Music video - Emeli Sande
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This document analyzes three shots from Emeli Sande's music video for "Heaven". Shot 1 is a close-up of a man in a culturally significant location, conveying submission to God. Shot 2 shows Emeli Sande in low light transitioning to high light, representing moving from darkness to heaven. Shot 3 places Emeli in the rule of thirds with large angel wings covering part of the frame, directly illustrating the song's lyrics. The video uses cultural imagery and locations to represent Emeli Sande's background and neighborhood, while portraying a message of following light out of poverty and danger.
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The document provides a shooting schedule for a music video with 19 shots. It describes each shot, including the action, location, camera movements, and lighting/visual effects. Shot 1 shows the pool area with running water. Shot 2 establishes the location with a pan to the pool. Shot 3 shows the actor looking at his phone through a bedroom window with added smoke. The remaining shots continue the story through various indoor and outdoor locations, with the actor singing and reflecting on memories.
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The document analyzes and summarizes key scenes and techniques in the horror film "Don't Breathe". It discusses the camerawork used in a dog fight scene, including mid shots, shot reverse shot, high angles, and close ups. It also analyzes the editing techniques like slow pace editing to build tension. It examines the mise-en-scene elements such as the setting, props, lighting, and character framing. Finally, it discusses the film's use of sound effects, music, and diegetic sounds and how the characters break or meet typical stereotypes.
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Evaluation question 1
The document discusses how the film uses conventions of real crime/thriller media products. It analyzes various shots and techniques used in the film that conform to typical crime film conventions, such as using costume and framing to indicate good and bad guys. It also discusses the use of close camera angles during conversations, changing angles based on emotion, titles with black backgrounds and white font, inclusion of black humor, scenes in black and white to indicate different time periods, and changing color/tones to signify shifts in time. Examples from films like Lock Stock and Two Smoking Barrels and Casino Royale are referenced to illustrate techniques like close dialogue shots and use of black and white at the beginning.
Snap
The film follows a man who steals cameras from people and takes creative photos as he is being chased, returning the cameras and photos to his surprised victims. The camera work captures his excitement and obstacles through close-ups, tracking shots, and handheld footage during chases. Sound and editing match the energy and tension of scenes, from calm music for setup to faster music building tension as he is pursued. Mise-en-scene hints he has done this many times through changing clothes and cameras between shots.
Snap[1]
The film follows a man who steals cameras from people and takes creative photos as he is being chased, returning the cameras and photos to his surprised victims. The camera work captures his excitement and obstacles through close-ups, tracking shots, and handheld footage. Sound and editing match the energy of each scene. Mise-en-scene hints he repeats this process with different people through changing clothes and cameras between shots.
Hot fuzz analysis
The document provides an analysis of the opening sequence of the film "Hot Fuzz". It summarizes that the opening sequence begins with an establishing wide shot of the main character walking in a dark room to conceal his identity. Following shots reveal he is a police officer through his badge and uniform. A montage then quickly cuts between shots of the main character's career highlights and achievements to introduce his backstory in a brief overview before the present day events of the film.
Visual storyboard
The visual storyboard outlines various shots that will be used to tell the story of a character named Conor awakening in an unknown location and making his way home. It describes opening shots of Conor in a tunnel to establish him and show his confusion. Further shots show Conor from a blurred background to emphasize him against unknown surroundings. Additional shots depict Conor's loneliness and delirium in rural areas to convey that he is lost. A POV shot uses shaky camera movements to create a panicked atmosphere from Conor's perspective. The board concludes with a shot of Conor opening a door, introducing an important setting.
Textual analysis
The music video is carefully edited to synchronize with the song's beat and lyrics, helping to integrate the music with the narrative. Shots change precisely with the lyrics to illustrate the story. The entire video is also in reverse chronological order and some parts are slowed down. Camera shots include mid shots, close ups, pans, and establishing shots. An establishing shot sets the gloomy scene of a woman dead in a bathtub with a breeze block on her. Cross cuts between characters fighting over the breezeblock build tension. Dark, low key lighting and plain locations immerse the audience in the unhappy narrative between the married couple.
Analysing the original music video for creative production unit 21
The original music video for "Safe Lined" uses a narrative style to tell the story of the artist receiving a mysterious note asking her to go to a destination. Various camera shots and angles are used to show the artist walking, looking out a window, opening the note and smiling, then leaving her home. She then meets a boy at the destination, and they proceed to cause chaos in an old warehouse. The video concludes by showing intimate moments between the artist and her on-screen partner dancing and hugging as the song ends.
Naïve – the kooks
The video takes place between a nightclub and the following morning. Low key lighting is used at the nightclub and high key lighting the next morning. Costumes at the nightclub are casual. Cross cutting shows two time periods. Focus is used to blur the girl and show the man's perspective. Shot reverse shot shows tension between the man and girl. Fast editing conveys enjoyment at the club while slow editing shows the man's worry. Close ups show the man's worry and him singing. High angles imply isolation and regret. Over the shoulder shots allow views of facial expressions. Sound gives the impression of being diagetic but was edited in.
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Analysing the original music video for creative production unit 21
Analysing the original music video for creative production unit 21
Similar to Music video - Emeli Sande
9 frame analysis
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Emeli Sande - Heaven
This summarizes 4 shots from the music video for Emeli Sande's song "Heaven":
Shot 1 shows a woman in a red dress going down a dark staircase, representing hell rather than the heaven of the song's title.
Shot 2 shows Emeli Sande singing in an urban setting, dressed in black but with blonde hair styled like an angel, representing conflicting feelings.
Shot 3 gives a close-up of a black boy alone at the bottom of a staircase with a sad expression, implying hardship, with his red top possibly signifying danger.
Shot 4 is not summarized as no details are given about it in the document.
Adele – someone like you analysis
Adele's music video for "Someone Like You" depicts her walking alone through Paris, dressed in dark clothing to represent her feelings of loneliness and heartache after a breakup. Throughout the video, close-ups are used to show her sad facial expressions and eyes looking down. The monotone color palette and lack of other characters reinforce her isolation. At the end, a male character walks away from her, representing her ex who has left her life. The video utilizes a narrative structure and symbolic imagery like her solitary walk to visually portray the themes of loss, grief, and moving on from a past relationship expressed in the song's lyrics.
Film work
The teaser trailer is 1 minute and 43 seconds long and provides information about the plot of a teen horror film. Scenes from the trailer show characters interacting in a house at night before becoming worried or scared by an unseen monster. Shots use lighting, camera angles, and edits to build tension and unease. The trailer leaves viewers wondering what will happen to the characters and what the monster is to generate interest in the film. The target audience is teens and adults who enjoy horror films. Elements of the trailer's style could be useful for the filmmakers' own production.
MISE-EN-SCENE
Mise-en-scene refers to everything that appears in the frame of a film, including color, costume, props, location, blocking/performance, and lighting. These elements are purposefully designed and manipulated to convey meaning and provide context. Color symbolism and costume help develop character identities and cultural codes. Props dress the set and express character traits. Location and blocking/performance positions actors and creates atmosphere. Lighting is used to set mood through techniques like high-key, low-key, and ambient illumination. Together, these components of mise-en-scene aim to achieve verisimilitude, or an authentic environment that immerses the audience.
Heaven by Emile Sande analysis
This document provides an analysis of the music video for Emile Sande's song "Heaven" through several lenses:
1. Camera work is analyzed through close-up shots showing facial expressions that convey emotions like struggle and hope.
2. Representation of people from different backgrounds like ethnicity, gender, age, and socioeconomic class are discussed. Both challenges and diversity in society are portrayed.
3. Elements like lighting, angles, colors, and locations are examined for their symbolic meaning and how they relate to the lyrics of the song conveying themes of faith and better days to come.
LDN Analysis
The video analyzes Lily Allen's "LDN" music video through its mise-en-scene elements. It notes that Allen's costume contrasts with the grimy London location. Props change throughout to reflect the song's lyrics about appearances being deceiving. Editing uses abrupt cuts and changing lighting/props to mirror the message that reality is not as it seems. The video and song together send a clear message that "it's all lies."
you
This document provides a summary of Adele's song "Someone Like You" including details about the artist, length, release date, producers, writers, genres, and a breakdown of the music video conventions and mise-en-scene. The music video tells a narrative story through Adele's facial expressions and lonely walking shots of her in Paris shown through various camera shots including close-ups, wide shots, and panning shots. It creates a dull mood through its black and grey color scheme and casual portrayal of Adele to match the song's theme of a broken relationship.
Adele – someone like you
This document provides a summary of the music video for Adele's song "Someone Like You". Key details include:
- The video features Adele walking alone on the streets of Paris, conveying loneliness through her casual appearance and the city's monotone color scheme.
- Scenes show her facial expressions and the Eiffel Tower in the background to establish the location.
- Towards the end, a male is seen walking away from Adele, representing the relationship ending discussed in the song's lyrics.
Task 1 emile sande grabs
Social realism is portrayed in this screen grab from Emile Sande's music video for "Heaven" through the realistic depictions of everyday scenes, such as a woman walking and holding shopping bags, cars driving by, and handheld camera work that puts the viewer in the scene. The montage editing contrasts happy and sad scenes, possibly symbolizing the connection between heaven and hell.
9 shot analysis - Taylor Swift (Safe & Sound)
This document analyzes the 9 shots in Taylor Swift's music video for "Safe and Sound" through their visual elements and symbolism. The shots establish a misty, empty forest setting through wide shots of trees. Medium shots show the artist moving through the woods to illustrate the music. Close-ups express her facial emotions of despair and emphasize lyrics at the end. Visuals like bare trees, white sky, and the artist's plain dress convey a sense of purity, coldness and emptiness, reflecting the song's message.
Shine video analysis
The music video analysis summarizes 9 scenes from the Years & Years music video "Shine". Scene 1 establishes the setting of a brightly lit house in dark woods, representing feelings that will be displayed. Scene 2 depicts a hazy, eerie atmosphere linking scenes. Scene 3 shows the character alone in his subconscious. Scene 4 shows the character singing in bed, contemplating past events. Scene 5 lights up the house colorfully, representing changing emotions. Scene 6 creates a link between viewer and artist. Scene 7 changes the lighting to a golden hue, representing a new beginning. Scenes 6 and 9 use filters and lighting to visually represent healing and the relationship between love and pain.
Music video
The document analyzes and describes four shots from the music video for Emeli Sande's song "Heaven". Shot 1 shows the singer in a mid shot on a London street in casual clothes, representing her background. Shot 2 features a woman in a red dress walking into a dark staircase, with the red color and darkness contrasting the heavenly theme of the song. Shot 3 is a low angle close up of the singer in a rural setting with filtered lighting, contrasting stereotypes. Shot 4 includes a chicken shop in the background, representing the urban working class environment of London.
9 frame analysis
The document provides a frame-by-frame analysis of a music video. It describes various shots throughout the video, including long shots showing extravagant settings, close-ups of actors' expressions, and mid shots capturing moments of action. Many of the shots portray an expensive lifestyle through settings and costumes. The colors and lighting are mostly neutral and grayish throughout to set a realistic yet elegant tone.
9 frame analysis
This document provides a 9-frame analysis of the music video for "Kill em with Kindness" by Selena Gomez. It analyzes different shots in the video including mid shots, long shots, close ups, and establishing shots. The analysis focuses on how lighting, camera angles, framing, and mise-en-scene are used to convey changing moods and messages throughout the video from sadness to hope to confidence. Key symbols like a blood-stained white rose are also examined for their meaning and role in emphasizing the themes dealt with in the song.
Shine video analysis
1) The opening scene of the music video establishes the setting of a brightly lit house surrounded by darkness in the woods, representing the feelings that will be shown. Flames at the bottom of the screen add to the metaphor of something taking over.
2) Subsequent scenes use hazy lighting and filters to create an eerie atmosphere and sense that the scenes are linked. The male character's face is hidden, adding mystery.
3) One scene shows the boy alone in bed, gazing into the distance as he sings, indicating he is contemplating past events and events of the narrative video.
4) Changing lighting is used as a metaphor for the boy's changing emotions, from dark to colorful party lights to yellow
Adele – Hello
The video uses various camera techniques and motifs to portray themes of love, heartbreak, and self-awareness. Various shots like close-ups, over-the-shoulder, and point-of-view are used to show Adele's emotions. Flashbacks and slow motion add drama. Low-key lighting and a black-and-white filter create a mature and melancholy mood. Natural scenery like grasslands and lakes portray Adele's growth from despair to strength.
Director's study 2
Hannah Lux Davis is an American music video director known for working with artists like Ariana Grande and Nicki Minaj. She draws visual inspiration from pictures and cites Bang Bang by Jessie J, Ariana Grande, and Nicki Minaj as one of her biggest projects so far. The document then provides examples of camerawork, mise-en-scene, and editing techniques used in three music videos: Meghan Trainor's "Me Too", MKTO's "Bad Girls", and Jessie J's "Burning Up".
Omarion O Evaluation
The music video depicts a man expressing his feelings for a girl through dance and rhyme. It shows his struggles and efforts to get the girl, from singing alone in his home to dancing with her at the end. Various camera techniques like close-ups and changing angles are used. The lighting remains dim throughout to set the mood. The video serves as an example of techniques used in R&B music videos.
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Music video - Emeli Sande
- 2. HEAVEN - EMELI SANDE (SHOT 1)
- 3. Analysis Shot 1 This shot is a close up shot to express who they trying to show. He is positioned in the middle frame to show that he is the main person of the frame. Mise En Scene – High Key Lightning in this shot. The location shows the culture of her background, for example the local chicken and chips shops in the background, also the man in the frame holding the blue bag which usually symbolises a local corner shop. The ma in the frames body language is almost like he’s giving himself up to God which also relates to cross necklace. The shot that lead to a different scene or frame from this shot was a cut editing which is the most common and simple editing technique. The Lyrics have a slight correlation to the video and in this shot there is a relation to the video as the man is seeming to be looking up to the sky indicating that he is looking up to heaven and also he is wearing a Jesus piece necklace. This is called Illustration.
- 4. HEAVEN - EMELI SANDE (SHOT 2)
- 5. Analysis Shot 2 This is a close up shot coming from the dark side of the room. She is positioned in the middle of the frame. Showing the main person/ the eye catcher of the frame. Mise En Scene - There is low key lighting transitioning to high key lighting in this frame suggesting she is in the dark but looking into the light ‘Heaven’. Also the background also looks like a run-down area express more of her culture and background. The editing technique is also the cut. This cut makes us pay attention to things that may relate to previous and next cut.
- 6. HEAVEN - EMELI SANDE (SHOT 3)
- 7. Analysis Shot 3 This is a mid shot meaning there is more than one thing to be shown in the frame like the Angel wings, the girl, graffiti etc. Mise En Scene – There is still cultural representation in this shot, showing that where she is from it may not look nice but heaven is still the goal. The girl is in the Rule of third meaning she is positioned in the third of the shot showing that there something more important to be expressed. In this case it’s the Angel wings which have a strong relation to lyrics as Angel are known to be in heaven. It covers about 60% of the frame and is very visible. This is clear representation of illustration, This shot has a clear relation to the lyrics. The colour red indicates danger is this colour is seen throughout the whole video, therefore in this shot within all the danger the girl in red is in there is still an angel and that’s what Emeli Sande is trying to show in her environment of where she came from
- 8. Emeli Sande’s Representation Street Life - Emeli Sande came back to her neighbour hood to teach and try get people to follow the light as seen in the video and through the deeper meanings of the lyrics. There are a lot of poverty issues in these areas and she shows a lot of these in her video like run downs backgrounds, filled with graffiti. This video only shows the working class people to express her culture and how hard their life is.