The document describes different types of camera shots used in a music video by Lily Allen. It begins with narrative shots establishing a relationship between two characters. The first performance shot is a long side view of Allen in a bedroom. The camera then cuts between close-ups of Allen addressing the audience and mid-shots or long shots that zoom in or out. Locations include a bedroom, cafe and street, with some narrative scenes disguising performance shots through different angles and shots.
Malaria in Haiti Symposia, presented in Milot, Haiti at Hôpital Sacré Coeur.
CRUDEM’s Education Committee (a subcommittee of the Board of Directors) sponsors one-week medical symposia on specific medical topics, i.e. diabetes, infectious disease. The classes are held at Hôpital Sacré Coeur and doctors and nurses come from all over Haiti to attend.
Malaria in Haiti Symposia, presented in Milot, Haiti at Hôpital Sacré Coeur.
CRUDEM’s Education Committee (a subcommittee of the Board of Directors) sponsors one-week medical symposia on specific medical topics, i.e. diabetes, infectious disease. The classes are held at Hôpital Sacré Coeur and doctors and nurses come from all over Haiti to attend.
2. The camera cuts from an opening narrative shot (front
on midshot) of Lily eating chocolate. The front on two
shot of the couple suggest a relationship/ connection
between the two characters. With this in mind this
suggests a relationship type narrative.
3. The first performance shot is a side on panning long
shot setting the scene of Lily Allen in a/her bedroom.
4. The camera then cuts to a front on close up, focusing
on the direct address that Lily Allen is giving the
camera/ audience.
5. While cutting from the narrative scene, the camera cuts
to a front on mid-shot which becomes a long shot due
to the zooming out technique.
6. Similar to before the camera cuts between narrative
and performance, and cuts to a front on mid-shot
which becomes a front on close up due to the zooming
in technique.
7. The camera continues to cut back to the same location
of a bedroom- front on close up.
8. The video then cuts to a café location, and despite
giving the appearance of a narrative scene, this is a
front on midshot.
9. The appearance of narrative scenes disguised as
performance scenes continues into a front on close up.
10. The video then cuts to a street location, a front on
tracking shot of Lily Allen walking down the road.