1) Museums provide access to collections to generate value in the form of memory, joy and awe. Only a small percentage of collections can be accessed physically due to space and time limitations.
2) Value is a social and cultural concept that is shaped by networks and conventions and can change over time. It includes economic, moral, aesthetic, and other forms of cultural value. Information is key to valuation processes.
3) Wikipedia provides highly accessible, sustainable access to knowledge and serves as a living archive with a common mission with museums of providing access to all human knowledge. Collections on Wikipedia can reach new audiences and be repositioned in new contexts.
Fashion for the commons - Sandra Fauconnier (Wikimedia NL) & Dieter Suls (MoMu)PACKED vzw
Wikimedia NL and MoMu (fashion museum Antwerp) show how they have cooperated over the years to bring the fashion and Wikipedia communities together and open up fashion knowledge online.
20170620 sam donvil_sharing_is_caring_bxl_masterSamuel Donvil
Introductory presentation for 'Sharing is Caring - Brussels Extension: Opening up with Wikimedia Belgium' conference organised by PACKED vzw and Wikimedia Belgium on 20/06/2017 at KIK IRPA. Additionnaly: slides panel conversation and conclusion of conference.
Features content from Merete Sanderhoff 2007 presentation: How starting small can change the world for Sharedcarex Hamburg conference.
Art Discovery Group Catalogue 6th artlibraries.net symposium Copenhagen Geert-Jan Koot
This group catalogue, launched in May 2014, offers an art-focused research experience within the WorldCat environment. Selected art library catalogues are searchable alongside additional content from a multitude of additional sources, promising more comprehensive results in a global setting. Powered by WorldCat, coordinated by the artlibraries.net committee, the project has been developed in the context of the Future of Art Bibliography initiative.
A presentation given at the International Image Interoperability Framework event held at Ghent University, Belgium on December 8, 2015.
Emmanuelle Delmas-Glass
Yale Center for British Art
Today I want to talk about abundance, the deluge of content that we produce, also in the Galleries, Libraries, Archives and Museums (GLAM)-sector. How can we make such abundance of content meaningful and useful to citizens, researchers, educators and students? How can we make it easier for them to find that specific needle in the haystack?
Presented at the Erasme-Descartes conference, October 14, 2016.
Museum Collections on Wikipedia: Opening Up to Open Data InitiativesMuseWeb Foundation
The Web has become an important source of information, made possible by structured data. Open linked data enables ubiquitous presence as machines increasingly filter our views—via preferred search engines, the knowledge graph, or Siri—particularly of content found in Wikidata. In this paper, we identify paintings in Wikidata and analyze their usage in the English Wikipedia to find substantial impact. Our results provide evidence that publication of collections as open data facilitate an increase in views, enriched data, automatic translation, and magnified visibility. We find that the usage of paintings and views present a long-tail structure with an underrepresentation of contemporary paintings. Collaborations between museums and Wikimedia yield increased impact, yet projects are unsustainable. We propose an adjusted work-flow to accommodate for Wikimedia projects and amplify the impact of opening museum collections data.
GLAM-Wiki. Galleries, libraries, archives and museums cooperating with Wikipe...Iolanda Pensa
GLAM-Wiki. Galleries, libraries, archives and museums cooperating with Wikipedia and the Wikimedia projects. A presentation by Iolanda Pensa and Federico Leva
Festival dello Sviluppo Sostenibile 2017, Università Bocconi, Milano, 26 May 2017.
Fashion for the commons - Sandra Fauconnier (Wikimedia NL) & Dieter Suls (MoMu)PACKED vzw
Wikimedia NL and MoMu (fashion museum Antwerp) show how they have cooperated over the years to bring the fashion and Wikipedia communities together and open up fashion knowledge online.
20170620 sam donvil_sharing_is_caring_bxl_masterSamuel Donvil
Introductory presentation for 'Sharing is Caring - Brussels Extension: Opening up with Wikimedia Belgium' conference organised by PACKED vzw and Wikimedia Belgium on 20/06/2017 at KIK IRPA. Additionnaly: slides panel conversation and conclusion of conference.
Features content from Merete Sanderhoff 2007 presentation: How starting small can change the world for Sharedcarex Hamburg conference.
Art Discovery Group Catalogue 6th artlibraries.net symposium Copenhagen Geert-Jan Koot
This group catalogue, launched in May 2014, offers an art-focused research experience within the WorldCat environment. Selected art library catalogues are searchable alongside additional content from a multitude of additional sources, promising more comprehensive results in a global setting. Powered by WorldCat, coordinated by the artlibraries.net committee, the project has been developed in the context of the Future of Art Bibliography initiative.
A presentation given at the International Image Interoperability Framework event held at Ghent University, Belgium on December 8, 2015.
Emmanuelle Delmas-Glass
Yale Center for British Art
Today I want to talk about abundance, the deluge of content that we produce, also in the Galleries, Libraries, Archives and Museums (GLAM)-sector. How can we make such abundance of content meaningful and useful to citizens, researchers, educators and students? How can we make it easier for them to find that specific needle in the haystack?
Presented at the Erasme-Descartes conference, October 14, 2016.
Museum Collections on Wikipedia: Opening Up to Open Data InitiativesMuseWeb Foundation
The Web has become an important source of information, made possible by structured data. Open linked data enables ubiquitous presence as machines increasingly filter our views—via preferred search engines, the knowledge graph, or Siri—particularly of content found in Wikidata. In this paper, we identify paintings in Wikidata and analyze their usage in the English Wikipedia to find substantial impact. Our results provide evidence that publication of collections as open data facilitate an increase in views, enriched data, automatic translation, and magnified visibility. We find that the usage of paintings and views present a long-tail structure with an underrepresentation of contemporary paintings. Collaborations between museums and Wikimedia yield increased impact, yet projects are unsustainable. We propose an adjusted work-flow to accommodate for Wikimedia projects and amplify the impact of opening museum collections data.
GLAM-Wiki. Galleries, libraries, archives and museums cooperating with Wikipe...Iolanda Pensa
GLAM-Wiki. Galleries, libraries, archives and museums cooperating with Wikipedia and the Wikimedia projects. A presentation by Iolanda Pensa and Federico Leva
Festival dello Sviluppo Sostenibile 2017, Università Bocconi, Milano, 26 May 2017.
Sam Donvil of PACKED vzw Center for Digital Heritage zooms in on the perspective of the citizen who wants to access, engage with and use out-of-copyright publicly funded cultural heritage, but also that of the heritage institution, which can share and enrich its knowledge about their collections by publishing their data as linked open data. This requires a fundamental change in how a heritage institution sees its role in society and the way it provides services towards its audience. The Wikimedia ecosystem (Wikipedia, Wikidata, Wikimedia Commons) provides a good environment in which cultural heritage institutions can experiment with redefining themselves as truly open institutions. Public Domain Day provides a low-threshold context for institutions to start small and donate data and images of artists that died 70 years ago and therefore entered the public domain.
20180526 sam donvil_packed_public_domain_dayPACKED vzw
Sam Donvil of PACKED vzw Center for Digital Heritage zooms in on the perspective of the citizen who wants to access, engage with and use out-of-copyright publicly funded cultural heritage, but also that of the heritage institution, which can share and enrich its knowledge about their collections by publishing their data as linked open data. This requires a fundamental change in how a heritage institution sees its role in society and the way it provides services towards its audience. The Wikimedia ecosystem (Wikipedia, Wikidata, Wikimedia Commons) provides a good environment in which cultural heritage institutions can experiment with redefining themselves as truly open institutions. Public Domain Day provides a low-threshold context for institutions to start small and donate data and images of artists that died 70 years ago and therefore entered the public domain.
Rainey Tisdale: Recent Developments in European City Museums, 25.10.2011 Den ...Den Gamle By
Talk held at Urban History Exhibited. Seminar at Den Gamle By in Aarhus, Denmark. 25th October 2011.
Rainey Tisdale, Community Fellow at John Nicholas Brown Center for Public Humanities and Cultural Heritage, Brown University. 25th Oct. 2011
Abstract:
I spent 2010 surveying city museums in Europe and the United States as part of a Fulbright-sponsored research project. Since then I have continued to closely follow developments in this field in order to determine what we are doing poorly, what we are doing well, and what the 21st-century city museum should look like. Drawing from this work, my paper will explore recent trends in urban public history, particularly those taking place outside the walls of the physical museum, including geo-tagging, pop-up museums, user-generated content, and hyper-local history projects. I will also discuss what these trends mean for city museums and for our audiences. I will end with my personal vision for the 21st-century city museum.
The Rise of the Creative Class : the case of Bankside Powerstation, LondonShreya Mahajan
This case study is drawn upon and compared with respect to the book "The Rise of the Creative Class" by Richard Florida. It questions the conventional limits of regeneration and highlights the range of approaches, especially in relation to social and economical factors, and the fact that different policies evoke, or construct, various ‘publics’, ‘visitors’ and ‘audiences’. The question of how did the creative class rise is given an extra twist when the discussion is about Bankside Powerstation (now a museum known as Tate Modern). To this end we identify the manifest tensions between the setup of this museum and the potential to undermine its core purpose. I suggest upon a literature of Jehangir Art Gallery in Mumbai to provide contrasting context with similar notions of inclusion since such analyses sensitize the debate regarding regeneration and will illustrate these issues by reference to Tate Modern in London.
Address to the conference ‘Museums in the Digital Sphere: Opportunities and Challenges’ held on 6 October 2017 at the Pinakothek der Moderne, Munich, Germany.
The event provided an opportunity to analyse the needs and wishes of museum visitors in the 21st century and to open up topics such as digital collections, transparency, and open access to public discussion. It addressed technical restrictions (databases, structures, resources) and legal limitations (copyright, image rights) as well as the opportunities created by interlinking multiple collections in comprehensive platforms such as the Deutsche Digitale Bibliothek (German Digital Library – DDB), ‘bavarikon’, Europeana and introduce initiatives such as #openGLAM.
Douglas presented Europeana, a unique digital resource where thousands of cultural institutions – from regional archives to national museums – share their collections online. Douglas emphasised the benefits of working with Europeana's community of 1700+ digital heritage and tech experts to expand and improve access to our shared cultural heritage. He outlined the opportunities for cultural institutions to showcase their collections with Europeana and to engage citizens within and beyond Europe.
Europeana at Ten: insights from our first decadeDouglas McCarthy
Presentation to Open GLAM México, 6 September 2018, Mexico City. This event linked numerous institutions to encourage dialogue around the Open GLAM movement and was jointly organised by the Ministry of Culture, the National Institute of Fine Arts, the Cultural Center of Spain in Mexico and Wikimedia México.
The aims of Open GLAM México were:
• Socialise good practices and policies generated by GLAM institutions to distribute data and digital objects, in national and international context.
• Promote the opening of digital collections in public and private institutions in Mexico.
• Establish an open dialogue on copyright issues focused on the use, reuse and appropriation of digital collections of cultural heritage.
On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
Towards new digital cultural spaces (archive 2004)Jpsd consultant
Exposé présenté au 4ème Sommet mondial pour l'Internet et le Multimédia de la FIAM qui s'est déroulé du 18 au 20 Octobre 2004 à Pékin (Beijing) dans le nouveau Centre des Congrès du "Media Boulevard".
Lower Manhattan Expressway
Sarah Morris
Organisation Natacha Carron et le Consortium Paris
8 Rue Saint-Bon
Le Mur
8, rue Saint-Bon
75004 Paris
Instagram @mursaintbon #mursaintbon
Le Mur " by Sarah Morris, organized by Le Consortium and Natacha Carron - Opening on February 16th, Rue Saint-Bon in Paris, France.
#AirdeParis
Sam Donvil of PACKED vzw Center for Digital Heritage zooms in on the perspective of the citizen who wants to access, engage with and use out-of-copyright publicly funded cultural heritage, but also that of the heritage institution, which can share and enrich its knowledge about their collections by publishing their data as linked open data. This requires a fundamental change in how a heritage institution sees its role in society and the way it provides services towards its audience. The Wikimedia ecosystem (Wikipedia, Wikidata, Wikimedia Commons) provides a good environment in which cultural heritage institutions can experiment with redefining themselves as truly open institutions. Public Domain Day provides a low-threshold context for institutions to start small and donate data and images of artists that died 70 years ago and therefore entered the public domain.
20180526 sam donvil_packed_public_domain_dayPACKED vzw
Sam Donvil of PACKED vzw Center for Digital Heritage zooms in on the perspective of the citizen who wants to access, engage with and use out-of-copyright publicly funded cultural heritage, but also that of the heritage institution, which can share and enrich its knowledge about their collections by publishing their data as linked open data. This requires a fundamental change in how a heritage institution sees its role in society and the way it provides services towards its audience. The Wikimedia ecosystem (Wikipedia, Wikidata, Wikimedia Commons) provides a good environment in which cultural heritage institutions can experiment with redefining themselves as truly open institutions. Public Domain Day provides a low-threshold context for institutions to start small and donate data and images of artists that died 70 years ago and therefore entered the public domain.
Rainey Tisdale: Recent Developments in European City Museums, 25.10.2011 Den ...Den Gamle By
Talk held at Urban History Exhibited. Seminar at Den Gamle By in Aarhus, Denmark. 25th October 2011.
Rainey Tisdale, Community Fellow at John Nicholas Brown Center for Public Humanities and Cultural Heritage, Brown University. 25th Oct. 2011
Abstract:
I spent 2010 surveying city museums in Europe and the United States as part of a Fulbright-sponsored research project. Since then I have continued to closely follow developments in this field in order to determine what we are doing poorly, what we are doing well, and what the 21st-century city museum should look like. Drawing from this work, my paper will explore recent trends in urban public history, particularly those taking place outside the walls of the physical museum, including geo-tagging, pop-up museums, user-generated content, and hyper-local history projects. I will also discuss what these trends mean for city museums and for our audiences. I will end with my personal vision for the 21st-century city museum.
The Rise of the Creative Class : the case of Bankside Powerstation, LondonShreya Mahajan
This case study is drawn upon and compared with respect to the book "The Rise of the Creative Class" by Richard Florida. It questions the conventional limits of regeneration and highlights the range of approaches, especially in relation to social and economical factors, and the fact that different policies evoke, or construct, various ‘publics’, ‘visitors’ and ‘audiences’. The question of how did the creative class rise is given an extra twist when the discussion is about Bankside Powerstation (now a museum known as Tate Modern). To this end we identify the manifest tensions between the setup of this museum and the potential to undermine its core purpose. I suggest upon a literature of Jehangir Art Gallery in Mumbai to provide contrasting context with similar notions of inclusion since such analyses sensitize the debate regarding regeneration and will illustrate these issues by reference to Tate Modern in London.
Address to the conference ‘Museums in the Digital Sphere: Opportunities and Challenges’ held on 6 October 2017 at the Pinakothek der Moderne, Munich, Germany.
The event provided an opportunity to analyse the needs and wishes of museum visitors in the 21st century and to open up topics such as digital collections, transparency, and open access to public discussion. It addressed technical restrictions (databases, structures, resources) and legal limitations (copyright, image rights) as well as the opportunities created by interlinking multiple collections in comprehensive platforms such as the Deutsche Digitale Bibliothek (German Digital Library – DDB), ‘bavarikon’, Europeana and introduce initiatives such as #openGLAM.
Douglas presented Europeana, a unique digital resource where thousands of cultural institutions – from regional archives to national museums – share their collections online. Douglas emphasised the benefits of working with Europeana's community of 1700+ digital heritage and tech experts to expand and improve access to our shared cultural heritage. He outlined the opportunities for cultural institutions to showcase their collections with Europeana and to engage citizens within and beyond Europe.
Europeana at Ten: insights from our first decadeDouglas McCarthy
Presentation to Open GLAM México, 6 September 2018, Mexico City. This event linked numerous institutions to encourage dialogue around the Open GLAM movement and was jointly organised by the Ministry of Culture, the National Institute of Fine Arts, the Cultural Center of Spain in Mexico and Wikimedia México.
The aims of Open GLAM México were:
• Socialise good practices and policies generated by GLAM institutions to distribute data and digital objects, in national and international context.
• Promote the opening of digital collections in public and private institutions in Mexico.
• Establish an open dialogue on copyright issues focused on the use, reuse and appropriation of digital collections of cultural heritage.
On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
Towards new digital cultural spaces (archive 2004)Jpsd consultant
Exposé présenté au 4ème Sommet mondial pour l'Internet et le Multimédia de la FIAM qui s'est déroulé du 18 au 20 Octobre 2004 à Pékin (Beijing) dans le nouveau Centre des Congrès du "Media Boulevard".
Lower Manhattan Expressway
Sarah Morris
Organisation Natacha Carron et le Consortium Paris
8 Rue Saint-Bon
Le Mur
8, rue Saint-Bon
75004 Paris
Instagram @mursaintbon #mursaintbon
Le Mur " by Sarah Morris, organized by Le Consortium and Natacha Carron - Opening on February 16th, Rue Saint-Bon in Paris, France.
#AirdeParis
Navarrete La documentacion como inversion y expansion de valorTrilce Navarrete
Keynote during International Symposium Challenges Before Time
150 years of painting conservation in Mexico
8-12 Nov 2021
Conservation to preserve and recuperate loos of value.
Documentation validates , evidences, contextualizes the movement of objects, generating future value.
Presentation for conference organized by Center for Creative and Cultural Industries, Chapman University, USA.
20 May 2021
by Erasmus University team Trilce Navarrete, Emmy van Arent, Kim van Buuren
Licensing out-of-commerce works: a perspective from Cultural EconomicsTrilce Navarrete
Presentation part of The New Copyright Directive: opportunities for cultural heritage institutions at the CIPPM Centre for Intellectual Property, Policy and Management (20 September 2019)
In this presentation I will argue that museums cannot easily break from a strong historic tradition that looks into the past, partly because of consumer expectation. However, there are an increasing number of museums that take advantage of digital technology to innovate, though mostly behind the scenes. They are Invisible Entrepreneurs.
My argument will be built in two parts. First, I discuss literature on entrepreneurship, considering the risk of rent seeking and the question of positive and unproductive entrepreneurship (Baumol, 1990). I shall demonstrate how many entrepreneurs take content from museums benefiting from high quality content while avoiding the costs related to building centenary collections. Second, I examine the role of entrepreneurs as enablers. I shall present current innovations on digital publication of collections and highlight the role of museums, where the greatest innovations from museums can be found in the infrastructural projects that enable many others to innovate. In that sense, museums are not entrepreneurs to discover and exploit revenue potentialities but they position their collections for others to do so. Digital technologies facilitate museums to become, in a way, infrastructural entrepreneurs that seek to discover and exploit dissemination of information.
Keynote presentation for Open Up! symposium
Erfgoed Nederland and Wikimedia
Arnhem 19 January 2018
Value is interpreted in a continuous process in social networks.
GLAMs hold quality content that can illustrate Wikipedian articles and 'accidentally' reach millions of users worldwide.
Together, GLAMs and Wikis can contribute to develop a sustainable system of governance for culture, where collections assist interaction, collaboration, and co-construction to re-generate value.
Keynote at Wikimedia Netherland Conference 2017
Utrecht 4 November 2017
GLAMs hold tangible expression of culture, which conveys identity, meaning, and value.
GLAMs in Wikipedia reflect our current social values: increase diversity, innovation, equity, well-being.
https://nl.wikimedia.org/wiki/WCN_2017
A quick overview on the adoption of museum documentation standards in the Netherlands (1950-2020). Policy perspective. Presented at the CIDOC 2017 conference in Tbilisi, Georgia.
Presentation at the Boekman library on 10 Dec 2014.
Overview of research and conclusions from A History of Digitization: Dutch Museums.
University of Amsterdam
What would the Millennium Development Goals look like for digital heritage information? New metrics are needed to understand consumer behavior and improve the social impact potential of heritage information.
Francesca Gottschalk - How can education support child empowerment.pptxEduSkills OECD
Francesca Gottschalk from the OECD’s Centre for Educational Research and Innovation presents at the Ask an Expert Webinar: How can education support child empowerment?
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Normal Labour/ Stages of Labour/ Mechanism of LabourWasim Ak
Normal labor is also termed spontaneous labor, defined as the natural physiological process through which the fetus, placenta, and membranes are expelled from the uterus through the birth canal at term (37 to 42 weeks
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
23. Why Wikipedia?
• Collec)ons can reach new audiences.
Change in object mobility: onsite exhibits and online ar)cles.
– Onsite use of collec)on (100 years): 10% of objects.
– Onsite peak (frequency): 10 exhibits.
– Online use of collec)on (5 years): 12% objects (of 1% of collec)on).
– Online peak (frequency): 135 ar)cles (May 2015).
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English Wikipedia Indonesian Wikipedia German Wikipedia
Dutch Wikipedia French Wikipedia Spanish Wikipedia
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English Wikipedia Indonesian Wikipedia German Wikipedia
Dutch Wikipedia French Wikipedia Spanish Wikipedia Including traveling exhibits
26. Why Wikipedia? 3
Onsite ranking
2014
Institution City Country
Onsite
visitors
Online
ranking
1 Musée du Louvre Paris France 9260000 8
2 British Museum London
United
Kingdom 6695213 7
3 National Gallery London
United
Kingdom 6416724 13
4 Metropolitan Museum of Art New York United States 6162147 2
5 Vatican Museum Rome Italy 5891332 1
6 Tate London
United
Kingdom 5785427 5
7 National Palace Museum Taipei Taiwan 5402325 17
8 National Gallery of Art Washington United States 3892459 9
9 National Museum of Korea Seoul South Korea 3536677 23
10 Musée d’Orsay Paris France 3440000 12
11 Centre Pompidou Paris France 3450000 14
12
National Folk Museum of
Korea Seul South Korea 3271017 21
13 State Hermitage Museum St. Petersburg Russia 3247956 15
14 Victoria and Albert Museum London
United
Kingdom 3180450 6
15 Museum of Modern Art New York United States 3018266 4
16 Museo Reina Sofía Madrid Spain 2673745 18
17 Museo del Prado Madrid Spain 2536844 10
18 Somerset House London
United
Kingdom 2463201 20
19 Rijksmuseum Amsterdam
The
Netherlands 2450000 11
20
Centro Cultural Banco do
Brasil Rio de Janeiro Brazil 2399832 22
21 The National Art Center Tokyo Tokyo Japan 2384415 19
22 National Portrait Gallery London
United
Kingdom 2062502 16
23 National Gallery of Victoria Melbourne Australia 2035033 24
24 Shanghai Museum Shanghai China 2000977 26
25 MuCEM Marseilles France 1996154 25
26 Galleria degli Uffizi Florence Italy 1651210 3
Onsite vs online ranking