The Petroleum Tower is part of the Central Business District Historic District in Shreveport Louisiana. The building is an excellent example of high rise curtain wall construction and was designed by a famous Dallas architect, Wyatt C. Hedrick.
The Brooks Building is a 12-story commercial building located in Chicago designed by notable architects Holabird & Roche in the Chicago School style. It has a steel frame structure that allows for flexible, open floorplans. The exterior is clad in ornate terra cotta that highlights the structural elements. It was the final commission of developer Peter Brooks, who built many innovative Chicago School buildings. The Brooks Building exemplifies key characteristics of the Chicago School like its clearly expressed structure, large windows, and minimal walls, making it an important example of the architectural movement.
This document provides an overview of the history and key figures in modern architecture, including Louis Sullivan who is considered the "Father of modernism and skyscrapers". It discusses his influential buildings like the Auditorium Building and Guaranty Building. It also covers the International Style popularized in the 20th century by figures like Frank Lloyd Wright, Philip Johnson and Mies van der Rohe. Additionally, it outlines the emergence of Postmodernism, High-Tech Architecture, Deconstructivism and some of their notable exemplar buildings.
The document discusses the growth of Chicago's population from 300 people in 1830 to 1 million people by 1870, making it the sixth largest city in the world. It then summarizes some of the key buildings that helped establish the Chicago School of Architecture style, including the Home Insurance Building designed by William Le Baron Jenney in 1883-85, considered one of the first steel-frame structures. It also mentions the Rookery, Auditorium Building, Reliance Building, and Carson Pirie Scott Department Store designed by architects like Burnham, Root, Sullivan, and Adler between 1885-1899, which helped pioneer the modern skyscraper and innovative use of structure and ornamentation.
William LeBaron Jenney was an American engineer and architect considered the pioneer of modern skyscrapers. In 1884, he designed the 10-story Home Insurance Building in Chicago, which was the world's first skyscraper. It had a steel frame structure with iron support beams and terracotta tile exterior. This innovative design allowed for large windows which provided better lighting and ventilation compared to previous masonry buildings. The Home Insurance Building helped establish the skyscraper as the dominant building type in large cities in the late 19th century.
The document provides biographical information about American architect Louis Henry Sullivan. It discusses that he is considered the "father of skyscrapers" and the "father of modernism". Sullivan helped pioneer steel-frame construction and designed notable buildings like the Wainwright Building in St. Louis, considered one of the first skyscrapers. The document also summarizes Sullivan's career and influence on architecture, as well as providing details about some of his landmark designs.
The document discusses the American architect Louis Sullivan. It describes Sullivan as the "father of skyscrapers" and creator of the modern skyscraper. He influenced the Chicago School of architecture and mentored Frank Lloyd Wright. The document outlines Sullivan's philosophies, including that "form follows function." It provides examples of signature elements in Sullivan's work, such as organic decorations. It then discusses two specific buildings designed by Sullivan - the Carson Pirie Scott Building and the Chicago Auditorium Building. It notes innovative features and purposes of the buildings.
Louis Sullivan was an influential American architect known for pioneering skyscraper design and the philosophy of "form follows function." Some key aspects of his work included using plain geometric shapes and naturalistic ornamentation. He employed steel structures to build tall buildings and often incorporated massive semi-circular arches in his designs. Two of his most notable buildings were the Auditorium Building in Chicago, which featured the first central air conditioning system and electric lighting, and the Guaranty Building, which demonstrated his U-shaped floor plans and use of terra cotta ornamentation.
Louis sullivan- "father of skyscrapers” "father of modernism“Sarthak Kaura
an American architect,
"father of skyscrapers”
"father of modernism“
Initially achieved fame as theatre architect.
He is considered by many as the creator of the modern skyscraper, was an influential architect and critic of the Chicago School,
A mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects.
Spl. Thanks:
PIYUSH GULATI
SIDDHANT GARG
SHREYA MALIK
VIBHOR SONI
The Brooks Building is a 12-story commercial building located in Chicago designed by notable architects Holabird & Roche in the Chicago School style. It has a steel frame structure that allows for flexible, open floorplans. The exterior is clad in ornate terra cotta that highlights the structural elements. It was the final commission of developer Peter Brooks, who built many innovative Chicago School buildings. The Brooks Building exemplifies key characteristics of the Chicago School like its clearly expressed structure, large windows, and minimal walls, making it an important example of the architectural movement.
This document provides an overview of the history and key figures in modern architecture, including Louis Sullivan who is considered the "Father of modernism and skyscrapers". It discusses his influential buildings like the Auditorium Building and Guaranty Building. It also covers the International Style popularized in the 20th century by figures like Frank Lloyd Wright, Philip Johnson and Mies van der Rohe. Additionally, it outlines the emergence of Postmodernism, High-Tech Architecture, Deconstructivism and some of their notable exemplar buildings.
The document discusses the growth of Chicago's population from 300 people in 1830 to 1 million people by 1870, making it the sixth largest city in the world. It then summarizes some of the key buildings that helped establish the Chicago School of Architecture style, including the Home Insurance Building designed by William Le Baron Jenney in 1883-85, considered one of the first steel-frame structures. It also mentions the Rookery, Auditorium Building, Reliance Building, and Carson Pirie Scott Department Store designed by architects like Burnham, Root, Sullivan, and Adler between 1885-1899, which helped pioneer the modern skyscraper and innovative use of structure and ornamentation.
William LeBaron Jenney was an American engineer and architect considered the pioneer of modern skyscrapers. In 1884, he designed the 10-story Home Insurance Building in Chicago, which was the world's first skyscraper. It had a steel frame structure with iron support beams and terracotta tile exterior. This innovative design allowed for large windows which provided better lighting and ventilation compared to previous masonry buildings. The Home Insurance Building helped establish the skyscraper as the dominant building type in large cities in the late 19th century.
The document provides biographical information about American architect Louis Henry Sullivan. It discusses that he is considered the "father of skyscrapers" and the "father of modernism". Sullivan helped pioneer steel-frame construction and designed notable buildings like the Wainwright Building in St. Louis, considered one of the first skyscrapers. The document also summarizes Sullivan's career and influence on architecture, as well as providing details about some of his landmark designs.
The document discusses the American architect Louis Sullivan. It describes Sullivan as the "father of skyscrapers" and creator of the modern skyscraper. He influenced the Chicago School of architecture and mentored Frank Lloyd Wright. The document outlines Sullivan's philosophies, including that "form follows function." It provides examples of signature elements in Sullivan's work, such as organic decorations. It then discusses two specific buildings designed by Sullivan - the Carson Pirie Scott Building and the Chicago Auditorium Building. It notes innovative features and purposes of the buildings.
Louis Sullivan was an influential American architect known for pioneering skyscraper design and the philosophy of "form follows function." Some key aspects of his work included using plain geometric shapes and naturalistic ornamentation. He employed steel structures to build tall buildings and often incorporated massive semi-circular arches in his designs. Two of his most notable buildings were the Auditorium Building in Chicago, which featured the first central air conditioning system and electric lighting, and the Guaranty Building, which demonstrated his U-shaped floor plans and use of terra cotta ornamentation.
Louis sullivan- "father of skyscrapers” "father of modernism“Sarthak Kaura
an American architect,
"father of skyscrapers”
"father of modernism“
Initially achieved fame as theatre architect.
He is considered by many as the creator of the modern skyscraper, was an influential architect and critic of the Chicago School,
A mentor to Frank Lloyd Wright, and an inspiration to the Chicago group of architects.
Spl. Thanks:
PIYUSH GULATI
SIDDHANT GARG
SHREYA MALIK
VIBHOR SONI
Louis Henry Sullivan was an influential American architect known as the "father of skyscrapers" and "father of modernism". He developed the philosophy that "form follows function" and was one of the pioneers of the Prairie School style. Some of Sullivan's most notable works include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and several banks across the Midwest featuring geometric forms and organic ornamentation.
Louis Henry Sullivan was an Irish-American architect born in 1856 in Boston, Massachusetts known as the "Father of Modern Architecture". He studied at MIT and Ecole des Beaux-Arts and is known for pioneering skyscrapers and developing the philosophy of "Form Follows Function". Some of his most notable works include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. He partnered with Dankmar Adler from 1881-1889 and is credited with creating a unique American architectural style and moving away from traditional Greek and Roman designs.
Louis Henry Sullivan was an influential American architect born in 1856. He is considered the "Father of Skyscrapers" and helped pioneer steel-frame construction with tall buildings like the Wainwright Building. Some of Sullivan's most notable designs include the Auditorium Building in Chicago, featuring the first home of the Chicago Symphony Orchestra, and the Guaranty Building in Buffalo. Sullivan mentored Frank Lloyd Wright and developed an organic architectural style that incorporated nature and technology.
Louis Henry Sullivan (1856-1924) was an influential American architect known as the "father of skyscrapers" and a pioneer of modern architecture. He believed that architecture should express its purpose and that form should follow function. Some of his notable designs include the Auditorium Building in Chicago, featuring one of the first central air conditioning systems, and a series of banks employing geometric and organic ornamentation reflecting nature. Sullivan's philosophy of form following function became a basic principle of 20th century architecture.
This document provides an overview of American architecture in early modern Chicago and the works of H.H. Richardson, Louis Sullivan, Dankmar Adler, and Frank Lloyd Wright. It summarizes key buildings designed by each architect, including Richardson's Marshall Field's Wholesale Store, Adler and Sullivan's Auditorium Building, Sullivan's Transportation Building at the 1893 World's Columbian Exposition, and works by Frank Lloyd Wright like his home and studio, the Dana House, and Robie House. Images are provided of architectural details and interiors for many of the featured buildings.
Louis Sullivan was an influential American architect born in 1856. He is considered the creator of the modern skyscraper and a pioneer of the Chicago School of Architecture. Some of Sullivan's most notable works include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. Sullivan developed an ornamental style inspired by nature and was known for emphasizing vertical lines in his buildings to highlight their height. He had a significant influence on Frank Lloyd Wright and was an important figure in modern architecture.
Theory Of Design - Louis Sullivan. Buildings covered in this presentation are - Auditorium Building (Chicago) , Wainwright Building, Carson Pierie Scott and company building, transportation building, louis sullivan bungalow ,
Louis Henry Sullivan was an influential American architect born in 1856. He helped develop the Chicago School style of architecture and is considered the father of modern skyscrapers. Some of his notable works include the Wainwright Building, the Auditorium Building, and the Carson Pirie Scott Store. Sullivan pioneered tall steel-framed buildings and believed that form should follow function, a principle that became foundational to modern architecture. He had a significant influence on Frank Lloyd Wright and helped heal the schism between architecture and engineering.
Louis Sullivan was an influential American architect who lived from 1856-1924 and is considered the "Father of Modern Architecture." He developed the "Chicago School" style and coined the phrase "Form follows Function." Some of his most notable works include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. Later in his career, Sullivan designed several banks in a simpler Prairie School style, including the National Farmers' Bank in Owatonna, Minnesota.
Louis Sullivan was an American architect born in 1856 who is considered a pioneer of skyscraper design. He studied architecture at MIT and the École des Beaux-Arts in Paris, then worked under influential architects in Philadelphia and Chicago. In 1881, Sullivan formed the firm Adler & Sullivan in Chicago, designing many landmark buildings that pushed the boundaries of skyscraper design through their ornamentation. Some of Sullivan's most notable works included the Jewelers Building, Kaufmann Store, Auditorium Building, and Carson Pirie Scott department store. He is renowned for his dictum "form ever follows function" and helped establish the Chicago School of Architecture.
Louis Henry Sullivan was an influential American architect born in 1856. He is considered the "Father of Skyscrapers" and helped pioneer steel-frame construction, allowing for taller buildings. Some of Sullivan's most notable designs include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. Sullivan coined the phrase "form follows function" and emphasized simple, clean designs that highlighted the steel frame. His buildings often featured ornate terra cotta details and nature-inspired ornamentation. Sullivan had a significant influence on the Chicago School of Architecture and mentored Frank Lloyd Wright.
The document provides biographical information about Norman Foster, a prominent British architect known for his sleek, modern buildings made of steel and glass. It discusses his educational background and early career founding the architectural firm Foster + Partners. It also summarizes some of Foster's most notable projects from the 1960s to present day, including the HSBC Main Building in Hong Kong, London City Hall, Hearst Tower in New York, and Apple Park in California. The document concludes with details on Foster's honors, recognition, and personal life.
Frank Lloyd Wright Influences and stages in careerSandra Draskovic
Frank Lloyd Wright had a prolific 70-year career as an architect during which he designed over 1,100 projects. Some of his most notable works included houses like Fallingwater and the Robie House that featured his signature Prairie School style with open floor plans centered around fireplaces, integration with nature, and horizontal lines. Later in his career, Wright completed the Imperial Hotel in Tokyo, drawing inspiration from Japanese design and nature. Throughout his career, Wright developed new architectural theories and styles while continuing to teach and inspire new generations of architects at his Taliesin Fellowship school.
Louis Henry Sullivan was an American architect born in 1856 in Boston, Massachusetts. He has been called the "father of skyscrapers" and "father of modernism" as he pioneered the steel-frame construction of modern high-rise buildings. Sullivan designed many buildings in Chicago in the late 19th century and was influential in developing the modern skyscraper. He emphasized the importance of form following function in architecture.
Yale Art + Architecture Building - Case StudyVikram Bengani
A case study from the perspective of architecture of the Architecture Building at Yale University. Performed as part of the architectural education campus design project in the year three of the B. Architecture course.
Ludwig Mies van der Rohe was a pioneering modernist architect born in Germany in 1886. He helped establish the Bauhaus school and later immigrated to the United States to head the architecture school at the Illinois Institute of Technology in Chicago. Mies sought to create an architectural style for the modern era through clarity and simplicity using industrial materials like steel and glass. Some of his most notable works included high-rise buildings in Chicago and the Seagram Building in New York. He is regarded as one of the pioneers of the International Style of architecture.
This document discusses the Johnson family dynasty of architects in Melbourne over six generations dating back to the 19th century. It focuses on three generations in particular - George Raymond Johnson who designed many notable buildings in the late 19th century, his son Harry Raymond Johnson who was a prolific designer of houses and flats in St Kilda in the early-mid 20th century, and Harry's son Raymond Milton Johnson who was a structural engineer. It then discusses Mordecai Benshemesh's modernist design of Edgewater Towers, one of Melbourne's earliest large apartment developments, built in St Kilda in 1959-60.
The restoration of Sundance Square transformed downtown Fort Worth from a deserted area in the 1970s to a thriving central district today. Over 30 city blocks now feature restaurants, shops, theaters and offices housed in beautifully restored turn-of-the-century buildings. The ambitious urban development project began in the late 1970s when Sid Bass unveiled his vision to create a pedestrian-friendly mixed-use area in the neglected north side of downtown. Bass Brothers Enterprises restored 12 historic buildings facing Main Street, adding landscaping, security and parking to attract residents, workers and tourists. Sundance Square helped revive downtown Fort Worth as an active, safe and enjoyable destination.
During the late 19th century, rapid urbanization in the United States was enabled by new technologies like steel-framed skyscrapers and elevators, as well as mass transit systems. As cities grew, distinct social classes emerged with the wealthy residing downtown and working classes in crowded tenement housing. Political machines run by bosses provided services to new urban immigrants and the working class in exchange for votes, though they were often corrupt.
Louis Henry Sullivan was an influential American architect known as the "father of skyscrapers" and "father of modernism". He developed the philosophy that "form follows function" and was one of the pioneers of the Prairie School style. Some of Sullivan's most notable works include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and several banks across the Midwest featuring geometric forms and organic ornamentation.
Louis Henry Sullivan was an Irish-American architect born in 1856 in Boston, Massachusetts known as the "Father of Modern Architecture". He studied at MIT and Ecole des Beaux-Arts and is known for pioneering skyscrapers and developing the philosophy of "Form Follows Function". Some of his most notable works include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. He partnered with Dankmar Adler from 1881-1889 and is credited with creating a unique American architectural style and moving away from traditional Greek and Roman designs.
Louis Henry Sullivan was an influential American architect born in 1856. He is considered the "Father of Skyscrapers" and helped pioneer steel-frame construction with tall buildings like the Wainwright Building. Some of Sullivan's most notable designs include the Auditorium Building in Chicago, featuring the first home of the Chicago Symphony Orchestra, and the Guaranty Building in Buffalo. Sullivan mentored Frank Lloyd Wright and developed an organic architectural style that incorporated nature and technology.
Louis Henry Sullivan (1856-1924) was an influential American architect known as the "father of skyscrapers" and a pioneer of modern architecture. He believed that architecture should express its purpose and that form should follow function. Some of his notable designs include the Auditorium Building in Chicago, featuring one of the first central air conditioning systems, and a series of banks employing geometric and organic ornamentation reflecting nature. Sullivan's philosophy of form following function became a basic principle of 20th century architecture.
This document provides an overview of American architecture in early modern Chicago and the works of H.H. Richardson, Louis Sullivan, Dankmar Adler, and Frank Lloyd Wright. It summarizes key buildings designed by each architect, including Richardson's Marshall Field's Wholesale Store, Adler and Sullivan's Auditorium Building, Sullivan's Transportation Building at the 1893 World's Columbian Exposition, and works by Frank Lloyd Wright like his home and studio, the Dana House, and Robie House. Images are provided of architectural details and interiors for many of the featured buildings.
Louis Sullivan was an influential American architect born in 1856. He is considered the creator of the modern skyscraper and a pioneer of the Chicago School of Architecture. Some of Sullivan's most notable works include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. Sullivan developed an ornamental style inspired by nature and was known for emphasizing vertical lines in his buildings to highlight their height. He had a significant influence on Frank Lloyd Wright and was an important figure in modern architecture.
Theory Of Design - Louis Sullivan. Buildings covered in this presentation are - Auditorium Building (Chicago) , Wainwright Building, Carson Pierie Scott and company building, transportation building, louis sullivan bungalow ,
Louis Henry Sullivan was an influential American architect born in 1856. He helped develop the Chicago School style of architecture and is considered the father of modern skyscrapers. Some of his notable works include the Wainwright Building, the Auditorium Building, and the Carson Pirie Scott Store. Sullivan pioneered tall steel-framed buildings and believed that form should follow function, a principle that became foundational to modern architecture. He had a significant influence on Frank Lloyd Wright and helped heal the schism between architecture and engineering.
Louis Sullivan was an influential American architect who lived from 1856-1924 and is considered the "Father of Modern Architecture." He developed the "Chicago School" style and coined the phrase "Form follows Function." Some of his most notable works include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. Later in his career, Sullivan designed several banks in a simpler Prairie School style, including the National Farmers' Bank in Owatonna, Minnesota.
Louis Sullivan was an American architect born in 1856 who is considered a pioneer of skyscraper design. He studied architecture at MIT and the École des Beaux-Arts in Paris, then worked under influential architects in Philadelphia and Chicago. In 1881, Sullivan formed the firm Adler & Sullivan in Chicago, designing many landmark buildings that pushed the boundaries of skyscraper design through their ornamentation. Some of Sullivan's most notable works included the Jewelers Building, Kaufmann Store, Auditorium Building, and Carson Pirie Scott department store. He is renowned for his dictum "form ever follows function" and helped establish the Chicago School of Architecture.
Louis Henry Sullivan was an influential American architect born in 1856. He is considered the "Father of Skyscrapers" and helped pioneer steel-frame construction, allowing for taller buildings. Some of Sullivan's most notable designs include the Auditorium Building in Chicago, the Wainwright Building in St. Louis, and the Guaranty Building in Buffalo. Sullivan coined the phrase "form follows function" and emphasized simple, clean designs that highlighted the steel frame. His buildings often featured ornate terra cotta details and nature-inspired ornamentation. Sullivan had a significant influence on the Chicago School of Architecture and mentored Frank Lloyd Wright.
The document provides biographical information about Norman Foster, a prominent British architect known for his sleek, modern buildings made of steel and glass. It discusses his educational background and early career founding the architectural firm Foster + Partners. It also summarizes some of Foster's most notable projects from the 1960s to present day, including the HSBC Main Building in Hong Kong, London City Hall, Hearst Tower in New York, and Apple Park in California. The document concludes with details on Foster's honors, recognition, and personal life.
Frank Lloyd Wright Influences and stages in careerSandra Draskovic
Frank Lloyd Wright had a prolific 70-year career as an architect during which he designed over 1,100 projects. Some of his most notable works included houses like Fallingwater and the Robie House that featured his signature Prairie School style with open floor plans centered around fireplaces, integration with nature, and horizontal lines. Later in his career, Wright completed the Imperial Hotel in Tokyo, drawing inspiration from Japanese design and nature. Throughout his career, Wright developed new architectural theories and styles while continuing to teach and inspire new generations of architects at his Taliesin Fellowship school.
Louis Henry Sullivan was an American architect born in 1856 in Boston, Massachusetts. He has been called the "father of skyscrapers" and "father of modernism" as he pioneered the steel-frame construction of modern high-rise buildings. Sullivan designed many buildings in Chicago in the late 19th century and was influential in developing the modern skyscraper. He emphasized the importance of form following function in architecture.
Yale Art + Architecture Building - Case StudyVikram Bengani
A case study from the perspective of architecture of the Architecture Building at Yale University. Performed as part of the architectural education campus design project in the year three of the B. Architecture course.
Ludwig Mies van der Rohe was a pioneering modernist architect born in Germany in 1886. He helped establish the Bauhaus school and later immigrated to the United States to head the architecture school at the Illinois Institute of Technology in Chicago. Mies sought to create an architectural style for the modern era through clarity and simplicity using industrial materials like steel and glass. Some of his most notable works included high-rise buildings in Chicago and the Seagram Building in New York. He is regarded as one of the pioneers of the International Style of architecture.
This document discusses the Johnson family dynasty of architects in Melbourne over six generations dating back to the 19th century. It focuses on three generations in particular - George Raymond Johnson who designed many notable buildings in the late 19th century, his son Harry Raymond Johnson who was a prolific designer of houses and flats in St Kilda in the early-mid 20th century, and Harry's son Raymond Milton Johnson who was a structural engineer. It then discusses Mordecai Benshemesh's modernist design of Edgewater Towers, one of Melbourne's earliest large apartment developments, built in St Kilda in 1959-60.
The restoration of Sundance Square transformed downtown Fort Worth from a deserted area in the 1970s to a thriving central district today. Over 30 city blocks now feature restaurants, shops, theaters and offices housed in beautifully restored turn-of-the-century buildings. The ambitious urban development project began in the late 1970s when Sid Bass unveiled his vision to create a pedestrian-friendly mixed-use area in the neglected north side of downtown. Bass Brothers Enterprises restored 12 historic buildings facing Main Street, adding landscaping, security and parking to attract residents, workers and tourists. Sundance Square helped revive downtown Fort Worth as an active, safe and enjoyable destination.
During the late 19th century, rapid urbanization in the United States was enabled by new technologies like steel-framed skyscrapers and elevators, as well as mass transit systems. As cities grew, distinct social classes emerged with the wealthy residing downtown and working classes in crowded tenement housing. Political machines run by bosses provided services to new urban immigrants and the working class in exchange for votes, though they were often corrupt.
Frank Lloyd Wright was commissioned in 1952 to design a new headquarters for the H.C. Price Company in Bartlesville, Oklahoma. Wright designed the 19-story Price Tower using his concept of organic architecture, with the central core acting as the trunk of a tree and cantilevered floors resembling branches. Completed in 1956, the tower featured a unique triangular floor plan and was clad entirely in copper. It acted as both office space for the company and residential units. The Price Tower came to be recognized for its architectural significance and innovative design.
The High Line was originally constructed in 1851 as an elevated railroad on the West Side of Manhattan. It transported goods until 1980 when the last train carried frozen turkeys. In the following decades, parts of the line were demolished. The Meatpacking District developed in the 1840s around markets and became known for its slaughterhouses and meatpacking plants. Chelsea transitioned from a farm to industrial and residential areas, with tenement housing for immigrants and a theater district. The High Line is now an elevated park built on the original railroad structure.
A Delicate Balance: The Legacy of Frank Lloyd WrightProfWillAdams
Frank Lloyd Wright was an influential American architect known for designing over 1,000 structures in a unique organic style that blended with nature. Some of his most famous works included Fallingwater, a home built partially over a waterfall using innovative cantilevered concrete terraces, and the Robie House featuring his signature Prairie style. Wright promoted organic architecture that evolved from the site context and integrated interior and exterior design. His masterworks demonstrated how to harmonize buildings with their natural surroundings through the creative use of materials like glass, concrete, and local stone.
Frank Lloyd Wright was an American architect known for designing over 1,000 structures in his organic architecture style. Some key points about Wright include that he believed structures should be in harmony with their environment, and that his most famous example of this was Fallingwater from 1935. He is also known for introducing the concept of "organic architecture," where structures respect natural principles and integrate harmoniously with their site and function. The Robie House from 1909 is cited as one of Wright's most famous works and a prime example of his Prairie School style, with its horizontal emphasis, brick and glass materials, and indoor-outdoor flow of space.
The document provides information about Art Deco, an influential visual arts design style that emerged after World War I. It describes Art Deco as being characterized by rich colors, bold geometric shapes, and lavish ornamentation. During its popularity, Art Deco represented luxury, glamour, exuberance and faith in social and technological progress. It influenced many areas of design including furniture, consumer products, architecture, and interior design. Examples of Art Deco architecture are given from the United States, United Kingdom, Germany, and Canada. Characteristics of Art Deco furniture, jewelry, cookware, and artists are also summarized.
Time Square in New York City has gone through many changes over the years. Originally a rural area with streams, it became the center of the horse carriage industry in the late 1800s. In the early 1900s it was renamed Times Square after the New York Times moved its headquarters there. Throughout the 20th century it went from a thriving entertainment district to a seedy area known for crime and corruption, before being revitalized starting in the 1980s through new development and restoration of historic theaters.
Comparison of Protected and Unprotected Buildings in TribecaLynn Ellsworth
provides a comparison of buildings that are inside one of Tribeca's historic districts with those buildings that are outside (but next door to or close by) to Tribeca's historic districts
Running Head WHITE HOUSE ARCHITECTURE PAGE 6WHITE HOUSE ARCHI.docxagnesdcarey33086
Running Head: WHITE HOUSE ARCHITECTURE
PAGE 6
WHITE HOUSE ARCHITECTURE
White House Architecture: Washington DC
Dr. Moreno/Modern Art III
November 13, 2014
White House: Washington, D.C
Introduction
White House acts as the official residence of U.S. president. It is found in Pennsylvania Avenue Washington D.C. White House was designed using Neoclassical style by James Hoban from Ireland, and building started from 1792 to 1800. However, the architect Benjamin Henry Latrobe started planning for the outward expansion of the building to create two colonnades after Thomas Jefferson moved-in in 1801. The construction of the executive mansion was approved when Congress established the District of Columbia the capital of the United States in 1790. The architect was chosen through a competition of proposals which was won by James Hoban. Since then, the building has undergone the series of renovations (History of White House, 2012).
Architectural description
George Washington laid the first cornerstone of the building in a cornerstone ceremony in 1792. It is a grand mansion in the Neo-Classical Federal style , with details that echo classical Greek ionic architecture. Scottish masons were brought to DC to do the stone work. . The mansion would be covered in sandstone which created a slight problem. The masons were able to troubleshoot the issue by sealing the porous sandstone with a thick whitewash, this is where the white house first adopted it’s name. This would remain the largest residence in the United states until the 1860’s. The major White House façade which is at the north front consists of eleven bays and three floors. Ground floor is obstructed by parapet and raised carriage. This makes the façade be perceived to have two floors (Timelines-Architecture, 2007).
Figure 1.0: Floor Plan
Behind the prostyle portico are the three central bays added in 1830 circa and it serves as a Porte cochere. The four bays have windows that flank the portico. The first floor consists of alternating segmented and pointed pediments. The second floor has flat pediments. A lunette fanlight surmounts the center of the portico at the principal entrance. The sculpted floral festoon is found above the entrance. A balustrade parapet obstructs the roofline (William, 2008).
The façade at the southern comprises of both the neoclassical and Palladian architectural styles. The Palladian fashion has been used to rusticate the ground floor, while the center façade is designed in neoclassical style that projects a three-bay bow. Five bays flank the bow, with the windows at the north façade consisting of alternating pointed and segmented pediments at the first floor. The bow is made up of the double staircase at the ground floor that leads to the Ionic Colonnaded Logia referred to as the south portico. The second floor of the bow is made up of Truman Balcony. The modernized third floor obstructed by the balustrade parapet and is insignificant a.
Washington D.C. is the capital city of the United States, located on the Potomac River between Maryland and Virginia. It was founded in 1790 and named after George Washington. The city has a unique status as a federal district controlled by Congress, not a state. Pierre L'Enfant designed the city layout with broad avenues radiating outward from important buildings like the White House and Capitol. Over time the city has expanded its borders and transportation network while maintaining the original Baroque-style design principles.
The Brooklyn Bridge was built in the late 1800s to connect New York City to Brooklyn as the city was expanding rapidly. It took 14 years to complete due to financial and construction challenges but became a symbol of New York City when it opened in 1883. Boss Tweed was a corrupt New York City politician in the late 1800s who defrauded taxpayers of millions through real estate schemes. The Statue of Liberty was originally offered as a gift from France in 1875 but financial issues delayed its construction and unveiling in New York Harbor until 1886.
The document summarizes a tour of the Park Hill Fire Station & Water Co. complex in Little Rock, Arkansas. It describes how businessman Justin Matthews developed the Park Hill neighborhood in the early 1900s. In the late 1930s, the Park Hill Water Co. constructed the Mediterranean-style fire station, water company office, and two reservoirs to serve the community and lower fire insurance rates. The Works Progress Administration provided labor to build the complex, which was listed on the National Register of Historic Places in 1993. The fire station and water company building retain many original architectural features and were restored in the late 1990s.
New York in the 1920s saw tremendous economic and cultural growth, becoming the capital of American culture. The construction of skyscrapers like the Chrysler Building and Empire State Building showed the ambition and competition between developers. However, the stock market crash of 1929 marked the beginning of the Great Depression, wiping out billions in wealth and plunging the city into hardship.
New York in the 1920s saw tremendous economic and cultural growth, becoming the capital of American culture. The construction of skyscrapers like the Chrysler Building and Empire State Building showed the ambition and competition between developers. However, the stock market crash of 1929 marked the beginning of the Great Depression, wiping out billions in wealth and plunging the country into economic ruin.
New York City in the 1920s saw tremendous economic and cultural growth, becoming the capital of American culture. The construction of skyscrapers like the Chrysler Building and Empire State Building showed the city's ambition and innovation, though the stock market crash of 1929 marked the beginning of the Great Depression, wiping out billions in wealth. Harlem also blossomed into a cultural center of black arts and jazz during this era.
1) By 1900, 40% of Americans lived in cities and towns due to urbanization and the exodus of black workers from southern farms to northern cities. Streetcars replaced horse-drawn carriages and allowed cities to grow larger.
2) Andrew Carnegie built his steel empire in Pittsburgh using vertical integration, selling his company to J.P. Morgan for $400 million in 1900.
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1. Petroleum Tower Historic Significance
The Petroleum Tower is a high-rise commercial office building built in 1957. It is located
in the heart of Shreveport Louisiana’s Commercial Historic District at the North corner of
the intersection of Texas Street and Edwards Street. The building, designed by Wyatt C.
Hedrick and Stanley Architects of Fort Worth, Texas, is an excellent classic example of
high-rise curtain wall architecture during this timeframe. Wyatt C. Hedrick was a famous
American Architect and designed buildings throughout the United States from around
1920 to the mid 1970s. At one time his firm was considered the third largest architectural
company in the country. A number of his buildings are on historic preservation registries.
Attached is information about Hedrick from several sources obtained through an internet
search.
The Petroleum Tower contributes the toute ensemble of the historic district and provides
a layer of history of Shreveport’s Central Business District development. Its primary
importance is in reinforcing the visual wall of buildings along the main street in the
district, Texas Street. This wall of buildings that mark various timeframes of development
is an important characteristic of Shreveport’s Commercial Historic District.
Construction of the 16-story building is a concrete structural frame clad from the third
floor to the mechanical penthouse with an aluminum curtain wall system including
transparent glass and a 2-color pattern of opaque glass spandrel panels. The building is
caped with a 2-story height solid aluminum panel system enclosing the mechanical
penthouse. The facade above the second floor is perimeter framed with a distinctive
aluminum “picture frame” detail on both the Texas Street, Edwards Street and alley
elevations. The ground floor and second floor structural elements are clad in granite and
establish a visual base for the curtain wall system that conceptually floats above the
ground plain. A precast stone aggregate panel horizontally bands the building above at
the second floor spandrel and visually creates a clearstory for the base design element
of the facade. This element appears intended for signage. The ground floor entry to the
upper floors is located on Edwards Street and ground floor tenant spaces have entries
on both Texas and Edwards Streets.
The building has a narrow footprint at 60’ wide along Texas Street and 150’ deep along
Edwards Street to the alley. The structural bays are a grid of approximately 20 feet by 25
feet. The interior of the building is of no architectural or historical significance and was a
building of tenants composed of local small businesses. Tenants changed during the
years of occupancy of the building and space was reconfigured periodically. Interior
construction includes drywall construction and suspended ceilings. Some areas include
plaster partitions and ceilings. Asbestos containing materials were used in plaster
ceilings and many other locations. The building was closed to tenants in the 1980s due
partly to the costs of asbestos removal. The building core including stairs, elevators and
toilets is also of no architectural historic significance and a deterrent to the renovation
and use of the building.
The importance of this building is its contribution to the historic fabric of the Shreveport
Historic Commercial District within the Central Business District.
2. Additional Buildings and information on Wyatt C Hedrick Architect
• Fidelity Union Towers, 1509 Pacific Ave., Dallas, Texas – 21 and 31 story towers
built in 1952 and 1960 sometimes referred to as the Mosaic Building and the
Mayflower Building
• Fort Worth Club Building, 1926, 175’, 16 floors
• Historic Electric Building, 1929, 229’. 19 floors
• Petroleum Buildiing, 1927, 228’, 14 floors
• Will Rogers Tower, 1936, 208’
HEDRICK, WYATT CEPHAS (1888-1964). Wyatt Cephas Hedrick, architect and
engineer, was born in Chatham, Virginia, on December 17, 1888, the son of Washington
Henry and Emma Cephas (Williams) Hedrick. He received a bachelor of arts degree
from Roanoke College in Salem, Virginia, in 1909 and an engineering degree from
Washington and Lee University, Lexington, Virginia, in 1910. He worked as an engineer
for Lane Brothers in Alta Vista, Virginia, from 1910 to 1913, when he was hired by the
Stone and Webster Engineering Corporation of Boston as a construction engineer for
the company's Dallas office. He headed his own construction company in Fort Worth
from 1914 to 1921, when he became a partner in the architectural firm Sanguinet and
Staats,qv which had offices in Fort Worth and Houston.
In 1925 Hedrick opened his own architectural practice with offices in Fort Worth, Dallas,
and Houston. The next year, after Sanguinet and Staats retired, he also bought the
remaining interest in their practice. From the 1920s through the 1950s he had an active
nationwide practice, and at one time his was considered the third-largest architectural
firm in the United States. Hedrick produced buildings in a wide range of historical and
modern styles. Among his best-known works are the Shamrock Hotel in Houston (1949),
the Sterick Building in Memphis, Tennessee (1930), and the Medical Arts Building in Fort
Worth (1926). Hedrick also produced a large body of Moderne buildings in Fort Worth,
including the Worth Theater (with Alfred C. Finn, 1927), the Lone Star Gas Company
Building (1929), the Hollywood Theater (with Finn, 1930), the Texas and Pacific
Terminal and Warehouse (1931), Will Rogers Memorial Center (1936), and City Hall
(1938) (the last two in association with Elmer G. Withers). He also designed scores of
schools and facilities for various universities, including Texas Tech University in
Lubbock, Texas Christian University and Texas Wesleyan College in Fort Worth, and the
University of North Texas in Denton.
Hedrick married Pauline Stripling on June 17, 1918; the couple had one daughter. After
his first wife's death, he married Mildred Sterling, on December 17, 1925; with her he
had two daughters. Hedrick was a member of the American Society of Civil Engineers,
the American Institute of Architects, the Texas Society of Architects, the Scottish Rite
and the Shrine, the Elks Club, the Dallas Athletic Club, the Houston Club, the Petroleum
Club, and the Dallas, Houston, and Rivercrest Country clubs. He died in Houston of a
heart attack on May 5, 1964, and was buried in Fort Worth.
BIBLIOGRAPHY: Judith Singer Cohen, Cowtown Moderne: Art Deco Architecture of Fort
Worth, Texas (Fort Worth: Texas Christian University Press, 1988). Houston Post, May
6, 1964. Jamie L. Lofgren, Early Texas Skyscraper: A History of the Skyscraper Style
(M.A. thesis, University of Texas at Austin, 1987). Sanguinet and Staats-Hedrick
Collection, Architecture and Planning Library, University of Texas at Austin. Who's Who
in America, 1960-61.
3. Christopher Long
Wyatt C. Hedrick: Distinguished Architect, quot;Man of Distinctionquot;
By Frances Hallam Hurt, from the Richmond Times-Dispatch, August 27, 1950; used
with permission.
If you might as well hang for a sheep as a lamb, then it's just possible that you might as
well be called a Man of Distinction as a distinguished man.
Anyway, whatever his “druthers,” as they say in Wyatt C. Hedrick's adopted Texas, that's
what happened to him. An architectural and engineering giant with almost $700,000,000
worth of projects behind him, Hedrick nonetheless remained a fairly nebulous figure until
his photograph appeared, polished and poised, in magazines all over the nation as
officially a Man of Distinction, Order of Lord Calvert, in that company's series of ads. The
folks back home finally pushed their hats back on their heads and whistled. There
seemed to be something to the rumors about that Hedrick boy, after all. So, at 62,
Hedrick is in the curious position of owing his sudden national prominence to a whisky
advertisement instead of to the great structures which have given the real lustre to his
name.
Hedrick's involuted road to popular recognition brought into the spotlight not only a
remarkable architect, but an architect with a remarkable story.
Wyatt C. Hedrick, born fourth in a family of nine to the Wash C. Hedricks of the
practically invisible community of Museville in Pittsylvania County in 1888, walked to his
two-room country school, worked his way through college and learned engineering the
hard way, by carrying a chain and running an instrument. Some 30 years later this same
man designed an $80,000,000 naval base in Trinidad among his many multimillion dollar
jobs for the government. On the glamour side, he designed the fabled $20,000,000
Shamrock Hotel in Houston for Glenn McCarthy, a Texas reputedly of such
Texanishness that you'd no sooner expect him to let a Virginian design his baby than
Grandma Moses.
Although Hedrick's main preoccupation seems to be with the mighty — such as the
$50,000,000 plants for the Aluminum Company of America, hospitals, civic buildings,
universities and schools — rather than with the mundane, he also designs residences.
He finds the ranch-style house, so beloved in Texas, to his personal liking in a country
where the kind of house you live in can make a big difference in how comfortable you
are. He, no doubt, has few complaints himself, on the score of comfort, even in Texas,
as his principal ranch home, “Anacacho,” looks like that of a Spanish grandee before the
Republic. This is a far cry from the white farmhouse where he grew up, looking out over
hills greener than the Shamrock lobby.
From the beginning, Hedrick seems to have been different from his brothers, but not too
different. He played football and baseball, hunted and fished and worked on the farm,
4. but his oldest sister, Mrs. W. E. Bolling of Lynchburg, remembers him most clearly as
bent over his books by the big open fire in their mother's bedroom. Another sister, Mrs.
Clark Hodges, of Museville, remembers what her father always said of him when they
returned from road- repairing trips. The elder Hedrick, in addition to being a tobacco
farmer, was foreman in charge of highway repairs. In those days, when he and the crew
took off, they camped on the road until the work was done. Wyatt generally got in on
these expeditions, often as cook. His father's standing comment was that Wyatt held the
frying pan in one hand and a book in the other.
One of Hedrick's Museville schoolmates, Harry Wood Smith, of Danville, who is also
singularly connected by way of being a double brother-in-law (one of his sisters married
Irving Hedrick, of Museville and the other Dick Hedrick, of Lanette, Ala.), remembers that
Wyatt always said he was going to be President. Smith takes a sharp interest in this
matter, as Wyatt promised to make him Vice-President.
After graduating from Chatham High School, Hedrick entered Roanoke College. He
worked his way through three years there then took a BA degree at Washington and Lee
University in 1910, all without having drawn up his personal prints for a career as
architect and engineer.
It seems to have been a combination of the Texas girls he met at Randolph-Macon in
Lynchburg, plus his first post-graduate job (Lane Brothers Construction Company, at
Marcus Hook, Pa.), which finally shaped his career.
As nearly as Mrs. Bolling recalls, the young man went West in 1913 to see some of the
girls he knew and has been back only on visits since.
He got a job with Stone & Webster Engineering Corporation in Fort Worth as an
engineer, which represented a lot of self-education for a boy with a BA degree. He had
had no architectural experience until 1922, when he went with the firm of Sanguinet &
Staats, forming a partnership of Sanguinet, Staats & Hedrick, of Fort Worth. The big
break for him seems to have come after the first world war, when he laid out Love Field
at Dallas. When an architect from Fort Worth gets a big job in Dallas, that's news.
From that original surveyor's chain he carried, Hedrick has developed offices in Fort
Worth, Houston and Dallas, manned by 150 employees. His official home is the
aforesaid quot;Anacachoquot; at Spofford, some 300 miles from any of the offices. He has
several other ranch homes, all equally remote. He commutes to his offices by plane.
Two of his brothers, Luther Hedrick, of Wichita Falls, who made his in oil, and Russell
Hedrick, resident architect and engineer at Texas Tech in Lubbock, are also pretty well
Texanized. Another brother and sister, Claude Hedrick, of Alexandria, and Mrs. John
Bennett, of Danville, complete the family roll call.
Notes:
• The above 1955 portrait of Wyatt C. Hedrick is provided by Ames Fender, Fort
Worth, Texas (architect and grandson of Wyatt C. Hedrick);
• If you know of an existing copy of the above-mentioned Lord Calvert “Man of
Distinction” advertisement featuring Wyatt C. Hedrick, published in the 1950 era,
please advise us by e-mail.
5. Wyatt C. Hedrick
From Wikipedia, the free encyclopedia
Will Rogers Tower, Fort Worth, 1936
Wyatt Cephus Hedrick (1888, Pittsylvania County, Virginia - 1964) was an American
architect, engineer, and developer most active in Texas and the American south.
Starting in practice in Fort Worth in 1922, opening his own practice in 1925, Hedrick was
responsible for many of the tallest buildings in the city and several buildings now on the
National Register of Historic Places. In 1925 he married Mildred Sterling, and in 1931 his
father-in-law, Ross S. Sterling, became governor of Texas.
Hedrick worked mainly in a stripped-Classical style. With his extensive university and
government work, at one time his firm was the third-largest in the United States.
Commissions include:
Eudora Welty House, Jackson, Mississippi, 1925
Medical Arts Building (razed), Fort Worth,Texas, 1926
Historic Electric Building, Fort Worth, Texas, 1929
Sterick Building, Memphis, Tennessee, 1930
Commerce Building, Fort Worth, Texas, 1930
Texas and Pacific Terminal and Warehouse, Fort Worth, Texas, 1931
United States Post Office, Fort Worth, Texas, 1933
Will Rogers Memorial Center, Fort Worth, Texas, 1936 (with Elmer G. Withers)
Fort Worth City Hall, now the Public Safety and Courts Building, 1938 (with Elmer
G. Withers)
The legendary Shamrock Hotel (razed), Houston, Texas, 1946-1949
6. Wyatt C. Hedrick & Co.
# Building [from now to past] Complex Floors Year
1. First Energy Building Akron Centre 19 1976
2. 55 Marietta Street 21 1958
3. 1400 Hermann 17 1957
4. Kroger Building 25 1954
Memorial Hermann Hospital
5. Memorial Hermann Hospital.. 9 1949
Jones Pavilion
Edwin Hornberger Conference
6. 5 1949
Center
7. Hermann Professional Building Memorial Hermann Hospital.. 15 1948
8. Brazoria County Courthouse 5 1940
9. Will Rogers Pioneer Tower 1936
Texas & Pacific Railway
10. 12 1931
Terminal
11. Frances Towers 11 1931
12. Texas & Pacific Warehouse 8 1931
13. Sterick Building 29 1930
14. Commerce Building Commerce/Oil and Gas 19 1930
15. Aviation Building 16 1930
16. Electric Building 15 1930
17. Marshall Hotel 8 1930
18. Baker Hotel 14 1929
19. Petroleum Building 12 1929
20. Lone Star Gas Building 7 1929
21. Sanger Building 5 1929
22. YWCA Building 6 1928
23. Medical Arts Building 19 1927
24. Worth Hotel 18 1927
25. Petroleum Building XTO Energy 14 1927
26. The Arlington Hotel 12 1924
27. Lamar Life Building 10 1924
28. The Neil P. at Burnett Park 11 1921
29. Criminal Justice Building 7 1918
30. Baker Building XTO Energy 10 1910
31. Houston Place Lofts 9 1906
32. Sterling Hotel 40