Nat's Pitch
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This document outlines a plan for a music video that aims to break stereotypes about groups like emos, goths, and punks. It will tell the story of a girl (Lexi) going through a breakup but learning that she has friends who care about her. The target audience is teenagers who like upbeat alternative music. The video aims to show through its storyline and genre (punk music) that people of these subcultures can still have fun and not always be sad, challenging preconceptions people may have. It relates this goal to cognitive dissonance and reception theories about changing viewpoints.
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Questionnaire results
The document discusses the results of a music questionnaire. It found that the target audience listens to indie, rock, and alternative bands like Bastille, Swim Deep, and The 1975. Most respondents said they prefer to buy albums rather than download music illegally. Younger people are more likely to download illegally. The questionnaire was aimed mainly at female respondents aged 17-20 who listen to music for 3-5 hours per day.
Potential artist A2 Media
Aaron Childree is a pop singer-songwriter from Atlanta, Georgia whose music combines inspirational lyrics with catchy melodies. His debut EP "So Much More to Say" and album "Above the Norm" are available on iTunes. He has a large fanbase from performing regularly in Atlanta and Orlando. Childree partners with charities for his music videos and donates profits from songs to charitable causes like Toys for Tots. His tours primarily cover Georgia due to his limited budget, with one additional tour in Florida.
Analysis of Feedback
The focus group provided mostly positive feedback on the music video ideas. They liked the use of smoke to represent the feelings of loss and being untouchable, as well as the color scheme matching the song's tone. They also felt the running horse imagery fit with the genre of indie pop by symbolizing chasing one's interest. However, some suggested changing the studio scene with smoke and silhouettes to only show the man and not the woman, but the creators decided to keep both to keep the focus balanced between the male and female perspectives in the song.
Analysis of Feedback
The majority of feedback from the focus group was positive. They liked the symbolism of smoke representing the protagonist's lost love interest being untouchable. They also agreed that the color scheme fit the tone of the song. Finally, they felt the image of a horse running in a field represented the protagonist chasing her interest. However, some felt showing both the male and female silhouettes in the studio scene would be confusing, but the creators decided to keep both to keep the focus on both characters in the video.
Questionnaire
The document summarizes the results of a questionnaire about preferences for a music video. It was completed by mainly female respondents aged 14-25. Based on the results, the music video will have a narrative style with surreal elements, pale colors or black and white, focus on the female singer and other actors, include outdoor and multiple locations, and have a small animated section. Key preferences were for a narrative, pale colors, female singer, inclusion of other actors, outdoor locations, and some animation.
Yas, Tilly, Emma & Hannah Musical Pitch
The document summarizes research for a proposed teen web show about four girls at a performing arts school. It found that audiences for similar genres like dance films, scripted reality shows, and Glee were in the millions, showing strong potential interest. The show would follow the girls' friendships, ambitions at school, and navigate tensions between discipline and freedom. It outlined characters, settings, and themes around talent, relationships, and pursuing dreams. Strengths included wide appeal, but weaknesses were that the genre has been done before so it needs an edge.
Target Audience
The target audience for The Weeknd's music is 16-19 years old, with some fans up to early 20s. Both male and female fans listen to his music equally. The target market falls within social demographics A, B, C1 and D, so they are likely still in education and living with parents without a full-time job. They enjoy spending time with friends as well as alone, and have interests in fashion, music, cinema, shopping, parties and concerts. They appreciate various genres of film, TV, pop, rap and alternative R&B music like The Weeknd, Drake and Hozier. Fans connect to his songs because the lyrics seem personally meaningful based on his experiences.
Music video audience profile
This document discusses the target audience for a music video by an all-girl pop group. The target audience is teenagers aged 16-25, primarily teenage girls, as the music video themes center around love, relationships, and female empowerment. To attract this audience, the group members will star in the video themselves to appeal to viewers of a similar age. The video will feature pop music, a popular genre, to attract both male and female teens. The target demographic is teenagers of all races, classes, and locations in southeast London. The psychographics discuss interests like socializing and appearance as relevant to the target audience.
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Questionnaire results
The document discusses the results of a music questionnaire. It found that the target audience listens to indie, rock, and alternative bands like Bastille, Swim Deep, and The 1975. Most respondents said they prefer to buy albums rather than download music illegally. Younger people are more likely to download illegally. The questionnaire was aimed mainly at female respondents aged 17-20 who listen to music for 3-5 hours per day.
Potential artist A2 Media
Aaron Childree is a pop singer-songwriter from Atlanta, Georgia whose music combines inspirational lyrics with catchy melodies. His debut EP "So Much More to Say" and album "Above the Norm" are available on iTunes. He has a large fanbase from performing regularly in Atlanta and Orlando. Childree partners with charities for his music videos and donates profits from songs to charitable causes like Toys for Tots. His tours primarily cover Georgia due to his limited budget, with one additional tour in Florida.
Analysis of Feedback
The focus group provided mostly positive feedback on the music video ideas. They liked the use of smoke to represent the feelings of loss and being untouchable, as well as the color scheme matching the song's tone. They also felt the running horse imagery fit with the genre of indie pop by symbolizing chasing one's interest. However, some suggested changing the studio scene with smoke and silhouettes to only show the man and not the woman, but the creators decided to keep both to keep the focus balanced between the male and female perspectives in the song.
Analysis of Feedback
The majority of feedback from the focus group was positive. They liked the symbolism of smoke representing the protagonist's lost love interest being untouchable. They also agreed that the color scheme fit the tone of the song. Finally, they felt the image of a horse running in a field represented the protagonist chasing her interest. However, some felt showing both the male and female silhouettes in the studio scene would be confusing, but the creators decided to keep both to keep the focus on both characters in the video.
Questionnaire
The document summarizes the results of a questionnaire about preferences for a music video. It was completed by mainly female respondents aged 14-25. Based on the results, the music video will have a narrative style with surreal elements, pale colors or black and white, focus on the female singer and other actors, include outdoor and multiple locations, and have a small animated section. Key preferences were for a narrative, pale colors, female singer, inclusion of other actors, outdoor locations, and some animation.
Yas, Tilly, Emma & Hannah Musical Pitch
The document summarizes research for a proposed teen web show about four girls at a performing arts school. It found that audiences for similar genres like dance films, scripted reality shows, and Glee were in the millions, showing strong potential interest. The show would follow the girls' friendships, ambitions at school, and navigate tensions between discipline and freedom. It outlined characters, settings, and themes around talent, relationships, and pursuing dreams. Strengths included wide appeal, but weaknesses were that the genre has been done before so it needs an edge.
Target Audience
The target audience for The Weeknd's music is 16-19 years old, with some fans up to early 20s. Both male and female fans listen to his music equally. The target market falls within social demographics A, B, C1 and D, so they are likely still in education and living with parents without a full-time job. They enjoy spending time with friends as well as alone, and have interests in fashion, music, cinema, shopping, parties and concerts. They appreciate various genres of film, TV, pop, rap and alternative R&B music like The Weeknd, Drake and Hozier. Fans connect to his songs because the lyrics seem personally meaningful based on his experiences.
Music video audience profile
This document discusses the target audience for a music video by an all-girl pop group. The target audience is teenagers aged 16-25, primarily teenage girls, as the music video themes center around love, relationships, and female empowerment. To attract this audience, the group members will star in the video themselves to appeal to viewers of a similar age. The video will feature pop music, a popular genre, to attract both male and female teens. The target demographic is teenagers of all races, classes, and locations in southeast London. The psychographics discuss interests like socializing and appearance as relevant to the target audience.
Ta 4kicks
The target audience for an indie/alternative rock music band and video is youths and young adults aged 15-25. Research through questionnaires found that 70% of people in this age group prefer the indie genre. The likes of this audience include being sociable yet independent, and music videos in the genre often depict urban backgrounds reflecting their social class. To best meet the needs of this target audience, the music video for the band will be concept-based, as most respondents indicated a preference for this style over performance-based or narrative videos.
Gender analysis
The video for Robin Thicke's "Blurred Lines" portrays women in a sexualized and stereotypical manner through their revealing clothing, positioning as followers like goats, and portrayal as objects for the male gaze. Throughout the video, the men observe and sing to the women, treating them as animals and taking advantage of them sexually. The location is constantly pink/white, reinforcing stereotypes of femininity, and the lyrics further objectify and insult the women. Overall, the video uses its visuals and sounds to sexually objectify and assert male dominance over women.
Week 4 representation
This document discusses representation and stereotypes. It begins by outlining what students already know about how representation is shaped by technical elements like camerawork, editing, and mise-en-scene. It then discusses Walter Lippmann's theory of stereotypes as an ordering process, a shortcut, and something that refers to and expresses our values and beliefs. Next, it examines Tessa Perkins' argument that stereotypes are not always negative, rigid, or untrue. It concludes by noting representation of gender must be considered in all projects and discussing concepts like patriarchy, gender differences in portrayal, and objectification through the male gaze.
Demographics and target audience
The document discusses the demographics of typical fans of the bands Panic! At The Disco and Twenty One Pilots. It describes Panic! fans as mainly females aged 18-24 who enjoy music, video games, and are online over 50 hours per week. Twenty One Pilots fans are also mostly female aged 18-24 who see themselves as geeky and enjoy arts and crafts, dancing, and mobile applications. Both bands consider the demographics of their fans when creating music videos to appeal to their interests and personality traits.
Results From Questionnaire
This document discusses the target audience for an indie music video. The target audience is predominantly female aged 16-19 who consider themselves alternative. They prefer storyline-based music videos over mainstream music videos and enjoy bands that feature in the videos, though the band may not be able to appear. The audience shops mainly at Primark and charity stores.
Evaluation question three
The document summarizes what the creator learned from audience feedback on their music video and ancillary texts. They learned that while their greenscreen had issues, the overall video successfully fit the conventions of a country pop music video. However, it could have benefited from additional scenes to avoid repetitiveness. Feedback also confirmed that the performance and narrative structure suited the genre and target audience. Regarding ancillary texts, continuity of color scheme and fonts made the materials seem more professional. The guitar reinforced the country pop genre.
Music Video Target audience
The survey results showed that the target audience for the music video is 14-26 year olds who enjoy pop and indie music. Over 90% of respondents said they like watching music videos. Most respondents preferred outdoor settings like fields and forests for music videos. This is helpful for the creator since their song footage was mostly filmed in gardens and fields. The majority also said they enjoy seeing stories depicted in music videos, which matches the storytelling nature of the creator's song.
Question 5
We attracted our teenage audience by using a relatable main character who dresses and acts like a typical teenager. This allows teenage boys in the audience to identify with and admire the character. We also attracted the audience by making the story thrilling through techniques like low lighting and scary music that build tension as the character explores an abandoned house. Additionally, we engaged the audience by eliciting empathy for the lonely main character as he faces frightening situations alone, compelling viewers to continue watching to see how he progresses.
A2 Preparatory Task (Professionally produced music video three)
This document provides an analysis of the music video "Knock You Down" by Keri Hilson featuring Kanye West and Ne-yo. The video tells a story of a love triangle between the three artists. It uses various cinematic techniques like slow motion shots, flashbacks, and visual effects of one artist shattering to represent the pain of love and relationships. The video aims to create an emotional connection with the audience to depict the themes of love, past vs present, and how relationships can impact one's life and mindset.
Gender in Pop Music - Katy Perry and Lady Ga Ga
This document discusses concepts of femininity, gender, and the male gaze in media. It analyzes images of Katy Perry and how her persona embodies messages about gender. It discusses Laura Mulvey's theory that women are presented in media to be looked at for male pleasure and desire. The document asks how Mulvey's ideas apply to analyzing women in music videos. It also discusses Judith Butler's concept of gender as a social construct and role that can be resisted or conformed to. Lady Gaga's "Alejandro" video is presented as an example of actively resisting traditional gender stereotypes.
twenty one pilots: Audience Presentation
This is our results from a survey monkey questionnaire on the band twenty one pilots, which we analysed to find out what kind of audience listen to their music.
Mr brightside pitch New and improved!
This document outlines the pitch for a music video for the song "Mr. Brightside" by a band called JAR Productions. The video will tell the story of a rocky relationship through a narrative with three actors and performances from the band. It will feature the band playing at a field, practice room, and main stage. The video aims to portray themes from the song like love, betrayal, and lies. The target audience is teenagers aged 13-17, and the video hopes to appeal to this demographic through using age-appropriate actors, locations like a school, and costumes like school uniforms.
Question 4
The document discusses the target audience for a horror film. The intended audience is males aged 16-25, as this age group most frequently watches horror films. An example target audience member is shown via images of things a typical 16-25 year old male might own or enjoy, fitting stereotypes of shopping at certain stores and listening to rap music. Feedback was received that more varied camera angles were needed to maintain interest, while the film's music helped build suspense.
Demographics and target audience
This is a overview on the personalities of the Demographic we are hoping to appeal to with our music video
Theory audience pro-forma
The document discusses audience profiles for three different films/properties:
1) A Disney film aimed at children aged 2-11 and adults who enjoyed it as children.
2) A romantic film aimed at women aged 19-40 who find the male lead attractive, and their male partners.
3) A Marvel superhero film aimed at Marvel fans aged 10-25 who enjoy the action, and women attracted to muscular heroes.
The document also discusses concepts like the hypodermic needle theory of media effects, uses and gratifications theory, and consumer generated content for a talent show.
Upload to slideshare
Daniel dreams of becoming an actor from a young age. As an adult, he auditions for a job but is denied due to racial discrimination. The music video references victims of police brutality in the UK to highlight injustice and raise awareness of discrimination that is not sufficiently acknowledged. It aims to encourage young audiences, especially black youth, to pursue their dreams and potential despite obstacles.
Group 9 pitch
Group 9 presents their music video project for the song "Close To You" by JLS. The treatment involves a boy band arriving by train in London and intertwining shots of couples in black and white to reflect the song's meaning. It will be shot in black and white to convey a sense of past memories. Promotion will include magazines, social media, and TV ads targeting their key 10-20 year old female audience. Audience research found that beach and urban locations and love/relationships were preferred themes.
Mr brightside pitch original
This document outlines a pitch for a music video for the song "Mr. Brightside" by the band JAR Productions. It will tell a story of a rocky relationship through actors and band performances. The band members and actors will wear appropriate costumes. Scenes will take place in locations like a field, music room, and main stage. The video aims to reflect themes from the song like love, betrayal, and lies. The target audience is teenagers aged 13-17, and the video hopes to appeal to them through using age-appropriate actors and relatable school-focused locations and costumes.
Poll daddy Survey response
The survey results showed that:
- 75% of participants were female, so the target audience is late teenagers of both genders.
- The target age range is 14-20, as most participants fell within this age bracket.
- The most popular music genres - R&B and pop - will be combined in the song. Love/relationships and breakups will be the themes.
- Common settings for music videos like daytime/everyday life and house parties will be considered for the video setting.
- Most participants preferred a female artist, backing the decision to have a female singer.
Case study Blue Neighbourhood
Troye Sivan released his first studio album Blue Neighbourhood in 2015. The album explores themes of heartbreak and affirmation relating to Sivan's sexuality through its lyrics and music videos. While some critics praised Sivan's vulnerable voice and exploration of LGBT themes, the explicit portrayal of a gay relationship faced homophobia from some audiences. Overall, the album was a commercial and critical success that resonated most with progressive young adults open to its themes of self-acceptance.
Description of your target audience
This document describes the target audience for an indie/pop music video. The target audience is 16-25 year old females who enjoy indie/pop music. They are likely students or in part-time jobs. They enjoy social media, dancing, art, and listening to artists like Taylor Swift. The music video will feature bright colors and costumes inspired by Alice in Wonderland to appeal to their interests and offer an entertaining narrative story. It aims to offer companionship and help them express their identity through a relatable main character.
Description of your target audience
The document discusses planning for a music video for an indie/pop song aimed at a target audience of 16-25 year olds. Research found this age group prefers indie/pop music and engages strongly with it. The music video will feature both male and female artists to appeal to both genders equally within the target demographic. It will use themes of freedom and childhood innocence to transport viewers and draw on theories of utopianism through its bright colors and actors' happy facial expressions.
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What's hot
Ta 4kicks
The target audience for an indie/alternative rock music band and video is youths and young adults aged 15-25. Research through questionnaires found that 70% of people in this age group prefer the indie genre. The likes of this audience include being sociable yet independent, and music videos in the genre often depict urban backgrounds reflecting their social class. To best meet the needs of this target audience, the music video for the band will be concept-based, as most respondents indicated a preference for this style over performance-based or narrative videos.
Gender analysis
The video for Robin Thicke's "Blurred Lines" portrays women in a sexualized and stereotypical manner through their revealing clothing, positioning as followers like goats, and portrayal as objects for the male gaze. Throughout the video, the men observe and sing to the women, treating them as animals and taking advantage of them sexually. The location is constantly pink/white, reinforcing stereotypes of femininity, and the lyrics further objectify and insult the women. Overall, the video uses its visuals and sounds to sexually objectify and assert male dominance over women.
Week 4 representation
This document discusses representation and stereotypes. It begins by outlining what students already know about how representation is shaped by technical elements like camerawork, editing, and mise-en-scene. It then discusses Walter Lippmann's theory of stereotypes as an ordering process, a shortcut, and something that refers to and expresses our values and beliefs. Next, it examines Tessa Perkins' argument that stereotypes are not always negative, rigid, or untrue. It concludes by noting representation of gender must be considered in all projects and discussing concepts like patriarchy, gender differences in portrayal, and objectification through the male gaze.
Demographics and target audience
The document discusses the demographics of typical fans of the bands Panic! At The Disco and Twenty One Pilots. It describes Panic! fans as mainly females aged 18-24 who enjoy music, video games, and are online over 50 hours per week. Twenty One Pilots fans are also mostly female aged 18-24 who see themselves as geeky and enjoy arts and crafts, dancing, and mobile applications. Both bands consider the demographics of their fans when creating music videos to appeal to their interests and personality traits.
Results From Questionnaire
This document discusses the target audience for an indie music video. The target audience is predominantly female aged 16-19 who consider themselves alternative. They prefer storyline-based music videos over mainstream music videos and enjoy bands that feature in the videos, though the band may not be able to appear. The audience shops mainly at Primark and charity stores.
Evaluation question three
The document summarizes what the creator learned from audience feedback on their music video and ancillary texts. They learned that while their greenscreen had issues, the overall video successfully fit the conventions of a country pop music video. However, it could have benefited from additional scenes to avoid repetitiveness. Feedback also confirmed that the performance and narrative structure suited the genre and target audience. Regarding ancillary texts, continuity of color scheme and fonts made the materials seem more professional. The guitar reinforced the country pop genre.
Music Video Target audience
The survey results showed that the target audience for the music video is 14-26 year olds who enjoy pop and indie music. Over 90% of respondents said they like watching music videos. Most respondents preferred outdoor settings like fields and forests for music videos. This is helpful for the creator since their song footage was mostly filmed in gardens and fields. The majority also said they enjoy seeing stories depicted in music videos, which matches the storytelling nature of the creator's song.
Question 5
We attracted our teenage audience by using a relatable main character who dresses and acts like a typical teenager. This allows teenage boys in the audience to identify with and admire the character. We also attracted the audience by making the story thrilling through techniques like low lighting and scary music that build tension as the character explores an abandoned house. Additionally, we engaged the audience by eliciting empathy for the lonely main character as he faces frightening situations alone, compelling viewers to continue watching to see how he progresses.
A2 Preparatory Task (Professionally produced music video three)
This document provides an analysis of the music video "Knock You Down" by Keri Hilson featuring Kanye West and Ne-yo. The video tells a story of a love triangle between the three artists. It uses various cinematic techniques like slow motion shots, flashbacks, and visual effects of one artist shattering to represent the pain of love and relationships. The video aims to create an emotional connection with the audience to depict the themes of love, past vs present, and how relationships can impact one's life and mindset.
Gender in Pop Music - Katy Perry and Lady Ga Ga
This document discusses concepts of femininity, gender, and the male gaze in media. It analyzes images of Katy Perry and how her persona embodies messages about gender. It discusses Laura Mulvey's theory that women are presented in media to be looked at for male pleasure and desire. The document asks how Mulvey's ideas apply to analyzing women in music videos. It also discusses Judith Butler's concept of gender as a social construct and role that can be resisted or conformed to. Lady Gaga's "Alejandro" video is presented as an example of actively resisting traditional gender stereotypes.
twenty one pilots: Audience Presentation
This is our results from a survey monkey questionnaire on the band twenty one pilots, which we analysed to find out what kind of audience listen to their music.
Mr brightside pitch New and improved!
This document outlines the pitch for a music video for the song "Mr. Brightside" by a band called JAR Productions. The video will tell the story of a rocky relationship through a narrative with three actors and performances from the band. It will feature the band playing at a field, practice room, and main stage. The video aims to portray themes from the song like love, betrayal, and lies. The target audience is teenagers aged 13-17, and the video hopes to appeal to this demographic through using age-appropriate actors, locations like a school, and costumes like school uniforms.
Question 4
The document discusses the target audience for a horror film. The intended audience is males aged 16-25, as this age group most frequently watches horror films. An example target audience member is shown via images of things a typical 16-25 year old male might own or enjoy, fitting stereotypes of shopping at certain stores and listening to rap music. Feedback was received that more varied camera angles were needed to maintain interest, while the film's music helped build suspense.
Demographics and target audience
This is a overview on the personalities of the Demographic we are hoping to appeal to with our music video
Theory audience pro-forma
The document discusses audience profiles for three different films/properties:
1) A Disney film aimed at children aged 2-11 and adults who enjoyed it as children.
2) A romantic film aimed at women aged 19-40 who find the male lead attractive, and their male partners.
3) A Marvel superhero film aimed at Marvel fans aged 10-25 who enjoy the action, and women attracted to muscular heroes.
The document also discusses concepts like the hypodermic needle theory of media effects, uses and gratifications theory, and consumer generated content for a talent show.
Upload to slideshare
Daniel dreams of becoming an actor from a young age. As an adult, he auditions for a job but is denied due to racial discrimination. The music video references victims of police brutality in the UK to highlight injustice and raise awareness of discrimination that is not sufficiently acknowledged. It aims to encourage young audiences, especially black youth, to pursue their dreams and potential despite obstacles.
Group 9 pitch
Group 9 presents their music video project for the song "Close To You" by JLS. The treatment involves a boy band arriving by train in London and intertwining shots of couples in black and white to reflect the song's meaning. It will be shot in black and white to convey a sense of past memories. Promotion will include magazines, social media, and TV ads targeting their key 10-20 year old female audience. Audience research found that beach and urban locations and love/relationships were preferred themes.
Mr brightside pitch original
This document outlines a pitch for a music video for the song "Mr. Brightside" by the band JAR Productions. It will tell a story of a rocky relationship through actors and band performances. The band members and actors will wear appropriate costumes. Scenes will take place in locations like a field, music room, and main stage. The video aims to reflect themes from the song like love, betrayal, and lies. The target audience is teenagers aged 13-17, and the video hopes to appeal to them through using age-appropriate actors and relatable school-focused locations and costumes.
Poll daddy Survey response
The survey results showed that:
- 75% of participants were female, so the target audience is late teenagers of both genders.
- The target age range is 14-20, as most participants fell within this age bracket.
- The most popular music genres - R&B and pop - will be combined in the song. Love/relationships and breakups will be the themes.
- Common settings for music videos like daytime/everyday life and house parties will be considered for the video setting.
- Most participants preferred a female artist, backing the decision to have a female singer.
What's hot (19)
A2 Preparatory Task (Professionally produced music video three)
A2 Preparatory Task (Professionally produced music video three)
Similar to Nat's Pitch
Case study Blue Neighbourhood
Troye Sivan released his first studio album Blue Neighbourhood in 2015. The album explores themes of heartbreak and affirmation relating to Sivan's sexuality through its lyrics and music videos. While some critics praised Sivan's vulnerable voice and exploration of LGBT themes, the explicit portrayal of a gay relationship faced homophobia from some audiences. Overall, the album was a commercial and critical success that resonated most with progressive young adults open to its themes of self-acceptance.
Description of your target audience
This document describes the target audience for an indie/pop music video. The target audience is 16-25 year old females who enjoy indie/pop music. They are likely students or in part-time jobs. They enjoy social media, dancing, art, and listening to artists like Taylor Swift. The music video will feature bright colors and costumes inspired by Alice in Wonderland to appeal to their interests and offer an entertaining narrative story. It aims to offer companionship and help them express their identity through a relatable main character.
Description of your target audience
The document discusses planning for a music video for an indie/pop song aimed at a target audience of 16-25 year olds. Research found this age group prefers indie/pop music and engages strongly with it. The music video will feature both male and female artists to appeal to both genders equally within the target demographic. It will use themes of freedom and childhood innocence to transport viewers and draw on theories of utopianism through its bright colors and actors' happy facial expressions.
description of your target audience
The document discusses targeting a music video for an indie/rock genre towards 16-25 year olds. This age group is mature enough to understand narrative music videos and are loyal concert attendees. The music video will target 56% females and 44% males since the romantic theme will appeal more to females, despite the song relating to both genders. The target audience are social media-active, indie/rock fans who attend minor concerts and play instruments in their free time.
A2 media studies evaluation questions
1. The document discusses the process of creating a music video for the song "When I was a youngster" by Rizzle Kicks.
2. Audience research was conducted through questionnaires to determine the target audience and their preferences.
3. Various filming equipment, editing software, and online resources were used in the production and research stages.
4. A blog was maintained to document the process, which included researching conventions of music videos and comparing to other Rizzle Kicks videos.
Evaluation task 3
The focus group provided valuable feedback on the band's music video and ancillary materials:
1) They enjoyed the narrative element of the video and thought the lighting reinforced the alternative genre.
2) Some felt the band's appearance suited the song while others had trouble seeing the band.
3) Responses to the message and band's image varied but many understood the feelings of desperation conveyed.
4) They saw the band as edgy due to the song style, lighting and non-conventional topics.
5) The video, poster and album art were seen as consistent in conveying the band's dark style.
Treatment
- The group will produce a 3 minute and 53 second music video for James Arthur's song "Back from the Edge" to be completed by January 13, 2017.
- The video will have a pop genre and target audience of 15-22 year olds of both sexes to convey the serious message of turning your life around.
- The story will follow Liam Kay, an 18 year old who abuses drugs due to trauma, but is helped by a passerby to get his life back on track through counseling and rebuilding relationships.
- The style will have a gloomy start but conclude happily to show that one can recover from their lowest point.
- The estimated budget is £25,008.36 to
Treatment
- The group will produce a 3 minute and 53 second music video for James Arthur's song "Back from the Edge" to be completed by January 13, 2017.
- The music video will have a pop genre and target audience of 15-22 year olds of both sexes to convey the serious message of turning your life around.
- The story will follow Liam Kay, an 18 year old who abuses drugs and is depressed following his parents' death, but is saved from suicide on Waterloo Bridge and begins to rebuild his life.
- The style will have a gloomy start but conclude happily to show that one can recover from their lowest point.
- The approximate budget for filming, editing, and producing
Description of your target audience
This document describes the target audience for an indie/pop music video. The target audience is 16-25 year old females who enjoy indie/pop music. They are likely to be students or in part-time jobs. They enjoy socializing, dancing, and expressing themselves through music. They also enjoy pop culture films like Mean Girls and TV shows like Gossip Girl. The music video aims to entertain this audience and help them form connections through themes of personal identity and companionship. It also hopes to offer them an escape and feelings of youthfulness through its bright, Alice in Wonderland-inspired style.
The 1975 - Settle Down
The document provides an analysis of The 1975's music video for "Settle Down" through the lens of genre theory. It discusses how the music video both conforms to and challenges conventions of the indie rock genre. It explores the narrative focus on two young boys and how their meeting seems to disrupt social norms. Reviews of the track and music video are provided. The director of the music video explains that it was inspired by a recurring dream of the lead singer and aims to portray love in a limitless way.
A2 Treatment Presentation
The group will create a music video for the song "Youth" by Daughter. The video will tell the narrative of a teenage girl rebelling against her mother. She will wander through town and end up alone in a dark room where faceless figures throw colorful powder paint, representing her turbulent feelings. Inspired by Skins and Beyonce's "Hold Up" video, the video aims to juxtapose dull scenes with bright colors and use reverse shots to create an unconventional video for the indie folk genre that keeps the audience engaged.
Treatment
- The group will produce a 3 minute and 53 second music video for James Arthur's song "Back from the Edge" to be completed by January 13, 2017.
- The video will have a pop genre and target audience of 15-22 year olds of both sexes to convey the serious message of turning your life around.
- The story will follow Liam Kay, an 18 year old who abuses drugs and is depressed following his parents' death, but is talked down from suicide on Waterloo Bridge and begins to rebuild his life.
- The style will have a gloomy start but conclude happily to show that one can recover from their lowest point.
- The estimated budget is £25,008.36
Genre theory
This document discusses genre theory and how it relates to several music videos. It provides analyses of music videos by Coldplay, Whitney Houston, Jay-Z featuring Blackstreet, Alicia Keys, Beyond the Wizards Sleeve, Panic! At the Disco, and Lucy Rose. The document examines how the music videos fit with concepts from genre theory, such as offering escapist fantasies, relying on audience expectations, requiring cultural knowledge, influencing interpretation through constraints, deriving pleasure from repetition and difference, manipulating conventions, and limiting meaning potential.
Music video
The document discusses plans for a music video for the song "God's and Monsters" by Lana Del Rey. It will focus on the sins of gluttony, greed, and lust through imagery representing indulgence, wealth, and sexuality. Three women will symbolize each sin through actions like pouring black paint or being surrounded by masked men. The target audience is identified as young adult females who identify with indie culture. Inspiration comes from art house and surrealist styles seen in other music videos. Locations being considered include pools, libraries, and meadows that reflect the desired aesthetic and themes.
Description of your target audience
The target audience for the indie/pop music video is 16-25 year old females. The video will aim mainly at females due to its use of vibrant colors and Alice in Wonderland inspired costumes. The target audience is classified as C1-D, referring to teenagers, young adults, and students or part-time workers. They enjoy dancing, socializing, and expressing themselves through music like pop and artists such as Taylor Swift and Ed Sheeran. The music video will provide entertainment and help form personal identity and companionship for the audience. It will also offer an idealized, positive world by using bright colors and themes of childhood to make viewers feel young again and alleviate problems.
Music video
The document discusses initial ideas for a music video by Lana Del Rey for the song "Gods and Monsters". It will focus on the sins of gluttony, greed, and lust through symbolic imagery. Gluttony will be represented by a woman pouring black paint from a milk carton. Greed will feature a woman showered in gold glitter and dollar bills. Lust will show a woman surrounded by masked men in suits with a red rose alluding to multiple partners. The target audience is identified as young adult females who identify with indie styles and trends. Inspiration is taken from art house and expressionist styles with symbolic, surrealist imagery and montage elements. Potential filming locations are also proposed.
Application of theorists little mix hair
The video depicts Little Mix members partying and dancing together at a sleepover. It uses various signs and representations to construct meanings, including stereotypical female behaviors, revealing clothing, and provocative dancing that some theorists argue are meant to appeal to the male gaze. The video also reinforces gender stereotypes through its exaggerated portrayal of a typical girls' sleepover. While attempting to depict the band members as ordinary girls, the representations are not entirely realistic and have become distant from reality due to society's overreliance on such media portrayals. The genre conventions fulfill audience expectations and help address cultural values around friendship and tension resolution.
A2 treatment presentation
The song "Youth" by Daughter will be used to create a music video that explores themes of teenage rebellion and development. The video will start with a narrative scene showing an argument between the main character and her mother, then show her leaving home upset. She will end up alone in a dark room where masked figures representing her feelings throw colorful powder paint. Bright colors will be used unconventionally to contrast the typically moody indie folk genre. The video aims to be memorable by starting dull and ending highly colorful.
A2 treatment presentation
The group will create a music video for the song "Youth" by Daughter. The video will tell the narrative of a teenage girl leaving home after an argument with her mother. She will encounter masked figures representing her feelings and emotions. Throughout the video, the main character will be isolated and on the edges of frames. Bright colors and powder paint will be used to contrast the typically moody indie folk genre. The video aims to explore themes of teenage development and rebellion through an unconventional use of color.
Natski's Pitch Finished
Natalie Palmer proposes a promotion package for a new album including a music video, album cover, and magazine advertisement. The music video concept is about a couple breaking up where the girl feels alone but discovers she has friends who care. It aims to challenge stereotypes about atypical people using cognitive dissonance theory. The target audience is 15-25 year old females who could relate to the relationship issues. The album cover would show the band having fun on the front and being serious on the back. A record label called Lockjaw Records is suggested as they support new raw talent similar to Natalie's band Diabolical Dispatch.
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Hadouken!
Hadouken! is an English dance/punk band from Leeds that merges punk and electronic/dance genres in a postmodern way. They released early work through their own label while in university and are now signed with Atlantic Records and Kitsuné Music. Their sound is hard to classify as it changes between songs, ranging from rap/techno to smoother techno. Their music videos also take a postmodern approach by mixing stop motion and traditional video styles.
Media
The document discusses the conventions and creative choices made in filming various shots for a music video. It analyzes 12 different shots, describing the conventions applied, any conventions subverted, camera work, lighting, music, mise-en-scene, and intertextuality for each shot. The shots include scenes of the band playing, close-ups of singing and instruments, landscape shots of the graveyard setting, and crowd scenes.
Evaluation Of
The document provides an evaluation of Natalie Palmer's media project on the band Flyleaf. It summarizes the conventions used in Flyleaf's CD packaging and music videos. It then describes how Natalie's project adhered to or diverged from these conventions through the use of black-and-white photography, lyrical themes of faith, and merged band photos. The document evaluates the effectiveness of combining the music video with supplementary materials like posters and advertisements that maintain consistent visual themes. Audience feedback suggests ways to improve story clarity and reduce repetitive footage.
Flyleaf – Cassie Acoustic Finished!
This document discusses the Christian rock band Flyleaf and provides details about their style and music. It describes the lyrics of one of their songs and explains that Christian rock music addresses issues of the Christian faith. It then provides information about the band's lead singer Lacey Mosley's style and includes images of her and the band. The document also discusses Flyleaf's album covers, posters, and advertisements. It concludes by listing some record labels that produce Christian rock music, including those that Flyleaf has worked with.
Flyleaf – Cassie Acoustic
The document discusses the Christian rock band Flyleaf. It provides lyrics from one of their songs and describes the band's lead singer Lacey Mosley's varying style of dress. It also includes images of album covers, posters, and advertisements for Flyleaf that usually feature the band name and logo. Record labels that produce Christian rock music are mentioned, including those that Flyleaf has worked with such as A&M/Octone Records, GUN Records, and INO Records.
tester for media thing
The document provides examples of remixes and mashups that can be created from various media. It mentions Travis Barker remixing the song "Crank That" by Soulja Boy and a remix combining the films Twilight and Buffy. Examples of mashups included a compilation of the top hits of 2008, a trailer mashing up Toy Story 2 and The Dark Knight, and a Mary Poppins music video mashup, showing how movies can be combined as well as songs.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
Privacy and Seclusion
Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
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【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Leonardo DiCaprio, a name synonymous with Hollywood stardom and acting excellence. has captivated audiences for decades with his talent and charisma. But, the Leonardo DiCaprio haircut is one aspect of his public persona that has garnered attention. From his early days as a teenage heartthrob to his current status as a seasoned actor and environmental activist. DiCaprio's hairstyles have evolved. reflecting both his personal growth and the changing trends in fashion. This article delves into the many phases of the Leonardo DiCaprio haircut. exploring its significance and impact on pop culture.
一比一原版(AUT毕业证)奥克兰理工大学毕业证如何办理
AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
办国外奥克兰理工大学奥克兰理工大学毕业证文凭证书教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
快速办理高仿国外毕业证成绩单：
1奥克兰理工大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
University of Western Sydney degree offer diploma Transcript
澳洲UWS毕业证书制作西悉尼大学假文凭定制Q微168899991做UWS留信网教留服认证海牙认证改UWS成绩单GPA做UWS假学位证假文凭高仿毕业证申请西悉尼大学University of Western Sydney degree offer diploma Transcript
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Nat's Pitch
- 1. Diabolical Dispatch Music Video By Natalie Palmer
- 2. Basic Plan There is a girl(Lexi) and a boy(Rorie) who are a couple and they have a massive argument. They are no longer going out and Lexithinks that no-one else in the world cares but she later finds out that there are people there for her and that people care, this is shown by the fact that she has a really good friend, Bam.
- 5. This video is based in the genre of punk music. Where the music is upbeat whilst being a little down hearted. Genre – Alternative Music This links to the Cognitive Dissonance theory because our video would be the evidence needed to persuade people to change their views about this genre of music.
- 6. Leon Festinger - The 'cognitive dissonance' theory. The meaning, to have an negative or inconsistent feelings between two things or ideas that contradict each other simultaneously. Leon Festinger claimed that people rarely change theory attitudes about something unless they are faced with overwhelming evidence against their view point. This theory suggests that people seek out confirmation of their view points. ‘Pluralism audience theory'. states that different audiences' have different views about the same thing. Theory
- 7. Audience Theories - Reception Theory This theory suggests that each different person would interpret the texts in different ways depending on their upbringing It links into our music video because people have been bought up to believe that 'out of the ordinary' people are always sad or depressive, therefore they would interpret anything produce by them to be sad or unhappy.
- 8. CD cover Front showing the band having fun, doing a lot. And in colour picture. Back cover showing the band being all serious. Black and white picture.