Question 3
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The document discusses potential distribution methods for a media product. It considers a TV release which would reach a wide audience, though the product may not appeal to most cinema audiences. It also notes drawbacks of only airing when the TV network decides and the risk of missing airings. Another option is an internet release using services like YouTube and Facebook which could provide large audiences and viral advertising among their target demographic of older teens and young adults.
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Media Evaluation Part 3
An independent media company would be the best choice to distribute the film. Independent companies tend to take more risks and are less focused on wide audience appeal, allowing for more creative freedom. While the budget and production sophistication would be lower, the style of the film would be more similar to the finished product. A mainstream company could drastically change the film by providing a larger budget for effects and locations, but the film's low-budget style and complex storyline make it unsuitable for a wide audience. An independent distributor like Verve Pictures that specializes in small, low-budget student films would be the ideal choice.
Ancillary Form Research
The document discusses conventions of movie posters and radio advertisements. It notes that movie posters typically feature the title in largest font with actor names in smaller text. Posters aim to advertise films and come in various sizes. Radio advertisements focus more on atmospheric elements to convey a sense of the production rather than visuals. This allows listeners to imagine what is happening. Horror radio ads are particularly effective as the genre relies on tension and fear created through music and sound effects. An example of a successful horror radio ad discussed is one for "The Amityville Horror" which uses repeating sounds to create an unnerving atmosphere and reiterates the film's tagline.
Media institution
Film distribution involves making a film available for audiences to view through various mediums like movie theaters, television, or home video. 20th Century Fox would be a good potential distributor for our thriller film as they have distributed similar genres in the past. However, our independent film may only appeal to UK audiences due to its British culture and characters, and the high costs of international distribution. We could use both traditional marketing strategies like trailers and premiers or newer digital strategies like social media and viral campaigns to promote our UK-only release.
Task 3
Paramount Pictures would be a good institution to distribute our thriller film aimed at teens and young adults. As a major global producer and distributor, Paramount has experience distributing similar genre films to our target audience worldwide. While self-distribution could allow us to keep profits, we cannot reach a global audience that way. Marketing strategies like trailers on TV channels teens watch, posters on buses and subways, and ads before similar films should help promote our film to our target demographic.
Institutions
The document discusses potential production companies and distributors for a documentary film called "Chasing Happiness". It analyzes three potential production companies - Grassroots Films, Spring Films, and Mosaic Films - and selects Mosaic Films, citing their experience with documentaries and connections to the film's subject matter.
For distribution, it considers using a sales agent or distributor. It decides on a distributor to maximize opportunities for festival screenings and increase the film's value. Three potential distributors are analyzed - Journeyman Pictures, Dazzle, and Dogwoof - with Journeyman Pictures selected for their specialized focus on documentaries and sophisticated online marketing.
Institutional regulations and institutions profile
This document discusses plans for filming a low-budget movie in an abandoned building. It notes that permission will need to be obtained from the local council to film there and for any activities that could disturb local residents, such as using flares. The document also recommends finding a small, niche production company that prioritizes quality over profits to produce and distribute the film. Two potential companies, Warp Films and Vertigo Films, are identified for their experience with independent films.
Films
The document discusses various options for distributing a low-budget British crime thriller film called "Hunted" created by the author. For cinema distribution, Working Title would be a good fit as they focus on lower budget films. For TV distribution, the BBC would be suitable as it aims to develop British talent and focuses on British films. For social media distribution, YouTube would be best since it reaches the target 18-34 demographic well. DVD distribution is also considered but profit may be harder than distributing through a company.
Question 3
Universal Pictures UK would be a good media institution to distribute the media product because they have experience distributing similar romantic comedies targeted at teenagers and young adults. Universal effectively promotes its movies through posters, trailers on websites and YouTube, and advertisements placed where the target audience will see them, like before shows popular with that age group. Distributing through an established company like Universal would help raise awareness for the new romantic comedy film.
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Media Evaluation Part 3
An independent media company would be the best choice to distribute the film. Independent companies tend to take more risks and are less focused on wide audience appeal, allowing for more creative freedom. While the budget and production sophistication would be lower, the style of the film would be more similar to the finished product. A mainstream company could drastically change the film by providing a larger budget for effects and locations, but the film's low-budget style and complex storyline make it unsuitable for a wide audience. An independent distributor like Verve Pictures that specializes in small, low-budget student films would be the ideal choice.
Ancillary Form Research
The document discusses conventions of movie posters and radio advertisements. It notes that movie posters typically feature the title in largest font with actor names in smaller text. Posters aim to advertise films and come in various sizes. Radio advertisements focus more on atmospheric elements to convey a sense of the production rather than visuals. This allows listeners to imagine what is happening. Horror radio ads are particularly effective as the genre relies on tension and fear created through music and sound effects. An example of a successful horror radio ad discussed is one for "The Amityville Horror" which uses repeating sounds to create an unnerving atmosphere and reiterates the film's tagline.
Media institution
Film distribution involves making a film available for audiences to view through various mediums like movie theaters, television, or home video. 20th Century Fox would be a good potential distributor for our thriller film as they have distributed similar genres in the past. However, our independent film may only appeal to UK audiences due to its British culture and characters, and the high costs of international distribution. We could use both traditional marketing strategies like trailers and premiers or newer digital strategies like social media and viral campaigns to promote our UK-only release.
Task 3
Paramount Pictures would be a good institution to distribute our thriller film aimed at teens and young adults. As a major global producer and distributor, Paramount has experience distributing similar genre films to our target audience worldwide. While self-distribution could allow us to keep profits, we cannot reach a global audience that way. Marketing strategies like trailers on TV channels teens watch, posters on buses and subways, and ads before similar films should help promote our film to our target demographic.
Institutions
The document discusses potential production companies and distributors for a documentary film called "Chasing Happiness". It analyzes three potential production companies - Grassroots Films, Spring Films, and Mosaic Films - and selects Mosaic Films, citing their experience with documentaries and connections to the film's subject matter.
For distribution, it considers using a sales agent or distributor. It decides on a distributor to maximize opportunities for festival screenings and increase the film's value. Three potential distributors are analyzed - Journeyman Pictures, Dazzle, and Dogwoof - with Journeyman Pictures selected for their specialized focus on documentaries and sophisticated online marketing.
Institutional regulations and institutions profile
This document discusses plans for filming a low-budget movie in an abandoned building. It notes that permission will need to be obtained from the local council to film there and for any activities that could disturb local residents, such as using flares. The document also recommends finding a small, niche production company that prioritizes quality over profits to produce and distribute the film. Two potential companies, Warp Films and Vertigo Films, are identified for their experience with independent films.
Films
The document discusses various options for distributing a low-budget British crime thriller film called "Hunted" created by the author. For cinema distribution, Working Title would be a good fit as they focus on lower budget films. For TV distribution, the BBC would be suitable as it aims to develop British talent and focuses on British films. For social media distribution, YouTube would be best since it reaches the target 18-34 demographic well. DVD distribution is also considered but profit may be harder than distributing through a company.
Question 3
Universal Pictures UK would be a good media institution to distribute the media product because they have experience distributing similar romantic comedies targeted at teenagers and young adults. Universal effectively promotes its movies through posters, trailers on websites and YouTube, and advertisements placed where the target audience will see them, like before shows popular with that age group. Distributing through an established company like Universal would help raise awareness for the new romantic comedy film.
Eval q 3 fini
An independent filmmaker or company would likely distribute the film "Hanger Hill" due to its low budget. Metro-Goldwyn-Mayer is suggested as a potential distributor as they have distributed similar low-budget found footage films like "Poughkeepsie Tapes". Marketing would likely be done through social media instead of mainstream advertising due to budget constraints. The UK production company Film 4 is also proposed as they back low-budget, plot-focused films such as the award-winning "Ex Machina".
Eval3
The document discusses a horror film called "Torment" about teenagers being killed by a mysterious being who contacts them via text message. It evaluates the film as targeting a mainstream audience aged 15-30 through its use of everyday locations. As an independent film with a small budget and unknown actors, it is suggested a viral marketing campaign would be most effective in gaining interest from production companies like Working Title to distribute the film more widely. Film competitions are also identified as beneficial for exposure, and creating social media profiles and teaser trailers without revealing details, as done successfully for Cloverfield, would help generate buzz from fans before the film's release.
Where campaign would be placed in the market a2222
The document discusses various stages of film production and distribution for an independent film. It describes planning the production, including casting, scheduling, and considering genre and audience. It proposes partnering with independent production and distribution companies Warp Films and Vertigo Films for funding, marketing, and distribution assistance. Various marketing strategies are proposed, including radio, posters, online promotion, and soundtrack release. Distribution is suggested through independent cinemas, film festivals, and digital platforms like Netflix and Amazon to target their sophisticated audience.
Question 3
An independent distribution company would be best suited to distribute our very low budget horror film. Companies like Vertigo Films that have distributed similar low budget horror films in the past could work. A wide blanket release across all areas would not be effective given the limited budget. Social media platforms like Facebook, Twitter and Instagram would be important for marketing to reach our target teenage audience and promote the film more widely at low cost since it has a small marketing budget. Screenings could take place at independent cinemas like Plaza Cinema and through international film festivals to help promote the film further.
Question 3
Vertigo Films would be a suitable independent distributor for the film. They would employ a multi-pronged strategy to connect the film to audiences, including using social media platforms like Facebook and Twitter, partnering with TV channels like Channel 4, holding pop-up screenings and film festivals, and pursuing a platform release to stream it online and on TV. They may initially exhibit the film in a few cinemas, like The Curzon, to gauge audience response before pursuing a wider theatrical release and video on demand to reach more viewers.
Task 3 distribution powerpoint
This document discusses film distribution options for a low-budget thriller film set in the UK. It analyzes that Vertigo Films would be the most suitable independent distributor as they specialize in lower budget, independent films. Vertigo Films has a smaller marketing budget but could still get the film into cinemas and on other formats. The film would appeal most to a UK audience as it is set locally, allowing for targeted promotion in the UK through ads, posters, and press events. Releasing the film around Easter or holidays would be best to target the student demographic when they have more free time. While self-distribution could increase profits, it would be very time-consuming without the experience and industry contacts of an established dist
Question 3
This document discusses suitable distribution options for an independent low-budget film. It suggests that Vertigo Films, which has distributed similar small films, would be a good fit as they specialize in independent films. It also notes that a viral marketing campaign using social media platforms like Facebook and Twitter would be effective given their large user bases. Exhibition strategies discussed include film festival screenings, an art house cinema release, and a simultaneous online/platform release to build an audience.
Question 3
We learned from audience feedback that the trailer is the best selling point for a movie. To meet audience expectations, our final trailer included a variety of shots commonly seen in heist films set in London to satisfy our target audience. We also heightened the realism through iconography and incorporated a fast pace to entertain the audience without revealing too much of the plot, based on feedback that the heist genre must be recognizable and the trailer engaging.
Question 3
The document discusses distributing a romantic comedy film production through Universal Studios. Universal is described as a major studio capable of distributing films to mass audiences. Some of Universal's most successful romantic comedies distributed, like Mamma Mia, are cited as examples of their ability to profit from film distributions. While Universal could distribute the film internationally, the document argues the romantic comedy may be best suited to a UK audience and distributed primarily in Britain initially alongside the production company. YouTube is also proposed as a way to distribute an opening and gain feedback to help determine interest before a wider release.
Methods of distribution
This document discusses various methods for distributing a film trailer or promoting a new movie to potential audiences. It identifies social media platforms like YouTube and Facebook as effective ways to reach younger audiences. YouTube allows trailers and clips to be shared widely and seen by many viewers. Facebook and Twitter allow information about a film to be shared through status updates and trends. Television, cinema, and radio are also discussed as distribution methods, with each having advantages in terms of timing ads to reach target demographics. Cinema pre-show ads and radio in cars are highlighted as unique ways to generate early awareness.
Film Trailer Distribution
Film trailers are an important part of film marketing. They aim to generate interest in a film and encourage audiences to see it. An effective trailer conveys the atmosphere and excitement of a film through moving images and sound, giving viewers a sense of the story without revealing the whole plot. It provides information about the genre, storyline and stars to help audiences determine if the film is something they will enjoy. A trailer also highlights a film's unique selling point to set it apart from similar genres and attract viewers. Trailers are carefully timed and distributed through various channels to build excitement leading up to a film's release in different countries.
Question 3
This document discusses securing a film distribution deal for an independent film called "inception". It suggests partnering with Altitude, an independent UK film distributor known for distributing similar small, low-budget films. As an independent film with an independent crew and low budget/production values, it would fit within the indie film category rather than requiring an industrial distributor. The distributor could use social media, online advertising, and synergistic partnerships to connect the film to its target audience and exhibit it on VOD platforms, independent cinemas, and television channels like Film4 to reach a wide audience.
Audience marketing campaign part 2
This document outlines a marketing campaign to target a 16-20 year old audience for a horror film. It recommends placing print ads at locations like cinemas, bus stops, and train stations. For television, it suggests targeting programs in this demographic like Skins and Misfits. Newspaper ads should use images of the antagonist and positive reviews. Radio spots will use chilling quotes and screams. Social media efforts include Facebook, Twitter, MySpace, and Bebo pages as well as targeted online ads. Opportunities for promotions include Halloween costumes and a film-related app. Direct engagement could occur through private screenings and a press conference.
Ideas
The document outlines four potential projects:
1) A music video promotion package for a band including a music video, website, album packaging, and magazine ad.
2) A film promotion package including a trailer, website, poster, and magazine cover for a documentary or scary movie.
3) An advertisement campaign including two TV ads, radio spot, and sponsorship for a new beauty product.
4) A short film shot in Costa Rica along with a poster, radio trailer, or magazine review for the film.
Distribution companies
Distribution companies are responsible for making films available to audiences through marketing strategies, release dates, and exhibition methods. They determine whether a film is shown in movie theaters, on television, or through personal home viewing. Some potential UK distribution companies that may be interested in an independent, low-budget thriller film include New Line Cinema, Kaleidoscope, and Warp Films due to their experience distributing similar genre films. While the film only contains British actors, the thriller genre has universal appeal. An effective marketing strategy would utilize social media platforms as well as traditional television and billboard advertisements. The film could target both a UK and global audience with an initial cinema release followed by home video. Self-distribution provides full control but is very time
Evaluation Question 2
1) The document discusses brand identity and how consistency across marketing materials helps create brand recognition.
2) It analyzes the Warm Bodies campaign's use of the main actor, consistent colors/font, and taglines to draw audiences.
3) The creators' campaign for their film Perception establishes brand identity by featuring the mask icon, using a consistent color palette and font, and including a tagline about the film's themes of hallucinations across their poster, trailer, and magazine cover.
Evaluation 3 powerpoint
This document discusses different methods for distributing media products, including cinema release, online streaming services like Netflix and Amazon Prime, and DVD/Blu-ray releases. It recommends distributing the boxing film "Knockout" through DreamWorks studios, which would release it first in cinemas for 2-3 months, then digitally 4-5 months later, followed by DVD/Blu-ray and later on TV. DreamWorks utilizes multiple distribution platforms over time to maximize the potential audience for a media product.
Question 3
This document discusses which media institution would be best suited to distribute a thriller film with a small cast and straightforward plot. It argues that the film would work well as a TV movie released on ITV, as titles released as TV movies on that channel have found success. ITV has a reputation for high quality productions and has aired the top 4 most popular thriller films. To attract audiences to the TV movie format, the film uses conventions of the thriller genre, including low lighting, a grim color tone, and props that provide context about the antagonist character. Meeting genre conventions through elements like these in the opening sequence would help capture thriller fans and achieve high ratings for the channel.
How effective our campaign would be in the
The document discusses alternative methods for producing and distributing a documentary film. It suggests that producing the film through BBC Films rather than independently would have been more appropriate, as it would have a less adventurous style suited for television. Distributing it on TV through BBC channels instead of independent cinemas could reach a wider audience and help advertise the film. The film was rated PG to appeal to its target 24-35 year old audience and allow young families to watch together.
Distribution companies
The document discusses film distribution, including what distribution involves, the roles of major studios and independent distributors, and strategies for marketing and releasing an independent low-budget thriller film. Distribution companies are responsible for marketing, release dates, and platform selection. They make licensing deals with producers and determine distribution plans. For an independent British thriller, targeting a UK audience, the document recommends partnering with an independent British distributor like Warp Films or self-distributing and focusing marketing on social media, posters, and TV advertisements of a similar genre.
Contributions of karaikal towards achieving the freedom from french colonial ...
Contributions of karaikal towards achieving the freedom from french colonial ...Dr.Charles Christopher Raj Raj
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Eval q 3 fini
An independent filmmaker or company would likely distribute the film "Hanger Hill" due to its low budget. Metro-Goldwyn-Mayer is suggested as a potential distributor as they have distributed similar low-budget found footage films like "Poughkeepsie Tapes". Marketing would likely be done through social media instead of mainstream advertising due to budget constraints. The UK production company Film 4 is also proposed as they back low-budget, plot-focused films such as the award-winning "Ex Machina".
Eval3
The document discusses a horror film called "Torment" about teenagers being killed by a mysterious being who contacts them via text message. It evaluates the film as targeting a mainstream audience aged 15-30 through its use of everyday locations. As an independent film with a small budget and unknown actors, it is suggested a viral marketing campaign would be most effective in gaining interest from production companies like Working Title to distribute the film more widely. Film competitions are also identified as beneficial for exposure, and creating social media profiles and teaser trailers without revealing details, as done successfully for Cloverfield, would help generate buzz from fans before the film's release.
Where campaign would be placed in the market a2222
The document discusses various stages of film production and distribution for an independent film. It describes planning the production, including casting, scheduling, and considering genre and audience. It proposes partnering with independent production and distribution companies Warp Films and Vertigo Films for funding, marketing, and distribution assistance. Various marketing strategies are proposed, including radio, posters, online promotion, and soundtrack release. Distribution is suggested through independent cinemas, film festivals, and digital platforms like Netflix and Amazon to target their sophisticated audience.
Question 3
An independent distribution company would be best suited to distribute our very low budget horror film. Companies like Vertigo Films that have distributed similar low budget horror films in the past could work. A wide blanket release across all areas would not be effective given the limited budget. Social media platforms like Facebook, Twitter and Instagram would be important for marketing to reach our target teenage audience and promote the film more widely at low cost since it has a small marketing budget. Screenings could take place at independent cinemas like Plaza Cinema and through international film festivals to help promote the film further.
Question 3
Vertigo Films would be a suitable independent distributor for the film. They would employ a multi-pronged strategy to connect the film to audiences, including using social media platforms like Facebook and Twitter, partnering with TV channels like Channel 4, holding pop-up screenings and film festivals, and pursuing a platform release to stream it online and on TV. They may initially exhibit the film in a few cinemas, like The Curzon, to gauge audience response before pursuing a wider theatrical release and video on demand to reach more viewers.
Task 3 distribution powerpoint
This document discusses film distribution options for a low-budget thriller film set in the UK. It analyzes that Vertigo Films would be the most suitable independent distributor as they specialize in lower budget, independent films. Vertigo Films has a smaller marketing budget but could still get the film into cinemas and on other formats. The film would appeal most to a UK audience as it is set locally, allowing for targeted promotion in the UK through ads, posters, and press events. Releasing the film around Easter or holidays would be best to target the student demographic when they have more free time. While self-distribution could increase profits, it would be very time-consuming without the experience and industry contacts of an established dist
Question 3
This document discusses suitable distribution options for an independent low-budget film. It suggests that Vertigo Films, which has distributed similar small films, would be a good fit as they specialize in independent films. It also notes that a viral marketing campaign using social media platforms like Facebook and Twitter would be effective given their large user bases. Exhibition strategies discussed include film festival screenings, an art house cinema release, and a simultaneous online/platform release to build an audience.
Question 3
We learned from audience feedback that the trailer is the best selling point for a movie. To meet audience expectations, our final trailer included a variety of shots commonly seen in heist films set in London to satisfy our target audience. We also heightened the realism through iconography and incorporated a fast pace to entertain the audience without revealing too much of the plot, based on feedback that the heist genre must be recognizable and the trailer engaging.
Question 3
The document discusses distributing a romantic comedy film production through Universal Studios. Universal is described as a major studio capable of distributing films to mass audiences. Some of Universal's most successful romantic comedies distributed, like Mamma Mia, are cited as examples of their ability to profit from film distributions. While Universal could distribute the film internationally, the document argues the romantic comedy may be best suited to a UK audience and distributed primarily in Britain initially alongside the production company. YouTube is also proposed as a way to distribute an opening and gain feedback to help determine interest before a wider release.
Methods of distribution
This document discusses various methods for distributing a film trailer or promoting a new movie to potential audiences. It identifies social media platforms like YouTube and Facebook as effective ways to reach younger audiences. YouTube allows trailers and clips to be shared widely and seen by many viewers. Facebook and Twitter allow information about a film to be shared through status updates and trends. Television, cinema, and radio are also discussed as distribution methods, with each having advantages in terms of timing ads to reach target demographics. Cinema pre-show ads and radio in cars are highlighted as unique ways to generate early awareness.
Film Trailer Distribution
Film trailers are an important part of film marketing. They aim to generate interest in a film and encourage audiences to see it. An effective trailer conveys the atmosphere and excitement of a film through moving images and sound, giving viewers a sense of the story without revealing the whole plot. It provides information about the genre, storyline and stars to help audiences determine if the film is something they will enjoy. A trailer also highlights a film's unique selling point to set it apart from similar genres and attract viewers. Trailers are carefully timed and distributed through various channels to build excitement leading up to a film's release in different countries.
Question 3
This document discusses securing a film distribution deal for an independent film called "inception". It suggests partnering with Altitude, an independent UK film distributor known for distributing similar small, low-budget films. As an independent film with an independent crew and low budget/production values, it would fit within the indie film category rather than requiring an industrial distributor. The distributor could use social media, online advertising, and synergistic partnerships to connect the film to its target audience and exhibit it on VOD platforms, independent cinemas, and television channels like Film4 to reach a wide audience.
Audience marketing campaign part 2
This document outlines a marketing campaign to target a 16-20 year old audience for a horror film. It recommends placing print ads at locations like cinemas, bus stops, and train stations. For television, it suggests targeting programs in this demographic like Skins and Misfits. Newspaper ads should use images of the antagonist and positive reviews. Radio spots will use chilling quotes and screams. Social media efforts include Facebook, Twitter, MySpace, and Bebo pages as well as targeted online ads. Opportunities for promotions include Halloween costumes and a film-related app. Direct engagement could occur through private screenings and a press conference.
Ideas
The document outlines four potential projects:
1) A music video promotion package for a band including a music video, website, album packaging, and magazine ad.
2) A film promotion package including a trailer, website, poster, and magazine cover for a documentary or scary movie.
3) An advertisement campaign including two TV ads, radio spot, and sponsorship for a new beauty product.
4) A short film shot in Costa Rica along with a poster, radio trailer, or magazine review for the film.
Distribution companies
Distribution companies are responsible for making films available to audiences through marketing strategies, release dates, and exhibition methods. They determine whether a film is shown in movie theaters, on television, or through personal home viewing. Some potential UK distribution companies that may be interested in an independent, low-budget thriller film include New Line Cinema, Kaleidoscope, and Warp Films due to their experience distributing similar genre films. While the film only contains British actors, the thriller genre has universal appeal. An effective marketing strategy would utilize social media platforms as well as traditional television and billboard advertisements. The film could target both a UK and global audience with an initial cinema release followed by home video. Self-distribution provides full control but is very time
Evaluation Question 2
1) The document discusses brand identity and how consistency across marketing materials helps create brand recognition.
2) It analyzes the Warm Bodies campaign's use of the main actor, consistent colors/font, and taglines to draw audiences.
3) The creators' campaign for their film Perception establishes brand identity by featuring the mask icon, using a consistent color palette and font, and including a tagline about the film's themes of hallucinations across their poster, trailer, and magazine cover.
Evaluation 3 powerpoint
This document discusses different methods for distributing media products, including cinema release, online streaming services like Netflix and Amazon Prime, and DVD/Blu-ray releases. It recommends distributing the boxing film "Knockout" through DreamWorks studios, which would release it first in cinemas for 2-3 months, then digitally 4-5 months later, followed by DVD/Blu-ray and later on TV. DreamWorks utilizes multiple distribution platforms over time to maximize the potential audience for a media product.
Question 3
This document discusses which media institution would be best suited to distribute a thriller film with a small cast and straightforward plot. It argues that the film would work well as a TV movie released on ITV, as titles released as TV movies on that channel have found success. ITV has a reputation for high quality productions and has aired the top 4 most popular thriller films. To attract audiences to the TV movie format, the film uses conventions of the thriller genre, including low lighting, a grim color tone, and props that provide context about the antagonist character. Meeting genre conventions through elements like these in the opening sequence would help capture thriller fans and achieve high ratings for the channel.
How effective our campaign would be in the
The document discusses alternative methods for producing and distributing a documentary film. It suggests that producing the film through BBC Films rather than independently would have been more appropriate, as it would have a less adventurous style suited for television. Distributing it on TV through BBC channels instead of independent cinemas could reach a wider audience and help advertise the film. The film was rated PG to appeal to its target 24-35 year old audience and allow young families to watch together.
Distribution companies
The document discusses film distribution, including what distribution involves, the roles of major studios and independent distributors, and strategies for marketing and releasing an independent low-budget thriller film. Distribution companies are responsible for marketing, release dates, and platform selection. They make licensing deals with producers and determine distribution plans. For an independent British thriller, targeting a UK audience, the document recommends partnering with an independent British distributor like Warp Films or self-distributing and focusing marketing on social media, posters, and TV advertisements of a similar genre.
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Where campaign would be placed in the market a2222
Where campaign would be placed in the market a2222
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This document analyzes 9 shots from the film Taxi Driver and identifies how each shot utilizes conventions of film noir through lighting, settings, and visual elements. Key conventions discussed include dim lighting, fog, red lighting symbolizing passion and danger, neon city lights at night, rainy and gloomy weather, blurred and distorted views representing disillusionment, smoke, and shot compositions that establish dominance hierarchies and highlight main characters. Overall, the document examines how the shots adhere to and make use of typical film noir conventions.
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This document discusses the author's opinion on the importance of electronic dance music (EDM) in modern culture. The author believes EDM styles make up the basis of most mainstream music today. While debates exist over which styles and artists are better, the author sees a positive in EDM allowing ordinary people to make good quality music using accessible music production software and digital synths. In conclusion, the author thinks EDM has broken boundaries since Kraftwerk and will continue evolving technologically and musically as long as new subgenres are created.
How did you use media technologies in the
The document discusses how various media technologies were used at different stages of creating a promotional package, including: conducting online research using SurveyMonkey and YouTube; using a blog to organize and present work; utilizing Google Maps Street View for location planning; using Photoshop for initial mockups and final product construction; filming with a Canon DSLR camera; editing video with Final Cut Pro; and gathering evaluation feedback and presenting findings with SurveyMonkey, Facebook, YouTube, PowerPoint, and SlideShare.
Question 2
The promotional package for Bombay Bicycle Club's album includes a music video, magazine advert, and digipak. Each product was designed together with similar themes to promote a unified image. Photographs from the music video filming were used in the print products to directly link them. The narrative and aesthetics of the products work together to tell the story of the album and reinforce the band's indie image, encouraging audiences to engage further with their music and buy the album.
Question 1
The document discusses how the media product, a music video for an indie band, both develops and challenges conventions of real indie music videos. It analyzes the music videos of Bombay Bicycle Club and establishes codes and conventions from the genre that were then used in the planning and creation of the product. While some elements like locations and costumes follow conventions, others like including a narrative structure and not having live performances challenge conventions. The overall goal was to create a product that fit in with the genre while also putting its own twist on some elements.
Video feedback results
The video gained 207 views on YouTube with 3 likes and no dislikes but received minimal audience feedback with only one comment, suggesting the video was watched but did not strongly engage viewers to provide comments.
Evalutation : Question One
The document discusses how the media product, a music video for an indie band, both develops and challenges conventions of real music videos in the genre. It follows many conventions through its locations, shots that capture everyday life, and costumes. However, it challenges conventions by having each band member perform separately rather than as a group, and through its narrative structure of one band member's journey. The digipak and promotional print ad also both follow and challenge conventions regarding photography, fonts, color schemes, and composition found in researching real products in the genre.
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Similar to Question 3
Sofia task 3
Icon Film Distribution would be most interested in distributing the media product, as they have distributed similar thriller films in the past like "Alpha dog" and "Fairytale" that have older target audiences. Film Nation Entertainment also seems suitable since they distributed the similar thriller "Crush". The media product would mainly appeal to UK and US teenagers and young adults since it relates to typical high school experiences. Marketing through social media, TV, and radio ads would be most effective given the target demographic. Self-distribution in UK cinemas and on Netflix could work well to reach a wide audience, especially younger viewers who use Netflix.
Question 3
The document discusses choosing Film4 and Warp Films to co-produce and distribute the film. Film4 and Warp Films have successfully worked together before on similar "social realism" films that appeal to a niche, educated audience. Their experience with limited budgets and independent films makes them well-suited to provide advice and support. Using two production companies provides a larger budget than one alone. Film4 also funds up-and-coming directors and exhibits films on TV to help new filmmakers.
Question 3
The document discusses using below-the-line marketing like web 2.0 and social media to promote an independent film. This targets the film's niche audience of educated, particular viewers. Teasers, behind-the-scenes footage, and interviews will create awareness and interest. Short clips shown online and on TV will generate desire among viewers to learn the full story by seeing the film. Staggered releases of promotional content are aimed at driving the audience to take action and view the film.
Evaluation Question 5
The filmmakers targeted an audience aged over 20 who enjoy problem solving. To attract this audience, they used both old and new media techniques. On social media, they posted links to the opening title sequence on Facebook and Twitter to encourage views and feedback. They also created posters to reach those not online. Feedback showed social media was most effective at spreading the film, as people shared the video widely. The filmmakers gained useful feedback on what audiences liked and disliked to apply to future films.
Evaluation question 3
This document discusses potential media institutions that could distribute a film product and why. It analyzes social networks like Twitter, Facebook, and blogs as options for distribution since they allow free viewing and sharing. YouTube is identified as a major potential institution since it enables anyone to view and share the film. Several television programs and channels are also presented as options, including E4, Film4, BBC Three, and ITV, as they have audiences in the target age range and have broadcast similar genres in the past. The key points are that these institutions would help attract a wide audience and increase views and ratings.
Evaluation question 3
This document discusses the stages of film production and distribution. It focuses on who could distribute a low-budget independent film. Film 4 is identified as a potential distributor because they have a reputation for distributing independent films that find success, including those targeting younger audiences. While Film 4 distributes similar horror genres, the film's lack of experience and professional quality make it a risk. Online distribution is proposed to help the film gain exposure and potentially move to channels like Film 4.
Evaluation question 3
This document discusses potential media institutions that could distribute a film product and why. It analyzes social networks like Twitter, Facebook, and blogs as options that could spread the film virally. It also examines YouTube as a major distribution platform that would allow anyone to view and share the film. Finally, it considers television programs like E4, Film4, BBC Three, and ITV that have audiences in the target age range and have broadcast similar genres in the past, which could help attract a wide audience.
Evaluation question 3
This document discusses potential media institutions that could distribute a film product and why. It analyzes social networks like Twitter, Facebook, and blogs as options that could spread the film virally. It also examines YouTube as a major distribution platform that would allow anyone to view and share the film. Finally, it considers television programs like E4, Film4, BBC Three, and ITV that have audiences in the target age range and have broadcast similar genres in the past, which could help attract a wide audience.
Evaluation question 3
This document discusses potential media institutions that could distribute a film product and why. It analyzes social networks like Twitter, Facebook, and blogs as options that could spread the film virally. It also examines YouTube as a major distribution platform that would allow anyone to view and share the film. Finally, it considers television programs like E4, Film4, BBC Three, and ITV that have audiences in the target age range and have broadcast similar genres in the past, which could help attract a wide audience.
Evaluation question 3
This document discusses potential media institutions that could distribute a film product and why. It analyzes social networks like Twitter, Facebook, and blogs as options that could spread the film virally. It also examines YouTube as a major distribution platform that would allow anyone to view and share the film. Finally, it considers television programs like E4, Film4, BBC Three, and ITV that have audiences in the target age range and have broadcast similar genres in the past, which could help attract a wide audience.
Distribution media
This document discusses film distribution and options for distributing a low-budget British thriller film. It explains that a distributor sells a film to venues like cinemas, streaming services, and TV. For an independent, small-scale production, distribution is likely through smaller British distributors or self-distribution using online platforms. The document recommends marketing the film via YouTube to appeal to a wide audience affordably. While self-distribution maintains full control, it is also very time-consuming without a distributor's industry connections and experience packaging films for buyers.
Question 3
The document discusses which media institutions would be suitable to distribute the author's low-budget thriller film. It argues that television channels like Film4 would be the best option, as they often show similar low-budget and independent films, especially late at night when the film's darker content would be more appropriate. Film festivals could also provide an early screening and valuable feedback. Online streaming services like Netflix may also work well due to their willingness to show independent films at low cost. Cinemas and primetime television slots would not be viable given the film's low budget.
What kind of institution might distribute your media
The document discusses the choices made for producing and distributing the author's media product. They decided to work with independent institutions Studio Canal and Warp Films due to their experience with similar genres and focus on niche issues. These companies will provide financial support and distribution through various platforms. The author believes this was a good decision as the companies have a history of social realism films and will allow creative freedom. Other options like BBC Films and Pathé were considered but may have required more funding. The marketing strategy focuses on below-the-line techniques using websites and YouTube to promote to the target audience.
Elegance picture powerpoint SA
This document outlines a film production company called Elegance Pictures. Their target audience is young adults aged 16-23 as their film will address themes of drugs and depression that this age group commonly faces. Their unique selling points include providing a helpline for audiences and giving opportunities to young filmmakers. Their logo is an eagle to represent the precision they take in filmmaking. Marketing strategies include social media promotion and posters in public transit areas. They aim to produce films in the British Social Realism genre to realistically portray life situations.
Question 3
Showtime Networks would be a good potential distributor for the film because they have experience distributing similar thriller genres that deal with bullying and crime stories. Showtime Networks distributes films and TV shows like Scream and Bang Bang You're Dead, which the film is based on. They understand how to market and distribute this type of film. While self-distribution could allow keeping all profits, it would be very time consuming without the industry connections that distributors have.
Evaluation question 3
Warner Brothers would be an ideal company to distribute the film "anonymous" due to their successful track record distributing thriller and action films. They are one of the major film studios in Hollywood and produce and distribute around 18-24 films per year. The film would be marketed using both traditional (posters, billboards) and viral digital strategies (social media, online forums). The marketing campaign would begin with reveal trailers released 7 months before the film's cinema release to generate buzz online. The film would be first released in cinemas, then on DVD 4 months later, and finally made available on streaming platforms like Netflix and demand services provided by cable companies. Additional content like merchandise, soundtrack, and behind-the-scenes
HOLLIE BEALE TASK 3
This document discusses film distribution and options for distributing an independent teen drama/comedy film that was produced. It considers potential distribution companies like Entertainment One and StudioCanal that have experience distributing similar films. Marketing strategies are proposed like trailers, posters, and social media to promote the film. The film could appeal to both UK and broader international audiences. Self-distribution is also briefly discussed but determined to be less advantageous than using an experienced distribution company.
Exhibition
The document discusses various methods for exhibiting a film, including uploading it online, showing it in cinemas, film festivals, online streaming services, and on DVD. It analyzes the pros and cons of each option. The conclusion is that for a low-budget film targeting a young audience, the best exhibition methods are to upload it online for free viewing, or partner with an online streaming service, as these options match the target demographic and budget constraints. Cinema and film festivals are also discussed but will likely be too costly.
Distributors
This document discusses distribution options for a student short film called "Enough Is Enough". It first defines film distribution as how a film is distributed to audiences after post-production. It then explains that the film will likely not be distributed by a major distributor since it has a very low budget and used few resources. Some marketing options for self-distribution are discussed, such as uploading to YouTube, showing in local theaters, and promoting on social media. Self-distributing the film would be very expensive and require funding for copying and delivering DVDs to theaters and audiences. Legal permits would also be needed to properly distribute and sell copies of the film.
Media TASK 3...
This document discusses film distribution strategies. It explains that a distributor is responsible for releasing a film to the widest possible audience. They develop a release strategy that determines when and where the film will be shown. Distributors must secure exhibition deals with cinemas and spend money marketing the film through posters, trailers, and social media to generate interest. Large studios like Universal distribute globally and spend millions promoting major films, while independent distributors like Soda Pictures focus on more niche films with smaller budgets. The document proposes that Soda Pictures would be a good fit to distribute the independent, low-budget British film being discussed.
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What kind of institution might distribute your media
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
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Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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Question 3
- 2. We decided that one of the best ways we could have distributed our media product would have been a TV release. This is because it would have provided an instant wider audience as quite a lot of people don’t go to the cinema and maybe our style of movie wouldn’t have been very well suited for most cinema audiences anyway. Most modern film- makers tend to make either horror or action/adventure films so there possibly would have been less interest in a film noir style movie. We wanted the best possible product that could be easily available for our target audience as we had decided that our target audience were older teens/young adults because of the 15 rating we placed on our media product. We wanted a way in which our product could be easily distributed and still maintain public interest.
- 3. A TV release still has some drawbacks however. This being that our media product would only be displayed when the TV network would want to show it. This can definitely affect publicity of the movie as a person might miss the showing of our product and then would need to wait a while for the network to show it again. There are many networks however such as the channel 4 network’s ‘Film 4’ which sometimes show featured movies a few times within a short space of time. They also sometimes show the ‘British Connection’ season which displays lower budget movies from British directors and producers. This would be perfect for our media product as it could give us the publicity that we would need.
- 4. We also thought that another good way to go about releasing our media product would be an internet release. Services such as ‘YouTube’ can provide large amounts of publicity and advertising and can allow audiences to directly access our media product. Also a lot services such as ‘Facebook’ can allow for large amounts of viral advertising as people can share files and videos and also provide comments so this could be important for the publicity and advertising and also possible feedback that we would need for our media product and how we could possibly improve it at a later date. A lot people within our target audience tend to use the likes of Facebook and other social networking sites quite a lot so this could have been beneficial for the marketing and advertising of our product within our target audience range.