This call sheet provides details for a filming shoot on October 10th, 2012 at "The Studio" in Hartlepool. It lists contact information for 6 actors and 1 assistant who will be filming
The document contains a draft script for a 5 minute radio news bulletin with 7 stories. Story 1 discusses a music festival paying tribute to David Bowie. Story 2 reports on a attempted robbery at a jewellery shop with a kitchen knife. Story 3 details a domestic incident involving stabbing and criminal damage. Story 4 reports on an assault on a teenage girl outside a restaurant. Story 5 shares footage of a car driving the wrong way on a dual carriageway. Story 6 gives an update on red cards in a football match. Story 7 provides the weather forecast. The document explains why these stories were chosen and who wrote them.
The document contains a draft script for a 5 minute radio news bulletin with 7 stories. Story 1 discusses a music festival paying tribute to David Bowie. Story 2 reports on a attempted robbery at a jewellery shop with a kitchen knife. Story 3 details a domestic incident involving stabbing and criminal damage. Story 4 reports on an assault on a teenage girl outside a restaurant. Story 5 shares footage of a car driving the wrong way on a dual carriageway. Story 6 gives an account of red cards in a football match. Story 7 provides the weather forecast. The document explains that the stories were chosen and ordered to engage listeners and provide a balance of important and lighter news.
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This document lists over 30 guitar lesson packs available for purchase from 6 packs for €25 up to a full album pack for €50. Payment can be made via PayPal or credit card. The packs include Guitar Pro tabs and lesson videos and purchasers will receive a download link. Various packs cover songs by Guns N' Roses, Slash, and others. A couple packs are also available for free download.
A student named Caitlin Wilkinson is requesting permission to film a short clip inside a restaurant for a school media studies course. Her film is in the style of a gangster movie and the scene will involve one character dropping a replica gun on the floor. The filming will only take a very short time and will not show any customers, staff, or identify the restaurant.
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The document contains a draft script for a 5 minute radio news bulletin with 7 stories. Story 1 discusses a music festival paying tribute to David Bowie. Story 2 reports on a attempted robbery at a jewellery shop with a kitchen knife. Story 3 details a domestic incident involving stabbing and criminal damage. Story 4 reports on an assault on a teenage girl outside a restaurant. Story 5 shares footage of a car driving the wrong way on a dual carriageway. Story 6 gives an update on red cards in a football match. Story 7 provides the weather forecast. The document explains why these stories were chosen and who wrote them.
The document contains a draft script for a 5 minute radio news bulletin with 7 stories. Story 1 discusses a music festival paying tribute to David Bowie. Story 2 reports on a attempted robbery at a jewellery shop with a kitchen knife. Story 3 details a domestic incident involving stabbing and criminal damage. Story 4 reports on an assault on a teenage girl outside a restaurant. Story 5 shares footage of a car driving the wrong way on a dual carriageway. Story 6 gives an account of red cards in a football match. Story 7 provides the weather forecast. The document explains that the stories were chosen and ordered to engage listeners and provide a balance of important and lighter news.
Shop Gazebo Replacement Canopy: Sunjoy Canopy and Sunjoy Gazebo at sunjoyonline.com. Fast delivery and Secure Payments.
Know more: https://www.sunjoyonline.com/replacement-canopies_path-20.html
Enhance your garden beauty with sunjoy gazebo canopysunjoy online
Shop Gazebo Replacement Canopy: Sunjoy Canopy and Sunjoy Gazebo at sunjoyonline.com. Fast delivery and Secure Payments.
Know more: https://www.sunjoyonline.com/replacement-canopies_path-20.html
This document lists over 30 guitar lesson packs available for purchase from 6 packs for €25 up to a full album pack for €50. Payment can be made via PayPal or credit card. The packs include Guitar Pro tabs and lesson videos and purchasers will receive a download link. Various packs cover songs by Guns N' Roses, Slash, and others. A couple packs are also available for free download.
A student named Caitlin Wilkinson is requesting permission to film a short clip inside a restaurant for a school media studies course. Her film is in the style of a gangster movie and the scene will involve one character dropping a replica gun on the floor. The filming will only take a very short time and will not show any customers, staff, or identify the restaurant.
Vision Embroidery offers a broad selection of imprinted servicesVision Embroidery
Vision Embroidery offers a broad selection of imprinted services, log's products and custom desgin services for all your promotional and business needs.
https://visionembroidery.com/outerwear.html
This document contains a bibliography listing various online sources of audio files, videos, and web pages that provide information on different electronic music genres and songs. These include YouTube and SoundCloud pages linking to specific remixes, tracks, and artists. Some genre descriptions are based on the author's own knowledge rather than external references.
This document contains a section bibliography listing various web pages and image links related to different genres of electronic music, including pages on Kraftwerk, house music, electro, the artist Ryuichi Sakamoto, drum and bass, dubstep, and specific tracks by Seamless and Jaql. Links are provided to Wikipedia pages, images, and SoundCloud tracks for further reference.
This document contains a bibliography section listing various sources of information about synthesizers and synthesis techniques. It includes links to Wikipedia pages about the theremin and Moog synthesizer, images of synth interfaces taken by the author, and links to video demonstrations of the theremin and Harmor VST plugin in action.
This document provides an overview of the evolution of electronic music styles since the 1970s. It discusses genres such as Kraftwerk's pioneering electronic sound, the origins and characteristics of house music in Chicago in the 1980s, early electro which emerged in the 1980s and was influenced by disco, the development of drum and bass in the UK in the 1990s with its syncopated breakbeats, and the origins of dubstep in London which combined elements of dub, reggae, and 2-step garage. Examples of influential artists and tracks are provided for each genre.
This document discusses hybrid and sub-genres of electronic music. It provides examples of how fusing two genres, such as drum and bass with dubstep, creates a hybrid genre like drumstep. Electro-house is also described as a fusion of electro and house music. The document goes on to give examples and definitions of several electronic music sub-genres, including liquid (less bass-heavy genres), neuro (focused on neuro bass sounds), glitch (using glitch samples), and French (sampling 1970s disco tracks). Specific tracks are referenced for each genre as representative examples.
This document discusses the author's opinion on the importance of electronic dance music (EDM) in modern culture. The author believes EDM styles make up the basis of most mainstream music today. While debates exist over which styles and artists are better, the author sees a positive in EDM allowing ordinary people to make good quality music using accessible music production software and digital synths. In conclusion, the author thinks EDM has broken boundaries since Kraftwerk and will continue evolving technologically and musically as long as new subgenres are created.
This document outlines the tasks for an assignment researching the history and development of electronic music. It will involve researching the early electronic instruments from the 1920s, the evolution of electronic music styles from the 1970s onwards, how subgenres and hybrid genres were formed, and key artists that contributed to genres. Multimedia evidence like images, videos and audio will be presented to support findings on the topics of early electronic instruments, major style periods, subgenre creation, and importance of modern EDM styles.
Historical case study: A Clockwork OrangeJeebuzz94
The film A Clockwork Orange was set in a dystopian future where youth ran wild with no respect for elders. It depicted graphic violence like a group beating an old man to death. The media was shocked by the violent scenes and banned the film, fearing it would influence youth negatively. While the press gave it extremely negative reviews and worried it would increase violence and corruption among youth, the film's depiction of cliques and groups suggested youth were already dividing that way. Stan Cohen's theory of youth as "social deviants" who don't conform and his concept of "moral panic" fit this film, as the media stirred fears that youth would emulate the violent characters.
Historical case study notes: QuadropheniaJeebuzz94
This document provides notes and analysis on the 1979 film Quadrophenia. It discusses:
1) The characters of Jimmy, Steph, and Kevin and how they represent the mod and rocker subcultures of 1960s London youth culture.
2) Examples of mise-en-scene in the film that reinforce ideas of youth culture, such as posters on Jimmy's wall and fashion.
3) How the quote "Identity is complicated" can be applied to Jimmy's character development over the course of the film.
4) Similarities between representations of youth culture in the past and today, including the role of cliques and media portrayals.
The document discusses a music video and ancillary texts created for a folk rock song called "The Road".
The music video follows folk rock conventions by telling a story through narrative and showing instruments and casual clothing commonly seen in the genre.
The ancillary texts, like the CD cover, advert, and digipak, reflect the themes of the song and video through imagery of a cobblestone road. They were designed to have an old, traditional feel appropriate for the folk/rock genre and target an indie audience.
Various media technologies like a video camera, Photoshop, and video editing software were used at different stages of production from filming to editing to designing ancillary materials.
The costume and style for the music video will convey the darker themes of the song. It will have a classic rock look with the band members wearing casual but dark clothes like skinny jeans, sleeveless shirts, and longer hair. The video editing will be fast-paced and include visual effects to match the faster music and portray feelings of insecurity and isolation from the lyrics.
This digipak analysis summarizes the packaging for the special edition of Metallica's album "Death Magnetic". The cover features an outline of a coffin surrounded by iron filings, symbolizing the album title. Inside, the digipak has a dark color scheme and cut-out pages revealing a coffin image. While effectively representing the album, the cut-out pages remove some lyric text. The analyst concludes the packaging targets a mainstream audience, differing from Metallica's past album styles.
Joe Tindale completed a personal skills audit to assess his abilities for an upcoming A2 project. He has experience using Photoshop, Live Type, GarageBand, Final Cut, and a Sony camcorder from previous productions. These skills allowed him to create logos, titles, and edit finished products. For his new project, he plans to further develop these digital skills by creating artwork, syncing audio and video, and editing. His research and planning experience researching genres and conventions will also help him identify conventions for music videos. Creativity was shown by subverting some conventions in past works while still adhering to others, which he believes will benefit his new project.
The document discusses potential distribution methods for a media product. It considers a TV release which would reach a wide audience, though the product may not appeal to most cinema audiences. It also notes drawbacks of only airing when the TV network decides and the risk of missing airings. Another option is an internet release using services like YouTube and Facebook which could provide large audiences and viral advertising among their target demographic of older teens and young adults.
This rough cut feedback document provides criticism and praise in two sections. The first section lists 11 issues with the cut including too loud background sounds, a lack of different shots and steady camerawork, and distracting background elements. The second positively notes the film's good costumes, dialogue, adherence to conventions, clear characters and acting, and pace.
This call sheet provides details for a film shoot on February 10th and 14th and 28th at a college grounds and park. It lists the cast and crew contact information and roles. It also includes details about wardrobe, makeup, props, and equipment needed for characters Kayleigh Johnson, Callum Craggs, and Nathan Hunter. Rebecca Hamilton, Shannon Shepherdson, Chris Totty, and Joe Tindale are responsible for the camera, tripod, and other equipment.
This document analyzes 9 shots from the film Taxi Driver and identifies how each shot utilizes conventions of film noir through lighting, settings, and visual elements. Key conventions discussed include dim lighting, fog, red lighting symbolizing passion and danger, neon city lights at night, rainy and gloomy weather, blurred and distorted views representing disillusionment, smoke, and shot compositions that establish dominance hierarchies and highlight main characters. Overall, the document examines how the shots adhere to and make use of typical film noir conventions.
The opening scene of Scarlet Street establishes the dark, rainy setting and plays non-diegetic carnival music. It shows a group of formally dressed men smoking at a black tie event, then cuts to a man beating a woman in the street before another man intervenes. Finally, it depicts the man and woman entering a shady bar.
The document outlines various stylistic elements and narrative techniques commonly found in film noir movies from the 1940s and 1950s. It includes icons, themes, characters, and cinematography choices like back lighting and expressionism that distort reality. Storylines in film noir are typically nonlinear and twist in unexpected ways.
This document contains a bibliography listing various online sources of audio files, videos, and web pages that provide information on different electronic music genres and songs. These include YouTube and SoundCloud pages linking to specific remixes, tracks, and artists. Some genre descriptions are based on the author's own knowledge rather than external references.
This document contains a section bibliography listing various web pages and image links related to different genres of electronic music, including pages on Kraftwerk, house music, electro, the artist Ryuichi Sakamoto, drum and bass, dubstep, and specific tracks by Seamless and Jaql. Links are provided to Wikipedia pages, images, and SoundCloud tracks for further reference.
This document contains a bibliography section listing various sources of information about synthesizers and synthesis techniques. It includes links to Wikipedia pages about the theremin and Moog synthesizer, images of synth interfaces taken by the author, and links to video demonstrations of the theremin and Harmor VST plugin in action.
This document provides an overview of the evolution of electronic music styles since the 1970s. It discusses genres such as Kraftwerk's pioneering electronic sound, the origins and characteristics of house music in Chicago in the 1980s, early electro which emerged in the 1980s and was influenced by disco, the development of drum and bass in the UK in the 1990s with its syncopated breakbeats, and the origins of dubstep in London which combined elements of dub, reggae, and 2-step garage. Examples of influential artists and tracks are provided for each genre.
This document discusses hybrid and sub-genres of electronic music. It provides examples of how fusing two genres, such as drum and bass with dubstep, creates a hybrid genre like drumstep. Electro-house is also described as a fusion of electro and house music. The document goes on to give examples and definitions of several electronic music sub-genres, including liquid (less bass-heavy genres), neuro (focused on neuro bass sounds), glitch (using glitch samples), and French (sampling 1970s disco tracks). Specific tracks are referenced for each genre as representative examples.
This document discusses the author's opinion on the importance of electronic dance music (EDM) in modern culture. The author believes EDM styles make up the basis of most mainstream music today. While debates exist over which styles and artists are better, the author sees a positive in EDM allowing ordinary people to make good quality music using accessible music production software and digital synths. In conclusion, the author thinks EDM has broken boundaries since Kraftwerk and will continue evolving technologically and musically as long as new subgenres are created.
This document outlines the tasks for an assignment researching the history and development of electronic music. It will involve researching the early electronic instruments from the 1920s, the evolution of electronic music styles from the 1970s onwards, how subgenres and hybrid genres were formed, and key artists that contributed to genres. Multimedia evidence like images, videos and audio will be presented to support findings on the topics of early electronic instruments, major style periods, subgenre creation, and importance of modern EDM styles.
Historical case study: A Clockwork OrangeJeebuzz94
The film A Clockwork Orange was set in a dystopian future where youth ran wild with no respect for elders. It depicted graphic violence like a group beating an old man to death. The media was shocked by the violent scenes and banned the film, fearing it would influence youth negatively. While the press gave it extremely negative reviews and worried it would increase violence and corruption among youth, the film's depiction of cliques and groups suggested youth were already dividing that way. Stan Cohen's theory of youth as "social deviants" who don't conform and his concept of "moral panic" fit this film, as the media stirred fears that youth would emulate the violent characters.
Historical case study notes: QuadropheniaJeebuzz94
This document provides notes and analysis on the 1979 film Quadrophenia. It discusses:
1) The characters of Jimmy, Steph, and Kevin and how they represent the mod and rocker subcultures of 1960s London youth culture.
2) Examples of mise-en-scene in the film that reinforce ideas of youth culture, such as posters on Jimmy's wall and fashion.
3) How the quote "Identity is complicated" can be applied to Jimmy's character development over the course of the film.
4) Similarities between representations of youth culture in the past and today, including the role of cliques and media portrayals.
The document discusses a music video and ancillary texts created for a folk rock song called "The Road".
The music video follows folk rock conventions by telling a story through narrative and showing instruments and casual clothing commonly seen in the genre.
The ancillary texts, like the CD cover, advert, and digipak, reflect the themes of the song and video through imagery of a cobblestone road. They were designed to have an old, traditional feel appropriate for the folk/rock genre and target an indie audience.
Various media technologies like a video camera, Photoshop, and video editing software were used at different stages of production from filming to editing to designing ancillary materials.
The costume and style for the music video will convey the darker themes of the song. It will have a classic rock look with the band members wearing casual but dark clothes like skinny jeans, sleeveless shirts, and longer hair. The video editing will be fast-paced and include visual effects to match the faster music and portray feelings of insecurity and isolation from the lyrics.
This digipak analysis summarizes the packaging for the special edition of Metallica's album "Death Magnetic". The cover features an outline of a coffin surrounded by iron filings, symbolizing the album title. Inside, the digipak has a dark color scheme and cut-out pages revealing a coffin image. While effectively representing the album, the cut-out pages remove some lyric text. The analyst concludes the packaging targets a mainstream audience, differing from Metallica's past album styles.
Joe Tindale completed a personal skills audit to assess his abilities for an upcoming A2 project. He has experience using Photoshop, Live Type, GarageBand, Final Cut, and a Sony camcorder from previous productions. These skills allowed him to create logos, titles, and edit finished products. For his new project, he plans to further develop these digital skills by creating artwork, syncing audio and video, and editing. His research and planning experience researching genres and conventions will also help him identify conventions for music videos. Creativity was shown by subverting some conventions in past works while still adhering to others, which he believes will benefit his new project.
The document discusses potential distribution methods for a media product. It considers a TV release which would reach a wide audience, though the product may not appeal to most cinema audiences. It also notes drawbacks of only airing when the TV network decides and the risk of missing airings. Another option is an internet release using services like YouTube and Facebook which could provide large audiences and viral advertising among their target demographic of older teens and young adults.
This rough cut feedback document provides criticism and praise in two sections. The first section lists 11 issues with the cut including too loud background sounds, a lack of different shots and steady camerawork, and distracting background elements. The second positively notes the film's good costumes, dialogue, adherence to conventions, clear characters and acting, and pace.
This call sheet provides details for a film shoot on February 10th and 14th and 28th at a college grounds and park. It lists the cast and crew contact information and roles. It also includes details about wardrobe, makeup, props, and equipment needed for characters Kayleigh Johnson, Callum Craggs, and Nathan Hunter. Rebecca Hamilton, Shannon Shepherdson, Chris Totty, and Joe Tindale are responsible for the camera, tripod, and other equipment.
This document analyzes 9 shots from the film Taxi Driver and identifies how each shot utilizes conventions of film noir through lighting, settings, and visual elements. Key conventions discussed include dim lighting, fog, red lighting symbolizing passion and danger, neon city lights at night, rainy and gloomy weather, blurred and distorted views representing disillusionment, smoke, and shot compositions that establish dominance hierarchies and highlight main characters. Overall, the document examines how the shots adhere to and make use of typical film noir conventions.
The opening scene of Scarlet Street establishes the dark, rainy setting and plays non-diegetic carnival music. It shows a group of formally dressed men smoking at a black tie event, then cuts to a man beating a woman in the street before another man intervenes. Finally, it depicts the man and woman entering a shady bar.
The document outlines various stylistic elements and narrative techniques commonly found in film noir movies from the 1940s and 1950s. It includes icons, themes, characters, and cinematography choices like back lighting and expressionism that distort reality. Storylines in film noir are typically nonlinear and twist in unexpected ways.