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photographic elements Chapter 3 continued
Focus ,[object Object],[object Object],[object Object],[object Object],[object Object]
Focus ,[object Object],[object Object]
Focus and movement from focus
Selective Focus ,[object Object],[object Object],[object Object]
selective focus
 
 
 
Designsponge.com
Designsponge.com
Designsponge.com
Designsponge.com
Motion ,[object Object],[object Object],[object Object]
motion
motion blur
 
 
 
 
 
 
 
Moment ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Moment/repetitive action
anticipation
 
 
 
 
 
Optics ,[object Object],[object Object],[object Object],[object Object]
Wide angle optics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
optics/wide angle
wide angle dynamic lines
wide angle perspective effects
 
 
 
 
 
 
 
 
Telephoto Optics ,[object Object],[object Object],[object Object]
optics/400mm
telephoto compression
 
 
 
Fisheye ,[object Object],[object Object]
 
 
Tilt Lens ,[object Object],[object Object],[object Object]
 
tilt lens
 
 
 
Exposure ,[object Object],[object Object],[object Object],[object Object]
lighter exposure
darker exposure
Flare -happens when you point your camera at a light source -Can take on many different appearances -it’s helpful to have an object halfway block the light -consider using a polarizing filter if you want strong starburst type flare **Flare is technically considered incorrect
Flare
Flare
Flare
 
Glare -glare is often mistaken for flare FLARE AND GLARE ARE NOT THE SAME -glare happens when a bright light is REFLECTED off of a shiny object
Silhouette -you must have your subject in a relatively dark place with a strong light coming from behind -you are using backlighting to make a creative exposure -meter the light coming from behind your subject rather than on your subject -bracket to make sure you got a pure silhouette
Silhouette
Silhouette

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