trailers, magazines, and posters to understand conventions of the horror genre. Dark colors, suspense, and negative messages were common elements that were incorporated. Narrative structures and theories were also used to develop the storyline and structure for the trailer, following typical patterns of disruption, recognition, repair, and new equilibrium. Character roles and stages were designed to engage the target horror/thriller audience.
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts used in films like "Blair Witch Project", "Paranormal Activity", and "Scream" that connote danger, loneliness, and screaming through visual elements of the fonts. Placement of credits in films like "Monsters Inc", "Panic Room", and "Psycho" are also examined for how they relate to the narrative. Potential scores using instruments like violins, atonal music, and cello/viola are suggested that could set the right mood and appeal to the intended audience.
This document discusses the conventions used in creating a crime/thriller genre film trailer. It examines conventions related to genre, form, characters, camera work, editing, and sound. For the trailer, they followed many typical conventions like including actor names, using voiceovers and background music, and incorporating themes of conflict, violence, and drugs. Their trailer was under 2 minutes long and used techniques like fast pacing, fade to black, and slow motion editing to create tension and excitement as seen in other crime thriller trailers. The characters and their portrayals also drew from crime film conventions despite not using typical strong male characters. Overall, adhering closely to genre conventions was important for making their trailer appealing and effective.
The trailer uses conventions from both the horror and comedy genres to advertise its hybrid nature. It begins with everyday, relatable characters in a school setting accompanied by upbeat music, establishing it as a comedy. However, as the protagonist learns of his strange new neighbor, the trailer takes on darker lighting, sinister music, and frightening imagery typical of horror films. By combining elements of both genres, the film aims to appeal to a wide audience of fans of comedy and horror.
The group chose to research the crime thriller film Zodiac (2007) as their example. Zodiac is about a real serial killer who stalked victims in the 1960s-70s and taunted investigators with cryptic messages. They felt it followed genre conventions well to inspire their own teaser trailer and poster. Their analysis found the teaser trailer used fast editing, closeups, fades, and mysterious text and imagery typical of thrillers. The film poster also used common thriller elements like a night setting, low-key lighting, the characters' faces, and colors of black, red and blue that connote fear, blood and the police investigation.
The document discusses various elements used in the production logo, title, and credits that were designed to resemble those in the film "One Hour Photo" to give an authentic feel. Key props like knives and books are described as being iconic in the horror genre. Shots using point of view and lighting effects are said to build tension. Female characters are portrayed as damsels in distress, a common trope. Blood is also referenced as iconic imagery that signifies the violence of the horror genre.
The document provides information about conventions used in teaser trailers, including:
- Teaser trailers are shorter (40 seconds to 1 minute) and outline the film's narrative theme, main characters, sound, titles/credits, and release date.
- Camera work includes a range of shots (close-ups, long shots, mediums shots) to showcase the genre within the short time frame.
- The purpose is to promote and sell the film to its target audience by showing what the film is about and its release date.
- Idents are typically 1-3 seconds and include still images with some movement and non-diegetic sound to represent the studio or film brand.
The trailer summarizes the plot of Paranormal Activity by showing found footage clips of a couple, Katie and Micah, experiencing unexplained paranormal events in their home after setting up cameras to document any activity. Fast-paced editing and minimal music alongside jump scares are used to build tension and intrigue viewers to experience the fear for themselves. The trailer effectively targets its audience of men and women aged 16-34 by appealing to their interests in thrill and being up-to-date on modern horror films.
In what ways does your media product use, develop or challenge forms and conv...Thomas Hannett
The document discusses how the media product analyzes and challenges conventions of real media. It analyzed existing horror trailers and films to understand conventions like isolated rural settings, fast-paced editing, dark lighting, and revealing the villain. The media product challenges some conventions by having a female villain target male victims rather than the typical vulnerable female victim. It also challenges conventions through the plot and by having the villain wear white instead of typical dark clothing for villains.
The document summarizes the film trailer "Deception" and how it uses conventions of real film trailers. The summary discusses the narrative structure, target audience, camera shots, sound and editing pace used in the trailer. Specifically, it opens with the dead body, introduces the main characters, shows a problem developing between the sisters, and includes a series of events. The target audience is identified as 20-35 year olds of both genders. Various camera shot types, including close-ups, are used. Music and voiceover are included to build suspense. Fast-paced editing is used to create a dramatic feel. Overall, the trailer aims to follow conventions of the crime/thriller genre while also challenging stere
Evaluation of my a2 media studies courseworkA2MediaIpswich
This document evaluates how the student's media product uses and develops conventions of real media products in three key ways:
1. The film trailer follows conventions of British crime film trailers by using footage from the film, credits, and leaving on a cliffhanger.
2. The poster ties into the trailer through its dark and edgy tone, references to revenge, and inclusion of the main character and his dog.
3. Ancillary texts like the magazine cover and credits complement the trailer and poster by featuring the main character consistently and reinforcing the narrative of revenge.
This document analyzes how the media product challenges conventions of thriller titles, sounds, costumes, camera work, color, and lighting. For the titles, positioning of titles moves across the screen rather than staying static, and the main title is light and subtle rather than bold. Three different pieces of music are used rather than one. The protagonist's costume changes throughout to portray her as an ordinary person. Camera shots include tilting shots, extreme close-ups, and over-the-shoulder shots to build suspense. Low-key lighting and colors like red and black are used to create an ominous tone rather than contradicting this with high-key lighting.
Q1 Evaluation- In what ways does your media product use, develop or challenge...amberloo20
The document analyzes how the media product uses and develops conventions of real spy-thriller films. It discusses researching films like Skyfall, Casino Royale, and Salt to understand typical conventions. Key conventions identified include withholding information to create mystery, showing danger, using flashbacks/forwards, building suspense with sound and lighting, and setting. The document then discusses specific creative choices made for the opening scene title, narrative, shots, and sound to follow conventions while also attempting to be unique.
The document discusses the conventions used in creating a crime/thriller film trailer and ancillary products like a magazine and poster. It analyzes how conventions of genre, form, characters, camera work, editing, sound, props, and layout were incorporated from research on similar media. Conventions like fast pacing, voiceovers, close-ups, and naming actors were used in the trailer. The magazine cover featured a close-up shot, sans-serif fonts/layout, and related colors. The poster employed a mid-shot, similar fonts/layout, and matched the trailer's color scheme.
This document provides analysis of several short films. It discusses the shots, editing, sound, and themes of the films. Key points include:
- Close ups and extreme close ups are used to show emotion without dialogue. Medium shots provide background context.
- Wide depths of field keep everything in focus to emphasize all details are important.
- Editing techniques like match cuts create meaning and tension. Music sets atmosphere.
- Locations and lighting provide symbolic meaning, like a bright room representing heaven.
- Films send messages about topics like substance abuse, temptation, and bringing light to people's lives.
The document discusses conventions that the author observed from analyzing teaser trailers in similar genres. Some conventions included company logos appearing for only a few seconds at the beginning of trailers, multiple logos being included, dark backgrounds, simple white text, fade transitions between logos and trailers, and logos being animated without filmed elements. The author also notes design elements they want to incorporate from two sample logos including spaced out text and an overlay effect to create logos for their coursework that fit thriller genre conventions.
The document summarizes the research and development process for a student creating a movie trailer for a horror/thriller genre film. The student researched conventions of similar horror/thriller trailers such as The Descent, 388 Arletta Avenue, Silent House, and Chernobyl Diaries to understand techniques to include. Elements like low lighting, shadowed figures, and implied danger were analyzed. The student also researched other genres to understand differences and ensure focusing on appropriate conventions. Feedback from the research will be applied to creating an engaging trailer that draws in viewers.
This document provides analysis of trailers and posters for the films The Girl with the Dragon Tattoo (2011) and Gone Girl (2014) to inform the creation of a teaser trailer. Key elements analyzed include the use of montage editing, low key lighting, repetition, mystery, and suspenseful music and dialogue. Specific shots are examined for their composition, lighting, and how they reveal or conceal information to intrigue audiences. Ideas are discussed for incorporating similar techniques that build mystery and leave audiences questioning in the group's teaser trailer project.
We created an effective horror trailer by adapting techniques from our research, such as varying the soundtrack speed and lighting to build tension. Key effective elements were special effects like an earthquake effect and echo on a scream. Our initial trailer was less developed, using basic transitions and no effects. The poster and magazine cover maintained a simple format focused on the central image but were improved with effects, varied fonts and placement of text/images to better attract attention.
The trailer for the horror film "The Woman in Black" uses many common horror film conventions. It begins with an establishing shot of the haunted house location to set the scene. Eerie non-diegetic music plays to create tension and establish the horror genre. Close-ups focus on characters' fearful facial expressions and scary objects. Fade outs between scenes add to the tense atmosphere. Sound is also used effectively, with overlapping sounds at the beginning building anticipation of something frightening. The trailer summarizes the key elements of a typical horror film through its visuals and audio.
The document discusses the analysis and planning that went into creating a film trailer and other promotional materials. Research was conducted on existing trailers, magazines, and posters to understand conventions of the horror genre. Dark colors, suspense, and negative messages were common elements that were incorporated. Narrative structures and theories were also used to develop the storyline and structure for the trailer, following typical patterns of disruption, recognition, repair, and new equilibrium. Character roles and stages were designed to engage the target horror/thriller audience.
The document discusses various fonts and title sequences that could work for a supernatural horror film. It analyzes fonts used in films like "Blair Witch Project", "Paranormal Activity", and "Scream" that connote danger, loneliness, and screaming through visual elements of the fonts. Placement of credits in films like "Monsters Inc", "Panic Room", and "Psycho" are also examined for how they relate to the narrative. Potential scores using instruments like violins, atonal music, and cello/viola are suggested that could set the right mood and appeal to the intended audience.
This document discusses the conventions used in creating a crime/thriller genre film trailer. It examines conventions related to genre, form, characters, camera work, editing, and sound. For the trailer, they followed many typical conventions like including actor names, using voiceovers and background music, and incorporating themes of conflict, violence, and drugs. Their trailer was under 2 minutes long and used techniques like fast pacing, fade to black, and slow motion editing to create tension and excitement as seen in other crime thriller trailers. The characters and their portrayals also drew from crime film conventions despite not using typical strong male characters. Overall, adhering closely to genre conventions was important for making their trailer appealing and effective.
The trailer uses conventions from both the horror and comedy genres to advertise its hybrid nature. It begins with everyday, relatable characters in a school setting accompanied by upbeat music, establishing it as a comedy. However, as the protagonist learns of his strange new neighbor, the trailer takes on darker lighting, sinister music, and frightening imagery typical of horror films. By combining elements of both genres, the film aims to appeal to a wide audience of fans of comedy and horror.
The group chose to research the crime thriller film Zodiac (2007) as their example. Zodiac is about a real serial killer who stalked victims in the 1960s-70s and taunted investigators with cryptic messages. They felt it followed genre conventions well to inspire their own teaser trailer and poster. Their analysis found the teaser trailer used fast editing, closeups, fades, and mysterious text and imagery typical of thrillers. The film poster also used common thriller elements like a night setting, low-key lighting, the characters' faces, and colors of black, red and blue that connote fear, blood and the police investigation.
The document discusses various elements used in the production logo, title, and credits that were designed to resemble those in the film "One Hour Photo" to give an authentic feel. Key props like knives and books are described as being iconic in the horror genre. Shots using point of view and lighting effects are said to build tension. Female characters are portrayed as damsels in distress, a common trope. Blood is also referenced as iconic imagery that signifies the violence of the horror genre.
The document provides information about conventions used in teaser trailers, including:
- Teaser trailers are shorter (40 seconds to 1 minute) and outline the film's narrative theme, main characters, sound, titles/credits, and release date.
- Camera work includes a range of shots (close-ups, long shots, mediums shots) to showcase the genre within the short time frame.
- The purpose is to promote and sell the film to its target audience by showing what the film is about and its release date.
- Idents are typically 1-3 seconds and include still images with some movement and non-diegetic sound to represent the studio or film brand.
The trailer summarizes the plot of Paranormal Activity by showing found footage clips of a couple, Katie and Micah, experiencing unexplained paranormal events in their home after setting up cameras to document any activity. Fast-paced editing and minimal music alongside jump scares are used to build tension and intrigue viewers to experience the fear for themselves. The trailer effectively targets its audience of men and women aged 16-34 by appealing to their interests in thrill and being up-to-date on modern horror films.
In what ways does your media product use, develop or challenge forms and conv...Thomas Hannett
The document discusses how the media product analyzes and challenges conventions of real media. It analyzed existing horror trailers and films to understand conventions like isolated rural settings, fast-paced editing, dark lighting, and revealing the villain. The media product challenges some conventions by having a female villain target male victims rather than the typical vulnerable female victim. It also challenges conventions through the plot and by having the villain wear white instead of typical dark clothing for villains.
The document summarizes the film trailer "Deception" and how it uses conventions of real film trailers. The summary discusses the narrative structure, target audience, camera shots, sound and editing pace used in the trailer. Specifically, it opens with the dead body, introduces the main characters, shows a problem developing between the sisters, and includes a series of events. The target audience is identified as 20-35 year olds of both genders. Various camera shot types, including close-ups, are used. Music and voiceover are included to build suspense. Fast-paced editing is used to create a dramatic feel. Overall, the trailer aims to follow conventions of the crime/thriller genre while also challenging stere
Evaluation of my a2 media studies courseworkA2MediaIpswich
This document evaluates how the student's media product uses and develops conventions of real media products in three key ways:
1. The film trailer follows conventions of British crime film trailers by using footage from the film, credits, and leaving on a cliffhanger.
2. The poster ties into the trailer through its dark and edgy tone, references to revenge, and inclusion of the main character and his dog.
3. Ancillary texts like the magazine cover and credits complement the trailer and poster by featuring the main character consistently and reinforcing the narrative of revenge.
This document analyzes how the media product challenges conventions of thriller titles, sounds, costumes, camera work, color, and lighting. For the titles, positioning of titles moves across the screen rather than staying static, and the main title is light and subtle rather than bold. Three different pieces of music are used rather than one. The protagonist's costume changes throughout to portray her as an ordinary person. Camera shots include tilting shots, extreme close-ups, and over-the-shoulder shots to build suspense. Low-key lighting and colors like red and black are used to create an ominous tone rather than contradicting this with high-key lighting.
Q1 Evaluation- In what ways does your media product use, develop or challenge...amberloo20
The document analyzes how the media product uses and develops conventions of real spy-thriller films. It discusses researching films like Skyfall, Casino Royale, and Salt to understand typical conventions. Key conventions identified include withholding information to create mystery, showing danger, using flashbacks/forwards, building suspense with sound and lighting, and setting. The document then discusses specific creative choices made for the opening scene title, narrative, shots, and sound to follow conventions while also attempting to be unique.
The document summarizes the research and creative process behind creating a title sequence for a horror film. It discusses conventions of the horror genre discovered through analyzing the title sequence of Dawn of the Dead, including settings, lighting, camera shots, costumes, and themes. Locations around the university were used to film scenes adhering to and challenging genre conventions. Editing software was used to professionally assemble scenes with sound, transitions, and a cliffhanger ending to engage viewers and tie into the larger film.
The document discusses how the opening of a horror film media product challenges conventions through its characterization and style. Specifically:
- It features a female antagonist, challenging the typical male antagonist. Her casual demeanor undermines the male detective's authority.
- It uses slower editing and more dialogue than typical fast-paced horror openings. Tension is built through the conversation rather than cutting.
- The title uses a plain font rather than a bold horror-related font, which challenges conventions.
- Other unconventional elements include the use of a clock ticking to indicate time passing, normal clothing rather than horror-themed costumes, and conveying horror through shots other than close-ups of props.
Ring Rosie uses various horror film conventions in its trailer such as low key lighting, over the shoulder shots, graphic text effects, and stereotypical character costumes. It also challenges some conventions by having two strong female leads facing zombies. The trailer creates tension through its quick editing, diverse shots, and unsettling music. It was influenced by the styles of Alfred Hitchcock, David Cronenberg, and George Romero through its shots, gore effects, and strong female presence. The trailer reflects recent zombie films and increased feminism in portraying women as capable leads.
Our film 'RED' uses conventions of the thriller genre such as low-key lighting to build suspense and highlight the protagonist's emotional conflict after she murders her husband for infidelity. Costume is also used unconventionally with the protagonist wearing a red dress to convey danger, anger and passion. Editing pace increases over time to engage the audience as the narrative unravels. Camera shots closely follow thriller conventions with frequent close-ups on emotions and clues. While our film's opening follows Todorov's theory of narrative structure, it challenges conventions by leaving the audience on a cliffhanger without resolution.
In what ways does your media product use, develop or challenge forms and conv...Dmartin08
The document discusses the conventions of movie openings, specifically those of the horror genre. It analyzes the opening created by the author for a horror film project. The opening both conforms to and subverts horror movie conventions. It conforms by using red credits, isolating the location, and showing the title after something dramatic. However, it subverts conventions by having the first victim be male rather than female and having a skinny killer rather than a muscular one. Camera angles and editing also both conform to and deviate from typical horror movie techniques. The author believes their opening is unique for subverting many genre stereotypes.
In what ways does your media product use, develop or challenge forms and conv...DaleSMartin
The document discusses the conventions of movie openings, specifically those of the horror genre. It analyzes the opening created by the author, which both conformed to and subverted horror movie conventions. It conformed by using red credits, isolating the location, and showing the title after something dramatic. However, it subverted conventions by having the first victim be male rather than female, having the killer be skinny rather than muscular, and using an unconventional killer's mask. The opening overall subverted more stereotypes than it conformed to, making it unique among horror movie openings.
The document discusses how the opening of a student film uses conventions of the thriller genre. It establishes the setting as a city café through an establishing shot with the title. Costumes of suits and formal wear were chosen to portray the professionalism expected of spy thriller characters. Shots like low angles were used to highlight a character's authority. Music, hidden identities, and an exchange of information between characters aim to generate suspense and questions in the audience as is typical in thrillers. The opening aims to set up intrigue around the microchip being exchanged.
The document discusses how the media product conforms to and challenges conventions of real horror movie openings. Specifically:
- The opening credits conformed to horror movie conventions by using red font for the credits and names ordered by importance. However, it subverted conventions by having the first victim be a boy rather than a girl.
- The location of a bright forest initially seemed safe but then became dangerous, subverting the expectation of darkness in horror openings.
- Some camera angles were used to make the victim seem weak but overall camera work did not strongly follow horror conventions.
- While some elements like masks followed horror tropes, other aspects like the skinny physique of the killer challenged stereotypes of the genre
The document discusses how the film opening challenges and adheres to conventions of the horror genre. It establishes mystery and tension through slow initial shots and quick cuts at the end. It includes dark urban settings and shots that act as clues without revealing the full story. Costume and titles follow conventions by using dark clothing and placing credits in a rolling format. The style of titles is unconventional by being simple and 1960s-inspired to match the film's subject rather than overly animated fonts typical of horror. Overall it uses techniques from films like Gone Girl to intrigue audiences within genre conventions.
The film Released uses conventions of the psychological thriller genre in its opening title sequence. Shots include low-key lighting, close-ups of eyes to portray mystery, and scenes in a populated area like Brighton to make the audience feel involved. While adhering to thriller conventions like tension-building music and not revealing characters, one shot of an antagonist walking challenges conventions by revealing a character. The font, contrasting colors, and layered shots are intended to portray a confused mind as in psychological thrillers. Overall the sequence aims to set an atmospheric and suspenseful tone through conventional thriller techniques with some unconventional reveals.
The document discusses how the film opening adheres to and challenges conventions of the horror/thriller genre. It establishes mystery and ambiguity through minimal narrative, unsettled shots and clues placed in the mise-en-scene. Tension is built through slow initial shots and quicker cuts at the end. Common techniques like tracking shots, dark settings and casual costumes are used, but gore and stereotypical criminal representation are avoided to prevent predictability. Titles follow conventions of placement and fonts are simple rather than overly animated to not overwhelm audiences.
The document discusses the opening of an espionage film. It describes choosing the title "Final Abyss" to intrigue audiences. It then discusses setting the opening in a remote warehouse to seem realistic. Costumes like the protagonist's black suit and a worker's white body suit are used to characterize figures. Shots like CCTV footage add mystery and surprise audiences. The opening leaves audiences with questions about who the characters are and their motives to suggest an intriguing storyline and espionage genre.
The document describes the opening scene of an espionage film. It introduces three characters without names - the protagonist Zack exits a mysterious black car and sneaks into a warehouse. He knocks out a worker dressed in a white body suit. Zack then encounters the boss in his office and struggles to pull the trigger, implying they know each other. The opening leaves the audience with questions to intrigue them and suggest an intriguing spy storyline.
The document discusses how the film opening adheres to and challenges conventions of the horror genre. It establishes mystery and ambiguity through minimal narrative and unsettling shots. It uses setting, camera work, editing and titles to build tension as in films like Gone Girl. While including dark costumes, it avoids stereotypes by changing the killer's costume. The document argues the film opening challenges conventions by not including gore or revealing the killer's identity.
The document discusses how the media product Incognito challenges conventions of real media products. It uses techniques like POV handheld camera footage inspired by The Blair Witch Project to make viewers feel involved. It also does not reveal the antagonist's face at first, building suspense like the movie Se7en. Representation of social groups focuses on the protagonist, based on characters like John Luther, being a male detective obsessed with catching the mysterious killer antagonist portrayed in a supernatural, animalistic way. Distribution could be by institutions open to blurred genre works like Netflix or streaming services rather than documentary or educational channels.
Our film Released follows conventions of the psychological thriller genre through its use of low key lighting, dark shots of Brighton, and close ups suggesting mystery. While having a female protagonist challenges the genre, the opening title sequence aims to be conventionally tense through its building soundtrack mixing radio cuts and conversations. Shots of a busy Brighton and dark clothing aim to portray familiar thriller settings and tones. While some shots reveal characters or have atypical effects, the titles generally stick to thriller conventions through its san-serif title font, contrasting colors, and focus on eyes to portray an unsettled mindstate.
Collapsing Narratives: Exploring Non-Linearity • a micro report by Rosie WellsRosie Wells
Insight: In a landscape where traditional narrative structures are giving way to fragmented and non-linear forms of storytelling, there lies immense potential for creativity and exploration.
'Collapsing Narratives: Exploring Non-Linearity' is a micro report from Rosie Wells.
Rosie Wells is an Arts & Cultural Strategist uniquely positioned at the intersection of grassroots and mainstream storytelling.
Their work is focused on developing meaningful and lasting connections that can drive social change.
Please download this presentation to enjoy the hyperlinks!
This presentation, created by Syed Faiz ul Hassan, explores the profound influence of media on public perception and behavior. It delves into the evolution of media from oral traditions to modern digital and social media platforms. Key topics include the role of media in information propagation, socialization, crisis awareness, globalization, and education. The presentation also examines media influence through agenda setting, propaganda, and manipulative techniques used by advertisers and marketers. Furthermore, it highlights the impact of surveillance enabled by media technologies on personal behavior and preferences. Through this comprehensive overview, the presentation aims to shed light on how media shapes collective consciousness and public opinion.
XP 2024 presentation: A New Look to Leadershipsamililja
Presentation slides from XP2024 conference, Bolzano IT. The slides describe a new view to leadership and combines it with anthro-complexity (aka cynefin).
Carrer goals.pptx and their importance in real lifeartemacademy2
Career goals serve as a roadmap for individuals, guiding them toward achieving long-term professional aspirations and personal fulfillment. Establishing clear career goals enables professionals to focus their efforts on developing specific skills, gaining relevant experience, and making strategic decisions that align with their desired career trajectory. By setting both short-term and long-term objectives, individuals can systematically track their progress, make necessary adjustments, and stay motivated. Short-term goals often include acquiring new qualifications, mastering particular competencies, or securing a specific role, while long-term goals might encompass reaching executive positions, becoming industry experts, or launching entrepreneurial ventures.
Moreover, having well-defined career goals fosters a sense of purpose and direction, enhancing job satisfaction and overall productivity. It encourages continuous learning and adaptation, as professionals remain attuned to industry trends and evolving job market demands. Career goals also facilitate better time management and resource allocation, as individuals prioritize tasks and opportunities that advance their professional growth. In addition, articulating career goals can aid in networking and mentorship, as it allows individuals to communicate their aspirations clearly to potential mentors, colleagues, and employers, thereby opening doors to valuable guidance and support. Ultimately, career goals are integral to personal and professional development, driving individuals toward sustained success and fulfillment in their chosen fields.
This presentation by Professor Alex Robson, Deputy Chair of Australia’s Productivity Commission, was made during the discussion “Competition and Regulation in Professions and Occupations” held at the 77th meeting of the OECD Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found at oe.cd/crps.
This presentation was uploaded with the author’s consent.
Mastering the Concepts Tested in the Databricks Certified Data Engineer Assoc...SkillCertProExams
• For a full set of 760+ questions. Go to
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This presentation by OECD, OECD Secretariat, was made during the discussion “Competition and Regulation in Professions and Occupations” held at the 77th meeting of the OECD Working Party No. 2 on Competition and Regulation on 10 June 2024. More papers and presentations on the topic can be found at oe.cd/crps.
This presentation was uploaded with the author’s consent.
Suzanne Lagerweij - Influence Without Power - Why Empathy is Your Best Friend...Suzanne Lagerweij
This is a workshop about communication and collaboration. We will experience how we can analyze the reasons for resistance to change (exercise 1) and practice how to improve our conversation style and be more in control and effective in the way we communicate (exercise 2).
This session will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
Abstract:
Let’s talk about powerful conversations! We all know how to lead a constructive conversation, right? Then why is it so difficult to have those conversations with people at work, especially those in powerful positions that show resistance to change?
Learning to control and direct conversations takes understanding and practice.
We can combine our innate empathy with our analytical skills to gain a deeper understanding of complex situations at work. Join this session to learn how to prepare for difficult conversations and how to improve our agile conversations in order to be more influential without power. We will use Dave Gray’s Empathy Mapping, Argyris’ Ladder of Inference and The Four Rs from Agile Conversations (Squirrel and Fredrick).
In the session you will experience how preparing and reflecting on your conversation can help you be more influential at work. You will learn how to communicate more effectively with the people needed to achieve positive change. You will leave with a self-revised version of a difficult conversation and a practical model to use when you get back to work.
Come learn more on how to become a real influencer!
Suzanne Lagerweij - Influence Without Power - Why Empathy is Your Best Friend...
Evaluation
1. Evaluation: Question 1
In what ways does your media
product use, develop or challenge
forms and conventions of real media
products?
2. Before we created our opening scene as a group, I researched the different type of genre conventions
that were involved in a spy thriller. This helped me understand what aspects were involved in this
particular genre and helped me develop my knowledge of camera shots, mise en scene, editing and
sound for a spy thriller. I had to be precise when I researched the conventions because spy thriller is a
sub-genre and therefore this wasn’t the only other genre that fits under the Thriller category. There
were many other different sub genres like crime thrillers, psychological thrillers, action thrillers,
supernatural thrillers and mystery thrillers. Spy Thrillers and Action Thrillers have a lot of conventions
which are similar for example camera shots and angle are similar especially when there are action and
chase scenes which is a convention in itself, however the mise en scene can help separate the two for
example in the costumes.
Typical Genre Conventions
Elements
- Danger
- Enigma
- Cliff-Hanger
- Exotic Location
- Violence
- Excitement
- Investigation
- Suspense
- Tension
Sound
- Eerie
- Diegetic and Non Diegetic Sound
- Fast Paced
- High Pitched
4. Camera Shots/Movements
To help meet the genre conventions of a spy thriller I looked at camera shots and camera movements in
various films including Mission Impossible: Ghost Protocol and Quantum of Solace. These two films
were my main focus however I also did some other research into certain films but only looked at key
parts like chase scenes or flashback scenes instead of the film as a whole.
In Quantum of Solace many camera shots and camera movements have been used which I have tried to
use in the opening scene. Close up shots are common in spy thrillers therefore this is a genre
convention which is typically used. These shots are used to show us what the character looks like up
close and to show any facial expression, especially in moments of panic for example in a chase scene.
An example of this in Quantum of Solace is at the beginning of the film where there is a car chase scene
involving the protagonist, James Bond and a villain. James Bond's identity is revealed in a series of
different close up shots which help show his facial expressions at different points in the chase scene.
However I didn’t want the identity of Agent Boyer to be seen as a convention of a spy is that they have
hidden identities and are often mysterious and suspicious when portrayed to the audience but
Quantum of Solace is known as a James Bond film and the audience is already familiar with the
protagonist and therefore there wasn’t a great need to hide James Bond's identity.
5. Editing
In our opening scene we included different editing techniques. During editing, we also included jump cuts
which help both to create a dramatic effect and to shorten the shot length down. The jump cuts allow us to
significantly decrease the length of a shot , which helps keep the audience focused. Also the sound and the
jump cuts work together, because during editing we made sure that the music was in sync we the jump cut
therefore the dramatic effect was even more increased.
In many spy thrillers, special effects are included, however due to the lack of resources we were unable to
include this in our opening scene. However we included match on actions shots which spy thrillers often use to
help make the shot look as realistic as possible also it gives the audience different viewing angles and appears
like they can see more. Another editing technique we used was that in the editing process we used transitions.
We used a lot of cut transitions which I was influenced from the film, Quantum of Solace opening scene. The
cut transitions help move from shot to shot instantly.
6. Colour and Lighting
Within spy thriller films, lighting plays a key part in creating a mood on screen. When filming, our
location was an indoor car park therefore there wasn’t much natural light. However we had artificial
lighting we helped create a mysterious feel in the setting which meets the genre conventions as lighting
can help set the mood. Also a genre convention of spy thriller is that low key lighting is often used,
because this helps create shadows which again create a mysterious and suspicious atmosphere for the
audience. In the opening scene of Quantum of Solace, low key lighting was used for a significant
amount of the scene which created shadows and this
7. Setting
In spy thrillers, one of the genre conventions is that the setting is often in an urban area rather than rural. In
the film, Mission Impossible: Ghost Protocol there are many different locations that are used including Dubai,
Moscow and India. However due to the lack of resources we had available we had to find a location that was
close by, however to find a urban area wasn’t difficult as we live in the suburbs. Even though Mission
Impossible has characters travelling all around the world there is a large portion of the film where the setting is
in an urban area and is filmed in daylight, however the lighting involved in the settings used is low key and this
meets genre conventions. We used a indoor car park because this meets the genre conventions because indoor
car parks are typically located in urban areas with heavy traffic.
8. Costume/Hair/Makeup
Females in thriller movies, especially characters who are often the damsel in distress wear red to
show they are attractive and the colour red helps the female stand out from the rest.
In spy thrillers, costume is very important and helps separate the spy thriller genre from the
action thriller. Agent Logan ‘s costume had two influences from two spy thriller movies, Quantum
of Solace and Mission Impossible: Ghost Protocol. Agent Logan’s costume consists mainly of the
colour black which I was influenced by from the character Ethan Hunt in Mission Impossible. I
used the colour black as this is a convention of a spy thriller. The colour black also helps keep the
identity of the agent secret as this helps them appear like a shadow which also works well with
the low key lighting which we used. Apart from wearing the colour black, the clothing Agent
Boyer is wearing is a suit, which I was influenced from the character James Bond who is a
character in Quantum of Solace. Spy thrillers often have characters wearing suits or some other
type of formal clothing as this makes them appear as a high class individual and also gives them a
sense of power. Also the costume that Agent Logan is wearing is stereotypically used in spy
thrillers especially for males however a character wearing a suit makes them look slightly
intimidating which helps them appear more of a antagonist rather than a protagonist which we
wanted to achieve in this character.
In spy thrillers a male agents hair is normally a dark colour which matches the idea of a hidden
identity when wearing dark clothing but Agent Logan has blonde hair which challenges the
stereotypes of a secret agent. Also the idea of blonde hair is stereotypically associated with
unintelligent people but we have also challenged this stereotype as well, because in the opening
scene we see Agent Logan out smart the protagonist and this shows that he is more intellectual
superior.
9.
10. Costume/Hair/Makeup
In spy thrillers, female characters are normally the damsel in distress and therefore the
conventions of a spy thriller show that females are weak and have no control of what
occurs. Also these types of characters often wear red to show there attractiveness and also
the colour red is very bold and helps single them out in a crowd, however we wanted to
challenge the conventions here because we wanted to show that female characters can be
both attractive and yet still have power and control. Agent Boyer’s costume consisted
mostly of the colour black which again like Agent Logan’s costume shows that they are a
secret agent as the colour black looks mysterious and helps cover there identity and helps
them appear like shadows. I was influenced from the character Jane, who plays a secret
agent in Mission Impossible: Ghost Protocol. This character wears the colour black when
she is on a mission and helps make her look more intimidating and powerful to the
audience. However we wanted to make her look high class as well so her clothing consisted
of a blazer which makes Agent Boyer look more professional. But as well as making her look
powerful, we wanted an element of sexiness so the shoes Agent Boyer wore were high
heeled shoes, this made her appear taller and more like a woman on a mission.
In spy thrillers a females hair varies and there is no real typical hair colour because the spy
thriller films that do have a female as a secret agent like to have a unique hair colour so
there stand out and therefore become recognizable to the audience, whereas male agents
have a dark hair colour to make them more intimidating. Agent Boyer’s hair colour is
ginger/red so she stands out to the audience and therefore her overall look is recognizable.
11.
12. Props
In spy thrillers props are very common, for example in James Bond many different weapons are
used in action scenes also James Bond is famous for having a wide variety of cars however due to
our lack of resources we didn’t have access to vehicles and weapons. But we considered using a
fake pistol however we were filming in a public area and having a realistic looking weapon could
cause issues with the law. But the props we did use was a key which was the only prop we used,
however we didn’t want to overcrowd the opening scene with too many props as this may
distract the audience and cause them to loose concentration. But in spy thrillers, there is often a
doomsday weapon which requires some kind of object to activate the weapon therefore the key
that we used is the object that activates the doomsday weapon and by using this prop we met
the genre convention. Also because this particular prop was revealed in the opening scene, the
audience don’t know what this key can do or is for so this helps make the audience focus more
and consider the different possibilities.
13. Sound
Sound is very important in spy thrillers as they help set the mood of the situation and emphasise
events that occur. In our opening scene we have used music which increases in pace as the
situation becomes more tense. Also when the chase scene is in motion the music becomes
louder, fast paced and is in sync with the movement of the characters. I was influenced by the
increase in music loudness and pace to create tension from the film Mission Impossible: Ghost
Protocol, when there is a car chase scene when the protagonist is trying to stop the antagonist.
The music builds up right to the end when a dramatic occurrence happens. We tried to do this in
our opening scene and build up tension and suspense for the audience so when the final big
event happens the music is to its full climax.
Also in Mission Impossible there is one scene where the protagonist and the antagonist are in
contact through a walkie talkie. I though it would be good if we could adapt this into our opening
scene near the end, so that it features in the normality scene. So in order to do this we added
diegetic sound of a mobile ring when editing and we added a suspicious voice which replies back
to the protagonist. This scene shows that we have included dialogue in calm scenes where no
action is present which is a genre convention, also when the chase scene occurs we made sure
there was no dialogue because in Quantum of Solace and other spy thriller genre films, there is
never dialogue in action or chase scenes as this would distract the audience, also there is
normally no ambient sound as a soundtrack is put over these types of scenes to create suspense
and tension.