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This photo write up discusses two shots - an extreme close up of an object with only a small part visible, and a low angle shot of girls from behind. For the close up, adding fake blood to the object and floor could indicate it's from a crime thriller or horror. And for the low shot, having the girls hold a gun or knife would emphasize it's from a crime thriller or gangster film by demonstrating violence and criminal activity, clearly showing the thriller genre.
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Genre Research Thrillers
Thrillers use suspense, excitement, and tension to invoke strong emotions in viewers like anticipation, uncertainty, anxiety, and terror. They trick viewers into a false sense of security through plot twists, cliffhangers, and misleading clues to keep the audience constantly guessing. The aim is to keep viewers on the edge of their seats by presenting obstacles for the protagonist to overcome through danger, mystery, or escape. Thrillers build tension throughout and reveal information in a way that increases stress toward the finale. Common techniques include fight or chase scenes.
Planning Prt Two
The document discusses the lighting, shooting, and camera techniques that will be used in the opening sequence of a film about a serial killer named Blake Lewis. Low-key lighting will be used to represent evil and mystery through Blake's character. Though the opening scene takes place at night, shooting will occur during the day using artificial lighting. Darkness and low lighting will create suspense by concealing details and allowing the audience to question Blake's motives and whether he is a villain or fighting for justice. Extreme close-ups of characters' faces will make the audience feel vulnerable and unsure about who is the villain. The sequence will mostly be shown from Blake's perspective so the audience gets inside his mindset.
Synopsis
This music video explores themes of slut shaming, feminine men, and hijabi women through three characters' experiences with societal judgment. Each character is shown experiencing discrimination - the first through slut shaming at school, the second through mocking of his feminine mannerisms, and the third facing disapproving looks as a hijabi woman dancing. In the final scene, the characters unite in a bright setting with others who have also overcome societal struggles, symbolizing finding acceptance. They burn their placards listing the labels society had placed on them as a sign of liberation from judgment.
Film analysis
Two police officers see their personal and professional lives unravel during the investigation of the infamous "Black Dahlia" murder case in 1940s Los Angeles. Director Brian Del Palma uses techniques like slicked back hair, trench coats, and saxophone music to set a retro, film noir-style atmosphere and capture the period. Zooms, pans, and fades are employed to emphasize characters and violence while maintaining an authentic look with minimal editing between scenes.
Thriller
The document discusses the thriller genre and its various subgenres. It defines thrillers as films that create tension and suspense through shocking narrative devices. Key elements include climaxes, villains, mystery, and good vs evil plots. The main subgenres covered are crime thrillers, which focus on solving crimes; mystery thrillers, which involve political assassinations and terrorism; psychological thrillers, which explore mental states; science fiction thrillers, which incorporate futuristic technology; and supernatural thrillers, which feature the supernatural or religious themes.
Film analysis (Taken)
The document analyzes several film clips from the movie "Taken" through shots of the main protagonist and his daughter. A medium close-up shows the protagonist's apprehensive facial expressions and body language as he talks to his daughter on the phone. A close-up of the scared daughter looking out a window surprises when her expression changes. A wide shot from her point of view shows two men moving in another part of the hotel, making the audience aware something will happen. Later clips use extreme close-ups of the daughter's fearful face and frantic movements to generate suspense as the men kidnap her.
List of genre conventions.
Stalker/slasher films have common conventions across iconography, narrative, characterization, sound, and cinematography. Iconography includes low lighting, dark settings like alleys and basements, dark clothing like hoodies and masks. The narrative focuses on revenge with a linear or nonlinear plot. Character archetypes include the final girl survivor, anonymous stalker/killer, and unreliable police. Sound uses non-diegetic music and effects to set mood along with diegetic dialogue and silence. Cinematography employs shots like close-ups, over the shoulder, and quick cuts to build tension.
Taken - Film Clip Analysis
The document analyzes several shots from the film Taken that build suspense and convey the emotions of the characters. A medium close-up of the main character on the phone shows his apprehension and confusion in trying to help his daughter. Close-ups of the daughter by the window show her looking scared and then surprised. A wide shot from her viewpoint shows two men in another area of the hotel, indicating something bad will happen. Extreme close-ups of her fearful face and frantic movements show she is helpless as the men kidnap her outside the window. Quick successive shots create a sense of emergency.
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Genre Research Thrillers
Thrillers use suspense, excitement, and tension to invoke strong emotions in viewers like anticipation, uncertainty, anxiety, and terror. They trick viewers into a false sense of security through plot twists, cliffhangers, and misleading clues to keep the audience constantly guessing. The aim is to keep viewers on the edge of their seats by presenting obstacles for the protagonist to overcome through danger, mystery, or escape. Thrillers build tension throughout and reveal information in a way that increases stress toward the finale. Common techniques include fight or chase scenes.
Planning Prt Two
The document discusses the lighting, shooting, and camera techniques that will be used in the opening sequence of a film about a serial killer named Blake Lewis. Low-key lighting will be used to represent evil and mystery through Blake's character. Though the opening scene takes place at night, shooting will occur during the day using artificial lighting. Darkness and low lighting will create suspense by concealing details and allowing the audience to question Blake's motives and whether he is a villain or fighting for justice. Extreme close-ups of characters' faces will make the audience feel vulnerable and unsure about who is the villain. The sequence will mostly be shown from Blake's perspective so the audience gets inside his mindset.
Synopsis
This music video explores themes of slut shaming, feminine men, and hijabi women through three characters' experiences with societal judgment. Each character is shown experiencing discrimination - the first through slut shaming at school, the second through mocking of his feminine mannerisms, and the third facing disapproving looks as a hijabi woman dancing. In the final scene, the characters unite in a bright setting with others who have also overcome societal struggles, symbolizing finding acceptance. They burn their placards listing the labels society had placed on them as a sign of liberation from judgment.
Film analysis
Two police officers see their personal and professional lives unravel during the investigation of the infamous "Black Dahlia" murder case in 1940s Los Angeles. Director Brian Del Palma uses techniques like slicked back hair, trench coats, and saxophone music to set a retro, film noir-style atmosphere and capture the period. Zooms, pans, and fades are employed to emphasize characters and violence while maintaining an authentic look with minimal editing between scenes.
Thriller
The document discusses the thriller genre and its various subgenres. It defines thrillers as films that create tension and suspense through shocking narrative devices. Key elements include climaxes, villains, mystery, and good vs evil plots. The main subgenres covered are crime thrillers, which focus on solving crimes; mystery thrillers, which involve political assassinations and terrorism; psychological thrillers, which explore mental states; science fiction thrillers, which incorporate futuristic technology; and supernatural thrillers, which feature the supernatural or religious themes.
Film analysis (Taken)
The document analyzes several film clips from the movie "Taken" through shots of the main protagonist and his daughter. A medium close-up shows the protagonist's apprehensive facial expressions and body language as he talks to his daughter on the phone. A close-up of the scared daughter looking out a window surprises when her expression changes. A wide shot from her point of view shows two men moving in another part of the hotel, making the audience aware something will happen. Later clips use extreme close-ups of the daughter's fearful face and frantic movements to generate suspense as the men kidnap her.
List of genre conventions.
Stalker/slasher films have common conventions across iconography, narrative, characterization, sound, and cinematography. Iconography includes low lighting, dark settings like alleys and basements, dark clothing like hoodies and masks. The narrative focuses on revenge with a linear or nonlinear plot. Character archetypes include the final girl survivor, anonymous stalker/killer, and unreliable police. Sound uses non-diegetic music and effects to set mood along with diegetic dialogue and silence. Cinematography employs shots like close-ups, over the shoulder, and quick cuts to build tension.
Taken - Film Clip Analysis
The document analyzes several shots from the film Taken that build suspense and convey the emotions of the characters. A medium close-up of the main character on the phone shows his apprehension and confusion in trying to help his daughter. Close-ups of the daughter by the window show her looking scared and then surprised. A wide shot from her viewpoint shows two men in another area of the hotel, indicating something bad will happen. Extreme close-ups of her fearful face and frantic movements show she is helpless as the men kidnap her outside the window. Quick successive shots create a sense of emergency.
Textual Analysis of The Hurt Locker
The document provides a textual analysis of 15 shots from the film The Hurt Locker. The shots are analyzed based on camera angles, movements, sounds, and how they contribute to establishing the setting and conveying meaning. Specifically, the opening shots use a fast pace and evacuation scenes to set the film in a Middle Eastern country experiencing conflict and corruption. Subsequent shots depict the chaos of the evacuation, soldiers maintaining focus amidst uncertainty and being watched, and the perspective shifting between soldiers and what they observe. Throughout, camera work and sounds are used to make the audience feel like they are experiencing the situation firsthand.
LIST OF GENRE CONVENTIONS
This document outlines common genre conventions for stalker/slasher films. It describes iconic elements like low lighting, dark settings, and masked killers. It also discusses stock character types like the final girl survivor and mysterious stalker. Narrative elements often involve revenge plots and nonlinear timelines. Cinematography techniques create tension through close-ups, tracking shots, and quick editing to build suspense. Sound design with diegetic dialogue and non-diegetic music and effects further enhance the mood.
Textual Analysis of Zero Dark Thirty
This document analyzes 11 shots from the film Zero Dark Thirty. The shots depict a tense interrogation scene. Shot 1 uses voiceovers of 911 calls to create a sense of chaos and desperation. Shot 2 shows a beam of light, representing hope. Shot 3 introduces a masked man representing violence and a boss without a mask. Shots 5-10 use close-ups and shaky camera work to depict the interrogation and torture in an intimate, violent way. Shot 11 changes camera angles and lighting to signal a change in environment and authority.
Nine Frame Analysis
Taken is a 2008 action/thriller film about a father's efforts to rescue his daughter after she is kidnapped. The analyzed scene shows Kim realizing intruders have entered her home and her subsequent kidnapping. Close-up shots are used extensively to emphasize the characters' facial expressions and build suspense and emotion as the situation escalates and Kim's father struggles to understand what is happening over the phone.
Media textual analysis of zero dark thirty
The document analyzes shots from the film Zero Dark Thirty. Shot 1 uses voiceovers of 911 calls to convey chaos and desperation during the 9/11 attacks. Shot 2 shows a beam of light through a hole, representing hope. Shot 3 shows a masked man to represent violence and fear of the unknown, while the unmasked "boss" has no fear of being identified. Later shots analyze close-ups and camera movements during an interrogation scene to depict the power dynamics, violence, and intensity of the experience.
Thriller genre
Thrillers use suspense, tension, and excitement to stimulate the audience's emotions. There are several sub-genres of thrillers including action, crime, psychological, and horror thrillers. Key elements of thrillers include reasons for characters' actions, twists and turns to mislead the audience, clues throughout pointing to the ending, and maintaining tension. Cinematography, editing, music, and other techniques are used to create an unsettling atmosphere and build suspense.
Dark knight rises opening scene analysis
The opening scene of The Dark Knight Rises establishes suspense through thriller conventions. It introduces three characters, seemingly trapping them and obscuring their roles, but ultimately revealing Bane as the villain. Bane is shot from low angles to represent his power as he threatens the agent and crashes the plane. The increasing pace, action, and Bane's growing dominance follow typical thriller narratives and conventions to engage the audience.
Night crawler-conventions
The opening scene of Nightcrawler establishes conventions of the thriller genre. It introduces the protagonist, Louis Bloom, as he cuts a fence at night which seems suspicious. When a police officer confronts him with a flashlight, Bloom appears uneasy and smug, making the audience unsure of his intentions. The camera angles and lighting create mystery and tension as the power dynamic between Bloom and the officer becomes ambiguous. A cut then reveals suspicious items in Bloom's car boot, furthering the sense of danger and mystery around his character. The scene sets up Bloom as an antagonist and the officer as a protagonist trying to resolve a disrupted situation, common in thriller genre openings.
Textual analysis of ‘i see you’
The document analyzes the trailer for the film "I See You". It notes that the trailer uses low-key lighting and desaturated colors to create a chilling atmosphere and convey that the villain is dangerous and cruel. Jump cuts of a news report emphasize the brutality of the killer and realism of the events. Close-ups of the villain near fire in an orange light suggest his insanity and thirst for blood. A rare well-lit close-up of the protagonist establishes her as the hero in distress. The conclusion notes that the trailer successfully builds tension through quick cuts like the Paranormal Activity 3 trailer but risks showing too much of the plot.
Still image analysis
This document analyzes still images from a trailer for a horror/thriller movie about a family attacked by antagonists. The first image shows the happy family at the dinner table to establish equilibrium. The second shows one of the antagonists peering into the house, creating tension. The third shows family members in shock after one is shot with a crossbow, introducing violence and disequilibrium. The fourth establishes the setting of the house where the events take place. Subsequent images analyze shots that create fear, unease, and tension through the use of masks, lighting, points of view, and the crosshairs of a weapon.
Mas en-scene analysis
This document analyzes the mise-en-scene techniques used in trailers for the horror films The Resident, Gone Girl, and Prisoners. It discusses how the trailers use lighting, costumes, facial expressions, settings, and props to create suspense and unease in viewers. Specifically, it notes the use of dark lighting, casual costumes, angry facial expressions, settings like homes and forests that undermine feelings of safety, and props like hidden cameras and guns that imply danger and increase tension. The analysis suggests these mise-en-scene elements are effective at heightening fear of the unknown and inspiring a sense of vulnerability in viewers.
Pitch presentation group task
The group's film idea involves a wife who kills her young son after her husband dies in Iraq. She claims a man she was cheating with committed the murder. However, it is revealed in the twist ending that the husband is still alive and murders the wife after discovering the son was killed. The genre is a romantic thriller which will include conventions like tension music, angled shots, low key lighting, and quick cuts. The opening sequence will establish the character and use these conventions to create mystery and tension for the audience.
Genre Research: Thillers
This document discusses the thriller genre and its key characteristics and conventions. It notes that thrillers use suspense through techniques like lighting, sound, and camera work to create tension. Common thriller settings include confined spaces. Conventions include the use of mirrors, low lighting, shadows, quick cuts, and music to generate negative emotions. The document also outlines several thriller subgenres like conspiracy, crime, political, and psychological thrillers and provides examples of themes typically found in each.
Tick tock genre analysis
The document analyzes the genre of the film "Tick Tock" based on its trailer. It discusses elements that suggest the thriller genre, including two detectives investigating a crime that puts them in danger. Character archetypes in thrillers are represented, such as one doubtful and one persuasive detective. The suburban setting and iconography like a countdown clock and caution tape also establish the thriller genre. Cinematography techniques like close-ups, fast editing, and a bloody character at the end create suspense and unease as is common in thrillers.
The Crime Thriller Genre
The document discusses the crime thriller genre. It defines a crime thriller as a subgenre that blends suspenseful thriller elements with crime plots, typically focusing on serial killers, murders, robberies or manhunts. Crime thrillers use both action and psychological tension to build suspense. Key conventions of the genre include a fast pace, protagonists and antagonists, investigations or subplots, action scenes, high intensity, and an enigma or mystery element. The document then analyzes the 2014 film A Walk Among the Tombstones as an example of the crime thriller genre.
die hard with a vengeance stort board and evaluation
The storyboard evaluation notes that the frames clearly showed what was happening and included short descriptions and shot types, but could be improved by adding the length of each shot and any sound used. For the next storyboard, more details will be included about time frames and sound for each frame to give the director more specific information.
Table theories
The document discusses several literary theorists and their theories. It mentions Todorov and his equilibrium theory about stories starting with happiness, being disrupted, and then happiness being reestablished. It also references Barthes and his idea of revealing a small part of the story to create an enigma. Finally, it discusses Levi-Strauss and his concept of binary oppositions showing conflict between two terms.
Editing techniques in you see me now
1. The document discusses 5 editing techniques used in the opening scene of the film "You See Me Now": cutaway, wipe, J-cut, L-cut, and cutting on action.
2. These techniques are used to show reactions to a magic trick, transition between shots, coordinate movement with speech, build tension through music, and emphasize a reveal.
3. The author believes the film uses the Enigma theory, as the opening shares some clues but not enough for full understanding, leaving the audience questioning what will happen next.
Mise en scene
Jim Phelps is sitting in the first class section of a plane, facing forward with tension, anticipating what will happen next. His facial expressions suggest boredom and tiredness from a long journey. He is well-dressed in a suit, combing his hair back to look presentable for important business. A key prop is a video player that begins to self-destruct, unfolding the mystery of the story and raising questions for the audience.
Media comparison hw
The document compares and contrasts the settings, characters, and opening sequences of the movies In Bruges and The Dark Knight. It notes that In Bruges has a more old-fashioned, religious setting in Bruges, while The Dark Knight has a modern setting in Gotham City with skyscrapers. Heath Ledger's Joker in The Dark Knight is praised internationally for his dangerous and disturbing nature, while the two main characters in In Bruges have opinionated personalities that lead to dark comedic moments. The document also analyzes how the titles sequences differ between the two films in representing the importance of setting for the dark comedy genre.
Media summer assignment
David Fincher is an American film director known for thrillers such as The Game and The Girl with the Dragon Tattoo. The document discusses Fincher's directing style, noting his use of techniques like dark lighting, slowed scenes, and unexpected music changes. It provides examples from The Game and The Curious Case of Benjamin Button to illustrate how Fincher crafts a dramatic feel and influences the audience's emotions. Fincher is also praised for his fast-paced drama The Social Network about Facebook's creation.
Mise en-scene media
This document discusses how various elements of film techniques relate to and portray the subgenre of action. It analyzes shots that create mystery, suspense, and tension through low lighting, unusual perspectives that don't provide full context, and expressions of concern on a character's face. Explosions, unusual means of travel, and makeup that conveys urgency are also described as visual cues that establish a film's action subgenre.
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Textual Analysis of The Hurt Locker
The document provides a textual analysis of 15 shots from the film The Hurt Locker. The shots are analyzed based on camera angles, movements, sounds, and how they contribute to establishing the setting and conveying meaning. Specifically, the opening shots use a fast pace and evacuation scenes to set the film in a Middle Eastern country experiencing conflict and corruption. Subsequent shots depict the chaos of the evacuation, soldiers maintaining focus amidst uncertainty and being watched, and the perspective shifting between soldiers and what they observe. Throughout, camera work and sounds are used to make the audience feel like they are experiencing the situation firsthand.
LIST OF GENRE CONVENTIONS
This document outlines common genre conventions for stalker/slasher films. It describes iconic elements like low lighting, dark settings, and masked killers. It also discusses stock character types like the final girl survivor and mysterious stalker. Narrative elements often involve revenge plots and nonlinear timelines. Cinematography techniques create tension through close-ups, tracking shots, and quick editing to build suspense. Sound design with diegetic dialogue and non-diegetic music and effects further enhance the mood.
Textual Analysis of Zero Dark Thirty
This document analyzes 11 shots from the film Zero Dark Thirty. The shots depict a tense interrogation scene. Shot 1 uses voiceovers of 911 calls to create a sense of chaos and desperation. Shot 2 shows a beam of light, representing hope. Shot 3 introduces a masked man representing violence and a boss without a mask. Shots 5-10 use close-ups and shaky camera work to depict the interrogation and torture in an intimate, violent way. Shot 11 changes camera angles and lighting to signal a change in environment and authority.
Nine Frame Analysis
Taken is a 2008 action/thriller film about a father's efforts to rescue his daughter after she is kidnapped. The analyzed scene shows Kim realizing intruders have entered her home and her subsequent kidnapping. Close-up shots are used extensively to emphasize the characters' facial expressions and build suspense and emotion as the situation escalates and Kim's father struggles to understand what is happening over the phone.
Media textual analysis of zero dark thirty
The document analyzes shots from the film Zero Dark Thirty. Shot 1 uses voiceovers of 911 calls to convey chaos and desperation during the 9/11 attacks. Shot 2 shows a beam of light through a hole, representing hope. Shot 3 shows a masked man to represent violence and fear of the unknown, while the unmasked "boss" has no fear of being identified. Later shots analyze close-ups and camera movements during an interrogation scene to depict the power dynamics, violence, and intensity of the experience.
Thriller genre
Thrillers use suspense, tension, and excitement to stimulate the audience's emotions. There are several sub-genres of thrillers including action, crime, psychological, and horror thrillers. Key elements of thrillers include reasons for characters' actions, twists and turns to mislead the audience, clues throughout pointing to the ending, and maintaining tension. Cinematography, editing, music, and other techniques are used to create an unsettling atmosphere and build suspense.
Dark knight rises opening scene analysis
The opening scene of The Dark Knight Rises establishes suspense through thriller conventions. It introduces three characters, seemingly trapping them and obscuring their roles, but ultimately revealing Bane as the villain. Bane is shot from low angles to represent his power as he threatens the agent and crashes the plane. The increasing pace, action, and Bane's growing dominance follow typical thriller narratives and conventions to engage the audience.
Night crawler-conventions
The opening scene of Nightcrawler establishes conventions of the thriller genre. It introduces the protagonist, Louis Bloom, as he cuts a fence at night which seems suspicious. When a police officer confronts him with a flashlight, Bloom appears uneasy and smug, making the audience unsure of his intentions. The camera angles and lighting create mystery and tension as the power dynamic between Bloom and the officer becomes ambiguous. A cut then reveals suspicious items in Bloom's car boot, furthering the sense of danger and mystery around his character. The scene sets up Bloom as an antagonist and the officer as a protagonist trying to resolve a disrupted situation, common in thriller genre openings.
Textual analysis of ‘i see you’
The document analyzes the trailer for the film "I See You". It notes that the trailer uses low-key lighting and desaturated colors to create a chilling atmosphere and convey that the villain is dangerous and cruel. Jump cuts of a news report emphasize the brutality of the killer and realism of the events. Close-ups of the villain near fire in an orange light suggest his insanity and thirst for blood. A rare well-lit close-up of the protagonist establishes her as the hero in distress. The conclusion notes that the trailer successfully builds tension through quick cuts like the Paranormal Activity 3 trailer but risks showing too much of the plot.
Still image analysis
This document analyzes still images from a trailer for a horror/thriller movie about a family attacked by antagonists. The first image shows the happy family at the dinner table to establish equilibrium. The second shows one of the antagonists peering into the house, creating tension. The third shows family members in shock after one is shot with a crossbow, introducing violence and disequilibrium. The fourth establishes the setting of the house where the events take place. Subsequent images analyze shots that create fear, unease, and tension through the use of masks, lighting, points of view, and the crosshairs of a weapon.
Mas en-scene analysis
This document analyzes the mise-en-scene techniques used in trailers for the horror films The Resident, Gone Girl, and Prisoners. It discusses how the trailers use lighting, costumes, facial expressions, settings, and props to create suspense and unease in viewers. Specifically, it notes the use of dark lighting, casual costumes, angry facial expressions, settings like homes and forests that undermine feelings of safety, and props like hidden cameras and guns that imply danger and increase tension. The analysis suggests these mise-en-scene elements are effective at heightening fear of the unknown and inspiring a sense of vulnerability in viewers.
Pitch presentation group task
The group's film idea involves a wife who kills her young son after her husband dies in Iraq. She claims a man she was cheating with committed the murder. However, it is revealed in the twist ending that the husband is still alive and murders the wife after discovering the son was killed. The genre is a romantic thriller which will include conventions like tension music, angled shots, low key lighting, and quick cuts. The opening sequence will establish the character and use these conventions to create mystery and tension for the audience.
Genre Research: Thillers
This document discusses the thriller genre and its key characteristics and conventions. It notes that thrillers use suspense through techniques like lighting, sound, and camera work to create tension. Common thriller settings include confined spaces. Conventions include the use of mirrors, low lighting, shadows, quick cuts, and music to generate negative emotions. The document also outlines several thriller subgenres like conspiracy, crime, political, and psychological thrillers and provides examples of themes typically found in each.
Tick tock genre analysis
The document analyzes the genre of the film "Tick Tock" based on its trailer. It discusses elements that suggest the thriller genre, including two detectives investigating a crime that puts them in danger. Character archetypes in thrillers are represented, such as one doubtful and one persuasive detective. The suburban setting and iconography like a countdown clock and caution tape also establish the thriller genre. Cinematography techniques like close-ups, fast editing, and a bloody character at the end create suspense and unease as is common in thrillers.
The Crime Thriller Genre
The document discusses the crime thriller genre. It defines a crime thriller as a subgenre that blends suspenseful thriller elements with crime plots, typically focusing on serial killers, murders, robberies or manhunts. Crime thrillers use both action and psychological tension to build suspense. Key conventions of the genre include a fast pace, protagonists and antagonists, investigations or subplots, action scenes, high intensity, and an enigma or mystery element. The document then analyzes the 2014 film A Walk Among the Tombstones as an example of the crime thriller genre.
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die hard with a vengeance stort board and evaluation
The storyboard evaluation notes that the frames clearly showed what was happening and included short descriptions and shot types, but could be improved by adding the length of each shot and any sound used. For the next storyboard, more details will be included about time frames and sound for each frame to give the director more specific information.
Table theories
The document discusses several literary theorists and their theories. It mentions Todorov and his equilibrium theory about stories starting with happiness, being disrupted, and then happiness being reestablished. It also references Barthes and his idea of revealing a small part of the story to create an enigma. Finally, it discusses Levi-Strauss and his concept of binary oppositions showing conflict between two terms.
Editing techniques in you see me now
1. The document discusses 5 editing techniques used in the opening scene of the film "You See Me Now": cutaway, wipe, J-cut, L-cut, and cutting on action.
2. These techniques are used to show reactions to a magic trick, transition between shots, coordinate movement with speech, build tension through music, and emphasize a reveal.
3. The author believes the film uses the Enigma theory, as the opening shares some clues but not enough for full understanding, leaving the audience questioning what will happen next.
Mise en scene
Jim Phelps is sitting in the first class section of a plane, facing forward with tension, anticipating what will happen next. His facial expressions suggest boredom and tiredness from a long journey. He is well-dressed in a suit, combing his hair back to look presentable for important business. A key prop is a video player that begins to self-destruct, unfolding the mystery of the story and raising questions for the audience.
Media comparison hw
The document compares and contrasts the settings, characters, and opening sequences of the movies In Bruges and The Dark Knight. It notes that In Bruges has a more old-fashioned, religious setting in Bruges, while The Dark Knight has a modern setting in Gotham City with skyscrapers. Heath Ledger's Joker in The Dark Knight is praised internationally for his dangerous and disturbing nature, while the two main characters in In Bruges have opinionated personalities that lead to dark comedic moments. The document also analyzes how the titles sequences differ between the two films in representing the importance of setting for the dark comedy genre.
Media summer assignment
David Fincher is an American film director known for thrillers such as The Game and The Girl with the Dragon Tattoo. The document discusses Fincher's directing style, noting his use of techniques like dark lighting, slowed scenes, and unexpected music changes. It provides examples from The Game and The Curious Case of Benjamin Button to illustrate how Fincher crafts a dramatic feel and influences the audience's emotions. Fincher is also praised for his fast-paced drama The Social Network about Facebook's creation.
Mise en-scene media
This document discusses how various elements of film techniques relate to and portray the subgenre of action. It analyzes shots that create mystery, suspense, and tension through low lighting, unusual perspectives that don't provide full context, and expressions of concern on a character's face. Explosions, unusual means of travel, and makeup that conveys urgency are also described as visual cues that establish a film's action subgenre.
Blue velvet
The document discusses how the opening sequence of Blue Velvet establishes expectations for happiness and safety in the community according to the Equilibrium Theory. It does this through portraying stereotypical symbols of safety like the fire truck and friendly firemen. It also shows children being protected and the American dream of homeownership. However, things take a disturbing turn when an elderly man struggles with a hose and collapses in pain, indicating something has gone wrong and shattered the perceived equilibrium.
Thriller photos
This document analyzes three different camera shots - a high angle shot, low angle shot, and close up shot - and discusses the film subgenres they could represent. The high angle shot shows mystery with a sign that leaves viewers unsure of what is behind it. The low angle shot could depict crime by panning up to reveal a crime scene. And the close up basketball shot signifies action due to sports containing a lot of movement.
Christopher nolan
Christopher Nolan is a renowned English-American film director, producer and screenwriter known for his unique directing style and complex, nonlinear narratives that often incorporate themes of time. Some of his most famous films include Memento, Inception, Interstellar and The Dark Knight Trilogy. Nolan is known for using practical effects and natural lighting over CGI, long intricate takes, and collaborating frequently with composer Hans Zimmer. He co-writes many of his films with his brother Jonathan Nolan and runs the production company Syncopy Inc. with his wife Emma Thomas.
Mise en-scene
The positioning and lighting in the scene establishes a power dynamic between the man and woman, with the woman bowing down to the man. The dark lighting on the man's face and hands adds an air of mystery to his character and what he is doing. When the woman hands him an unknown object, the man's expression is stern yet casual, revealing little emotion but asserting his authority. Flash of a match at the beginning grabs the audience's attention and excitement for the opening scene.
Storyboard
The document discusses a storyboard created for a film. The writers drew frames from the film accurately and included timing details for each scene. In feedback, they were advised to add more frames, precise timings, special effects, and camera angle names. The next steps suggest including special effects in the storyboard, as they were important parts of the film.
Narritive techniques
This document analyzes how the opening scene of the film Blue Velvet uses techniques of enigma theory. The scene introduces mysterious elements like a man driving a fire truck in an unusual way and a gun on a TV that hint at future events. It also shows a sudden unexpected death alongside innocent images of a dog and baby, confusing the audience. Close-ups of beetles in the ground may symbolize death and cause speculation, aligning with enigma theory's goal of engaging the audience through questioning.
Opening scene comaprison copy
The document compares and contrasts the opening scenes of The Dark Knight and In Bruges. Both openings establish themes of violence and crime. The Dark Knight introduces the Joker robbing a bank, leaving viewers unsure of his plans. In Bruges begins with a narrator admitting to murder before introducing two men in Bruges. While The Dark Knight makes the characters' roles clear, In Bruges leaves viewers guessing. The openings also differ in their use of devices, props, costumes, and locations to set tone and focus viewer attention on either the villains or the setting.
Mission impossible Mise En Scene
In a scene from the spy film Mission Impossible, the main character is sitting on a plane to Ukraine with a close-up of his worried but focused face in dim lighting to convey secrecy and tension over his unknown mission. Props of a cigarette and telephone contribute to the spy genre theme.
Media studies summer assignment
Christopher Nolan is an English-American film director known for his complex, nonlinear narratives. He is motivated to break conventions and expects audiences to piece together fragmented stories. Many of his films feature characters with psychological issues seeking revenge, and who start as heroes but become antagonists. Nolan relies on techniques like rapid cutting and handheld camerawork to convey realism from a character's perspective. Settings are often modern locations, and music enhances the visuals without distraction.
Christopher nolan study copy
Christopher Nolan is an American director known for thriller films like Batman Begins, The Dark Knight, and Inception. His movies often feature psychological or supernatural thrillers with suspenseful music composed by Hans Zimmer. While Nolan's films vary in story and moral messages, they typically focus closely on characters' emotions through shots and explore unique concepts in different settings, immersing viewers in each world.
Media michael mann
Two homicide detectives investigate the murder of a girl and the disappearance of a young woman. Meanwhile, a neglected local girl named Ann goes missing from her drug-addicted mother. The detectives, Mike and Brian, work to find Ann and solve the cases, with clues pointing to a possible connection between the crimes. The film also follows Ann's mother Lucie and the detectives Pam and their search to find Ann before it's too late.
Jaws
The document analyzes screenshots from the film Jaws. It describes a woman running into the water as the sun sets, suggesting impending danger from the dark unknown waters. When shown swimming from an underwater angle, the audience senses danger and that something bad will happen. The victim seems unaware until it's too late that she will be dragged under, proving the theory that tranquility will return once the threat has been dealt with.
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die hard with a vengeance stort board and evaluation
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Rough cut stills becca ben beth
This document provides stills and descriptions from scenes in a thriller film sequence about a murder. The first scene introduces the main character staring out a window, leaving his identity ambiguous. A disturbing montage then contrasts with more casual scenes, showing the thriller genre. Subsequent scenes continue exploring themes of identity and being haunted by past actions through close-ups and angles that enhance the psychological elements. A murder is shown, along with the character disposing of evidence. The last scene leaves the audience wondering who is at the door, drawing them into the full film.
Textual analysis
The teaser trailer provides glimpses of various scenes and characters that seem to be involved in a sinister situation. A woman is shown gagged with her eyes covered, suggesting she is in danger. Various shots introduce characters that appear angry, worried, and intimate in hidden areas. A blond woman seems to be a main character, shown with a knife in a low, sinister shot. The trailer aims to make the audience question what happened to the protagonist and why the antagonist is acting this way, following thriller conventions with an established audience.
Top 10 horror shots
The document discusses various camera shots and techniques used in horror films to create psychological unease, tension, and convey emotion. It describes shots like the off-kilter Dutch angle shot, over-the-shoulder point of view shots, close-ups of weapons or a character's facial expressions, 360-degree establishing shots of a victim's isolated surroundings, high-angle shots that make victims appear vulnerable, and low-angle shots that make killers appear powerful. It also covers techniques like simulated stabbings where the action is shown but not graphic results. These shots and techniques are used to frighten or intrigue audiences in horror movies while complying with ratings certification requirements.
Halloween film opening
This document provides a frame-by-frame analysis of scenes from the film Halloween 9. Key details include: darkness reflecting the horror genre theme; a pumpkin symbolizing Halloween; a point-of-view shot of a house to create a sense of fear; a reflection in a window of a masked character to emphasize fear; a close-up of a knife as an iconic horror weapon; contrast between light and dark representing an impending threat; a masked killer peering at an unaware victim to build tension; a victim shown with blood after being murdered; and an unmasked killer revealed to be a child, surprisingly.
Evaluation activity 1 eva
This document summarizes screen grabs from a film opening and whether they are typical or not typical for the thriller/crime genre. It discusses shots of the film logo, opening credits with actor names first, a scene in a school library with dialogue between characters, a shot of someone following a girl, hands shuffling photos and pointing at one, a handheld shot of someone following a girl in a coffee shop, a shot of a posh car in a working class area, and an ending scene in a graveyard with the film title "Obsession". Overall, most shots fit thriller/crime conventions but some provide context or tension rather than being strictly typical.
Still image analysis
This document analyzes and summarizes still images from three different films to identify how mise-en-scene, setting, camera angles, characters, and other formal elements are used to convey genre and meaning. For the first image from "The Shining," it notes how the dull colors, lighting, and close-up shot of the main character's face create a sense of horror and psychological tension. In the second image from "You've Got Mail," it discusses how the bright lighting, background bookshelf, two-shot angle of the characters looking at each other signify a romantic genre. It then analyzes student-created still images meant to depict the thriller genre and how they use darkness, shadows and crime/action
Camera Shots and Practice
In this PowerPoint you will see different camera angles that we practiced and the effect that these angles have on the viewer.
Taken screen shots
The document analyzes different shots from a film scene to convey meaning and emotion. A wide shot establishes the surroundings and builds suspense by showing villains from a distance. Close-ups show a character's terror and emotions as she hides in fear and vulnerability. Mid shots provide more context of the character's surroundings while revealing her feelings of anger, fear, and determination. Low angle shots from below can give a character authority but in this scene show a character's panic and running away. Shots where the background is dark help a character's emotions like fear and unknown "pop". Low angle shots of only part of a villain's body create mystery, tension, and anxiety. A low angle wide shot intensifies fear and tension as the
Product research deadmans chest
The document analyzes the trailer for the 2004 psychological thriller film Dead Man's Shoes, directed by Shane Meadows. It discusses the film's use of color, facial expressions, camera angles, titles, settings or mise-en-scene, and violence to create tension and unease. Close-ups of faces are used to show emotion and concentration. Medium shots provide context while still building anxiety. Outdoor settings like forests isolate characters and heighten fear. Depictions of violence place the viewer in a powerless position like the victims.
Evaluation part 1
The document compares shots from the thriller opening sequence "Blank Canvas" to shots from the films "Perfume: A Story of a Murderer" and "Red Dragon". Many shots are similar in conveying a sense of obsession or unease through close-ups of eyes, liquids, or characters interacting with paintings. Some differences are noted, such as gender of the victim, camera angles, or level of graphic content. Overall, the most similarities were found with "Perfume: A Story of a Murderer" since both works involve using bodies to create art.
Media question one
This document analyzes and summarizes several shots from a film sequence. It discusses how each shot establishes elements like location, characters, and genre. Specific shots are inspired by scenes from other films to set mood and anticipation. Camera angles, music, and props are used to convey emotions and ideas to the audience and challenge conventions. The sequence is meant to keep the audience engaged and wanting more by ending on a dramatic moment that leaves questions unanswered.
Memento
This document summarizes the opening title sequence of a crime/thriller film through a series of still shots. The shots include extreme close-ups of blood, a bullet, glasses at a crime scene, and a victim who appears to have been shot. They provide clues about a crime and mysterious character while building an eerie atmosphere. The slow revelation of clues through fragmented close-ups is a conventional way to set up the film's plot and intrigue audiences at the beginning.
Shots with description
1) The document outlines a slideshow of shots planned for a horror film teaser trailer. It describes various shots including a neglected boy, disturbing images on a wall, victims running and looking scared, weapons, and a killer dragging a victim.
2) The shots are meant to be unsettling and leave the audience unsure of what will happen. They will be brief, between half a second to 3 seconds long. Transitions between shots will be fast cuts to black or white.
3) The teaser aims to set an ominous tone and disturbing imagery to intrigue audiences about the genre of the film without revealing full details of the plot.
Shot lists
The document discusses different types of shots that can be used in filmmaking, including long shots, establishing shots, close-ups, over the shoulder shots, mid shots, high angle shots, and low shots. It explains how each shot type will be used in the narrator's thriller trailer, such as using a close-up to show the lifeless expression on a dead body and using a high angle shot briefly to show the antagonist running from the scene of the murder. The shots are chosen to set the scene, convey emotion, add mystery, and effectively pace the trailer.
Media horror films powerpoint
The document analyzes scenes from two short horror films, "Apartment 41" and "The Cop Cam" to identify how they employ conventions of the horror genre to entice and scare audiences. For "Apartment 41", it notes the use of low-key lighting, intense music, and a focus on the main character's fear and realization of danger to build suspense. Scenes of supernatural events like a ghostly figure further frighten viewers as expected. "The Cop Cam" similarly uses low lighting, an abandoned setting, mysterious sounds and a jump scare to elicit fear in audiences and leave them wanting more answers. Both films utilize common horror techniques to engage thrill-seeking viewers.
Presentation Alex
1) The document discusses techniques used in thriller films to build tension, including shot-reverse-shot to show different perspectives and imply where danger lies.
2) Matching shots that break down tense moments in detail delay relief and keep the audience and characters in the dark about what is happening.
3) Following conventions like the 180 degree rule maintains intimacy between characters while increasing tension and focusing the audience on the unfolding plot.
9 shot
This document analyzes several shots from a film sequence that involve a crime or violence. It summarizes each shot, noting that many are extreme close-ups that emphasize blood, hands, faces, bullets, and glasses to convey mystery and clues about what occurred without explicitly showing the crime or body. The shots are intended to create suspense and insight into the mind of the murderer through their focus, angles, and use of lighting and shadow consistent with the film noir style.
9 shot
This document analyzes several shots from a film sequence that involve a crime or murder. Close-up shots are used to emphasize blood and clues without explicitly showing the body. These shots create mystery and suspense for the audience by revealing bits of evidence but not fully explaining what occurred. The close-up and extreme close-up shots focus on hands, faces, blood, bullets, and glasses to convey emotions like stress, nerves, and clues about the victim without giving complete context or resolution.
Media conventions
This document compares still shots from the student's media trailer to similar shots from well-known horror movie trailers and films. It explains how each shot in the student's trailer adopts conventions from popular horror media to create tension, confusion and fear in viewers, such as using close-ups of terrified characters, distorted imagery, and techniques that startle or disorient the audience.
Social groups
The document discusses the portrayal of victims in films. It notes that victims are often portrayed as weak, vulnerable, and targeted for reasons outside of their control, such as gender or as a means for revenge against loved ones. The victim in the described film, a young girl, fits this portrayal as she is innocent and her brutal murder is shocking. Her death serves to devastate the main character and manipulate the audience's emotions. Similar portrayals of young victim deaths in other films are discussed to illustrate how they advance the narrative and affect viewers.
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Evaluation question 2
The combination of the band's main products was effective in portraying their concept of "remedy" and brand identity. Each side of the digipack featured a band member with colorful explosions and chemical bottles to represent the remedy concept. Colors were coordinated across products to link them. Though somewhat obscure, the products captured the band's quirky, fun personality and indie genre through unusual imagery and rejection of conventions. The combination was successful in communicating the key ideas but could have made the links between the video and other products more overt.
Evaluation question 2
The combination of the band's main products was effective in conveying their concept of "remedy" and quirky brand identity. Each side of the digipack featured a band member with their instrument and a chemical bottle/color explosion, representing the remedy concept. Colors were consistently used across products to link them. While some links between the music video and other products could have been made clearer, overall the combination of products portrayed the remedy concept and band's fun, unique identity well.
Media ad anaylsis
This magazine advertisement for Kings of Leon's new album uses abstract photography with the band members' faces cut up and arranged around an eagle. The ad has a gloomy tone to match the likely sound of the album. While keeping a simple black background, the band's name stands out in font that is different colored but the same style as the album font, making the two easy to distinguish. The ad follows conventions by prominently featuring the artist and showing each band member through the fragmented faces around the eagle.
Font analysis
The document analyzes 8 different fonts for their suitability for an album cover describing the artist's personal development and change. 4 fonts are deemed suitable: a calligraphy style font that has unique, perfectly width letters; a handwritten style font that fits well for the artist's name but not the title; a laid back, subtle font that is not perfectly even or straight showing it's realistic; and a simpler font whose simplicity makes it easily readable and able to stand out on the cover. The other 4 fonts are deemed unsuitable for reasons such as being too bold, large, basic, or having the wrong shape or background color.
Magazine analysis
This advertisement for Lana Del Rey's album "Born to Die" uses minimalist design and lighting to draw attention to the up-and-coming artist. The simple color palette and focus on Lana through a low-angle shot and central positioning make her the clear subject. While the production costs are low, this maximizes potential attention for Lana by not overshadowing her with complex graphics or effects. The ad also promotes Lana's brand and website to increase exposure around the album release.
Indie rock analysis
This document provides summaries of three indie rock music videos:
1) "6 Feet" by Scarlxrd uses dark imagery and costumes to portray themes of mental instability. Unique editing and cinematography make the video impactful.
2) "Naive" by The Kooks tells a narrative embedded in performance scenes and uses typical indie rock styles. Simple editing focuses on the artist's expressions.
3) "Radioactive" by Imagine Dragons blends narrative scenes of teddy bear fighting with performance sections of the band. Casual clothing reflects the indie genre.
Summer assignment
The document provides an analysis of several music videos. It summarizes each video in 1-2 paragraphs, describing elements like genre, themes, imagery, and how the video relates to the song. Key points analyzed include how the videos represent the artists' images and messages, use of costumes, lighting, locations, and references to other works. The document examines videos for songs by KSI, Fame on Fire, and Yellow Claw featuring themes of isolation, partying, and not conforming to others' expectations.
Andrew goodwin’s music video rules
There are several rules that music videos typically follow:
1) The music video style reflects the genre of music. For the alternative rock song "Amsterdam" by Nothing But Thieves, the video features the band performing in an abandoned factory alongside dancers.
2) The visuals in a music video relate to the song lyrics, whether illustrating, amplifying or contradicting them. In "Amsterdam", scenes of the dancers emphasize lyrics about craziness and living under the same sun.
3) The visuals also relate to the music itself, using elements like tempo. In "No More Sad Songs" by Little Mix, the climax of the music is reflected in an intensification of the visuals
Summer homework media music video analysis task
This document analyzes three music videos according to Andrew Goodwin's six rules for music videos. Each video is summarized in terms of genre, relationship between lyrics and visuals, relationship between music and visuals, presence of close-ups of artists, references to looking, intertextual references, and whether it is performance, narrative or concept-based. The conclusion finds that most mainstream music videos are narrative-based to engage younger audiences, though some bands subvert this with alternative styles like Fall Out Boy's performance-focused video.
Evaluation 3
The document discusses potential distribution outlets for a short film opening sequence with no budget. It notes that major cinema chains like the Odeon would not be suitable due to the very short length and lack of profit potential. Independent cinemas also may not accept it if the genre is not popular locally. Online indie websites are suggested as they have lower costs and barriers. Television stations like BBC and Film4 that seek to make profits are also not realistic options. The conclusion is that platforms like BBC Three or free online movie websites may be best for a no-budget short film.
Evaluation question 3
The document discusses potential media institutions that could distribute a media product. It suggests that Netflix would be a good option due to its history of supporting independent films and having a catalog of similar genre films. Certain multiplex cinemas could also work as some have shown independent British films before. The BFI cinema may be suitable since it occasionally shows indie films to engage varied audiences, in addition to major films.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product and analyzes which might be suitable for the author's film. It identifies festivals, Netflix, and some multiplex cinemas as potential distribution outlets. Festivals often feature independent and niche films, while Netflix and select cinemas occasionally show smaller British productions. The author's crime thriller would fit in with genres typically presented on these platforms.
Media question 3
The document discusses different types of media for releasing a film, including various cinemas and film festivals. It analyzes the target audiences and marketing approaches of different venues. Based on the research, television is identified as the best option to reach the film's target 18-22 year old audience nationally, as it is easier for viewers than cinemas or festivals and offers broad exposure without the large competition of other options. Releasing on television balances advantages and disadvantages better than the alternatives.
Evaluation question 3 neamh
The document discusses distributing an independent thriller film. It analyzes different distribution options like independent cinemas versus large chains, and film festivals versus online forums. Independent cinemas and film festivals like Tribeca that feature thrillers are recommended over large chains or prestigious festivals like Cannes. Online forums are also suggested to generate reviews and exposure. In conclusion, independent cinemas are where the film would likely end up if successful, through a festival run and indie release that targets the appropriate audience for a psychological thriller.
Question 3
The document discusses potential media institutions that might distribute an independent thriller film. It analyzes what types of films are shown at mainstream cinemas (fantasy films), independent cinemas (dramas), and film festivals (mostly dramas that could win awards). It determines that an independent cinema or young filmmakers festival would be the most realistic venues, as mainstream cinemas primarily show larger budget films. Online sharing through websites like YouTube could also be an option to reach a wide audience.
Evaluation question 3 correct
The document evaluates potential outlets for showcasing a film. It is analyzed that mainstream cinemas like Odeon and Woking Theatre primarily show large budget films and are not currently interested in crime thrillers. Independent cinemas like BFI and Reading Theatre show a variety of genres and would be better options. Film festivals like Sundance and BFI could provide exposure but have many entries. A young filmmakers competition would allow comparison to similar skills and budgets and is concluded to be the best overall showcase for the film.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product. It provides examples of film festivals and cinemas as media institutions, analyzing the genres of films typically shown at each one. The document determines that a thriller genre media product could be distributed by cinema chains like Odeon that show thrillers, or streaming services like Netflix which host a wide variety of thriller films.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product. It provides examples of film festivals and cinemas as media institutions, analyzing the genres of films typically shown at each one. The document determines that a thriller genre media product could be distributed by cinema chains like Odeon that show thrillers, or streaming services like Netflix which host a wide variety of thriller films.
Question 3
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Mainstream cinemas primarily show big budget fantasy films, while independent cinemas focus more on drama genres. Film festivals commonly feature drama films that are more art-house in nature. Given that the film is an independent thriller, it would likely be shown at a young filmmakers' festival or shared online through websites like YouTube, as these venues are more open to lower budget, independent productions. Realistically, the best venue would be a youth festival if the film's production quality was high.
Question 3
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Based on the genres typically featured at each, it determines that independent cinemas and young filmmakers' festivals would be most receptive to an independent thriller. Realistically, it concludes the film would likely be shown at a young people's festival if of high quality, or could alternatively be shared online via forums and YouTube.
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2开始安排制作昆士兰科技大学毕业证成绩单电子图；
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4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。望着父亲山娃反问道父亲听了并不回答只是吃吃地笑山娃很精神越逛越起劲父亲却越逛越疲倦望着父亲呵欠连天的样子山娃也说困了累了回家吧小屋闷罐一般头顶上的三叶扇彻夜呜呜作响搅得满屋热气腾腾也搅得山娃心烦意乱父亲一上床就呼呼大睡山娃却辗转反侧睡不着山娃一次又一次摸索着爬起来一遍又一遍地用暖乎乎的冷水擦身往水泥地板上一勺一勺的洒水也不知过了多久山娃竟迷迷糊糊地睡着了迷迷糊糊地又闻到了闹钟刺耳的铃声和哐咣的关和
Dino Ranch Storyboard / Kids TV Advertising
Storyboard produced for the TV commercial of a toy from the children's show “Dino Ranch”
一比一原版(BC毕业证)波士顿学院毕业证如何办理
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1所有材料真实但资料不全无法提供完全齐整的原件。【如：成绩单丶毕业证丶回国证明等材料中有遗失的。】
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3学分转移联合办学等情况复杂不知道怎么整理材料的。时间紧迫自己不清楚递交流程的。
如果你是以上情况之一请联系我们我们将在第一时间内给你免费咨询相关信息。我们将帮助你整理认证所需的各种材料.帮你解决国外学历认证难题。
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1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询波士顿学院波士顿学院本科学位证成绩单）；
2开始安排制作波士顿学院毕业证成绩单电子图；
3波士顿学院毕业证成绩单电子版做好以后发送给您确认；
4波士顿学院毕业证成绩单电子版您确认信息无误之后安排制作成品；
5波士顿学院成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。疯一把山娃算了算这一次足足花了老爸元够他挣上半个月的山娃很不解一向节俭的父亲啥时变得如此阔绰大方大把大把掏钱时居然连眉头也不皱一下车票早买好了直达卧铺车得经过山娃老家门口山娃拒绝父亲送说往车上一躺就等着下车决无丢失的道理有手机在身联系也方便再说他都岁了还有大半车的小伙伴相伴他不怕在父亲千叮咛万嘱咐中山娃依依不舍地爬上车朝窗外不住地挥手别了父亲别了父亲的城别了我的暑假生活我的城市生活望着窗外挥舞的房
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
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storyboard: Victor and Verlin discussing about top hat
storyboard: Victor and Verlin discussing about top hat
All the images mentioned in 'See What You're Missing'
All the images mentioned in 'See What You're Missing'
My storyboard for a sword fight scene with lightsabers
My storyboard for a sword fight scene with lightsabers
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Satta Matka Matka Guessing Kalyan Chart Indian Matka Satta ...
❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
Photo write up
- 1. Photo write up: Extreme close up: this shot clearly displays an extreme close up as you can see the object of the image in a lot of detail and only a small part of the object is visible. However, the problem with this picture is that the thriller genre nor a sub-genre is being displayed. To improve this picture to demonstrate the thriller genre we could have used fake blood on the shoe and on the floor. This would then indicate the image is from a crime thriller or a horror, therefore demonstrating the thriller genre through props. Low angle shot: this shot clearly shows a low angle from the way the girls look more intimidating even from behind. Again the thriller or sub genre is hard to see, to make this clearer one or 2 of the girls could be holding a gun or knife to demonstrate violence and criminal activity. This would emphasise to the audience that this is a crime thriller or gangster thriller.