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Narrative Theory
‘Narrative isdefinedas a chain of eventsin a cause- effectrelationshipoccurringin time (Bordwell
and Thompson).’
Narrative theoryanalysesthe wayinwhichmediatextscommunicate meaningaboutevents.Itcan
be appliedtoa range of differentmediaincludingfilm,TV,photographsandmagazines.Narrative
analysisof internetbasedmediaismore problematicthoughmaystill be relevant.Forexample,how
a person’sFacebookprofilecreatesanarrative abouttheirlife.
Edward Branigan (1992)
Braniganargues that narrative is‘a way of organisingspatial and temporal eventsintoa cause-
effectchain of eventswitha beginning,middle andendthat embodiesajudgementabout the
nature of events.’
Vladimir Propp (1928)
A Russiantheoristwhosuggeststhere’salimitednumberof charactertypesthatshare a function.
Whenan audience readsamediatext,itdeploysitsknowledgeof these charactertypesinorderto
decode the meaningof the text.
The typesinclude:
1. Villain
2. Hero
3. Donor – providesanobjecttothe herowhichaidsthe hero
4. Helper– the sidekick
5. Princess– rewardforthe heroand objectof villain’sschemes (the loveinterest)
6. Father – someone whorewardsthe hero
7. Dispatcher – someone whosendsthe heroonhisway
8. False hero – also laysclaimto the princessbutisunsuitable andcausescomplications
Tzetan Todorov (1969)
1. Equilibrium
2. Disruptionof equilibrium
3. Recognitionof the disruption
4. An attempttorepairthe damage
5. Newequilibrium
Roland Barthes (1960s)
Recognised5codes:
1. Action Code – referstoeventstakingplace throughaction
2. Referential Code – referstothe informationandexplanation
3. Semantic Code – refersto charactersand characterisation
4. Enigma Code – narrative device thatteasesthe audiencebypresentingapuzzle orriddle to
be solved ->worksto delaythe story’sendingpleasurably
5. SymbolicCode – referstothe connotationsof signs
Claude Levi-Strauss (1972)
Examinedhowstoriesunconsciouslyreflectthe values,beliefsandmythsof aculture.These are
usuallyexpressedinthe formof binary oppositions. Hisresearchhas beenadaptedbytheoriststo
reveal underlyingthemesandsymbolicoppositionsintexts.
Allan Cameron: Modular Narratives (2008)
Anachronic – modifiedflashbacks-flashforwards,nocleardominance betweennarrative threads
Forking-Path– alternative versionsof the story,outcomesthatmightresultfromslightchanges
Episodic– collectionof storiesjoinedbyacommontheme
Splitscreen – spatial ratherthan temporal lines
Postmodern Narratives
1. Irony,playfulness,blackhumour
2. Intertextuality
3. Pastiche - an artisticworkin a style thatimitatesthatof another work,artist,or period
4. Metanarratives – a narrative withinanarrative
5. Extreme self-reflexivity/self-awareness
6. Temporal distortion
7. Hyperreality
Narrative Analysis
Involvesconsideringhowarange of elements(miseenscene,editing,cinematography,sound,
events) create meaningforanaudience.Focusesonhow the meaningsmade bythe audience are
constructed.
Theorist Example
Propp TaylorSwift– You Belongwithme
Taylor= hero
Bad Tay = villain
Boy NextDoor= princess
Todorov
Barthes
Levi-Strauss

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Narrative theory

  • 1. Narrative Theory ‘Narrative isdefinedas a chain of eventsin a cause- effectrelationshipoccurringin time (Bordwell and Thompson).’ Narrative theoryanalysesthe wayinwhichmediatextscommunicate meaningaboutevents.Itcan be appliedtoa range of differentmediaincludingfilm,TV,photographsandmagazines.Narrative analysisof internetbasedmediaismore problematicthoughmaystill be relevant.Forexample,how a person’sFacebookprofilecreatesanarrative abouttheirlife. Edward Branigan (1992) Braniganargues that narrative is‘a way of organisingspatial and temporal eventsintoa cause- effectchain of eventswitha beginning,middle andendthat embodiesajudgementabout the nature of events.’ Vladimir Propp (1928) A Russiantheoristwhosuggeststhere’salimitednumberof charactertypesthatshare a function. Whenan audience readsamediatext,itdeploysitsknowledgeof these charactertypesinorderto decode the meaningof the text. The typesinclude: 1. Villain 2. Hero 3. Donor – providesanobjecttothe herowhichaidsthe hero 4. Helper– the sidekick 5. Princess– rewardforthe heroand objectof villain’sschemes (the loveinterest) 6. Father – someone whorewardsthe hero 7. Dispatcher – someone whosendsthe heroonhisway 8. False hero – also laysclaimto the princessbutisunsuitable andcausescomplications Tzetan Todorov (1969) 1. Equilibrium 2. Disruptionof equilibrium 3. Recognitionof the disruption 4. An attempttorepairthe damage 5. Newequilibrium
  • 2. Roland Barthes (1960s) Recognised5codes: 1. Action Code – referstoeventstakingplace throughaction 2. Referential Code – referstothe informationandexplanation 3. Semantic Code – refersto charactersand characterisation 4. Enigma Code – narrative device thatteasesthe audiencebypresentingapuzzle orriddle to be solved ->worksto delaythe story’sendingpleasurably 5. SymbolicCode – referstothe connotationsof signs Claude Levi-Strauss (1972) Examinedhowstoriesunconsciouslyreflectthe values,beliefsandmythsof aculture.These are usuallyexpressedinthe formof binary oppositions. Hisresearchhas beenadaptedbytheoriststo reveal underlyingthemesandsymbolicoppositionsintexts. Allan Cameron: Modular Narratives (2008) Anachronic – modifiedflashbacks-flashforwards,nocleardominance betweennarrative threads Forking-Path– alternative versionsof the story,outcomesthatmightresultfromslightchanges Episodic– collectionof storiesjoinedbyacommontheme Splitscreen – spatial ratherthan temporal lines Postmodern Narratives 1. Irony,playfulness,blackhumour 2. Intertextuality 3. Pastiche - an artisticworkin a style thatimitatesthatof another work,artist,or period 4. Metanarratives – a narrative withinanarrative 5. Extreme self-reflexivity/self-awareness 6. Temporal distortion 7. Hyperreality Narrative Analysis Involvesconsideringhowarange of elements(miseenscene,editing,cinematography,sound, events) create meaningforanaudience.Focusesonhow the meaningsmade bythe audience are constructed.
  • 3. Theorist Example Propp TaylorSwift– You Belongwithme Taylor= hero Bad Tay = villain Boy NextDoor= princess Todorov Barthes Levi-Strauss