The photographer took several shots during a photo shoot for a magazine. They tried different poses, expressions, and locations to portray different themes and styles. The photographer evaluated each shot based on the composition, how well the facial expressions were captured, and how suitable they were for the magazine. They preferred shots that showed detail in the face, had space for text, and portrayed the intended mood, such as one of the model looking thoughtfully over a bridge. An unplanned shot of the model posing with political graffiti was also favored for its realism and link to current issues.
2. I wanted to do some medium shots with focus on
facial expressions so I got my model to try
looking directly at the camera and looking into
the distance.
I asked my model to give a very slight smile and I
hoped to achieve the cool look and narcissistic
look as I felt this would go with the theme
perfectly.
I felt as if the photo looking directly towards
the camera was too harsh looking and I liked
the composition of the other photo as it leaves
space for writing on the left meaning it could
work as a double page spread background.
3. These shots went for a more relaxed
look using the bench as a prop. The
difference being the distance, one
being a long shot and one being a
medium shot.
I decided on the medium shot as it
showed more detail and facial
expression without compromising on
background or clothing.
4. The skate park shots did not turn out
as well as I hoped so only a couple
come out as I wanted including the
picture on the right.
I didn't like the composition of the
picture on the left as it was too central
but wasnât symmetrical. The angle was
too low to see much detail in the facial
expression as well.
5. These shots were a spur of
the moment idea that
probably wont be used in my
final magazine. I found this
prop and wondered if I could
work it into my magazine by
showing off strength.
Looking back on them I
should have taken the bag
off the floor so I could
photo-shop it out.
I preferred the picture on the
left as it pulls focus on to the
model through framing.
6. I liked both of these shots as they
portrayed a darker image. The graffiti is a
convention of rock and the dull lighting
in the tunnel also portrays the rock genre.
I liked the above picture because of the
strong stance and the neutral facial
expression. The shot is quite far away but
still focused and is fairly symmetrical. I could
lighten the image slightly and this will leave
empty space to write in. perfect for the
double page spreads.
7. These two images are
in separate locations
but both with a slight,
satisfied smile.
I prefer the left shot
as the background is
darker yet his face is
lit and in detailed. I
didn't like the shot on
the right due to the
background with a
blurred car in it.
8. I really liked these shots,
especially the one on the right.
The detail in them within the
tree and the leaves as well as
the models facial expression,
made the shot perfect. As well
as the composition, it is central
and takes up a large portion of
the shot whilst leaving just
enough free space for the mast
head and cover lines on the
front page of my magazine. I
preferred the right one as the
placement was slightly lower
and the face could be seen, an
important aspect of attracting
an audience.
9. I wasnât sure about these shots as the face cant be seen so the
feeling of the image depends solely on the stance and
background. On these aspects alone, I didn't feel as if the image
portrayed anything. Although I do prefer the picture below
more as it has better composition and a message of âsomeone
looking thoughtfully over a bridgeâ could be seen however the
picture on the right doesn't show enough to warrant being in
my magazine.
10. This is an image I knew I wanted in my magazine
as soon as I saw the graffiti, it follows the
political issue of Britain leaving the EU. Although
the graffiti might not have been specifically
aimed at this issue, it is enough to make a link
between the artists opinion and world issues.
This could lead to an article. Upon seeing the
graffiti, the model and I joked about taking a
picture with it but once the images came out, I
realised how easily I could use them. This
portrays a sense of realism as it wasnât planned
and the satisfied smile and emphasis on meaning
were purely my models feelings. This is perfect
for a magazine where a link between the artist
and the audience is crucial for loyal customers.