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Narrative Theory
Definitions of Narrative:
 Narrative isdefinedas“achain of eventsina cause-effectrelationshipoccurringovertime”
(Bordwell &Thompson).
Edward Branigan (1992)
 Narrative is‘a wayof organisingspatial andtemporal eventsinto acause-effectchainof
eventswithabeginning,amiddle,andendthatembodiesajudgementaboutthe nature of
events’(Branigan).
 Narrative theoryanalysesthe wayinwhichmediatextscommunicate meaningabout
events
 Narrative theorycanbe applied toarange of differentmediaincludingfilm, TV,photographs
and magazines
 Narrative analysisof internetbasedmediaismore problematic,thoughmaystill be relevant.
For example,youcouldconsiderhow someone’sFacebookprofilecreatesanarrative about
theirlife
Vladimir Propp (1928)
 Proppwas a Russiantheoristwhosuggeststhatthere are a limitednumberof character
typesthat share a function
 Whenan audience readsamediatextitdeploysitsknowledge of thesecharactertypesin
orderto decode the meaningof the text
 The villain
 The Hero, or character who seekssomething
 The donor, whoprovidesanobjectwithsome magicproperty
 The Helper,whoaids the hero
 The Princess,rewardfor the heroand objectof the villain’sschemes
 Her Father,who rewardsthe hero
 The Dispatcher, whosendsthe heroon hisway
 The False hero,the character whoalso laysclaimto the princessbutisunsuitable
and causescompilations
(1969)
Roland Barthes (1960’s)
 Roland Barthes’ narrative theory claims that a narrative can be
brokendownintofive codesorsetsof rulestohelpthe readermake sense
of it
 He emphasises the active role of readers in creative meaning, and
their ‘culturally formed expectations’
 The 5 codes:
 Action code which refers to the events taking place through action
e.g. a fight or chase
 Referential code which refers to the information and explanation
 Semantic code which refers to the characters and characterisation
 Enigma code which isa narrative device thatteasesthe audience by
presentingapuzzle orriddle tobe solved.Workstodelaythe story’s
ending pleasurably
Symboliccode whichreferstothe connotationsof signs
Claude Levi-Strauss (1972)
 Social Anthropologist
 Studied myths of tribal cultures
 Examined how stories unconsciously reflect the values, beliefs and myths of a culture
 These are usually expressed in the form of Binary oppositions
 His research has been adapted by theorists to reveal underlying themes and symbolic
oppositions in texts
Allan Cameron – Modular Narratives (2008)
Ana-chronic:
 Modified flashbacks/flash-forwards
 No clear dominance between narrative threads
Forking-Path
 Alternative versions of the story
 Outcomes that might result from slight changes
Episodic
 Collection of stories joined by a common theme
Split screen
 Spatial rather than temporal lines
Postmodern Narratives
 Some theorists suggest that postmodern narratives are different from previous narrative
structures
 Characteristics of postmodern narratives include:
 Irony, playfulness and black humour
 Intertextuality
 Pastiche
 Metanarratives (Narrative within a narrative)
 Extreme self-reflexivity/ self-awareness
 Temporal distortion
 Hyper reality
Narrative analysis involves considering how a range of elements (Including mise-en-scene,editing,
camerawork, sound as well as events) create meaning for the audience. It focuses on how the
meanings made by the audience are constructed.
Theorist Example
Propp Taylor Swift – You Belong With Me
Girlfriend was the villain,Boy was the Princess and
the girl was the Hero
Todorov
Barthes
Levi-Strauss

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Narrative theory - A2 Media

  • 1. Narrative Theory Definitions of Narrative:  Narrative isdefinedas“achain of eventsina cause-effectrelationshipoccurringovertime” (Bordwell &Thompson). Edward Branigan (1992)  Narrative is‘a wayof organisingspatial andtemporal eventsinto acause-effectchainof eventswithabeginning,amiddle,andendthatembodiesajudgementaboutthe nature of events’(Branigan).  Narrative theoryanalysesthe wayinwhichmediatextscommunicate meaningabout events  Narrative theorycanbe applied toarange of differentmediaincludingfilm, TV,photographs and magazines  Narrative analysisof internetbasedmediaismore problematic,thoughmaystill be relevant. For example,youcouldconsiderhow someone’sFacebookprofilecreatesanarrative about theirlife Vladimir Propp (1928)  Proppwas a Russiantheoristwhosuggeststhatthere are a limitednumberof character typesthat share a function  Whenan audience readsamediatextitdeploysitsknowledge of thesecharactertypesin orderto decode the meaningof the text  The villain  The Hero, or character who seekssomething  The donor, whoprovidesanobjectwithsome magicproperty  The Helper,whoaids the hero  The Princess,rewardfor the heroand objectof the villain’sschemes  Her Father,who rewardsthe hero  The Dispatcher, whosendsthe heroon hisway  The False hero,the character whoalso laysclaimto the princessbutisunsuitable and causescompilations
  • 2. (1969) Roland Barthes (1960’s)  Roland Barthes’ narrative theory claims that a narrative can be brokendownintofive codesorsetsof rulestohelpthe readermake sense of it  He emphasises the active role of readers in creative meaning, and their ‘culturally formed expectations’  The 5 codes:  Action code which refers to the events taking place through action e.g. a fight or chase  Referential code which refers to the information and explanation  Semantic code which refers to the characters and characterisation  Enigma code which isa narrative device thatteasesthe audience by presentingapuzzle orriddle tobe solved.Workstodelaythe story’s ending pleasurably Symboliccode whichreferstothe connotationsof signs
  • 3. Claude Levi-Strauss (1972)  Social Anthropologist  Studied myths of tribal cultures  Examined how stories unconsciously reflect the values, beliefs and myths of a culture  These are usually expressed in the form of Binary oppositions  His research has been adapted by theorists to reveal underlying themes and symbolic oppositions in texts Allan Cameron – Modular Narratives (2008) Ana-chronic:  Modified flashbacks/flash-forwards  No clear dominance between narrative threads Forking-Path  Alternative versions of the story  Outcomes that might result from slight changes Episodic  Collection of stories joined by a common theme Split screen  Spatial rather than temporal lines Postmodern Narratives  Some theorists suggest that postmodern narratives are different from previous narrative structures  Characteristics of postmodern narratives include:  Irony, playfulness and black humour  Intertextuality  Pastiche  Metanarratives (Narrative within a narrative)  Extreme self-reflexivity/ self-awareness  Temporal distortion  Hyper reality
  • 4. Narrative analysis involves considering how a range of elements (Including mise-en-scene,editing, camerawork, sound as well as events) create meaning for the audience. It focuses on how the meanings made by the audience are constructed. Theorist Example Propp Taylor Swift – You Belong With Me Girlfriend was the villain,Boy was the Princess and the girl was the Hero Todorov Barthes Levi-Strauss