Mr brightside pitch
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This document outlines a pitch for a music video for the song "Mr. Brightside" by the band JAR Productions. It will tell a story of a rocky relationship through actors and band performances. The band members and actors will wear specified costumes. Scenes will take place in locations like a field, music practice room, and main stage. The video aims to reflect themes from the song like love, betrayal, and lies. The target audience is teenagers aged 13-17, and the video hopes to appeal to them through using age-appropriate actors and locations like a school.
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Mr brightside pitch New and improved!
This document outlines the pitch for a music video for the song "Mr. Brightside" by a band called JAR Productions. The video will tell the story of a rocky relationship through a narrative with three actors and performances from the band. It will feature the band playing at a field, practice room, and main stage. The video aims to portray themes from the song like love, betrayal, and lies. The target audience is teenagers aged 13-17, and the video hopes to appeal to this demographic through using age-appropriate actors, locations like a school, and costumes like school uniforms.
Mr brightside pitch old
The document outlines a pitch for a music video for the song "Mr. Brightside" by the band JAR Productions. It will tell the story of a rocky relationship through narrative scenes with actors interspersed with performances by the band. The band members and their roles are identified. Locations like a field, music room, and main stage are listed. Costume details are provided for both the band and actors. Themes of love, betrayal, and lies from the song will be reflected. The target audience is identified as teenage males and females aged 13-17, and the video aims to appeal to them through age-appropriate actors, locations like a school, and a rebellious school band theme.
Mr brightside pitch - original
The band RJAM Productions plans to film a music video for their song "Mr. Brightside" that will tell a narrative story through the performances of the band and actors. The video will show a rocky relationship between Joshua Smith and Rebekah Ord that comes to a head when Rebekah starts cheating on Joshua. Locations will include fields, a music practice room, and main stage, with costumes including school uniforms and casual attire. The themes of love, betrayal, lies and stalking from the song will be portrayed through the emotions of the actors and band to appeal to the target teenage audience.
Treatment (christabel) 2
The document discusses plans for a music video to Jessie J's song "Sweet Talker." It will be in the genres of pop and R&B and feature a self-assured female protagonist acting out scenes of potential romance between two lovers, with choreography and lip syncing. The target audience is 16-27 year olds. Potential locations include a car park, theatre, and dance studio. Casting calls for one main female performer, backup dancers, and a male actor. Props include a microphone and handbags. Costumes range from casual to sophisticated wear. Inspirations include Miley Cyrus' "Party in the USA" and Beyoncé's "Diva."
Treatment final ish
The group chose the song "Sweet Talker" by Jessie J for their music video project. They analyzed the lyrics and decided the post-chorus, which repeats "So talk to me", would feature a repeated scene. Though the song has a slow rhythm, it has an energetic party vibe. The group was inspired by music videos from artists like Beyonce, Rihanna, Eve, and Jennifer Lopez. They plan to film in various London locations like shopping centers, roads by the river, and their school TV studio. One main actress and extras will be cast, dressed casually or smart casually. The only ethical issue may be filming with a drone in some restricted London areas. The target audience is females aged
Analysis of Feedback
The focus group provided mostly positive feedback on the music video ideas. They liked the use of smoke to represent the feelings of loss and being untouchable, as well as the color scheme matching the song's tone. They also felt the running horse imagery fit with the genre of indie pop by symbolizing chasing one's interest. However, some suggested changing the studio scene with smoke and silhouettes to only show the man and not the woman, but the creators decided to keep both to keep the focus balanced between the male and female perspectives in the song.
Analysis of Feedback
The majority of feedback from the focus group was positive. They liked the symbolism of smoke representing the protagonist's lost love interest being untouchable. They also agreed that the color scheme fit the tone of the song. Finally, they felt the image of a horse running in a field represented the protagonist chasing her interest. However, some felt showing both the male and female silhouettes in the studio scene would be confusing, but the creators decided to keep both to keep the focus on both characters in the video.
Mise en Scene
The document discusses the costumes, characters, lighting, makeup, props, auditions, and locations for an upcoming music video. It identifies the main characters - Ore Badejo as the female protagonist and Tosin Olusoga as the male protagonist - and describes their costumes. It also mentions Jessica Owusu as the female antagonist and details various lighting techniques, typical character stereotypes, and potential filming locations.
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Mr brightside pitch New and improved!
This document outlines the pitch for a music video for the song "Mr. Brightside" by a band called JAR Productions. The video will tell the story of a rocky relationship through a narrative with three actors and performances from the band. It will feature the band playing at a field, practice room, and main stage. The video aims to portray themes from the song like love, betrayal, and lies. The target audience is teenagers aged 13-17, and the video hopes to appeal to this demographic through using age-appropriate actors, locations like a school, and costumes like school uniforms.
Mr brightside pitch old
The document outlines a pitch for a music video for the song "Mr. Brightside" by the band JAR Productions. It will tell the story of a rocky relationship through narrative scenes with actors interspersed with performances by the band. The band members and their roles are identified. Locations like a field, music room, and main stage are listed. Costume details are provided for both the band and actors. Themes of love, betrayal, and lies from the song will be reflected. The target audience is identified as teenage males and females aged 13-17, and the video aims to appeal to them through age-appropriate actors, locations like a school, and a rebellious school band theme.
Mr brightside pitch - original
The band RJAM Productions plans to film a music video for their song "Mr. Brightside" that will tell a narrative story through the performances of the band and actors. The video will show a rocky relationship between Joshua Smith and Rebekah Ord that comes to a head when Rebekah starts cheating on Joshua. Locations will include fields, a music practice room, and main stage, with costumes including school uniforms and casual attire. The themes of love, betrayal, lies and stalking from the song will be portrayed through the emotions of the actors and band to appeal to the target teenage audience.
Treatment (christabel) 2
The document discusses plans for a music video to Jessie J's song "Sweet Talker." It will be in the genres of pop and R&B and feature a self-assured female protagonist acting out scenes of potential romance between two lovers, with choreography and lip syncing. The target audience is 16-27 year olds. Potential locations include a car park, theatre, and dance studio. Casting calls for one main female performer, backup dancers, and a male actor. Props include a microphone and handbags. Costumes range from casual to sophisticated wear. Inspirations include Miley Cyrus' "Party in the USA" and Beyoncé's "Diva."
Treatment final ish
The group chose the song "Sweet Talker" by Jessie J for their music video project. They analyzed the lyrics and decided the post-chorus, which repeats "So talk to me", would feature a repeated scene. Though the song has a slow rhythm, it has an energetic party vibe. The group was inspired by music videos from artists like Beyonce, Rihanna, Eve, and Jennifer Lopez. They plan to film in various London locations like shopping centers, roads by the river, and their school TV studio. One main actress and extras will be cast, dressed casually or smart casually. The only ethical issue may be filming with a drone in some restricted London areas. The target audience is females aged
Analysis of Feedback
The focus group provided mostly positive feedback on the music video ideas. They liked the use of smoke to represent the feelings of loss and being untouchable, as well as the color scheme matching the song's tone. They also felt the running horse imagery fit with the genre of indie pop by symbolizing chasing one's interest. However, some suggested changing the studio scene with smoke and silhouettes to only show the man and not the woman, but the creators decided to keep both to keep the focus balanced between the male and female perspectives in the song.
Analysis of Feedback
The majority of feedback from the focus group was positive. They liked the symbolism of smoke representing the protagonist's lost love interest being untouchable. They also agreed that the color scheme fit the tone of the song. Finally, they felt the image of a horse running in a field represented the protagonist chasing her interest. However, some felt showing both the male and female silhouettes in the studio scene would be confusing, but the creators decided to keep both to keep the focus on both characters in the video.
Mise en Scene
The document discusses the costumes, characters, lighting, makeup, props, auditions, and locations for an upcoming music video. It identifies the main characters - Ore Badejo as the female protagonist and Tosin Olusoga as the male protagonist - and describes their costumes. It also mentions Jessica Owusu as the female antagonist and details various lighting techniques, typical character stereotypes, and potential filming locations.
Publishing Company Pitch
1) Jamari Hodges is pitching his friend and rap artist Asafum Quavo to Universal Music Publishing Group for a publishing deal.
2) Asafum is a rap artist from Wrightsville, Georgia who draws influence from artists like Big Sean, Drake, and J Cole.
3) Jamari feels Universal Music Publishing Group would be a good fit because they have ties to Universal Music Group, provide tools for artists to thrive, and represent a diverse roster including Billie Eilish, Post Malone, and Taylor Swift.
Music video
The document discusses plans for a music video for the song "God's and Monsters" by Lana Del Rey. It will focus on the sins of gluttony, greed, and lust through imagery representing indulgence, wealth, and sexuality. Three women will symbolize each sin through actions like pouring black paint or being surrounded by masked men. The target audience is identified as young adult females who identify with indie culture. Inspiration comes from art house and surrealist styles seen in other music videos. Locations being considered include pools, libraries, and meadows that reflect the desired aesthetic and themes.
Music video
The document discusses initial ideas for a music video by Lana Del Rey for the song "Gods and Monsters". It will focus on the sins of gluttony, greed, and lust through symbolic imagery. Gluttony will be represented by a woman pouring black paint from a milk carton. Greed will feature a woman showered in gold glitter and dollar bills. Lust will show a woman surrounded by masked men in suits with a red rose alluding to multiple partners. The target audience is identified as young adult females who identify with indie styles and trends. Inspiration is taken from art house and expressionist styles with symbolic, surrealist imagery and montage elements. Potential filming locations are also proposed.
Nat's Pitch
This document outlines a plan for a music video that aims to break stereotypes about groups like emos, goths, and punks. It will tell the story of a girl (Lexi) going through a breakup but learning that she has friends who care about her. The target audience is teenagers who like upbeat alternative music. The video aims to show through its storyline and genre (punk music) that people of these subcultures can still have fun and not always be sad, challenging preconceptions people may have. It relates this goal to cognitive dissonance and reception theories about changing viewpoints.
Music video - Pitch
The document proposes ideas for a music video to promote Lana Del Rey's song "Gods and Monsters". It will focus on the biblical sins of gluttony, greed, and lust through symbolic imagery. Three women will represent each sin - gluttony through pouring black paint, greed through gold and money, and lust through being surrounded by masked men. The target audience is identified as alternative young women aged 16-25 who can relate to the themes. Inspiration will be drawn from art house and surrealist styles with symbolic, non-narrative visuals and montages. Potential filming locations are also proposed.
Treatment: Naive City
The document outlines a proposed film about two socially outcast teenagers from different worlds who find unexpected love. The film will be set in Greenwich and follow Josh, an 18-year-old musician, and Poppy, a 17-year-old photographer who has recently moved there. Through split-screen sequences, the audience will see similarities in their lives that the characters are unaware of. The target audience is 12-19 year olds and the film will have elements of comedy and romance.
Music video pitch
The music video pitch proposes using the song "Won't Let You Go" by James Morrison. It will tell the story of a 16-18 year old girl struggling with depression after a breakup who meets a new boyfriend. He promises to support her and not let her go. Scenes will be filmed in domestic and rural settings to reflect isolation but end positively. The video aims to portray modern relationship and mental health issues while having a hopeful message. Actors aged 17-19 are needed who can convincingly portray the relationship with maturity and sincerity.
Blog Task 2
The document discusses a pop video created to promote the song "We Are From Venice" by The Bloody Beetroots. The video aimed to portray the gritty and urban style of the song through documentary-style camerawork and a narrative of conflict between gangs. It also established the artist's image as original, rebellious, and talented. Additionally, the document discusses how a magazine advert and digipak were designed to further promote the artist's tour and distinctive style.
Task 2
The document discusses how to construct a star image through creative choices in a music video, digipak cover, and poster. It emphasizes using direct eye contact and close-ups to portray the star as powerful, dominant, and sexually appealing. Specific shots and poses are suggested to enhance the star's strength, freedom, and rebellious attitude. The target demographic is identified as teenagers and young adults due to the youthful, creative image of the band. Distribution strategies aim to appeal to this demographic through music videos on MTV and magazine interviews.
Media Pitch
This pitch presentation proposes a music video for the song "Bloodstream" by Ed Sheeran featuring Rudimental. The video will portray teenage stereotypes about drugs, alcohol, and antisocial behavior but then reveal a tragedy that challenges the audience's assumptions. It will have a slow, grainy style influenced by Ed Sheeran's "A Team" video. Additionally, the group will create a digipack including a poster, album cover and disc to accompany the music video. Their unique selling point is an artist who opposes stereotypes through meaningful music and appeals to audiences through an identifiable yet modest style.
Lyrics Analysis
The song "Price Tag" by Jessie J criticizes the commercialization and materialism of the music industry. It encourages people to make music because they enjoy it rather than just for money and sales. The song features collaborators "Coconut Man", "Moonhead", and "Pea". Through her lyrics and performance, Jessie J conveys that music should be about bringing people together and making them happy rather than prioritizing money.
Jessie j digipak advert
The digipak advert promotes Jessie J's album by featuring her at the center to make clear she is the focus. She looks confidently at the camera, showcasing her fiery personality fans experience in performances. Black and gold colors are used consistently, with gold representing prestige and black sexuality, styling Jessie J in black to appeal sexually. The record label Universal Republic is credited for producing the album, allowing them to raise their profile through her fans. The advert notes this is Jessie J's debut album, which includes a number one international single, helping widen her audience by appealing to those impressed by her rapid rise to fame.
Ideas for our music video
The group discussed ideas for their music video project. They considered several song options but ultimately chose "Girl Just Wanna Have Fun" by Cyndi Lauper as it appealed to their target age range audience of 14-25. They also selected the name S.T.A.Rz for their record label, with the letters representing each group member. Locations were discussed and they decided on shooting locally at their school or a nearby area for ease of equipment transport and health and safety reasons. Each student was assigned a verse to storyboard their ideas to incorporate everyone's contributions.
The way i do powerpoint
The document outlines plans for a music video summarizing key details in 3 sentences:
The music video will tell the story of a girl who chooses to take her life into her own hands and do things her way instead of how her religion expects, drawing inspiration from songs by Alison Wonderland, Lady Gaga, and REM. Costumes will show the girl's rebellion through dark clothing contrasting with innocence conveyed through white, with settings switching between a church and desolate areas. Shots and editing will follow the beat of the undiscovered artist's song and cut between locations to compare and contrast the girl's journey.
Andrew Goodwin's Theory
Andrew Goodwin's theory identifies several key features of music videos:
1) Links between lyrics and visuals - the images in a music video usually illustrate, amplify, or contradict the song's lyrics.
2) Voyeurism - music videos often depict notions of looking through mirrors, screens, cameras to engage the viewer.
3) Objectification of women - women are particularly subjected to voyeuristic objectification to appeal to male viewers.
4) Demands of record labels - record labels exert control over artists and shape their image to maximize profits, often demanding close-ups and sexualization of stars.
Question 5
The document discusses how the film group attracted their audience for the film "Wraith" through various means. They gained feedback from different age groups, and found younger adults preferred it more than those over 65. They also targeted their action/thriller genre at males aged 15-30 by making it more of an espionage thriller. Additionally, they were influenced by the Jason Bourne style of action sequences and aimed to recreate that. Finally, the revenge-based narrative around a man avenging his parents' death was intended to appeal to action genre fans.
Question 2
This document summarizes how the media product represents different social groups through its characters. It represents:
- Class: The characters are from the middle class (social status B) based on their clothing and language.
- Race: The protagonist is mixed race, and three other characters are white while one is of mixed ethnicity.
- Age: The target audience is 15-23 years old, and the protagonist is 17 to seem innocent and gain sympathy.
- Gender: Males are portrayed in a modern way, with power and vulnerability. The ratio of males to females is 6:1.
- Sexuality: The portrayed sexuality is heterosexual, seen through the masculine protagonist, confirming male stereotypes.
BlueSkyStudios Initial Audience Survey
The survey results showed that the target audience for the music video was 16-19 year olds and 20-25 year olds. The majority of respondents were female. Rural settings and woods were popular location choices. Love was the preferred theme. Participants wanted to see a narrative video with performance elements, inspired by the film Up. While solo artists like Ed Sheeran and George Ezra were popular, over 60% wanted to see a band. Mumford and Sons were suggested as a band with a similar style. The video should have a gender balance and feature quirky, original clothing to appeal to indie fans. Most watch music videos for the story.
Music video analysis laura and katie
The document provides summaries of music videos for 6 songs:
1) Beyoncé's "Love on Top" uses imagery that emphasizes Beyoncé's strength and central role.
2) Sam Smith's "La La La" depicts children who don't want to listen to their parents and leave home with friends.
3) Calvin Harris and Ellie Goulding's "I Need Your Love" shows the strong bond between the two through close-ups of their intimate interactions.
4) Ellie Goulding's "Burn" represents the lyrics through lighting imagery that makes the main character the focal point.
5) Rudimental's "Waiting All Night" tells a true story through found
Spike jonze
Spike Jonze is a renowned music video and film director known for his distinctive and creative works. In this video for "Y Control" by Yeah Yeah Yeahs, Jonze explores the concept of a lack of control through scenes of humorous fake violence enacted by violent children in an abandoned house. Frontwoman Karen O commands attention through her exaggerated performance in a bright red leotard. Her star image in this video as feisty, attractive and sexually provocative matched later promotional material and represented a departure from their earlier, more subdued style. Throughout the video, the audience is given full consideration through close-ups of Karen performing directly to the camera.
SAP Technical Consultant
Kawish Noor is seeking a challenging career as an SAP Technical Consultant where he can utilize his skills and experience. He has over 5 years of experience implementing and supporting SAP projects. He is currently working as an SAP Technical Consultant and has expertise in ABAP, reporting, data migration, and SAP NetWeaver Gateway. Kawish Noor is looking to contribute his technical skills and project experience to help organizations grow and develop.
dotCSS - 14th of November, 2014
In this slides I have tried to go through and recap the most interesting topics which have been presented at dotCSS conference at Paris, 2014. See http://dotcss.eu for details.
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Publishing Company Pitch
1) Jamari Hodges is pitching his friend and rap artist Asafum Quavo to Universal Music Publishing Group for a publishing deal.
2) Asafum is a rap artist from Wrightsville, Georgia who draws influence from artists like Big Sean, Drake, and J Cole.
3) Jamari feels Universal Music Publishing Group would be a good fit because they have ties to Universal Music Group, provide tools for artists to thrive, and represent a diverse roster including Billie Eilish, Post Malone, and Taylor Swift.
Music video
The document discusses plans for a music video for the song "God's and Monsters" by Lana Del Rey. It will focus on the sins of gluttony, greed, and lust through imagery representing indulgence, wealth, and sexuality. Three women will symbolize each sin through actions like pouring black paint or being surrounded by masked men. The target audience is identified as young adult females who identify with indie culture. Inspiration comes from art house and surrealist styles seen in other music videos. Locations being considered include pools, libraries, and meadows that reflect the desired aesthetic and themes.
Music video
The document discusses initial ideas for a music video by Lana Del Rey for the song "Gods and Monsters". It will focus on the sins of gluttony, greed, and lust through symbolic imagery. Gluttony will be represented by a woman pouring black paint from a milk carton. Greed will feature a woman showered in gold glitter and dollar bills. Lust will show a woman surrounded by masked men in suits with a red rose alluding to multiple partners. The target audience is identified as young adult females who identify with indie styles and trends. Inspiration is taken from art house and expressionist styles with symbolic, surrealist imagery and montage elements. Potential filming locations are also proposed.
Nat's Pitch
This document outlines a plan for a music video that aims to break stereotypes about groups like emos, goths, and punks. It will tell the story of a girl (Lexi) going through a breakup but learning that she has friends who care about her. The target audience is teenagers who like upbeat alternative music. The video aims to show through its storyline and genre (punk music) that people of these subcultures can still have fun and not always be sad, challenging preconceptions people may have. It relates this goal to cognitive dissonance and reception theories about changing viewpoints.
Music video - Pitch
The document proposes ideas for a music video to promote Lana Del Rey's song "Gods and Monsters". It will focus on the biblical sins of gluttony, greed, and lust through symbolic imagery. Three women will represent each sin - gluttony through pouring black paint, greed through gold and money, and lust through being surrounded by masked men. The target audience is identified as alternative young women aged 16-25 who can relate to the themes. Inspiration will be drawn from art house and surrealist styles with symbolic, non-narrative visuals and montages. Potential filming locations are also proposed.
Treatment: Naive City
The document outlines a proposed film about two socially outcast teenagers from different worlds who find unexpected love. The film will be set in Greenwich and follow Josh, an 18-year-old musician, and Poppy, a 17-year-old photographer who has recently moved there. Through split-screen sequences, the audience will see similarities in their lives that the characters are unaware of. The target audience is 12-19 year olds and the film will have elements of comedy and romance.
Music video pitch
The music video pitch proposes using the song "Won't Let You Go" by James Morrison. It will tell the story of a 16-18 year old girl struggling with depression after a breakup who meets a new boyfriend. He promises to support her and not let her go. Scenes will be filmed in domestic and rural settings to reflect isolation but end positively. The video aims to portray modern relationship and mental health issues while having a hopeful message. Actors aged 17-19 are needed who can convincingly portray the relationship with maturity and sincerity.
Blog Task 2
The document discusses a pop video created to promote the song "We Are From Venice" by The Bloody Beetroots. The video aimed to portray the gritty and urban style of the song through documentary-style camerawork and a narrative of conflict between gangs. It also established the artist's image as original, rebellious, and talented. Additionally, the document discusses how a magazine advert and digipak were designed to further promote the artist's tour and distinctive style.
Task 2
The document discusses how to construct a star image through creative choices in a music video, digipak cover, and poster. It emphasizes using direct eye contact and close-ups to portray the star as powerful, dominant, and sexually appealing. Specific shots and poses are suggested to enhance the star's strength, freedom, and rebellious attitude. The target demographic is identified as teenagers and young adults due to the youthful, creative image of the band. Distribution strategies aim to appeal to this demographic through music videos on MTV and magazine interviews.
Media Pitch
This pitch presentation proposes a music video for the song "Bloodstream" by Ed Sheeran featuring Rudimental. The video will portray teenage stereotypes about drugs, alcohol, and antisocial behavior but then reveal a tragedy that challenges the audience's assumptions. It will have a slow, grainy style influenced by Ed Sheeran's "A Team" video. Additionally, the group will create a digipack including a poster, album cover and disc to accompany the music video. Their unique selling point is an artist who opposes stereotypes through meaningful music and appeals to audiences through an identifiable yet modest style.
Lyrics Analysis
The song "Price Tag" by Jessie J criticizes the commercialization and materialism of the music industry. It encourages people to make music because they enjoy it rather than just for money and sales. The song features collaborators "Coconut Man", "Moonhead", and "Pea". Through her lyrics and performance, Jessie J conveys that music should be about bringing people together and making them happy rather than prioritizing money.
Jessie j digipak advert
The digipak advert promotes Jessie J's album by featuring her at the center to make clear she is the focus. She looks confidently at the camera, showcasing her fiery personality fans experience in performances. Black and gold colors are used consistently, with gold representing prestige and black sexuality, styling Jessie J in black to appeal sexually. The record label Universal Republic is credited for producing the album, allowing them to raise their profile through her fans. The advert notes this is Jessie J's debut album, which includes a number one international single, helping widen her audience by appealing to those impressed by her rapid rise to fame.
Ideas for our music video
The group discussed ideas for their music video project. They considered several song options but ultimately chose "Girl Just Wanna Have Fun" by Cyndi Lauper as it appealed to their target age range audience of 14-25. They also selected the name S.T.A.Rz for their record label, with the letters representing each group member. Locations were discussed and they decided on shooting locally at their school or a nearby area for ease of equipment transport and health and safety reasons. Each student was assigned a verse to storyboard their ideas to incorporate everyone's contributions.
The way i do powerpoint
The document outlines plans for a music video summarizing key details in 3 sentences:
The music video will tell the story of a girl who chooses to take her life into her own hands and do things her way instead of how her religion expects, drawing inspiration from songs by Alison Wonderland, Lady Gaga, and REM. Costumes will show the girl's rebellion through dark clothing contrasting with innocence conveyed through white, with settings switching between a church and desolate areas. Shots and editing will follow the beat of the undiscovered artist's song and cut between locations to compare and contrast the girl's journey.
Andrew Goodwin's Theory
Andrew Goodwin's theory identifies several key features of music videos:
1) Links between lyrics and visuals - the images in a music video usually illustrate, amplify, or contradict the song's lyrics.
2) Voyeurism - music videos often depict notions of looking through mirrors, screens, cameras to engage the viewer.
3) Objectification of women - women are particularly subjected to voyeuristic objectification to appeal to male viewers.
4) Demands of record labels - record labels exert control over artists and shape their image to maximize profits, often demanding close-ups and sexualization of stars.
Question 5
The document discusses how the film group attracted their audience for the film "Wraith" through various means. They gained feedback from different age groups, and found younger adults preferred it more than those over 65. They also targeted their action/thriller genre at males aged 15-30 by making it more of an espionage thriller. Additionally, they were influenced by the Jason Bourne style of action sequences and aimed to recreate that. Finally, the revenge-based narrative around a man avenging his parents' death was intended to appeal to action genre fans.
Question 2
This document summarizes how the media product represents different social groups through its characters. It represents:
- Class: The characters are from the middle class (social status B) based on their clothing and language.
- Race: The protagonist is mixed race, and three other characters are white while one is of mixed ethnicity.
- Age: The target audience is 15-23 years old, and the protagonist is 17 to seem innocent and gain sympathy.
- Gender: Males are portrayed in a modern way, with power and vulnerability. The ratio of males to females is 6:1.
- Sexuality: The portrayed sexuality is heterosexual, seen through the masculine protagonist, confirming male stereotypes.
BlueSkyStudios Initial Audience Survey
The survey results showed that the target audience for the music video was 16-19 year olds and 20-25 year olds. The majority of respondents were female. Rural settings and woods were popular location choices. Love was the preferred theme. Participants wanted to see a narrative video with performance elements, inspired by the film Up. While solo artists like Ed Sheeran and George Ezra were popular, over 60% wanted to see a band. Mumford and Sons were suggested as a band with a similar style. The video should have a gender balance and feature quirky, original clothing to appeal to indie fans. Most watch music videos for the story.
Music video analysis laura and katie
The document provides summaries of music videos for 6 songs:
1) Beyoncé's "Love on Top" uses imagery that emphasizes Beyoncé's strength and central role.
2) Sam Smith's "La La La" depicts children who don't want to listen to their parents and leave home with friends.
3) Calvin Harris and Ellie Goulding's "I Need Your Love" shows the strong bond between the two through close-ups of their intimate interactions.
4) Ellie Goulding's "Burn" represents the lyrics through lighting imagery that makes the main character the focal point.
5) Rudimental's "Waiting All Night" tells a true story through found
Spike jonze
Spike Jonze is a renowned music video and film director known for his distinctive and creative works. In this video for "Y Control" by Yeah Yeah Yeahs, Jonze explores the concept of a lack of control through scenes of humorous fake violence enacted by violent children in an abandoned house. Frontwoman Karen O commands attention through her exaggerated performance in a bright red leotard. Her star image in this video as feisty, attractive and sexually provocative matched later promotional material and represented a departure from their earlier, more subdued style. Throughout the video, the audience is given full consideration through close-ups of Karen performing directly to the camera.
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Mr brightside pitch original
This document outlines a pitch for a music video for the song "Mr. Brightside" by the band JAR Productions. It will tell a story of a rocky relationship through actors and band performances. The band members and actors will wear appropriate costumes. Scenes will take place in locations like a field, music room, and main stage. The video aims to reflect themes from the song like love, betrayal, and lies. The target audience is teenagers aged 13-17, and the video hopes to appeal to them through using age-appropriate actors and relatable school-focused locations and costumes.
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Treatment 1
The document proposes a music video treatment for Jessie J's song "Sweet Talker". It recommends casting a main female performer and backup dancers to lip sync and choreograph to the upbeat pop/R&B song about self-confidence and love. Potential video locations include a car park, theatre, dressing room and dance studio. The target audience is ages 16-27 and the video would be distributed on YouTube, Vimeo, Facebook and Twitter.
Concept pitch presentation
We have been instructed to create a presentation on pitching our concept so I have put together a PowerPoint with all our mood boards, our talents biography, screen testing and the lyrics of our chosen song (annotated). We have to present it next lesson.
Media Pitch
This document outlines a student music video project for the song "Monsters" by the indie band I Set The Sea On Fire. The narrative will follow the lead singer as he goes for a walk to clear his head and meets with other band members who support him. Key elements that will be pastiched from other music videos include scenes of the band walking together across Sheffield synchronized to the beat, the lead singer running from his problems and meeting band members, and including a performance location. Specific filming locations, costumes, actors, and permissions needed are also discussed.
Secondary Research-Audience
The document discusses plans for a music video adaptation of a Leonard Cohen song. It will portray a romantic narrative involving a betrayal between a male and female couple. To challenge gender stereotypes, the female role will be modified so that she is the powerful character who leaves the male heartbroken. The video will be filmed in Essex, England and portray the stereotypes of that region while telling a national British story. The target audience is 16-25 year olds from working class socioeconomic groups who seek escapism. The video will belong to the romance genre and include conventions like a love story but challenge norms like traditional gender roles.
Music Video Pitch
The document discusses plans for a music video for the song "Everyday Was" by Black Milk featuring Mel. It will feature an artist named "XS Stax", a 19-24 year old black male, and possibly a black or white female artist. The video aims to show the struggles of the male artist's childhood in poor areas of London through a mix of performance shots in the studio and narrative shots conveying his background. Influences include other hip hop artists' gritty, nostalgia-evoking visual styles.
Secondary audience research
The document discusses research on the target secondary audience for a music video based on Leonard Cohen's song "Hallelujah." It will feature a modified gender role where the female character has power over the heartbroken male. The target audience is identified as 16-25 year olds in the working class living in Essex, England. The video will challenge conventions by portraying a counterstereotypical relationship and include representations of independent women and stereotypes of London.
Group Presentation for our Artist and Music Video
- The document describes Izabel Beau, a 19-year-old pop artist based in London. She draws inspiration from artists like Pixie Lott and Ellie Goulding.
- Her target audience is described as females aged 12-25 who enjoy pop music, dancing, and bright colors. A concept for her debut music video is outlined, focusing on a young girl who uses ballet as an escape from her parents' unhappy marriage.
- Details are provided on how the music video will incorporate conventions of the pop genre through its visuals, music, and narrative connections to the song's lyrics. Locations and costumes are also discussed.
Group presentation for music video
- The document describes Izabel Beau, a 19-year-old pop artist based in London. She draws inspiration from artists like Pixie Lott and Ellie Goulding.
- Her target audience is described as females aged 12-25 who enjoy pop music, dancing, and bright colors. A concept for her debut music video is outlined, focusing on a young girl who uses ballet as an escape from her parents' unhappy marriage.
- Details are provided about how the music video will incorporate elements of Goodwin's analysis, including visual references to the song's lyrics and use of conventions like close-ups to promote the pop genre.
Pitch 1
The document discusses plans for a music video for a song. It will tell a narrative story of a boy trying to win over a girl he loves, matching the song's lyrics. It will have a black and white, old fashioned style to represent the band's image. Scenes will include a performance, park, and bedroom. Costumes will be a smart casual look inspired by bands like The Killers and Imagine Dragons. The target audience is males aged 16-23 who enjoy the pop rock genre.
Treatment
The document provides details about producing a music video for the song "OMG" by Usher featuring will.i.am. It discusses taking inspiration from other R&B artist music videos including Jason Derulo's "Ridin' Solo" and Ne-Yo's "Beautiful Monster" for costume and choreography ideas. The proposed video would be filmed at a nightclub in Hartlepool called The Showroom and feature a young male dancer named Sean McNicholas performing Michael Jackson-inspired smooth moves to attract a main female dancer. Shot types and lighting effects are outlined to correspond with different parts of the song.
Representation in my music video
The document discusses representation in music videos. It notes that women are often sexualized through provocative dancing and clothing, while men are typically portrayed as masculine and dominant. Some artists like Adele, Meghan Trainor and Lorde challenge these stereotypes with empowering lyrics and avoiding sexual objectification. The document also discusses using lighting, costumes, and location to positively portray the female artist as confident and trendy without relying on stereotypes. Audience research was conducted to appeal to the target demographic of 17-21 year old girls by including relatable elements like biking.
Treatment sheet
The document provides details for a music video project to promote an unsigned artist, Charlotte Houston. It includes information
Pitchy 3
The document discusses the group's process for choosing a song for their music video project. They brainstormed ideas and themes they wanted to incorporate. Initial ideas included filming outdoors in fields with colorful plants and having retro-style clothing. They considered three songs - "Put Your Records On" by Corinne Bailey Rae, "Your Song" by Ellie Goulding, and "Walking On Sunshine" by Katrina and the Waves. Choosing between the songs was difficult. They created pitches for their video ideas and got feedback from peers and their teacher. Ultimately, they chose "Put Your Records On" because the teacher was enthusiastic about their concepts and locations. The document outlines their artist persona, audience,
Pitch
- The group will create a music video for the song "The Mrs" by Potter Payper featuring their artist ST, an abbreviation for "StoryTeller".
- ST will be portrayed as coming from a rough background in Hackney and trying to leave his past of crime and gang affiliation behind by telling stories through his music.
- The video will use locations in run-down parts of East or South London to portray ST's past struggles and pain through a narrative that references crime while avoiding directly glorifying violence.
- Social media like YouTube and Soundcloud will be used to promote ST and appeal to a male audience aged 13-23 from urban UK backgrounds who can relate to the song.
Treatment Sheet.
The document provides background information on the song "OMG" by Usher featuring will.i.am. It discusses the music video being created for the song, including details about the location, costumes, dancing, choreography, and specific shots that will be used to depict different parts of the lyrics. The video aims to capture Usher's performance ability at a superstar level and take viewers on a journey through the song visually and audibly.
Secondary audience research
The document discusses research conducted for a music video targeting a secondary audience. The target audience is identified as being mainly female, British, aged 16-25 years old, from the Essex region of England. Socioeconomic classes E and D, comprising the unemployed, casual workers, pensioners, and working class, are identified as seeking escapism through media like music. The planned music video will tell a romance story using conventions like a heterosexual couple and café setting. It will be distributed by record labels known for romance genres and portray countertypical representations of gender. The video type is a narrative and will appear on channels like 4Music and Magic that target 13-20 year olds.
Group Music video pitch.
The document outlines a music video pitch for Gary Jules' song "Mad World" in the genres of indie, R&B and folk. It includes details on the concept, tone, locations, characters, and timeline. Research was conducted on similar genre videos. The narrative will show a relationship breaking up through flashbacks. Filming permits are pending for locations in London.
Group presentation for music video
This document provides background information on the pop artist Izabel Beau. It describes her as a 19-year-old London native who uses music as an escape from her difficult childhood. She was influenced by pop artists like Pixie Lott and Ellie Goulding. The document then gives demographics about her target audience of 12-25 year old females and outlines a proposed narrative and filming details for a music video about a ballet dancer that reflects Izabel's childhood struggles. It discusses applying film techniques and Andrew Goodwin's analysis of pop music videos to portray the artist and genre appropriately.
Pitchy 3
The group discussed ideas for their music video, including filming outdoors, using multiple tracks, and contrasting stereotypes. They considered three songs - by Corrine Bailey Rae, Ellie Goulding, and Katrina and the Waves - and chose Corrine Bailey Rae's "Put Your Records On" after pitching their ideas to their teacher. The video will feature floral clothing, fields, and a guitar or records to connect to the song while differing from the original. The target audience is feminist women ages 14-19 who enjoy music, dancing, and drama. Locations will include Hampstead Heath, Camden Canal, and a disused railway, incorporating elements of illustration and disjuncture from the song. A
Audience profile
The music video is aimed primarily at females ages 18-21 from a middle-class background. This is because the lead role is a female exploring her identity and belonging after a breakup, which many viewers of that age and gender can relate to. Additionally, the bright colors and unique editing are intended to attract female viewers. The themes of self-exploration and overcoming problems represented by the young female actor also align with the experiences of that adolescent age group. While the locations featured suggest a middle-class audience, the production is not intended to exclude other social classes or statuses.
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Prop and location_list (2)
The document lists the props and locations needed for shooting a music video. The prop list includes musical instruments, costumes for different scenes, and other props like a lighter and mobile phone. The location list provides details on booking the school stage, music practice room, local park, and field to shoot scenes of the band performing, practicing, and interacting with characters. All locations and props are chosen to realistically portray the band and move the narrative forward.
Prop and location_list
This document contains two lists, one for props and one for locations needed for an upcoming scene. The prop list includes what props are required while the location list specifies where a scene will take place and provides reasoning for location choices. Both lists give additional details to aid in planning and preparation for a scene shoot.
Survey results
The document lists potential costumes, locations, and props for a music video. It analyzes the results and identifies that the costumes chosen will be a school uniform and jeans with a t-shirt. The locations selected are the main stage, recording studio, music center, and a field. The props that will be included are a cigarette, musical instruments, and a mobile phone.
Mr Brightside Storyboard
The document provides editing notes and instructions for shooting a music video set to the song "Mr. Brightside" by The Killers. It describes 10 shots, including establishing shots of the band performing, flashback scenes showing characters' backstories, and shots advancing the narrative between the song's lyrics. The shots are to be filmed in both indoor and outdoor locations, incorporating changes in lighting, camera angles, and color effects to distinguish flashbacks from the present. The document aims to seamlessly edit the shots together to visualize the song's lyrics and story.
Risk assessment park
This risk assessment checklist summarizes the risks and safety procedures for filming a music video at Codsall High School park. It identifies falling, objects from trees, animal attacks, and electrocution from rain as potential hazards and rates them as unlikely but possibly major risks. Preventative methods include being careful, avoiding trees with loose objects, keeping animals away, and monitoring weather. The procedures in case of an accident include checking for injuries and seeking first aid as needed or calling 999 for electrocution. Contact details and consent forms have been obtained for participants.
Risk assessment field
This risk assessment checklist summarizes the risks and safety procedures for a film shoot at Codsall High School field. It identifies slipping on wet grass, tripping, and weather issues like rain as potential hazards. Preventative methods include choosing a dry area to film, being careful while filming, and stopping if it rains. The checklist confirms first aid locations and that equipment has been safety tested. Contact details for participants are also on file.
Risk assessment school stage
This risk assessment checklist summarizes the health and safety procedures for a student film shoot at Codsall High School. It confirms that contact details have been obtained, fire exits are clearly marked and clear, electrical equipment has been PAT tested, and liquids are kept away from devices. Potential hazards of falling from the stage, tripping, or falling lights are identified as remote but major risks. Preventative methods such as using mats, watching footsteps, and securing lights are outlined. The plan is to check for injuries and seek assistance if an accident occurs.
Who did what - media A Level
The document lists who completed various tasks for a group project. Amy contributed research, meeting minutes, presentations, and documents. Joshua conducted interviews and created documents. Rebekah researched, annotated lyrics, contributed to presentations, and had a meeting. Megan helped initially but left the project, while others collaborated on elements like the treatment, pitch, storyboard, and problem solving.
Brand image
Our band originally had an image that made them seem like a school band, but we wanted a more mature look. We decided to model our image after bands like McFly and Panic at the Disco that have a similar sound to our music and wear smart casual clothing like white tees, dark jeans, shirts and ties. Our brand color is red, a popular color among pop bands. This new image suits our target audience because it presents the band as more than just a boy band, showing they care about the music rather than just their appearance.
Risk assessment - Park
This risk assessment checklist for an outdoor filming project at a park/external location identifies several potential hazards and risks that were not adequately addressed. It notes that contact details for venues and artists are missing, as well as information about fire exits, first aid, equipment testing, and participant medical conditions. While some precautions are identified, many risks were deemed likely or major without sufficient preventative methods outlined.
Risk assessment school stage
This risk assessment checklist identifies potential hazards for a media filming project at Codsall High School stage. It notes that while fire exits are clear and equipment has been visually checked, consent forms are incomplete and equipment has not been PAT tested. Preventative methods include taping cables, being aware of trip hazards, and securing lighting to reduce risks of falling or tripping. The assessment concludes by noting actions to check for injuries and seek assistance if an accident occurs.
Risk assessment field
This risk assessment checklist summarizes potential hazards for a film shoot at Codsall High School field:
- Slipping on wet grass is identified as a potential hazard but assessed as unlikely and minor risk. Preventative methods include checking the filming patch is dry.
- Tripping while filming is also assessed as unlikely and minor, with the preventative method being taking care while stepping.
- Weather inconveniences like snow or heat are assessed as unlikely and minor, with choosing an appropriate filming day as prevention.
- Rain water electrocuting cameras from the rain is assessed as unlikely but major risk, with stopping filming if it rains and calling 999 as emergency response.
Survey results
The document summarizes costume, location, and prop choices for a video based on survey results. School uniforms, jeans and t-shirts were the top costume choices. Main stage, recording studio, music center, and field received the most votes for locations. Instruments, cigarettes, and mobile phones were selected as the preferred props.
Questionnaire results – adults (30 40 years)
The document summarizes the results of a survey given to adults between 30-50 years old about their music video preferences. It finds that this age group prefers rock music, does not judge songs based on their music videos, and likes videos that tell a narrative story over simply showing a band's performance. They also prefer watching music videos on TV rather than social media and are more likely to view bands with a mixed gender makeup in a professional concert setting. The conclusion is that this age group is not the target audience for a pop band aimed at teenagers.
Questionnaire
This document contains a 9 question music video questionnaire. The questions ask about favorite music videos and artists, how music videos impact music purchases, preferred music video viewing methods, favorite music genres, what appeals most in music videos, preferred band gender makeup, and preferred performance and narrative styles in music videos. The questionnaire is gathering input from respondents on their preferences regarding various elements of music videos.
Questionnaire results – young adults (18 30 years)
The document summarizes the results of a questionnaire about music video preferences for young adults aged 18-30. It finds that they prefer rock music and watching videos on Kerrang! TV. They also prefer bands that are mixed gender and seen as professional in a concert setting, focusing on performance over narrative. However, the conclusion is that this age group is not the target audience for a music video being made for an all male pop band.
Questionnaire results – young adults (18 30 years)
The document summarizes the results of a questionnaire about music video preferences for young adults aged 18-30. It finds that they prefer rock music and watching videos on Kerrang! TV. They also prefer bands with mixed gender that are portrayed professionally in a concert setting. Additionally, performance-based videos are preferred over narrative-driven videos. The conclusion is that this age group is not the target audience for a music video about an all-male pop band.
Questionnaire results – older adults (50+ years)
The document summarizes the results of a questionnaire given to older adults over 50 about their music video preferences. Most respondents preferred the Spice Girls' "Wannabe" music video and said music videos do not impact their decision to buy a song. The majority watch music videos on Vintage TV and prefer classical music. They are most drawn to a music video's performance and prefer bands be mixed gender performing for a crowd in a concert environment. The narrative of the video is less important to them. This group would not be the target audience for the band due to their music and age preferences.
Questionnaire results
The document contains the results of a survey about music video preferences. It shows that:
- The most popular music video was McFly's "Five Colours In Her Hair".
- Teenagers prefer to watch pop music videos on social media and YouTube that feature both the band's performance and a narrative story.
- They prefer the band to be male and portrayed as "rebellious" in a school setting.
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Questionnaire results – young adults (18 30 years)
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
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The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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growth rate (CAGR) of 26.0%.
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdf
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
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Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
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Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Top IPTV UK Providers of A Comprehensive Review.pdf
The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Love
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
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Mr brightside pitch
- 1. Mr Brightside Pitch By JAR Productions
- 3. THE VISION Our band is made up of Matt (Keyboard and Vocals), Alistair (Drums), Joe (Bass), and Jordan (Guitar). They will be performing throughout the video as it will be made up of performance and narrative concepts. The narrative for this video will be played out by Joshua Smith, Lauren Worley, and Ashley Pemberton. This will show a rocky relationship which comes to head when Rebekah starts to cheat on Joshua. The band will appear at points where the narrative is taking place to link them together.
- 4. BRAND IMAGE • The impression of a product held by real or potential consumers.
- 5. LOCATION The locations we will be using are: • Field (houses as backdrop) • Music practice room • Main stage The locations we may also use are: • Civic Hall stage
- 6. COSTUMES The costumes which will be worn by the band are: • White shirt, black trousers and black tie (Red tie for Matt) • Black jeans and white shirt The costumes which will be worn by the actors are: • Red dress and attire for Lauren • Casual clothes such as jeans and a t-shirt for Joshua and Ashley
- 7. THEMES We thought that the song ‘Mr Brightside’ had a few themes such as love, betrayal, lies and stalking and we hope to reflect this in our music video by showing it through the actors or the bands emotions.
- 8. TARGET AUDIENCE Our target audience for our music video is going to be teenage males and females aged 13-17 as shown through our market research we have done. We hope to meet this by using age appropriate actors and have them in locations and costumes such as a school and school uniform to make them relatable. From doing questionnaires we have found out that our target audience like the idea of a rebellious school band so this is what we will have in our music video.