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The document discusses several films and a music video that influenced the style of the author's own film. It notes that Evil Dead, Evil Dead (2005) Game, Fight Club, The Double, Black Swan, and Enemy all represented the dark, contrasting, and overexposed stylistic approach the author was taking for their film. Two final shots from 30 Seconds to Mars music video and Enemy were also similar to a shot in the author's film. Overall, the references provided examples of darkly lit and graded works that helped show the intended style for the author's project.
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Evaluation part 4
The document discusses how the media product uses and develops conventions of real thriller media products. It examines the key elements of a thriller narrative including the protagonist vs antagonist dynamic and building of tension and suspense. It then explains how the title sequence employs various thriller conventions in its narrative, cinematography, editing, music/sound, mise-en-scene, and typography - such as using low lighting, quick cuts, tense music, and naturalistic costumes and props to immerse the viewer and build an atmosphere of suspense.
Catch Me If You Can
The title sequence of "Catch Me If You Can" uses stylized editing techniques to introduce the main character and set the tone for the film. Through a cartoon-style sequence, the character is shown evading the police by changing disguises. As the police pursue him, the music builds tension. The sequence smoothly transitions between scenes to depict the character fleeing across different modes of transport. By the end, the title sequence effectively conveys to the viewer that the film will follow a con artist being chased.
Trailer Conventions
The document summarizes and compares key conventions between the trailers for two films, "Big Eyes" and "The Spectacular Now". For "Big Eyes", the film title appears at 2:26 and credits major stars and director Tim Burton between 0:48-2:00. For "The Spectacular Now", the first credit promotes its writers at 0:36 and awards at 1:08. Both trailers run over 2 minutes, making them full theatrical trailers. While "Big Eyes" hints at a gothic thriller genre, "The Spectacular Now" focuses on the romantic connection between its two main characters, with some comedic elements.
EQ1 - Codes and Conventions
This document discusses the codes and conventions of the thriller genre in film. It outlines conventions for camera work, mise-en-scene, sound, editing, characters, and titles. For camera work, thrillers commonly use tracking shots, close-ups, and low or high camera angles. Mise-en-scene features dark costumes for antagonists, ordinary clothes for protagonists, and low-key lighting. Sound utilizes a slow-building soundtrack to create tension. Editing employs jump cuts, cross-cutting, and continuous shots. Characters typically feature a brave male protagonist and an antagonist seeking revenge. Titles adopt a spooky font.
Media evaluation q1
The document discusses conventions of teaser trailers that the author researched and applied to their group's teaser trailer for a film. It describes common teaser trailer durations of 50-100 seconds and how the group's 72-second trailer fit this convention. It also discusses conventions around editing style, sound design including tension-building music, use of voiceovers, text/graphic elements, company idents, and applying genre conventions of thrillers to situate the story in a school setting. Examples are provided from other films' teaser trailers to illustrate conventions the group's trailer adhered to or adapted.
Analysis of Brotherhood Teaser Trailer
This teaser trailer establishes the crime genre through various shots that suggest gang activity, criminal behavior, and police raids. The establishing shot introduces a run-down working class town. Voiceovers from the protagonist hint at a dark tone and allude to being dragged back into criminal activity. Subsequent shots depict an attack, money exchange, intimidating gang members, and weapons, reinforcing the crime theme. The trailer builds tension through dialogue, music, and an increasing pace to leave viewers wanting more.
Research
A survey found that supernatural horror films are the most popular horror genre. Settings for horror films typically include dark, desolate locations or places people are familiar with like homes. The document discusses setting a horror film trailer in a pub to make it more relatable to the target audience. It also mentions using typical horror film editing techniques like slow initial cuts, changing moods signaled by music and lighting, and faster cuts later to build tension before ending on a cliffhanger.
Media trailer. forrest gump
The trailer for Forrest Gump is over 4 minutes long, making it a theatrical trailer rather than a teaser trailer. It uses dramatic music, outlines the main characters, and includes voiceover to narrate the film's story, conforming to film trailer codes and conventions. Shots of the main character running while dramatic music plays combine to create an impression of the protagonist. The genre is drama, signaled through realistic settings and a character's dramatic journey.
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The document discusses how the media product uses and develops conventions of real thriller media products. It examines the key elements of a thriller narrative including the protagonist vs antagonist dynamic and building of tension and suspense. It then explains how the title sequence employs various thriller conventions in its narrative, cinematography, editing, music/sound, mise-en-scene, and typography - such as using low lighting, quick cuts, tense music, and naturalistic costumes and props to immerse the viewer and build an atmosphere of suspense.
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The title sequence of "Catch Me If You Can" uses stylized editing techniques to introduce the main character and set the tone for the film. Through a cartoon-style sequence, the character is shown evading the police by changing disguises. As the police pursue him, the music builds tension. The sequence smoothly transitions between scenes to depict the character fleeing across different modes of transport. By the end, the title sequence effectively conveys to the viewer that the film will follow a con artist being chased.
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The document discusses conventions of teaser trailers that the author researched and applied to their group's teaser trailer for a film. It describes common teaser trailer durations of 50-100 seconds and how the group's 72-second trailer fit this convention. It also discusses conventions around editing style, sound design including tension-building music, use of voiceovers, text/graphic elements, company idents, and applying genre conventions of thrillers to situate the story in a school setting. Examples are provided from other films' teaser trailers to illustrate conventions the group's trailer adhered to or adapted.
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This teaser trailer establishes the crime genre through various shots that suggest gang activity, criminal behavior, and police raids. The establishing shot introduces a run-down working class town. Voiceovers from the protagonist hint at a dark tone and allude to being dragged back into criminal activity. Subsequent shots depict an attack, money exchange, intimidating gang members, and weapons, reinforcing the crime theme. The trailer builds tension through dialogue, music, and an increasing pace to leave viewers wanting more.
Research
A survey found that supernatural horror films are the most popular horror genre. Settings for horror films typically include dark, desolate locations or places people are familiar with like homes. The document discusses setting a horror film trailer in a pub to make it more relatable to the target audience. It also mentions using typical horror film editing techniques like slow initial cuts, changing moods signaled by music and lighting, and faster cuts later to build tension before ending on a cliffhanger.
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The trailer for Forrest Gump is over 4 minutes long, making it a theatrical trailer rather than a teaser trailer. It uses dramatic music, outlines the main characters, and includes voiceover to narrate the film's story, conforming to film trailer codes and conventions. Shots of the main character running while dramatic music plays combine to create an impression of the protagonist. The genre is drama, signaled through realistic settings and a character's dramatic journey.
Poster Analysis
The movie poster depicts the main male and female actors with the male's face shown as both good and beastly, hinting at his character. It features the film's title in the center and its release date. The tagline asks a question to intrigue viewers. Imagery within binoculars depicts a male protagonist witnessing an attack, while the female protagonist is shown in black and white with her eyes in color, representing her insanity. Text and imagery aim to provide context about the thriller/drama plot while maintaining mystery.
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This document discusses how the media product was inspired by and challenges conventions of Sherlock Holmes, Reservoir Dogs, and The Bourne Identity.
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The identity of the antagonist was never revealed,
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Textual research
1) A husband and wife in a small Midwestern town find themselves battling for survival as a mysterious toxin turns the townspeople into mindless killers.
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The document describes shots in a movie trailer that introduce the main characters. It shows quick shots of each character alone or in pairs to establish who is in the film. There is then a voiceover that assigns each a nickname like "The Brain" or "The Jock". Slightly longer shots of each character play as they are introduced. The trailer then shows the characters bonding through dialogue and music to reveal their personalities. Shots of different locations establish settings throughout the film. The title of the film is revealed as three characters dance, showing the comedic aspect. More shots of all the characters running and bonding are included to set up the story of them coming together. The trailer ends with the title on a black screen in
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1) The document analyzes 9 shots from the movie trailer for "Creed" (2015). The shots introduce important characters and production crew through text overlays and establish themes of boxing, fighting, violence, aggression and motivation through the scenes depicted.
2) Shots 2 and 3 show the main character training or facing off against other men, establishing the film's focus on boxing. Posters in the background of Shot 3 directly mention amateur boxing and a fight night.
3) Later shots show a close-up of a boxer punching another man who appears knocked out, implying violence, as well as a close-up of a fire, which could symbolize the main character's drive.
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Poster Analysis
The movie poster depicts the main male and female actors with the male's face shown as both good and beastly, hinting at his character. It features the film's title in the center and its release date. The tagline asks a question to intrigue viewers. Imagery within binoculars depicts a male protagonist witnessing an attack, while the female protagonist is shown in black and white with her eyes in color, representing her insanity. Text and imagery aim to provide context about the thriller/drama plot while maintaining mystery.
Kill Bill VOL.1 - Teaser Trailer Analysis
Short Presentation outlining what a Teaser Trailer is, and what the KILL BILL VOL. teaser in-tails, with details.
Question 1
This document discusses how the media product was inspired by and challenges conventions of Sherlock Holmes, Reservoir Dogs, and The Bourne Identity.
It took the idea of a protagonist couple solving crimes from Sherlock Holmes. It also hid the antagonist's identity, as in Sherlock Holmes. Shots were framed and lit like in Reservoir Dogs. Guns were used to show how lives can be taken, as in Reservoir Dogs.
The plot involved multiple countries in conflict, as in The Bourne Identity. It also used a blue color effect, like in The Bourne films. However, it included a short on-foot chase scene rather than a long car chase.
The identity of the antagonist was never revealed,
Assignment 7 group conventions of film posters
This document analyzes the conventions used in three film posters: "All Cheerleaders Must Die", "Zombieland", and "A Haunted House". For each poster, key elements like images, text placement, colors, and slogans are discussed in relation to conveying information about the film's genre, plot, and tone. Common techniques across the posters include using large bold text for the title, placing actors' names and release dates prominently, and incorporating symbolic colors and images to provide context about the film's narrative and genre.
Textual research
1) A husband and wife in a small Midwestern town find themselves battling for survival as a mysterious toxin turns the townspeople into mindless killers.
2) The trailer uses a mix of diegetic and non-diegetic sounds along with fast pacing and editing to build tension and atmosphere.
3) Scenes show the townspeople descending into madness as neighbors, friends and family are affected by the toxin and the main characters works to survive.
Kill bill ~ trailer analysis
The document provides an overview of the crime fiction/action thriller film "Kill Bill" directed by Quentin Tarantino. It summarizes the narrative structure, characters types including the protagonist Beatrix Kiddo and antagonists, and Tarantino's distinctive directorial style with attention to mise-en-scene, camera techniques, editing, sound, and how these elements are used to portray the characters and build tension throughout the film.
Media crime justification
Charlie and Brandon chose to create a crime genre trailer for their media project because they felt it would give them the best chance at high marks. Crime films are less common than genres like action and horror, so a crime trailer could stand out by being original. Crime also offers a variety of subgenres they can incorporate different conventions from to make the trailer more interesting. Revealing clues through the trailer, like a knife or screams, could foreshadow plot points and intrigue audiences to want to see the full film. After their experience with an action opening, they realize the importance of considering all film aspects and having a general idea of the trailer structure to research crime film conventions effectively.
A2 media work genre research
The document discusses conventions in different film genres. For action films, it notes that chases and fights between protagonists and antagonists are common, as well as quick pacing, explosions, and clashes between good and bad characters. Horror films frequently feature isolated settings to build tension, unknown threats like ghosts, and the use of cameras and dark colors. Comedy relies on bright colors, quirky characters, slapstick humor, and edited sounds. Romantic comedies usually follow a "boy meets girl" plot, focus on the workplace, and show the female perspective. Crime films typically involve drugs and weapons, reveal a character's difficult upbringing, strive for realism, and portray rude urban characters dealing with arrest or
Question 1- Evaluation
Our teaser trailer challenges some conventions of typical trailers while adhering to others. Though slightly slower-paced than most, it builds tension through long shots and slow motion. An original soundtrack was replaced with royalty-free music fit the unsettling tone. Voiceover adds to the eerie feel by singing a nursery rhyme creepily. The trailer reveals only part of the narrative, like other thrillers, leaving audiences to discover more by watching the full film. It follows thriller conventions through its isolated woods setting and characters of stalker and victim.
Costume and Props
The document outlines the costumes for two characters, Hayden Broomfield and Riley King, and several props for a film. Hayden's outfit consists of a blue shirt, dark blue jeans, blue bomber jacket, and grey trainers, representing a normal person. Riley's all-black outfit of a long sleeve top, jeans, long jacket, and boots is intended to portray a dark personality. A knife is selected as the murder weapon. Candles and a laptop are chosen as home items to make living room scenes appear more lived-in.
Generic conventions a.hanson
This document discusses generic conventions for crime genre films. It outlines that crime films usually have 3 main character types: a detective/law enforcement officer, a criminal, and a victim. It also discusses common mise-en-scene elements like dark clothing, lighting, urban settings, and props/weapons. Crime films typically use tension-filled non-diegetic music and diegetic sounds of authority. Themes usually involve a protagonist versus antagonist narrative structure.
Unit 5 video production
A short film is typically defined as a film less than 40 minutes long with a low budget. Short films often have no budget and are sponsored by organizations and companies. Some short films can qualify for Academy Awards if they are filmed in Hollywood. This particular short film from 2012 is written, edited, and directed by Cameron Covell and stars himself and Analisa Gutierrez. It uses upbeat music and a variety of camera angles to tell a simple story.
Costume and props
The document describes the costumes and props for two characters, Max and Riley, in an upcoming film. Max will wear a red and black t-shirt, light blue jeans, black bomber jacket, and grey trainers to look like a normal person but potentially have a dark twist. Riley will wear all black clothing including a long sleeve top, jeans, and long jacket to portray a dark personality from the beginning. A gun is selected as the murder weapon prop to match the film's genre. Candles and an iPad will be used for homey details in dialogue scenes set in a living room.
Film types - Incomplete
This document provides information about film trailers, including what they are, when they are shown, conventions used in trailers, and examples of genres. A film trailer is a marketing tool that shows audiences what to expect from a film and builds anticipation. Trailers aim to attract attention and sell the film. They can be shown before other movies, on TV, or online. Conventions like matching music to the film's pace, cutting scenes together, using dialogue, and adding text are commonly used. Genres like action, drama, and horror are discussed, with the Man of Steel, A Clockwork Orange, and Haunting in Connecticut trailers analyzed as examples.
Fenella breakfast club shot list word
The document describes shots in a movie trailer that introduce the main characters. It shows quick shots of each character alone or in pairs to establish who is in the film. There is then a voiceover that assigns each a nickname like "The Brain" or "The Jock". Slightly longer shots of each character play as they are introduced. The trailer then shows the characters bonding through dialogue and music to reveal their personalities. Shots of different locations establish settings throughout the film. The title of the film is revealed as three characters dance, showing the comedic aspect. More shots of all the characters running and bonding are included to set up the story of them coming together. The trailer ends with the title on a black screen in
Evaluation question 3: How does your media product represent particular socia...
Evaluation question 3: How does your media product represent particular socia...charlottefensomchenderit
The document discusses how the media product Tracks of Damnation represents social groups through its use of character stereotypes and archetypes. The antagonist is portrayed as wearing all black clothing and wielding an axe, supporting villain stereotypes. The secondary character Ton wears typical teenage clothing like a hoodie and baseball cap. Locations like the garage and woodland area are used because they fit horror film conventions. Props like fake blood are included to make the axe killing seem realistic without being too graphic. The film aims to incorporate archetypes but also subvert some expectations to intrigue audiences.Nine frame analysis (1) (1) (2)
1) The document analyzes 9 shots from the movie trailer for "Creed" (2015). The shots introduce important characters and production crew through text overlays and establish themes of boxing, fighting, violence, aggression and motivation through the scenes depicted.
2) Shots 2 and 3 show the main character training or facing off against other men, establishing the film's focus on boxing. Posters in the background of Shot 3 directly mention amateur boxing and a fight night.
3) Later shots show a close-up of a boxer punching another man who appears knocked out, implying violence, as well as a close-up of a fire, which could symbolize the main character's drive.
4
Mechanicsoftrailers
The document summarizes the typical structure and conventions of a modern film trailer. It explains that trailers usually begin with an establishing shot to set the scene and suggest the genre. They then introduce the main characters and reveal the central plot or dilemma. Through clips and shots with increasing tempo, the trailer builds tension and excitement until the final line or visual that leaves viewers wanting to see more. Trailers also typically include music matched to the genre to further engage viewers and release date information at the end.
Forms and conventions of media
This document discusses how the film 8thWonderProductionz challenged conventions of thriller movies in its camera shots, angles, sound, mise-en-scene, narrative, and challenges to the genre. It utilized similar shot types as thrillers like medium close-ups for conversations. It featured high angles to show hierarchy and low angles to portray vulnerability. Unlike typical thrillers that use tense music, it opted for slow, meaningful music to emphasize the protagonist's struggles. It also featured costumes, props, and locations to attract its target audience while telling a story that deviated from the typical thriller plot and lacked a murder.
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Elizabeth tang hkctu disclourse of lobbying activities
Elizabeth tang hkctu disclourse of lobbying activities
Situación de las relaciones laborales en las bibliotecas mexicanas
Situación de las relaciones laborales en las bibliotecas mexicanas
Info-competencias para procesos de aprendizaje e investigación
Info-competencias para procesos de aprendizaje e investigación
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The trailer uses conventions from both the horror and comedy genres to advertise its hybrid nature. It begins with everyday, relatable characters in a school setting accompanied by upbeat music, establishing it as a comedy. However, as the protagonist learns of his strange new neighbor, the trailer takes on darker lighting, sinister music, and frightening imagery typical of horror films. By combining elements of both genres, the film aims to appeal to a wide audience of fans of comedy and horror.
Analysis of Film Trailers by Conventions and Genre
The trailer follows conventions of the horror genre through its characters, setting, music, and editing. It introduces a typical victim character and an antagonist who causes horror. The setting is dark with flashes of light to create suspense. Tense music plays throughout to set the mood, increasing in intensity during scary scenes. The editing is fast-paced to add tension, using various shot types like close-ups that are common in horror trailers.
Video evaluation
The document discusses various techniques used to make a short film fit the horror genre. It describes using words, visual codes, sounds, music, and other elements commonly found in horror films. These include dialogue about committing crimes, depictions of blood and weapons, point-of-view shots, diegetic sounds of violence, sinister non-diegetic music, a title design evoking blood and pain, and ending credits accompanied by unsettling music. The filmmaker aims to create suspense, fear and an overall horror feel through these genre-specific elements. Premiere Pro was also used to add editing effects like zooms and color changes to further enhance the dramatic and horrific style.
Media language investigation
The document analyzes the trailers for three horror films - The Woman in Black, Paranormal Activity, and Fright Night - across four categories: cinematography, editing, sound, and mise-en-scene. For each trailer and category, the analysis identifies conventions and techniques used that are common in horror genres, such as close-ups, fast editing, ominous music, dark lighting, and isolated settings. The analysis shows how visual and audio elements in the trailers build tension, fear, and a sense of impending danger to effectively promote the films as horror stories.
Media language investigation
The document analyzes three horror movie trailers across four categories: cinematography, sound, mise-en-scene, and editing. For each trailer, the analysis identifies conventions used in that category to create tension and establish the horror genre. Close-ups, establishing shots, and changes in camera movement are discussed for cinematography. Elements of sound design like non-diegetic music and ambient noise are examined. Settings, costumes, and props are considered for mise-en-scene. Editing techniques like fast pacing and fades are identified. Overall, the document analyzes how these filmmaking elements come together in movie trailers to effectively convey horror and build suspense for the audience.
Trailer Textual Analysis
This document provides an analysis of two soap opera trailers. For the first trailer, the student summarizes the effective use of changing soundtracks and dialogue to shift the tone from happy to tense. They also note the use of lighting and costumes. For the second trailer, they comment on the setting, costumes, and camera angles, but find it less compelling than the first. Areas they would repeat include the first trailer's soundtracks and final fight scene. They would exploit transitions in their own trailer.
Summer coursework task
This document analyzes conventions of horror magazines, trailers, films, and posters. It discusses typical design elements like dark colors, creepy fonts, and cluttered layouts in magazines. Horror trailers often use suspenseful music, flashing images, and sound effects to build tension without revealing too much. Common auteurs like Tim Burton are mentioned along with examples that inspire the document author's own work like Hush, House of Wax, and Final Destination trailers. Horror poster conventions include dark colors, bad lighting, shadows, and not displaying actor names.
Evaluation 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Evalution
The document provides an evaluation of a media product's opening title sequence. It analyzes how the sequence uses conventions of the football hooligan film genre through its mise-en-scene, sound, editing, cinematography, and iconography. Specifically, it discusses using long shots and handheld camerawork to depict the characters' bond and documentary-style realism. Mise-en-scene shows the characters drinking and taking drugs. The sequence also includes iconic clothing brands and football badges. Fast pacing and rhythmic editing synchronize with the music.
Insidious textual analysis
The document discusses film trailers and analyzes the trailer for the horror film Insidious Chapter 2. It examines how the trailer uses various techniques to represent the horror genre and promote the film. These include fast-paced editing, eerie music, dark lighting, and close-ups to build tension. The trailer also creates mystery by not fully revealing the threat to the family.
Textual analysis of a film trailer
The trailer for the neo-noir film Sin City uses black and white cinematography with splashes of red. The typography stands out against the monochrome backdrop. While some stereotypes are present, like women needing saving, the trailer subverts expectations by showing strong female characters who can defend themselves. The editing is fast-paced to engage viewers, and the soundtrack intensifies as the trailer progresses to build tension. Costumes are dark with a notable red dress. Props like cigarettes and weapons suggest crime and violence. The city scenes at night establish the dark setting. Camera work and close-ups reveal character emotions and relationships.
Textual analysis of a teaser trailer - Get Out
This document provides a detailed analysis of shots from the teaser trailer and poster for the film Get Out, summarizing the mise-en-scene, editing, camerawork, and sound used in various scenes. Key shots analyzed include an early shot showing the main character smiling in a car with his white girlfriend that contrasts with the film's exploration of racism. Later shots build tension through fast edits, dark lighting, and unexplained scary events like a man running at the main character. The trailer aims to intrigue audiences and build a sense of unease through the use of jarring sounds, shifts in tone, and unexplained occurrences.
Film trailer analysis
The trailer for the horror film "The Woman in Black" uses many common horror film conventions. It begins with an establishing shot of the haunted house location to set the scene. Eerie non-diegetic music plays to create tension and establish the horror genre. Close-ups focus on characters' fearful facial expressions and scary objects. Fade outs between scenes add to the tense atmosphere. Sound is also used effectively, with overlapping sounds at the beginning building anticipation of something frightening. The trailer summarizes the key elements of a typical horror film through its visuals and audio.
'Nobody' final evaluation
This document summarizes and analyzes the filmmaking techniques used in the short film "Nobody". It discusses how several scenes employ conventions of establishing shots, jump cuts, and over-the-shoulder shots to develop characters and tension. Flashbacks and transitions between scenes also advance the plot in stylistically conventional ways while challenging expectations through experimental music and cinematography choices. The document examines how the film's distinctive aesthetic subverts some conventions to better suit its depressive psychological thriller genre.
Story Broad
The document provides a detailed analysis of the conventions used in the trailer for a gangster film called "Gangster No.1". The summary analyzes key shots and aspects of mise-en-scene (costumes, props, lighting) that establish themes of violence, crime, and the hierarchy within the gang led by the character Freddie Mays. Dialogue and music are also described as conveying meaning about the plot and tone. Overall, the analysis finds that most elements conform to typical gangster film trailer conventions but some aspects like the racial makeup of the gang are unusual.
Evaluation question 1
The document provides summaries of similarities between the opening sequence "Beaten" and various horror films and media. Some key similarities highlighted include use of bars/cages to restrict characters, building tension through editing techniques like slow initial pacing, disturbing zombie makeup and behaviors, lighting choices like red to indicate danger, and sounds of zombies to create an unsettling atmosphere. Costuming zombies in everyday clothes they died in and facial expressions showing desperation for food sources are also noted similarities.
Avengers
The document analyzes the title sequence of the film "Avengers Assemble." It notes that the bold, squared font and silver color set an action-oriented tone. Bright colors and tense, loud backing music keep the audience engaged and convey the action/adventure genre. Images change with sudden music shifts to maintain interest. Character costumes are briefly revealed to hint at superheroes' roles and create intrigue for those unfamiliar. Dark colors, lighting, and shots establish moods of action, mystery, and suspense. The introduction of characters through associated icons gives the audience a brief sense of each actor's role while setting a tense atmosphere through music and quick camera movements.
Textual Analysis of Boom Clap
1. The video for "Boom Clap" by Charli XCX uses cinematography and editing to connect the song to the film The Fault in Our Stars. It features locations and scenes from the movie through archive footage.
2. The lighting and costumes in the video also reflect the changing tone of the song, with darker lighting and edgier costumes used for the alternative portions of the song.
3. Cinematography techniques like shot types, location shots, and effects are used intentionally to match the mood and genre of the different parts of the song.
Research on teaser trailers
1) The document discusses conventions used in thriller movie trailers such as fast editing, tension-filled music, voiceovers, and low key lighting.
2) It analyzes trailers for Scream 4, Memento, and Taken as examples and notes conventions like fast pacing, ambiguous shots, and music/sounds that create suspense.
3) The author concludes their film trailer should use these conventions like fast editing, strategic music, and symbolic costumes to effectively communicate the thriller genre.
Evaluation task 1
The document analyzes the genre conventions used in the author's thriller opening sequence and compares it to 4 other films. It discusses elements like editing, sound, camerawork, setting, costumes, makeup, props, lighting, and titles. The author's sequence uses conventions of the thriller genre like suspenseful music, short shot durations, point-of-view shots, and a cold color scheme. It also challenges some conventions by having the apocalyptic setting be in rural woods rather than an abandoned city.
Similar to Samme references (20)
Analysis of Film Trailers by Conventions and Genre
Analysis of Film Trailers by Conventions and Genre
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Review of final major project
Lauren Rushmer produced a short film called "Morality" as her final major project. The film explores themes of pushing moral limits and examines criminal behavior. Lauren found that keeping a sketchbook was the most helpful method for reflecting on her project development. She met her original targets of writing a script, producing a short film, and creating promotional materials. Lauren received feedback to refine her script's moral premise and cut unnecessary lines. For her next project, she plans to improve her time management and choose group members who can keep up with their roles.
Bibliography for FMP
This document provides a bibliography of sources related to crime categorized into books, films, television, exhibitions, and online resources. It lists 32 books on topics ranging from true crime stories to screenwriting. It also lists 31 films, 13 television shows, 1 exhibition at the Museum of London, and 32 online resources that include news articles, academic papers, and film analysis. The sources cover a wide range of criminal topics and genres.
Feedback for Final Edit
This document contains feedback from multiple reviewers on an undisclosed project. The feedback includes ratings of "In serious need of work" or "It's okay m8 needs improving". Positive feedback notes aspects like "such sweg this is perf" and "Good use of ang les". Areas for improvement include "lighting was a bit harsh" and "script could use more context". Overall, the feedback aims to identify what works well and what needs further refinement.
Caught storyboard 1
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive function. Exercise causes chemical changes in the brain that may help protect against mental illness and improve symptoms.
News report script
A 19-year-old orphan, Lila Smith, stole £5,000 from the supermarket where she worked but returned £2,500 to police after turning herself in. CCTV footage showed Smith and an accomplice, believed to be her girlfriend Sam Thomas, committing the theft. Police are searching for Thomas as their investigation continues and Smith awaits questioning.
Caught draft 4
The sisters Lila and Dawn are struggling after their parents died. Lila stole money to help pay bills but Dawn is upset about it. Dawn yells at Lila for being a criminal and says their parents wouldn't be proud. Lila apologizes and admits she messed up trying to fix their money problems. They hug and Dawn says it will be quiet without Lila, implying Lila may go to jail.
Caught draft 3
Lila stole money to help her struggling family's finances, but her teenage sister Dawn discovers this and is upset because it's illegal and not how their parents raised them. Dawn confronts Lila in her messy bedroom, playing loud music, and refuses to give back a jumper she took from Lila. They argue about the stolen money and Lila's criminal actions, with Dawn believing Lila should return the money and apologize. Lila realizes her parents would be ashamed of her inability to properly care for Dawn. Dawn softens and says she'll miss Lila, realizing Lila may have to turn herself in to the authorities.
Caught draft 2
Lila stole money to help support herself and her younger sister Dawn after their parents died, but Dawn is upset by Lila's criminal act. Dawn confronts Lila about stealing her jumper and blasts loud music to annoy Lila. When Lila admits she stole money, Dawn accuses her of not being the role model their parents wanted. Lila realizes Dawn is right and decides to turn herself into the police, though Dawn will miss her. Their argument reveals the moral dilemma of providing for family through illegal means.
Caught draft 1
1) Lila cleans up after an apparent party at her home while her younger sister Dawn listens to loud music in her room.
2) Dawn expresses dislike for Lila's new friend Sam, believing she has caused problems in their home. Lila denies this and says Sam has been supportive.
3) Dawn reveals she knows Lila stole money back from a gang after their home was burglarized, believing Sam pressured her into it. Lila admits they took what was theirs but is worried the gang will come for her now others involved have left.
Questionnaire - FMP
The document contains questions about theft and crime. It asks whether the person has ever stolen anything or known anyone who has stolen. It asks about reasons for theft and what would make a theft acceptable or unacceptable. It asks about famous robberies and how someone might feel after committing a robbery. It asks what a stereotypical criminal might look like.
fmp project proposal
The document is a project proposal from a media production student named Lauren Rushmer. She plans to produce a short film on the theme of morality, specifically exploring when and why people break the law. Her research will include examining real-life heists like the Hatton Garden robbery. The film will follow two characters forced to make a moral decision about committing a crime. She will write the script, storyboard, direct filming and editing. To evaluate her work, she will get feedback from tutors, test audiences, and social media critiques. She includes a bibliography of research sources and a 7-week production schedule.
FMP Research: Films
The document summarizes the author's opinions on several films they have watched that deal with themes of morality. Some of the films discussed include The Great British Train Robbery, Britain's Biggest Heists: Millennium Dome Diamond Heist, Election, Gone Baby Gone, Shawshank Redemption, Boy in the Striped Pyjamas, Paths of Glory, Full Metal Jacket, American Beauty, The Reader, and Sophie's Choice. For many of the films set during World War 1 or 2, the author believes they are not truly about morality since people at that time had to follow the government's orders or risk death. The document also reflects on themes in the individual films like family values,
FMP Research: Books
The document provides summaries of 14 books about famous crimes that have been read so far. Many of the books provide detailed and accurate accounts of the crimes from the perspectives of those involved, such as Keep on Running by Ronald Biggs about the Great Train Robbery. Some contrast official accounts with personal accounts, while others include courtroom transcripts or follow specific individuals involved in the crimes. Several books offer broader context about crime, criminals, and media portrayals of crime.
Caught in the Act (draft 5)
Lila is packing for her deployment in the army and searches her younger sister Dawn's messy bedroom looking for their late father's dog tags. Dawn refuses to help and the two sisters argue, with Dawn acting out since their father's death. Lila tries to reassure Dawn that she will return safely from her deployment. Dawn eventually admits that she will miss Lila, hugging her tightly before she leaves.
Caught in the Act (draft 4)
1) Lila is packing for her deployment in the army while emptying her drawers. She searches for her father's old dog tags but cannot find them.
2) Lila goes to her younger sister Dawn's messy bedroom to ask about the dog tags. Dawn refuses to help and the two sisters argue about Dawn wearing one of Lila's jumpers.
3) After more bickering, Dawn opens up about missing their father and not wanting Lila to leave for her deployment, hugging her sister tightly as they say an emotional goodbye.
Caught in the Act (draft 3)
Lila is packing for her deployment in the army and searches for her father's old dog tags. She goes to her younger sister Dawn's room to ask about the tags' location. Dawn's room is messy and dark in contrast to Lila's tidy one. Dawn ignores Lila at first with her music. They argue about a pink jumper before Lila realizes Dawn is upset about her leaving. Dawn admits she doesn't know how she'll cope without Lila always being there, as their father left them before. Lila comforts Dawn and promises to return safely and continue being there for her.
Caught in the act (draft 2)
1) Lila is packing for her deployment in the army and searches Dawn's room for their father's old dog tags, finding a pink jumper of hers instead that Dawn has taken.
2) Dawn has been in a bad mood for months since Lila told her she was leaving, and the two sisters argue over the jumper.
3) Dawn admits that she is worried about Lila leaving and not coming back, as their father left for the army and never returned, and that everything will change without Lila around. Lila comforts Dawn and promises to return home safely.
FMP Pitch
This document outlines a final major project pitch about what would happen if someone ran out of money. It proposes researching crime films and true crime stories, as well as museum exhibitions about crime. The project would involve creating an outline for a film, promotional materials like trailers and ads, and a website. It lays out a weekly schedule for research, planning, filming, editing and presenting the project over 7 weeks. Two alternative project ideas are also proposed exploring surveillance and a lack of freedom.
Twins presentation
This document discusses different types of twins and cases of twins throughout history:
- According to Greek mythology, humans were originally joined together but were split in two by Zeus.
- Jim Lewis and Jim Springer were separated at birth but met as adults and discovered they had remarkably similar lives and names despite being adopted separately.
- Conjoined twins Margaret and Mary Gibb were born joined at the hip in 1912 and lived and performed together until they passed away within minutes of each other in 1967.
- Rare cases of parasitic twins exist where one twin is incomplete or dependent on the other.
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原版定制【微信:bwp0011】《(ucr毕业证书)美国加州大学河滨分校毕业证研究生文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
The Evolution and Impact of Hip Hop a cultural and artistic
RGMDEZFE by RGM DEZ streaming everywhere Spotify, Apple Music, iTunes ,Tidal and etc
Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdf
Mr. Brainwash Beautiful Girl / Mixed Media / signed / Unique
Year: 2023
Format: 96,5 x 127 cm / 37.8 x 50 inch
Material: Fine Art Paper with hand-torn edges.
Method: Mixed Media, Stencil, Spray Paint.
Edition: Unique
Other: handsigned by Mr. Brainwash front and verso.
Beautiful Girl by Mr. Brainwash is a mixed media artwork on paper done in 2023. It is unique and of course signed by Mr. Brainwash. The picture is a tribute to his own most successful work of art, the Balloon Girl. In this new creation, however, the theme of the little girl is slightly modified.
In Mr. Brainwash’s mixed media artwork titled “Beautiful Girl,” we are presented with a captivating depiction of a little girl adorned in a summer dress, with two playful pigtails framing her face. The artwork exudes a sense of innocence and whimsy, as the girl is shown in a dreamy state, lifting one end of her skirt and looking down as if she were about to dance. Through the use of mixed media, Mr. Brainwash skillfully combines different artistic elements to create a visually striking composition. The vibrant colors and bold brushstrokes bring the artwork to life, evoking a sense of joy and happiness. The attention to detail in the girl’s expression and body language adds depth and character to the piece, allowing viewers to connect with the young protagonist on a personal and emotional level. “Beautiful Girl” is a testament to Mr. Brainwash’s unique artistic style, blending elements of street art, pop art, and contemporary art to create a visually captivating and emotionally resonant artwork.
The use of mixed media in “Beautiful Girl” adds an additional layer of complexity to the artwork. By combining different artistic techniques and materials, such as stencils, spray paint, and collage, Mr. Brainwash creates a dynamic and textured composition that grabs the viewer’s attention. The juxtaposition of different textures and patterns adds depth and visual interest to the piece, while also emphasizing the artist’s eclectic and experimental approach to art-making. The inclusion of collage elements, such as newspaper clippings and torn posters, further enhances the artwork’s urban and contemporary feel. Overall, “Beautiful Girl” is a visually captivating and thought-provoking artwork that showcases Mr. Brainwash’s talent for blending different artistic elements to create a truly unique and engaging piece.
"Snow" by Ann Beattie illustrated by Aimie Bourgeois
"Snow" by Ann Beattie illustrated into comic by aimie bourgeois
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
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KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKAA Brief Introduction About Hanying Chen_
Vancouver-based artist Hanying Chen boasts extensive skills in writing, directing, producing, and singing, reflecting her diverse talents in the performing arts. As she looks ahead, Hanying is driven to craft a fulfilling career path that harmonizes with her deep passion for artistic expression. In the coming years, she envisions cultivating a balanced life, blending her professional aspirations with her desire to foster meaningful connections in her vibrant urban community.
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9
Explore the exquisite art of Tanjore Painting, known for its vibrant colors, gold foil work, and traditional themes. Discover its cultural significance today!
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The Evolution and Impact of Hip Hop a cultural and artistic
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Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdf
Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdf
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"Snow" by Ann Beattie illustrated by Aimie Bourgeois
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Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9
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Samme references
- 1. References
- 2. I like the darkness of this film, sets up for a darker tone which shows my own film’s style well, and I like the overexposure in the frame.
- 3. Evil Dead (2005) Game Similar to Silent Hill, I like the dark lighting and overexposure in this and think that this shows the style of my film well.
- 5. Fight Club (1999) Film I think that the storyline for both my film and Fight Club is similar. I like the contrast, lighting and colour grading used in this film – I think this represents my own film’s style well.
- 6. The Double (2014) Film I think the plot line for both my film and this film is similar. I like the style of this film and think my film can be shown through this one by editing.
- 7. Black Swan (2010) Film I love everything about this film. I think what links to my own film and this film together is the style and mood of Black Swan and the editing.
- 8. Enemy (2013) Film One of the final shots in our film is similar to this and both have a dark style to them.
- 9. 30 Seconds to Mars – The Kill (Music Video) One of the final shots in our film is similar to this and both films have a darker style and have influenced our film