Mythological Archetypes

Mythological Archetypes
Mythological archetypes are the elements of which myths develop. A Scheme according to which a
model of myth is collected from an archetypal constructor is universal and is called "monomyth."
(reference) But as actors change in different mythological histories, circumstances, then the variety
of details of narration became very bright and can be seen instantly, and the similarity of the canvas
remains unnoticed. According to Jung, the archetypes evolved in the course of evolution like
internal organs. Invisible to the eye, they are always with us, but as "psychic organs." Archetypes are
imprinted in culture, art, and religion. Mythological heroes during their journey behind the quest for
treasure acquire friends and enemies. These fictional ... Show more content on Helpwriting.net ...
And while Melkor is in captivity, everything seems to be in order, and life naturally goes on as
usual. However, when Melkor is freed – Shadow goes out control. And Shadow begins to try to
subordinate the influence of the elves. Especially unstable to her is Feanor. This is the beginning, the
properties of which are creativity, impatience, a beginning that generates everything new and
beautiful (it is no accident that Feanor surpasses all other elves by his creativity and skills.) – and at
the same time the most unstable of all beginnings. Feanor created the Silmarilles by touching the
Self, however, as an Eternal Child, he himself is the original, original Self, and the Silmarilles is his
continuation, being the Self. In this sense, it is not accidental that he says that by destroying the
Silmarilles, he will kill himself – both are the Self, and the destruction of one will cause the
destruction of the other.
And as an Eternal Child, Feanor is impulsive. He does not want to wait, and this causes all his harsh
decisions that led to such tragedies. He is lonely because he has lost his beloved mother, and this
place in his psyche is empty – in fact, he is not an integral personality, because he has not developed
Anima (the role of Anima, for him, was forever taken by the abandoned world of Míriel, his
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Examples Of Mythological Lenss In Brave New World
There is one teacher who told me:" Books are mystery, you don't know what is inside them so we
must read to be able to find out". It is true that we have to read the inside of a book to see what it
talks about but does not mean that they are a mystery. So why he told me so i think what he means is
the Mythology lens in "Critical Literature" will allow me and the readers to reach the puzzle events
and understand them thoroughly and using this technique, we can figure out all of the mystery
events in all 4 books Through the looking glass, Brave new world,... My lens Mythological and
archetypal, will be explain it right now. As I research, Mythological and archetypal lenses is a
combination of Psychology, History and Religion. We use ... Show more content on Helpwriting.net
...
Inside the story, Marlow have done so many things that makes him a Hero and it makes the story
become an adventure. Opposite from Marlow, Kurt the Ruler turn a part of his story into his Own
world which can be assume to be the Evil World The story "Harrison Bergeron" is the last story that
i read and i can find some archetypes in the story. Firstly is Character Archetype, Harrison Bergeron
can be seen as "The Ruler" because he is strong, genius; He also said that "I am a greater ruler than
any man who ever lived!"[pg4 Harrison Bergeron]. The next one is Diana Moon Glampers, she
could be "The Rebel" archetype. Since she is the one who dumping down the one that is above
average, "Diana Moon Glampers loaded the gun again. She aimed it at the musicians and told them
they had ten seconds to get their handicaps back on."[pg5 Harrison Bergeron]. To what I think, this
whole story can be one big Event archetype. Inside the story, everyone has to wear handicap tools
and it makes people around the world have the same Intelligent Quotient: "George, while his
intelligence was way above normal, had a little mental handicap radio in his ear"[pg1 Harrison
Bergeron]. The handicap tools do not makes the world easier to control but makes it going down
because there will be no new invention that change the

The Prevalence Of The Anti-Hero Archetype In Modern Society
The Prevalence of the Anti–Hero Archetype in Modern Society The hero archetype has prevailed
throughout literature and media for thousands of years. This quixotic character completes a quest or
expedition with little to no faults. In recent times, the ideal hero archetype is challenged by the
untoward anti–hero archetype. Today, the anti–hero is largely represented and featured in recent film
and society. The hero archetype is losing prevalence in modern fiction stories due to the increasing
demand of the anti–hero. The original hero archetype greatly contrasts the modern anti–hero
archetype. A hero is someone who displays little to no flaws and is widely liked by the majority.
This character presents its storyline with exceptional traits. The anti–hero archetype is completely
opposite of the hero archetype. "Unlike the traditional hero who is morally upright and steadfast, the
anti–hero usually has a flawed moral character" (Michael). Modern anti–heroes lack in grace,
power, and social success (Neimneh). They deal with issues and insecurities such as alcoholism and
infidelity (Michael). Anti–heroes make unpleasant moral compromises, in contrast to the desired, in
order to reach something. They want to create order where it is impossible and put the protagonist to
'justice'. Traditional hero characters often succeed when trying to complete their quests, which
contrasts the extremely grimm success rate of anti–hero victory. Anti–heroes also do not let their
inner thoughts influence their actions while original or traditional heroes seek self–definition
(Teleky). Traditional hero characters often succeed when trying to complete their quests, which
contrasts the extremely grimm success rate of anti–hero victory. The faultless ways of the hero
archetype sets it apart from people in society, making it extremely unrelatable to the mass amount of
humans today, allowing the anti–hero archetype to prevail through. The changes thorough media
have led to the decline of the traditional hero archetype. To relate to society throughout the twentieth
and twenty–first centuries, television shows and film have had to conform to new standards. In the
beginning, any film was

Identifying Symbols Using Foster 's Teachings
Identifying Symbols Using Foster's teachings
Using Foster's How to Read Literature like a Professor Friendly Beasts in Undertale. In the book
How to Read Literature like a Professor by Thomas Foster the reader is taught to examine texts in
order to find additional meaning. In any text, one can find symbols to better identify meaning. Text
can be a movie, book, game, or anything that tells a story. Symbols are tools an author uses so a
reader can analyze a text to gain a greater understanding of of characters, messages, events, or even
the story itself. One example of a symbol is a friendly beast. A friendly beast is a character archetype
when something, often an animal, helps a hero advance in his quest. One text where this symbol is
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In the short time the player sees this character at the beginning of the text she assist Frisk in learning
how to deal with the many hardships that the child will run into in its perilous quest. She attempts to
prevent our hero from continuing out into what beyond her home as the path leads to an almost
certain death. However, she inadvertently prepared Frisk for his advent to the monster world by
leaving the child alone to let the hero's curiosity wonder about, teaching Frisk to solve
problems.Without her the story would have ended with the child and its quest being smote before it
even began. This section almost served as a prologue, preparing the player for the road to come. She
helped the character see that not all monsters are evil, and that they all are free thinking and can be
spared. This lesson opens up the story and the character's choice to befriend or to betray. After
parting ways with Toriel, the next helpful monster our character runs into is a Skeleton named
Papyrus. Papyrus is a funny character with little common sense. He desires to be in the royal guard
and to have friends, but struggles with hurting anyone. He is strong, but in the end he cannot bring
himself to hurt the hero and ends up befriending Frisk. He encourages the protagonist and assists in
bringing the child closer to other monsters and drives the plot forward. He warns it and attempts to
help the hero in avoiding a

How Is A Fairy Tale Different From A Juvenile Fantasy...
How is a fairy tale different from a juvenile fantasy literature novel? Many times both the fairy tale
and the novel contain similar elements that make up a fairy tale, but why are they categorized
differently? Is it the length of the novel compared to the fairy tale? Or is it something else?
According to Crago, "A fairy tale is a narrative form which represents a society's collective concerns
with some aspect of 'growing up,' and it explores these concerns at the level of magical thought"
(176). The juvenile fantasy literature novel, on the other hand, is a novel intended for a certain age
group and that is usually of more length than a fairy tale. The Water Babies by Charles Kingsley,
Alice's Adventures in Wonderland by Lewis Carroll, Peter Pan by J. M. Barrie, and the Wonderful
Wizard of Oz by L. Frank Baum, all show different aspects of how a fairy tale transitions into a
juvenile fantasy literature novel.
The Water Babies is one novel that shows the transition from a fairy tale to a juvenile fantasy
literature novel. This novel is strongly didactic in that it contains many lessons for children. One of
these lessons is a generic one that most children learn, and that is to do unto others as you want to be
treated. However, Tom never learned this lesson though he learns it after he gets a pebble put into
his mouth by Mrs. Bedonebyasyoudid because he had played tricks on the sea anemones by putting
pebbles in the anemones' mouths (Kingsley ch.5). This also leads into the

Gatby Movie Analysis : The Situational Gatsby
The Situational Gatsby Has anyone ever thought why Gatsby has so many situations to overcome?
In The Great Gatsby directed by Baz Luhrmann, Jay Gatsby is the main character. Gatsby is a
bootlegger who was and still is in love with Daisy Buchanan. Gatsby met Daisy when he was poor,
and before he went to war. Daisy did not wait for Gatsby to get back from war and married a rich
man named Tom Buchanan. However, Daisy has still loved Gatsby while she was with Tom for the
5 years she and Gatsby were separated. Nick is Daisy's cousin and Gatsby's best friend. Nick is the
narrator of the movie and also one of the only people who know about Tom's mistress Myrtle
Wilson, who is married to George Wilson, the man who killed Gatsby in the end. Gatsby created
many situations to try and meet Daisy again after he became rich. By creating massive parties,
hoping she would just walk in. When that did not work, he used Nick to help him meet Daisy again.
Baz Luhrmann uses The Great Gatsby to portray situational archetypes the non traditional way
creating chaos and an anti hero of the movie. The archetypal theory was created by Carl Jung who
was a student of Sigmund Freud. Jung used Freud's early work and made it into his own just to
create the archetypal theory. The idea of this theory is to break into one's unconscious mind. Freud's
early work suggested sexual urges were behind the unconscious mind, however Jung Strongly
disagreed. He developed more onto Freud's theory creating it his own,

Heroes As A Hero, And The Tragic Hero In Literature
Heroes still exist
Throughout history, stories have been passed down from generation to generation of heroes that
display incredible inspiring characteristics. From Greek mythology of Hercules, to bedtime stories
of princes slaying dragons, the concept of heroes has captivated society. Heroes are shown to go on
a journey and to be altruistic, courageous, tenacious and have integrity. Although the category of
heroes is wide, three main ones exist that are portrayed in literature; archetypal heroes, anti–heroes
and tragic heroes. Archetypal heroes are the typical heroes represented in texts; they go through a
typical hero journey and are able to show bravery in the face of hardship. An anti–hero is a main
character in a text that has noticeable flaws yet possesses heroic qualities. Lastly, a tragic hero
typically starts off as an archetypal hero yet has one major flaw that leads to the demise. Heroes
within literature still exist and have laid the bench mark for humanity. Humanity is positioned to be
inspired by heroes as we are always striving to achieve better and by having archetypal heroes,
human have something to aim for.
Archetypal heroes are the 'stock standard' hero that face adversity with daring and courageous
heroism. They stand up for what it right by protecting and defending innocents from the injustice
and corruption in the world. Archetypal heroes are portrayed as honourable people who are the best
person for the job and triumph by possessing both mental and

Jack And The Beanstalk Analysis
A voice for the Unspoken The act of believing that women have always been equal to their male
counterparts is certainly a bold statement to preach, especially since it is not true nor even relatively
close on what it is truly like being a woman and what expectations and regulations are constantly
being imposed on them by living in a patriarchal society. Much like in Jack and the Beanstalk by
Joseph Jacobs. Jack's mother, a nameless woman who is either referred to as the "poor widow " or
"Jack's mother", is one of the two women in the story who has undoubtedly been astronomically
reduced to this hysterical and emotional character whose sole purpose is to be a nurturer to Jack and
fulfill her motherly duties at home while her young son is to get a job and ultimately be the
breadwinner in the family despite her being older and faultlessly exhibiting the specifications of her
liable traits. Therefore, after critically distinguishing the importance and depiction of each character
it is evident that Jack's mother is a victim of stereotyping and objectification in a patriarchal society.
Firstly, it is certainly obvious and definitely prominent how the widow's character is being unfairly
justified as a woman. Much like other stories, she is this widowed woman with no husband to
support a child who will end up being their only chance of surviving despite his age and maturity.
"'Cheer up, mother, I'll go and get work somewhere'" (Jacobs 1). Even though it was a

Character Archetypes Of The Novel ' The ' Of ' Nick Cutter...
To truly understand what adulthood means, grasping who we are as people, we all must first
undergo a metamorphosis. This transformation from boy to man has overtime been a common theme
amongst writers. Typically, the passage a young adult must make to enter adulthood is romantic or
sexual, experiencing their first relationship, or purchasing their first condom. However, a severe,
twisted and arguably more meaningful test into adulthood is understanding mortality, and one's
depth of humanity. Mercilessness of individuals and our world is often viewed as a theme amongst
horror novels, creating an ideal platform for a coming of age adventure. In all forms of storytelling,
character archetypes are expressed. How they react in various ... Show more content on
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Ephraim can be seen as the warrior, he is at times cruel, but ultimately cares very deeply about Max.
Specifically, he represents the passive shadow of the warrior, the masochist. "Eef was my best
friend, you could count on Eef. He always stuck up for you. He has a really big heart." (Cutter,
2014. p.347) Sadly, when faced with his own mental weakness he is brought down by Shelley's
manipulation. Ephraim is a character haunted by his past, wishing to fight the parts of himself that
represent his father, his anger and regret. His father was abusive, breaking Ephraim's arm as a child.
Ephraim is the masochist even before the events of Falstaff island. He is a daredevil, often got into
fights. As max expresses of he displays signs of displacement (Cutter, 2014 p.266). Displacement is
one of Freud's seven defense mechanisms, an integral part of Ephraim and the warrior's shadow.
According to displacement theory Ephraim expresses his anger for his father toward the easiest
target, himself. This is because his anger needs to be expressed in one way or another, and the
paranoia of the worms is the perfect platform to become completely self–destructive (Baumeister,
1998). His anger is his foil, losing his close friendship with max and allowing Shelly to fully take
control of his mind. To become a men and a pure warrior Ephraim needs to allow for
disappointment in authoritative adult figures, and loose the illusion of the adult despite the
inevitable blow to his

Archetypes In Cinderella
The Conflict of Good and Evil; An Analysis of Significant Archetypes in Cinderella The struggle
between good and evil is the primal conflict of the mind, but it is the choices we make that let us
overcome this conflict for the better. The age–old tale of Cinderella utilizes this concept and
illustrates a brilliant story about a young woman struggling to achieve true love while
simultaneously enduring arbitrary abuse from her stepmother. Regarding this, the more recent film
adaption of the story directed by Kenneth Branagh extends the same plot into a more symbolic and
archetypical piece. Accordingly, the movie Cinderella, effectively applies several aspects of
archetypes from Jung's literary theory to demonstrate how good always triumphs over evil. The use
of significant archetypes such as the hero looking for true love, a supernatural intervention, and the
devil figure, all contribute to expanding on this theme. Primarily, the heroine looking for love is one
of the most substantial character archetypes that influence the development of the story's charming
plot. Specifically, this archetype applies to the main character; Cinderella, who is purely influenced
by the love she has for the Prince. Despite the barrage of unrelenting abuse from her stepmother,
Ella strongly believes that the prince will return her feelings, which motivates her to plough through
her constraints with the aid of her Fairy God Mother. Regarding this, the antagonist represents the
evil in the way of the protagonist; Cinderella, which is why when she is defeated, it further
accentuates the idea of good triumphing over evil. Overall, using the "Hero as lover" archetype, the
theme of the story is enhanced and portrayed effectively. Moreover, the supernatural intervention is
a slightly less prevalent yet noteworthy symbolic archetype that aids the closure of the plot. The
Fairy God Mother falls under this example due to her role in assisting the protagonist with her
divine and magical powers; explicitly, equipping Cinderella with a dress, a chariot, and her iconic
glass shoes. The Godmother is a spiritual being who only awakens after realizing Ella's extreme
desperation, she promptly aids her with any necessary gifts which allows her to

Imitation Of Life Is A Film Directly Focusing On The...
Imitation of Life is a film directly focusing on the relationships between mother and daughter.
Although the main characters, Annie and Sara Jane, and Lora and Susie, seem similar in their
relationships, the film juxtaposes them in terms of race. On the surface, the relationships presented
are, at best, considered to be normal struggles between mother and daughter. Analyzing the specific
trials and problems will reveal a difference in Black motherhood and White motherhood. Annie and
Sara Jane face racial and identity issues, that cause the relationship to shatter. Lora and Susie
encounter a sense of abandonment and loss of love, which in turn creates a divide between them.
While jointly living, and raising their girls together, Annie and ... Show more content on
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By her obvious exaggeration of a Southern domestic worker, she is playing into the stereotype that
her mother has created for herself. Sara Jane chooses to get revenge after Annie askes her to take
something out to the guests, as that request could associate Sara Jane with her mother's race and
domestic servitude. Sara Jane wants so desperately to pass as a white girl, but is constantly reminded
of her race just by her mother's appearance. Their relationship is completely shattered by the end of
the film, with Sara Jane refusing to have anything to do with her mother. The dynamic between Lora
and Susie as mother and daughter is slightly different, with their relationship focusing on Susie's
feelings of abandonment and missing love. One of the only confrontational scenes pertaining to
these issues between Susie and Lora occurs near the end of the film, with Lora becoming upset that
her daughter did not tell her about her budding love of Steve. Annie spills Susie's secret infatuation,
and this causes Lora to confront her daughter about her romantic feelings. Amidst this quarrel, Susie
exclaims, "You've given me everything but yourself!" and proceeds to list of the ways that her
mother tried to contact her, without physically being near her in person. This outburst is a

Plato’s Theory of Forms
Term paper Plato's theory of forms
"Everything which exist in this world and all things that we see around us are not as they appear to
us" this is the core idea behind plato's theory of forms.From this idea only he moves towards
explaining his world of forms or ideas.
In his book called THE REPUBLIC he tell us that the "Good"is the end of all endeavour,it is the
object on which every heart is set,so this good according to him has a form,infact all the abstract
ideas like good, justice ,beauty ,love etc has an ideal form according to plato.This form exist outside
of space and time.This form remains permanent and is real.All that we see around us ... Show more
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In a way it solves the problem of permanence and change.in a way it solves the problem of being
and becoming which has existed in the greek philosophy since long.plato's divided line is a perfect
answer to this problem.It combines both being and becoming and tell us that from becoming we
have to reach upto the being that is real.
We perceive a different world through our mind than we do through the senses. It is the material
world, perceived through the senses and this world changing. It is the realm of forms,which one sees
through the mind, this world is permanent. It is this world that is more real; the world of change is
merely an imperfect image of this world. A form is an abstract property or quality. Take any property
of an object and separate it from that object and consider it by itself, this is a form.For
instance,when we talk of a triangle we say that it is a three sided enclosed figure and the sum of
whose all sides is 180degrees,but have we ever seen a perfect triangle what we have seen is just a
close approximation of an ideal triangle but not an ideal triangle.
Now I want to bring in plato's Parmenides

The Great Gatsby By F. Scott Fitzgerald
Killing people is morally wrong and injustice, but what if the killer believed that he was killing for a
good purpose. That person would be considered a destructive angel, which is a type of archetype
created by Carl Jung. In the great Gatsby different types of archetypes allow readers to see and
understand the negative side of characters. Gatsby throughout the novel shows his archetypal lover
role.Tom shows how he is the oppressor Daisy throughout the novel shows how she is the sexual
temptress.
Gatsby being the lover, only strives to get Daisy back in his life but by doing this he is also ruining
his life. CONTEXT OF WHAT IS HAPPENING IN THE QUOTE
The modesty of the demand shook me. He had waited five years and bought a mansion where he ...
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This shows how his love for her is ruining his life because this decision in protecting her, lead to
him losing his life. Being the lover was too much for Gatsby, because of his single focus on only
being back with Daisy, he loses track of reality. He became a hollow empty man with an
unachievable dream. This dream lead to Gatsby death. Gatsby treated everyone with respect like a
person, unlike Tom who had the opposite approach in treating people.
Tom shows how he is an oppressor, he believes that in order for everything to run smoothly,he needs
controlling everyone and that other people are below him.
CONTEXT OF WHAT IS HAPPENING IN THE QUOTE
Some time toward midnight Tom Buchanan and Mrs. Wilson stood face to face discussing, in
impassioned voices, whether Mrs. Wilson had any right to mention Daisy 's name. "Daisy! Daisy!
Daisy!" shouted Mrs. Wilson. "I 'll say it whenever I want to! Daisy! Dai –– " Making a short deft
movement, Tom Buchanan broke her nose with his open hand. Chap 2
Tom believes that Myrtle doesn't have the right to say Daisy's name. Myrtle doesn't seem to care and
keeps on saying her name, this leads to Tom getting upset and ends up breaking her nose. It shows
how Tom has inner guilt about cheating on his wife. Having this guilt makes Tom believe he is
weaker, and that his shadow will expose. In order to gain control and keep his dominance, he needs
to put Myrtle in her place. Tom

Plato’s Theory of Forms Essay
Plato's Theory of Forms
Plato was born, the son of Ariston and Perictione, in about 428 BC. His family, on both sides, was
among the most distinguished in Athens. He was born in Athens into a very wealthy family and as a
young man was a student of Socrates.
Plato is probably one of the best–known philosophers.
Plato embarked on a period of extensive travel, returning to Athens some years later. In 387 BCE he
established the Academy, a school devoted to philosophical debate and learning. Aristotle was a
student at the Academy for about the last twenty years of Plato's life.
At the heart of all Plato's philosophy is his Theory of Forms, sometimes called the Theory of Ideas.
Plato ... Show more content on Helpwriting.net ...
They know of nothing else and assume that there can never be anything beyond the shadows.
The world of sense is at a constant change, so how can the truth be known if the world never stays
the same from one moment to the next. Plato believed there was a certain truth, but this material
world cannot answer it. The material world only presents appearances, which lead us to make
opinions, not knowledge. Plato believes there is truth on a different plane, on the non–material
world of forms. He alleged that in order for something to be real, it had to be permanent and
unchanging.
In order to see exactly what a form is and how it differs from a material object, we need to look at
the first two of the properties that characterize the forms. The forms are transcendent. This means
that they do not exist in space and time. A material object, a basketball, exists at a particular place at
a particular time. A form, roundness, does not exist at any place or time. The forms exist, or subsist,
in a different way. This is especially important because it explains why the forms are unchanging. A
form such as roundness will never change; it does not even exist in time. It is the same at all times or
places in which it might be instantiated. A form does not exist in space in that it can be instantiated

Literary Criticism In To Kill A Mockingbird By Harper Lee
Literary Criticism is an informed, written analysis and evolution of a work of literature based on a
literary theory. An Archetypal Criticism is a type of a literary theory that interprets the text using
symbols, motifs, myths, characters, and situations. Harper Lee's To Kill a Mockingbird reflects
archetypal criticism in order to have a better understanding of the forms of the literary works and to
approach the text in a different way. This criticism shows how the recurring of the characters helps
to develop the story. Harper Lee utilizes hero, child, and mentor archetypes in order to enhance the
meaning of the story and each character. Within To Kill a Mockingbird, the hero archetype reflects
upon Arthur Radley, Atticus, and Scout. For instance, as Scout is lying on the ground during the
attack, it occurs to her that "there were now four people under the tree... He was carrying Jem" (Lee
301–302). Boo Radley, also known as Arthur Radley, sacrifices himself to save Scout and Jem from
getting killed. Boo illustrates the characteristics of the hero archetype when he throws his body into
the mess even though it was dangerous to save the children. Despite the chances of getting revealed
in public for killing Bob Ewell, nothing stopped Arthur from saving Jem and Scout, because he
regarded them as his own children. An additional example is that after Tom Robinson's trial, Scout is
interrupted from her sleep only to find this: "I looked around. They were standing. All around us and
in the balcony on the opposite wall, the Negroes were getting to their feet" (Lee 241). This tragedy
all starts when Judge Taylor appoints Atticus for this case, but the real reason why Atticus takes this
case is that he values the truth and his conscience. Even though Atticus foresees white people mock
and gossip about him, he sacrifices himself to try his best to aid Tom Robinson because Atticus
knows that he is innocent. This is why people up in the balcony all stood up after the trial to show
respect to Atticus, who tried his hardest to prove Tom Robinson's innocence. Furthermore, as Scout
talks to Mr. Cunningham about things he cares about, especially his son, he states, "'I'll tell him you
said hey, little lady,' he said. Then he

Archetypes In Sir Gawain And The Green Knight
Archetypes can be found in most literary work, especially in Sir Gawain and the Green Knight. In
Sir Gawain and the Green Knight most characters or objects served to aid in the development of the
hero by being either a situational, character, color, or a symbol archetype. The poem begins with a
challenge being presented to the knights of the Round Table by the Green Knight. While seeing that
no one else will accept the challenge, putting Camelot's honor at stake, Gawain accepts and then
realizes that in a year they must meet again and the Green Knight will return the blow that Gawain
gave to him. Sir Gawain and the Green Knight dramatically demonstrates how a single character can
play many archetypal roles.
In Sir Gawain and the Green ... Show more content on Helpwriting.net ...
The ultimate boon is the girdle that was given to Gawain by the Host's wife. On the third day that
Gawain is staying with the Host he is given a green girdle by the Host's wife that is said to protect
the person wearing it; knowing that he will meet with the Green Knight the next day, he selfishly
keeps the girdle without telling the Host. The next day Gawain meets with the Green Knight to
complete the challenge that was presented to him in the beginning of the poem. However, since the
Green Knight knows that Gawain broke the deal with the Host he cuts Gawain on the third swing of
his sword. The three swings symbolize the three days Gawain stayed at the castle. The first two
swings don't touch him because he kept his part of the deal. On the third swing he is cut, this
symbolizes the third day when he keeps the girdle and breaks his part of the deal.
The author utilizes colors to aid in the development of Gawain's character: "Then they brought him
his shield, which was of bright red, ... gleaming gold" (Weston 12). The red that Gawain wears
symbolizes the passion that he shows toward the deal he made with the Green Knight. The gold
symbolizes values and nobility two things that Gawain holds to a high standard. Another character
whose colors stand out are the Green Knight's he wears green and gold. The green represents the
amount of envy that King Arthur's sister

Santiago: A Hero in the Novel The Alchemist by Paulo...
What makes a hero be a hero? A hero has to have certain characteristics, such as; bravery, wisdom,
etc. No matter what characteristics are pointed out, every story has a hero, or an archetypal hero.
From a short stories to really long novels, you will have some type of hero. In the novel The
Alchemist, the main character Santiago is a hero. The book is about how everyone should live their
dreams and never give up on them. It follows a young man named Santiago who is following his
own dream, or his own "Personal Legend". It follows him and his struggles to achieve said Personal
Legend. Santiago is a hero because he is wise, kind, and brave; He is also a hero because he displays
characteristics of an archetypal hero..
Santiago is a hero, ... Show more content on Helpwriting.net ...
On this page Santiago helps an older man set up his candy stall in the market.The old man didn't ask
for help and Santiago could have not helped him, but he did so anyway out of kindness. The second
example of kindness is on page fifty–eight. On this page, the crystal merchant admitted that
Santiago is "forcing [him] to look at wealth and horizons [he has] never known." It is kindness
because while Santiago did benefit from increasing the merchant's wealth, the merchant still
benefited more from Santiago in the end. The third example is on page ninety. On this page,
Santiago helped the Englishman search for the alchemist when he asked for Santiago's help.
Santiago didn't have to help him, but he did so anyway out of kindness for his new friend. For the
reasons stated above, Santiago is definitely abundant enough in kindness to be a hero.
The third reason Santiago is a hero is because he has a lot of wisdom for a young adult. The first
example can be found on page 100. On this page, Santiago is seen interpreting the flight of two
hawks as an omen that the oasis will be invaded. To be able to interpret that from two hawks
fighting takes a lot of wisdom. The second example can be found on page 121. On this page,
Santiago had the wisdom to determine that the alchemist was right, and that he should continue his
journey for his Personal Legend. To do this, he had to be wise enough to see that leaving Fatima
behind and continuing to the pyramids

Analysis Of The Movie The Equalizer
The movie The Equalizer is an action packed thriller directed by Antoine Fuqua, which follows
Robert McCall, a former CIA assassin, who is trying to live a quiet life. His life heads in a new
direction when he discovers that his friends' livelihoods are in danger. McCall's natural instincts take
over as he liberates the people of his community. His duty to protect the innocent and seek justice
defines Robert McCall as a hero archetype.
Robert is a courageous hero, who puts his own life at risk to defend the lives of the innocent. In
numerous occasions, Robert resolves other individual's issues within his community. He feels a
sense of responsibility to help and protect others. For example, after Alina, a young prostitute, is not
in the diner at their usual time, Robert goes to the hospital and finds Alina severely beaten. After
that, Robert makes it his duty to secure Alina her freedom even though, "McCall doesn't want to kill.
He goes so far as to fake his own death to get out of the business. But he is pulled back to help a
young girl" (Alexander 1). Robert genuinely cares about Alina, even though they have only shared a
handful of conversations. Robert offers Slavi, the owner of Alina, ninety–eight hundred dollars to
free Alina, but Slavi denies the money and declares that she is worth a significant amount more. This
causes Robert to annihilate Slavi and his men, leading him to gain Alina's freedom. In addition, one
day at Robert's workplace one of his

Mythology and Archetypes in Harper Lee's To Kill a...
Mythology and Archetypes in Harper Lee's To Kill a Mockingbird
Of all the various approaches to criticism, the Mythological/Archetypal achieves the greatest impact
over the entire literary scope, because the themes and patterns unearthed apply universally to all
works, yielding results that can be applied to a great many texts. This is because the very nature of
the Mythological/Archetypal approach is the exploration of the canon for widespread and pervading
symbols, plots, and characters. These are all greatly extant in Harper Lee's classic novel To Kill a
Mockingbird, an extraordinary examination of the Depression–era South through the eyes of a
young girl with rare intelligence and insight, living in a small town ... Show more content on
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Through Tom, the legal and social rights of the entire community are called into question. Tom's
injury, therefore, represents the injury of all the people he epitomizes.
These symbols can be illustrated many places elsewhere in the literary canon. For example, the
archetypal character of the crippled man symbolizing a crippled society can be perceived in the
character of Benjy Compton in William Faulkner's tremendously symbolic novel The Sound and the
Fury; Benjy, who is severely mentally challenged, has no concept of time and is preyed upon by
vulturous members of his world, including his black care–giver and his older brother Jason. Benjy
represents Faulkner's conception of the decaying Southern gentility; that the sense of time is skewed
(with its emphasis on the conservative old ways and the antebellum morality, the South, like Benjy,
is living in a mixed world of past and present which is largely responsible for its failure and decline)
and that its fate is beyond its control. Harper Lee's use of Tom Robinson is very similar: the arm,
destroyed by a cotton gin (possibly symbolizing the damaging mechanization of modern society),
represents the black communities' lack of power and strength; however, all is not negative: Tom has
a

Merida, A Modern Personification Of The Great Mother...
Mythological stories are still being used in modern era by society to understand the world and life.
Its use is noticeable on media directed towards adolescent or the younger audience. Disney is known
for basing their movies on mythological stories, but there has been a shift to how they use these
stories. Disney Princesses such as Snow–white, Aurora, Belle, were a reflection to goddesses like
Aphrodite, a goddess of love, beauty and desire. Modern Princesses such as Merida, Elsa, Moana,
tie to Artemis, goddess of wilderness, virginity, and protector. Most modern princesses, specially
Merida, depict the mythological archetype, the Great Mother. David A. Leeming, author of The
World of Myth, describes the Great Mother as earth, body of nourishment, and symbol of death and
rebirth. The Great Mother represents nature and motherhood, and is an agent of rebirth or
transformation. In the movie Brave, Princess Merida is on the quest to mend her mistake of
changing her mother into a bear because she wanted to change her fate. Merida is a modern
personification of the Great Mother archetype by having a strong connection with nature, behaving
as the mother of her kingdom, and going through and influencing spiritual transformation.
Leeming states that The Great Mother is also described as Mother earth. She is connected to fertility
and has a deep connection with the environment. The movie Brave depicts Merida's connection with
nature throughout the whole story. The song playing in the

Odyssey Archetype Essay
Much information about Ancient Greek culture and what they valued morally can be gained from
Homer's epic,The Odyssey. The Odyssey has a variety of different archetypes that are still relevant
in modern times. The legend of Odyssey has been passed down from poet to poet for five hundred
years until finally Homer wrote the Iliad and the Odyssey down somewhere between eight hundred
fifty and seven hundred fifty B.C. In Homer's epic there are three archetypes that provide insights to
Ancient Greek civilizations and their morals. These are the hero archetype, the monster or villain
archetype, and the hero's journey archetype. Each archetype provides an example of what was
moral,heroic,and frightening. Odysseus was considered a hero among the people in Ancient Greek
times. One strong archetype in the Odyssey is the hero archetype. "The archetype of heroism allows
an individual to serve as the primary example of what society deems as valuable and moral."(Harris
2) Ancient Greek civilizations valued strength, loyalty, wisdom, and ingenuity. This is made known
to the reader because the hero Odysseus has all of these traits. Odysseus used his knowledge,
strength, and ingenuity to his advantage in everything he did.Another example of the hero archetype
in the Odyssey is "nine days I drifted in open sea."(Homer 989) Odysseus was able to survive nine
days with no food,most humans can survive for five to seven days without food or water. He was
also able to hang from a tree for a full

The Scarlet Letter Archetypes
Archetypes in The Scarlet Letter
Archetypes are symbols of the basic human motives. There are many different archetypes with their
own set of values, traits, and emotions. The literary criticism, mythological, looks at the analysis of
the monomyth; which explains how all stories are just different variations of each other. Archetypes
explain how the characters, symbols, or places in the stories we read are just variations of the
monomyth. Characters in The Scarlet Letter represented the universal archetypes. The character of
Pearl exemplifies the self type of the Sage. "The truth will set you free"
(Golden 6). This is the motto of the sage character. This quote from The Scarlet Letter shows
Pearl's feelings regarding Dimmesdale owning up to ... Show more content on Helpwriting.net ...
Hester does this by not letting the scarlet letter hold her back, she still lives her life and does what is
best for Pearl. Hester becomes sought after for her skill of embroidery and garment making. The
first stage in the hero's journey is the departure. "The novel begins as Hester nears the end of her
prison term for adultery" (Novels for
Students 306–328). Hester now has to face the world with her newborn child. The second stage is
Initiation. "the punishment of permanent public humiliation and moral example: Hester was to
forever wear the scarlet letter A on the bodice of her clothing" (306–328)" The stage of Initiation is
when the hero enters a new scary world and having to gain a new outlook. This is what Hester has to
do when she is standing on the scaffold holding Pearl tight to her chest. The third stage of the hero's
journey is the road of trials. "Ask me not!" replied Hester Prynne, looking firmly into his face. "That
thou shalt never know" (Hawthorne 63) By choosing not to name the father of
Pearl, Hester has begun her walk down the road of trials. Her road is made by raising a devil child,
knowing her husband is now in the colony, and having to wear the scarlet letter for

Cinderella Short Story Essay
Through a historical analysis, we see that many aspects of the story are representative of the time.
The story is set in Germany in the 1800s. To start, the story begins with the death of Cinderella's
birth mom who "became sick . . . and died" (Grimm). This is because death was quite common "in
the mid–1800s [and] life expectancies were only in the high thirties or early forties" (Huber). Soon
after the father "took himself another wife" (Grimm). This is because in the 1800s "second wives
were quite common," (P. Smith 107) as the main role of the man was to marry to produce a male
heir. Since the father only had Cinderella, a daughter, it was his role to remarry and have a male to
inherit his land and belongings. Remarrying was also a norm of the time for child rearing. While the
role of the man was to produce an heir, the role of the woman was to take care of the children.
Taking care of the children was "typically in the hands of the mother" (Eidson). The stepmother's
role would have been to watch over the children as the husband was gone. This occurs several times
throughout the story as the stepmother watches over Cinderella as the husband goes "to the fair . . .
and festivals" (Grimm). Women would remarry because they were "limited in resources" (P. Smith
107) without a man, so it is not unusual the stepmother remarried as well. By remarrying, the
stepmother is provided for by the husband. The husband provides a home for the girls and buys
"dresses,

Examples Of Archetypes In Critical Literature
Introduction My Work There is one teacher who told me:" Books are mystery, you don't know what
is inside them so we must read to be able to find out". It is true that we have to read the inside of a
book to see what it talks about but does not mean that they are a mystery. So why he told me so,
what he means is the Mythology lens in Critical Literature will allow me and the readers to reach the
puzzle events and understand them thoroughly and using this technique, we can figure out all of the
mystery events in all these books: "Through the looking glass, Brave new world, Heart of darkness
and Harrison ... Show more content on Helpwriting.net ...
Inside the story, Marlow have done so many things that makes him a Hero and it makes the story
become an adventure. Opposite from Marlow, Kurt the Ruler turn a part of his story into his Own
world which can be assume to be the Evil World. Section IV The story "Harrison Bergeron" is the
last story that i read and i can find some archetypes in the story. Firstly is Character Archetype,
Harrison Bergeron can be seen as "The Ruler" because he is strong, genius; He also said that "I am a
greater ruler than any man who ever lived!"[pg4 Harrison Bergeron]. The next one is Diana Moon
Glampers, she could be "The Rebel" archetype. Since she is the one who dumping down the one that
is above average, "Diana Moon Glampers loaded the gun again. She aimed it at the musicians and
told them they had ten seconds to get their handicaps back on."[pg5 Harrison Bergeron]. To what I
think, this whole story can be one big Event archetype. Inside the story, everyone has to wear
handicap tools and it makes people around the world have the same Intelligent Quotient: "George,
while his intelligence was way above normal, had a little mental handicap radio in his ear"[pg1
Harrison Bergeron]. The handicap tools do not makes the world easier to control but makes it going
down because there will be no new invention that change the

Sir Gawain And The Green Knight Archetype Analysis
There are a number of many different archetypes found in works of fiction and nonfiction that
bestow upon the hero his true role in a work of literature. In the Middle English, chivalric romance
Sir Gawain and the Green Knight, Gawain's role as the hero emboldens as the story describes more
and more archetypes of the quest. The monomyth can be described as the three step process that the
hero takes in completing the quest motif. The basic template is supported by "separation, initiation,
and return: which might be named the nuclear unit of the monomyth" (Campbell 28). Each of these
three categories contain other subcategories, which help understand the different archetypical
situation within the work itself. An understanding of three key archetypes –the magic weapon, the
boon, and the unhealable wound– reveal the essence of Gawain's role within the archetypal quest
motif.
The magic weapon in Sir Gawain and the Green Knight is the the green girdle. The green girdle was
bestowed upon Gawain by the host's wife. However, as the story concludes we soon find out that
this young lady ends up being the Green Knight's wife. The green girdle symbolizes safeness or a
value of being safe. Between there meeting the young lady explains, "For whatever Knight is girded
with this green lace, while he bears it knotted about him there is no man under heaven can overcome
him, for he may not be slain for any magic on earth" (Weston 31). The young lady gives Gawain the
green girdle after he refuses to take the ring that is offered to him. Since Gawain fails to exchange
the girdle with Bertilak as the terms of the men's agreement dictate, it also symbolizes Gawain's
desperate desire to survive at the expense of his code of honor. Only after Gawain "fails" the Green
Knight's test does this meaning become clear to him.
With the power of the green girdle by his side and his mind set forth on his destiny, Gawain heads
out with the guide to find the Green Knight. About half way through the ride the guide asks Gawain
whether he would decide to slide out of his scenario with the Green Knight. As they reach the border
of the forest, the guide promises not to tell anyone if Gawain decides to give up the quest. Gawain
refuses, determined to

Much Ado About Nothing Archetypes
To what extent do the female protagonists in As You Like It and Much Ado About Nothing fit the
archetypal structure of literature? ... Rosalind and Beatrice, Celia and Hero How does Shakespeare
create the female characters through archetypes? How are the themes of love accurately portrayed?
How are female archetypes in Shakespeare's As you Like it and Much Ado about nothing similar
and different to modern women? How does Shakespeare fight against the normal archetypes? How
does Shakespeare use archetypes to his advantage? The Talented Mr. Ripley by Patricia Highsmith
and Macbeth.–Why are they similar? What archetypes can we find in them? Much Ado about
nothing and Confessions of a Triple Shot Betty by Jody Gehrman–Archetypes. Romiette and Julio–
(bullying and racism) with Romeo and Juliet– How we see those archetypes...modern twist? West
Side Story and Romeo and Juliet In Shakespeare's comedic play "Much Ado about Nothing" there
are many unique characters but the character Beatrice sticks out for many reasons. Beatrice is not
like the other characters in "Much Ado about Nothing." She "rebels" against the idea of conformity
and humility that was prevalent during that time period for women; therefore, she fit the archetype
of ... Show more content on Helpwriting.net ...
Shakespeare created his own archetypal structure when he wrote tragedies and comedies. In
tragedies everyone dies. In comedies everyone gets married. Across each tragedy and comedy
similarities with other tragedies and comedies can be found. That's because, once again, it's
archetypal literature. The characters especially as far as women go consist of "the weak one"–
(Ophelia, Juliet, (although not really because she loved her parents enemies), Hero and many others.
Shakespeare created a new type of literature with women that were stronger and rebellious and
perhaps had power like Rosalind and Beatrice in "As you like it," and "Much Ado about

Grecian Myth Of Orpheus
The Grecian myth of Orpheus is a well known tragic tale about love and loss. It is the subject of
many operas and movies, each one's focus on the musicians struggle to rescue his wife from the
Underworld and the heartbreak that follows soon after. In Sarah Ruhl's retelling of the story we have
our focus shifted to Orpheus' wife; Eurydice. In this production we given the details of what she had
been through before Orpheus' descent, filling in her own story of life and death. After she dies on
her wedding night she is reunited with her father who greets her warmly, though she has forgotten
him during her dip in the unnamed river Lethe. Her father patiently guides her through her new life
in the Underworld, teaching her about her forgotten past and what it means to be alive again.
Orpheus, heartbroken, begins sending letters out into the oblivion hoping that they may reach his
wife. When Eurydice discovers the letters, her father kindly reads them to her in which Orpheus
claims that he will burst through the gates of hell to save his beloved. When he does however, he is
greeted by the Lord of the Underworld who allows him to take Eurydice on one condition; walk
home and do not look back. Eurydice then finds herself in turmoil as she must decide on whether to
stay with her father or return with her husband. After some coaxing from her father she follows
Orpheus but just as they reach the end she calls out – causing Orpheus to turn around and
consequently killing her a

Aristotle On Prejudice
In the University of Tennessee at Chattanooga's performance of Eurydice, there are key elements
that set this performance aside from others. Likewise, Aristotle was an ancient Greek philosopher
who carries heavy influence on thought. Therefore, Aristotle has certain ideas as to what elements
drama should try to accomplish. This specific performance of Eurydice ties in all six of these
elements of drama, which includes plot, theme, character, diction, music, and spectacle. As far as
plot goes, this particular play is fairly rapid in scene changes and, at times, it can be difficult to
follow. However, the audience can concisely follow the main plot of this play. The production opens
with a couple, Eurydice and Orpheus, getting engaged on a ... Show more content on
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For example, there was a distinct noise associated with the Lord anytime he was onstage, even
before we knew he was the Lord of the Underworld. The use of sound to make audience connection
was a key factor in the performance. Likewise, there was a particular melody that was mirrored
throughout the performance that was initially sung by Orpheus. This ties back to the characterization
of Orpheus through sound and music. Also, music is an important piece of his life, so much so that
he describes Eurydice's strands of hair as individual instruments. The use of music throughout the
play acts to characterize and establish

Stereotypes In Society
Stereotypes are assumptions or generalizations that people think and label a particular person as
belonging to a group based on how they look in terms of gender, race, ethnicity, and other
categories. Stereotypes are a big problem in our society because they have a negative impact and
can be damaging to a person's emotions. Thus, any stereotype on individuals is viewed as wrong and
in the end, it's us judging one another. I was stereotyped as a thief because some people assumed I
was stealing. As a result, I was affected by this because if they stopped to see what I was actually
doing, they would have seen I was buying a box to give someone a present.
The day I was stereotyped was when I went to a store called "Daiso." I was in search of a gift box
for a present I bought my friend. To ... Show more content on Helpwriting.net ...
Moreover, they affect people's social lives, an emotional state of mind, and how they interact with
their surroundings. I believe that you can't possibly know someone's character just by looking at
their religion, race, or gender. People who like to stereotype are people who enjoy judging others.
On the other hand, people have been stereotyped realize the severity of such an act because after
facing harsh judgment, they remember the lack of confidence and self–control it had on them. For
example, in my country, regarding gender stereotypes, women have often been associated as passive
individuals in a household and they are put in the latter category, which means they lack the roles
that men have. Most people believe women should stay at home to cook, clean, and take care of
their children, meanwhile, men should support their family by working and paying the bills. This
stereotype make women strongly depend on their spouse for financial, emotion, and physical
support. As a result, staying home and doing the same thing every single day women gradually
become distant from

Archetypes In King Arthur And Odysseus
Archetypes have persisted in literary works through the sands of time and continue to be applied in
today's literature. Throughout traditional and modern literature, the formulaic structure of myths and
the use of archetypes has been utilized in a consistent manner. Although many would argue that the
universal application of archetypes has been erratic and intermittent through time, the
implementation of the major hero and mentor archetypes within the tale of King Arthur and The
Odyssey, and the refined utilization of archetypes in modern literature, exhibit the universality of
archetypes in different cultures and time periods.
The hero archetype in both the tale of King Arthur and The Odyssey exemplifies its omnitude in
British and Greek culture respectively. Although each hero delineates his own culture's values
during different times, it is evident that both share similar qualities and traits pertaining to the hero
archetype. In Homer's The Odyssey, Odysseus is representative of the Greek values of rule through
Gods and Goddesses. In contrast, King Arthur represents British values of rule without the
significant influence of supernatural beings. Granted that each story contains nearly opposite values,
the hero archetype is still able to resonate in both characters. One of the main heroic aspects
portrayed by each character is their dynamic personalities. Both King Arthur and Odysseus are
distinguished as vigorous, audacious, and most importantly wise in each of their

Archetypes In Kingsolver's The Bean Trees
Because flowers go in cycles of life and death, we can look to them as archetypes. The cycle is
really closely related to the circle which is a very prominent archetype in the world today and the
past. The other thing I think of when I hear the word flowers is gardens. When I looked for the
garden archetype I found that gardens symbolize love and fertility (YourDictionary 2). Flowers and
gardens also have many symbols associated with them depending on who you ask.
Missy and her mother are shelling peas together talking about Missy getting a job (Kingsolver 5).
This section reminds me of when I shelled peas with grandma. There aren't any bean plant specific
archetypes but the color green symbolizes earth and growth (YourDictionary 3). Shelling beans can
constitute a change. In the book The Bean Trees this means that Missy is likely going to come out of
her shell and show who she really is. This foreshadows a little about how likely she is going to start
a life of her own and leave. This use of the symbol really adds to the story because it shows a
growth of the main character early on. ... Show more content on Helpwriting.net ...
When I think of the marigold I think of the time when I was a child and I loved to see marigolds.
They remind me of grandma's house and the beauty of the garden. When I looked it up I found that
the marigold is the flower that is most associated with the desire for riches (Month 2). By the end of
the book Missy is still interested in riches, but it's different than we would expect. Missy is
interested in the riches of knowing and raising a child who she loves and cares for. This adds depth
to the story because there is a drastic difference between the beginning riches and the riches at the
end of this

Archetypal Journey In Tim OBrien's On The Rainy Road
Morals, or a lack thereof, define the character of individuals. As Tim, the protagonist of On the
Rainy Road by Tim O'Brien discovers, personal morals are difficult concepts to adhere to when
faced with challenging circumstances. Tim is a young man living in Minnesota, and by his own
admission, "had the world dicked...summa cum laude... and a full–ride scholarship for grad studies
at Harvard" (O'Brien). In an unfortunate turn of events, the army drafts Tim to fight in the Vietnam
War, something that he is staunchly against. Due to his beliefs against the war, Tim attempts to leave
his home and move to Canada, eventually coming back to fight after a period of self–reflection.
Through this figurative "journey", the author uses the fundamental plot archetype of the journey
from innocence to experience to demonstrate how adversity exposes the inherent human flaws in
even the best people. Tim's archetypal journey begins in his home in Minnesota, where his naivety
and resultant innocence are easily apparent through his personal opinions about morality. The
archetypal journey typically consists of five major steps, being; an innocent start in a familiar
environment, followed by a descent into danger and a battle with "demons" throughout which the
hero gains experience, ultimately ending with a return home (TVDSB). As Tim confesses, he "had
taken a modest stand against the war", however he assumes "that the problems of killing and dying
did not fall within my special province"

What Is The Purpose Of The Narrative Once Upon A Time
Humans tell stories to themselves and others as a means of making sense of their world and as a way
to promote learning and spread information, or to simply entertain themselves. Completed stories
show evidence of two main parts: an underlying structure
(how the story is organized) that contains the story's intrinsic meaning and, then, there is a lesser
meaning, which is the way the story's structure is presented in the words and symbols, including
metaphors. Although the events that compose a story (plot) may not happen in a sequential order, it
is important for people or a culture to create a story in such a way that it will construct their reality
and give meaning to their subjective experience. Thus, "The Narrative ... Show more content on
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Once upon a time there was an evening where the winds were strong and the streets were lonely and
a mother attempted to put her new infant to sleep. Soon after leaving the nursery, there was a sudden
upheaval in the household coming out of the baby's room. The mother was puzzled and alarmed by
her infant's outcry. Needing to soothe her baby, the mother took her child to the closest pharmacy
that was open 24hours a day. When they arrived, mother stumbled upon a young man who was wise,
way before his age. With ease, he guided the frantic mother into a long aisle. There, the anguished
mother found herself unable to make sense of what was around her because there was just so much
from which to choose and far too many aisles to wander through with a crying child. Once again, the
man diligently directed her, this time to an unknown product. The wise man, faded into the
background, as the mother stepped forward and looked with doubt and curiosity at this strange and
mysterious product. The mom's eyes settle on a visual metaphor that she found on this obscure
product. The mother saw on the blue box a female figure holding an infant in her arms, while she
gracefully held the infant's head with the palm of her right hand. The tired mother noticed that the
female figure pictured on the box was blissfully looking at the sleeping

Archetype Mother Goddess In The Hunger Games
Being selfless is a characteristic that few people possess. Being concerned more with the needs of
others is what heroism embodies. The narrative in the movie, The Hunger Games follows Katniss
Everdeen's heroic quest as a tribute in the 74th Hunger Games of Panem. How does Katniss embody
the feminine archetype mother goddess and how does a hero's journey represent Katniss quest as a
tribute in the Hunger Games? What is the feminine archetype mother goddess? An archetype is a
personality type that is generally thought to be the greatest or purest example (Harris). Goddess is
the female version of God. A goddess is the great Mother, she exists in all women, is beautiful even
in her flaws, and she is a woman in touch with her own power to create and destroy (Jones ch. 3).
The archetype mother goddess is actually several archetypes bottled up into one great archetype.
The Great Mother personifies a caretaker, guide, nurturer, protector, and creator (ch. 3). A caretaker
is a nurturer, who can take on the role of looking after another human being, is often protective,
loyal, and sacrifice themselves for the greater good (ch. 3). In addition, caretakers are selfless,
empathic, virtuous, true, incredibly strong and resilient (ch. 3). A creator archetype can "give birth to
new ideas, concepts, and things (ch. 3)." Katniss demonstrates all of these qualities during her quest
as a tribute.
What is a hero and a hero's journey? A hero is an individual who has the courage of conviction to
perform feats that benefit the general populace, acts as a soldier of virtue, and has an altruistic spirit
that urges him or her to act against evil and defend the greater good at all costs, even sacrificing his
own well–being or life (Harris 2). Vogler reduced Joseph Campbell's The Hero Journey to 12 Stages
of The Hero's Journey. The following are Vogler's Stages of The Hero's Journey:
1. OrdinaryWorld 7. Approach
2. Call To Adventure 8. Supreme Ordeal
3. Refusal Of TheCall 9. Reward
4. Meeting With The Mentor 10. The Road Back
5. Crossing The 1st Threshold 11. Resurrection
6. Tests, Allies, Enemies 12. Return With Elixir
(Vogler 18).
During Katniss' quest to the 74th Hunger Games, she begins her heroic

Odysseus : A Hero : The Common Perceptions Of A Hero
Not all heroes come in movies or little kid books. Some heroes come from thousands of years ago
and are nothing like the heroes of today. Keep reading and you'll find out what I mean! Some heroes
are known for saving the day and having a happy ever after, but for this hero, nothing good
happened for a long time. This hero, who goes by Odysseus, went through very tough times before
he even saw a glimpse of happiness after twenty long years. This hero's journey happened over a
thousand years ago in the Ancient Greece. Odysseus and his men sailed across the seas to fight in
the Trojan War, but, because of his men's stupidity, took him longer to get home then he was
planning to.In this story, there are many archetypes and the three I will be talking about are; the hero
archetype, the monster archetype, and the sidekick archetype.
The first archetype I will be explaining is the hero archetype. The hero archetype is a character that
shows hero characteristics. For example, a quote to help my statement is, "common perceptions of a
hero include an individual who has the courage of conviction to perform feats that benefit the
general populace, acts as a soldier of virtue, and has an altruistic spirit that urges him or her to act
against evil and defend the greater good at all cost, even sacrificing his own well–being or life"
(2)"The Hero's Journey". A hero should have the attitude to do whatever it takes to be the best hero
he or she could be. Also a hero should be a good example

Plato : Art, Poetry And The Theory Of Forms
Plato: Art, Poetry and the Theory of Forms In The Republic, Plato argues that poetry and certain art
forms including painting and drama, are mimetic and merely representations of various truths,
which exist only in an abstract state he describes as "Forms" . In order to understand his repudiation
of art and poetry, it 's important to grasp the fundamental idea of Forms, and how they relate to truth
in his view. According to Plato ( through Socratic dialogue), Forms are abstract ideas that represent
perfection, and do not exist in the material world. In the "Allegory of the Cave" he posits that our
view of these forms are secondhand, or "shadows" of what what they really are, by defining us
(humanity) as prisoners in a cave watching images on a wall. These images are cast on the wall by
backlit shapes that represent Forms (Forms themselves are abstruse). Plato explains that what we
perceive of them is therefore removed from truth, "...the shadows of artefacts would constitute the
only reality people in this situation would recognize" (61). These shadows – which are what we
actually perceive – are further demonstrated via Socrates ' analogy of beds and tables in his dialogue
with Glaucon. Socrates reasons that a craftsman can only imitate a bed or a table based on its Form,
"...the manufacture of either of these items of furniture involves the craftsman looking to the type
and then making the beds or tables (or whatever) which we use " (65). Not only that, but what we

Examples Of Anti-Hero In Inception
An anti–hero can be defined as a character with a pivotal role in a story and possess traits contrasted
with those of a traditional hero. While the traditional heroic character is brave, strong, and seems to
have no flaws, anti–hero character can be clumsy, unsolicited foolish, is often the embodiment of
ineptitude or bad luck and is an amalgamation of both good and evil. An anti–heroic character in a
story can display a wide variety of traits while still fitting in the anti–hero role. Earnes and Yusuf
from the film "Inception" portrays an anti–hero persona in different ways, both characters are
distinctively contrasting but yet similarly alike.
Eames is a character with many talents and is a suave, smoothly attracting people easily. He also
shows his competitive spirit while gambling, however in other hand, he is also laid back. He is
reliable with his specialty which is forging, but he is somewhat of a loner, choosing to work apart
from the rest of the group for most of the missions which shows his lack of social skills and avoids
to take responsibility. Eame's anti heroic characteristic can be assumed ... Show more content on
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Furthermore, anti–heroic characters are the reflection of the audience. It is in nature for people to get
scared when in danger, however heroic characters normally do not or easily overcome. The ethical
conflicts and poltroonery in survival situation could be fury to the audience at first, but since it is
real–life emotions it is instinct for normal people that the audience can relate. On the contrary, if the
movie is only filled with heroic character that is overly righteous and upright, the audience will find
it too good to be true and have trouble immersing into the film. This is what makes the anti heroic
characters relatable and likable, they are easy to relate and connect more on a human

Comparing Fuentes’Aura and Ligotti’s The Last Feast of...
Mythological and Archetypal Reading of Fuentes' Aura and Ligotti's The Last Feast of Harlequin
Mythological and archetypal techniques coupled with the interpretation of symbolism found within
a piece of literature tells the reader something about the mind and character of a people or culture.
Not only does it allow you to delve deeper into this collective mind and speculate about the meaning
of a particular work, it can give you something more. I believe that by using these techniques you
also get a better glimpse into the main character's state of mind. It also gives you clues as to is going
on 'behind the scenes' that will affect the character's mental state.
The texts I chose for this essay are Fuentes' Aura and Thomas ... Show more content on
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These associations made it easier for him to become committed to Aura and Consuelo.
Now that we have seen some of the symbols that could have affected Felipe's mind, now we will
explore some of the symbols that indicate something was going on behind the scenes. The fist
symbol I would mention is darkness. As I stated earlier, it is primarily a symbol of removal from
God and the light, the prescence of evil. The ever–present darkness represents some undercurrent of
evil that runs throughout the story.
Cats are also an important symbol. The first sign we get of any cats is the sound of their "painful
yowling". Later Felipe sees some of them being burned alive. Some of the things cats can represent
are independence and self–sufficiency. Their destruction leads one to believe that Felipe's
independence is being replaced by dependence and his self–sufficiency is being replaced by reliance
on Aura.
The appearance of rats could correspond to inappropritae and unseen activities that occur in one's
home, but there is something more. "As a destroyer of stored food and transmitter of disease, the rat
acquired the reputation of being in league with the devil, demons, and witches in their efforts to
bring the unsuspecting to ruin."2 The prescence of rats not only hint at inappropriate activities inside
of the house, but also at the prescence of witches, something I am quite sure Consuelo is.
Speaking of

Female Archetypes In Medea Essay
In Euripides' play Medea, the audience is introduced to a uniquely female perspective often absent
in Greek drama. Of course, this perspective, being written by a man, is not absent of the female
mythological archetypes common throughout all of Greek literature. Most of the female characters
hold archetypal roles to move the story forward. However, during the course of the play, Medea
defies a simple archetypal prescription. She fits in between the lines of a "good" character and "bad"
character, plays many different roles for her own ends, but still remains sympathetic. Medea takes
on different female roles in order to accomplish her goals, however she as a character does not fit
neatly into any one female archetype. This speaks to her greater role as a tragic hero, magnifying her
manipulations and her reasons for doing so–her struggle as a powerful woman to find a place to
belong. Before the events of the play began, Medea played the role of the traditional helper maiden
to Jason as he journeys with his crew on the Argo. She saves Jason from many threats, and is an
integral initiator of action in the story, including tricking her own family and killing her brother for
the sake of the mission. However, the play picks up just after Jason has denied Medea the role to
continue helping him and wants to deprive her of her role as mother to their children as well. With
this change, Medea turns from helper maiden to antagonist against Jason. One would think she
would fit into

Mythological Archetypes

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