What makes a book character āreal as lifeā to a reader? To a great extent it boils down to one powerful writing technique. Deep point-of-view (POV) results in stronger reader reactions to characters. Whether adoration or hate, emotions run high.
You can achieve this subliminal attachment by staying deep inside a characterās head. The goalā¦ relate their experiences so a reader shares every intimate sensation of thought, sight, hearing, taste, smell, and tactical contact.
If you want to learn specific tips on how to delve into a characterās experience to develop vibrant emotional connections with a reader, you wonāt want to miss this two-hour workshop with Book Shepherd Ann Videan.
My Words Jump Off the Page! Editor Tips to Enhance Writing.19.1012.TPLvIDEAn Unlimited, LLC
Ā
This document provides a summary of an editor's career and qualifications. It then outlines tips for choosing an editor and preparing a manuscript for editing. Some key points include asking questions about the editing process, format requirements, and turnaround time. Editing techniques like using track changes and searching for common issues are also covered. The document concludes with examples of developing compelling writing through techniques like active voice and deep point of view.
Do you know the secret techniques to create a handsome, professional, compelling book readers canāt wait to tell others about? Book Shepherd Ann Videan has helped more than sixty authors prepare books compelling enough to generate organic word-of-mouth. In this presentation, Ann will show you ways to punch up your book to this level by sharing her top two tips for: writing, editing, formatting, cover creation, publishing, and marketing.
Book Shepherd has had a long career as a professional writer since 1981. She has owned her own marketing firm since 1996 and has edited over 50 books for various clients. She is also the author of three books of her own and co-owns a business inspired by characters from one of her books. Some of her other career highlights include winning prestigious awards for her marketing work in 2007 and 2005. She has also been involved in charitable work including helping to reintroduce white rhinos to a Phoenix zoo in 2004.
Gain an editor's insider knowledge about how to create fiction that sings! Ann Videan shares her expertise as a marketing consultant, editor, and Book Shepherd, to teach you several powerful writing tips. The next time you sit down with your manuscript, you will know how to use structure and words that create vibrant mental images to fascinate your reader.
Writing a Short Story: Scenes and DialogueJulia Gousseva
Ā
The document discusses scenes and dialogue in storytelling. It defines a scene as an event involving compelling characters undertaking meaningful actions that feels real-time. Scenes should include complex characters, a point of view, advancing plot/character development through action and dialogue. Scenes have a beginning, middle, end structure and can start through character launches, action launches, or narrative launches. Scene middles introduce complications while endings reveal character or leave a cliffhanger. Dialogue should be written to show characters' emotions and advance the story.
It is a life story written down on a paper.
Before writing a memoir of your own, do a research of yourself.
Everyone has family photo albums and/or videos.
This document provides guidance on using storytelling techniques for creative writing in areas like marketing, fundraising, and organizational communications. It emphasizes focusing stories on individual animals to make them more memorable than statistics. The "pyramid technique" involves starting with one animal's story and expanding to mention how the organization helps more animals. Stories should emphasize the organization's successes in helping animals rather than focusing on problems. The narrative voice should build emotional connections with readers and use plain language instead of jargon. Consistency in voice is important to maintain the organization's brand and build relationships with supporters.
What makes a book character āreal as lifeā to a reader? To a great extent it boils down to one powerful writing technique. Deep point-of-view (POV) results in stronger reader reactions to characters. Whether adoration or hate, emotions run high.
You can achieve this subliminal attachment by staying deep inside a characterās head. The goalā¦ relate their experiences so a reader shares every intimate sensation of thought, sight, hearing, taste, smell, and tactical contact.
If you want to learn specific tips on how to delve into a characterās experience to develop vibrant emotional connections with a reader, you wonāt want to miss this two-hour workshop with Book Shepherd Ann Videan.
My Words Jump Off the Page! Editor Tips to Enhance Writing.19.1012.TPLvIDEAn Unlimited, LLC
Ā
This document provides a summary of an editor's career and qualifications. It then outlines tips for choosing an editor and preparing a manuscript for editing. Some key points include asking questions about the editing process, format requirements, and turnaround time. Editing techniques like using track changes and searching for common issues are also covered. The document concludes with examples of developing compelling writing through techniques like active voice and deep point of view.
Do you know the secret techniques to create a handsome, professional, compelling book readers canāt wait to tell others about? Book Shepherd Ann Videan has helped more than sixty authors prepare books compelling enough to generate organic word-of-mouth. In this presentation, Ann will show you ways to punch up your book to this level by sharing her top two tips for: writing, editing, formatting, cover creation, publishing, and marketing.
Book Shepherd has had a long career as a professional writer since 1981. She has owned her own marketing firm since 1996 and has edited over 50 books for various clients. She is also the author of three books of her own and co-owns a business inspired by characters from one of her books. Some of her other career highlights include winning prestigious awards for her marketing work in 2007 and 2005. She has also been involved in charitable work including helping to reintroduce white rhinos to a Phoenix zoo in 2004.
Gain an editor's insider knowledge about how to create fiction that sings! Ann Videan shares her expertise as a marketing consultant, editor, and Book Shepherd, to teach you several powerful writing tips. The next time you sit down with your manuscript, you will know how to use structure and words that create vibrant mental images to fascinate your reader.
Writing a Short Story: Scenes and DialogueJulia Gousseva
Ā
The document discusses scenes and dialogue in storytelling. It defines a scene as an event involving compelling characters undertaking meaningful actions that feels real-time. Scenes should include complex characters, a point of view, advancing plot/character development through action and dialogue. Scenes have a beginning, middle, end structure and can start through character launches, action launches, or narrative launches. Scene middles introduce complications while endings reveal character or leave a cliffhanger. Dialogue should be written to show characters' emotions and advance the story.
It is a life story written down on a paper.
Before writing a memoir of your own, do a research of yourself.
Everyone has family photo albums and/or videos.
This document provides guidance on using storytelling techniques for creative writing in areas like marketing, fundraising, and organizational communications. It emphasizes focusing stories on individual animals to make them more memorable than statistics. The "pyramid technique" involves starting with one animal's story and expanding to mention how the organization helps more animals. Stories should emphasize the organization's successes in helping animals rather than focusing on problems. The narrative voice should build emotional connections with readers and use plain language instead of jargon. Consistency in voice is important to maintain the organization's brand and build relationships with supporters.
The document provides tips for photojournalism, including capturing human emotion rather than posed pictures, focusing on people rather than inanimate objects, getting close-up shots, identifying a main subject, using different angles and the rule of thirds composition technique. The tips are meant to help photographers tell stories and capture the human experience through their photos.
The document provides tips for storytelling and writing fiction. It advises focusing on character development by challenging characters and having them deal with situations opposite of what they are comfortable with. It also recommends coming up with the ending first before figuring out the middle, as endings are the hardest part. Writers are told to finish their story and edit it later rather than worrying about perfection during the initial draft.
The document discusses tie-in products, which are authorized products based on existing media properties like movies, TV shows, or books. Common types of tie-ins include novelizations of stories, soundtracks, collectible merchandise, and promotions from fast food restaurants. The purpose of tie-ins is to generate additional income and promote visibility of the original property.
This document provides guidance on analyzing characters' personalities based on their responses to major events in stories. It uses the example of Goldilocks and the Three Bears, noting that the bears' gentle reaction to finding Goldilocks shows they are caring, trusting and slow to anger. In contrast, Goldilocks' panicked response to waking in their home without permission reveals her to be rude, selfish, reckless and disrespectful. The document instructs readers to identify major story events, analyze characters' responses, and determine what those responses suggest about their personalities.
This document provides guidance on writing a personal narrative. It explains that a personal narrative is a true story from one's own life that is told from a first-person point of view using "I", "me", and "we". It discusses the key elements of narratives, including character, setting, conflict, plot, and theme. Conflict in a narrative creates tension and can be external, such as man vs. man, man vs. nature, or man vs. society, or internal, as in man vs. self. The document provides examples of different types of conflicts and recommends outlining a narrative with a beginning, middle, and end that establishes the problem, how the character tries to solve it, and whether it gets
The document provides tips and exercises for drama students to practice being spontaneous, accepting offers, extending scenes, and advancing the storyline in improvisation exercises like questions only, space jump, blind freeze tag, and bus stop. Students are encouraged to provide details, continue the narrative, respond to others' offers, and avoid statements, hesitation and repetition.
J.J. Abrams gave a TED talk about his approach to storytelling, which involves maintaining an element of mystery to keep audiences engaged. He used personal anecdotes and video clips to illustrate his point. Abrams explained that leaving some mysteries unsolved acts as a catalyst for creativity both in storytelling and in audiences' imaginations. He followed many of the TED talk conventions like telling a story and maintaining audience interest through his energetic presence.
The Lady in the Looking Glass: A reflection by Virginia WolfIsabel Paz
Ā
The document provides instructions for students to analyze and interpret the short story "The Lady in the Looking Glass". Students are encouraged to watch interpretations of the story by other students, create their own interpretation using media like YouTube or Prezi, and tweet the main idea of the story in 140 characters or less. The document also provides guidance on narrative tenses exercises for students to complete, including practicing past forms and more practice/a quiz. Students are assigned a story writing exercise using narrative tenses and incorporating themes about the role of modern women.
This document provides instructions for generating an online photo story in 3 steps:
1) Turn on safe search when using an image search engine to choose 5 photos to inspire a story.
2) Have learners write a story with a beginning, middle, and end based on the 5 photos.
3) Search for specific terms and use descriptive words when choosing photos to avoid ambiguity.
This document provides strategies and guidance for reading the novel The Wreckers, including previewing vocabulary, predicting events, connecting to one's own life, questioning unfamiliar content, visualizing descriptions, and evaluating characters and events. It outlines activities to complete before, during, and after reading such as making predictions, answering comprehension questions, creating a storyboard of key scenes, and summarizing each chapter. Background information is also given on the author and historical context around shipwrecks and wreckers.
The lady in_the_looking_glass_(proyecto_final)[1]Sobre Tiza
Ā
The document provides instructions and resources for students to analyze and interpret the short story "The Lady in the Looking Glass". It includes suggestions to watch video interpretations, create their own presentations, analyze a written explanation, and summarize the main idea in a tweet. Students are also assigned exercises practicing past tenses and narrative writing, including writing a story about a woman in trouble using relevant quotes from Virginia Woolf.
The document discusses the wonderful world of writing and provides examples of different types of writing. It introduces the author Amie Jane Leavitt and describes some of her books, including choose your own adventure stories and a book about the Battle of Alamo. It encourages writing from a young age by discussing how the author started writing as a child through journals and stories. Finally, it emphasizes that writing is fun and can be done in many forms, from letters and notes to movies, recipes, and more.
This document provides a word work activity where students are instructed to color sight words in a list of words. They are to say each sight word out loud as they color it. After coloring all words, students will uncover a character and write its name, using spelling strategies to help with spelling. The word list contains sight words mixed with non-sight words for students to identify and color only the sight words.
This document provides several narrative prompts for writing short stories, including: 1) finding an unknown object in the woods; 2) starting a new, extremely dangerous but exciting job for the first time; 3) waking up as a one-inch tall squirrel and surviving the first day; and 4) getting lost in the loneliest place imaginable and finding the way back home. The prompts challenge the reader to write a story plan and choose one to develop into a short narrative.
The document provides tips for writing concisely and effectively using words through various techniques. It discusses starters for writing, elements of storytelling, adding sizzle through strong word choice and literary devices, self-editing, and resources for improving writing skills. Specific strategies are outlined for active voice, brevity, repetition, thesaurus use, fact-checking, and proofreading. Tools and further reading materials are also recommended.
The film opening will show a group of friends talking and laughing while their dog barks and runs toward a strange noise. They will investigate and one will see something sprinting away, leading them to follow and try to find what it was. One character then goes missing, worrying the group as they search to find him sitting alone in a field. The main characters include Riess, who tries to keep everyone together; Bilal, who is brave but jumpy; and Haroon, who jokes to seem brave, while Kyle is scared and Josh/Ollie is paranoid and wants to leave.
Cosplay involves dressing up as a character from movies, books, or video games. This document provides tips for those interested in cosplaying, including choosing an appropriate character based on interest and skill level, researching the character thoroughly, taking reference photos, planning your project based on your available time, budget, and desired quality, deciding how and where to make the costume, and gathering necessary supplies like wigs, outfits, accessories, props, and makeup.
This presentation was created for an iPad for ESOL workshop for teachers.
Have a look at the extremely easy to read slides and learn 20 different ways of using the iPad to teach ESOL/ESL/EFL.
The teachers who attended the workshop got to play and use the Apps during the session and as well in their classroom with their students. Their feedback was positive and enthusiastic.
If you have iPads in your school/college, use them effectively. Get some inspiration here!
This document provides guidance on how to write a fable. It explains that fables are stories that use animals as characters to teach a moral or life lesson. It identifies key elements to consider, such as choosing a moral, selecting animal characters that fit the moral, setting the story, naming the animals appropriately, introducing the characters, including dialogue and a sequence of events, and concluding with a restatement of the moral. The document encourages writers to think through these elements before beginning their fable.
This document provides a rubric for scoring student work in language arts. It outlines 7 standards and substandards that will be used to determine a student's proficiency level. For each standard, student work will be scored on a scale of 1 to 4, with 4 being the highest. The rubric will be used to determine a student's proficiency score at the end of each trimester in areas such as reading comprehension, writing skills, grammar, research skills, and oral presentation skills.
Cso Sustainability National Charter Conference2010tedfujimoto
Ā
This document discusses strategies for community service organizations to effectively serve members and achieve sustainability. It identifies key issues like leadership priorities, relationship building, and measuring success. The document then outlines several strategies such as dedicated customer relationship teams, separate boards for different services, and financial dashboards to track costs. Panelists from different states share experiences implementing strategies and lessons learned around relationship building, understanding customer needs, and diligence in launching new offerings. The goal is to have a productive discussion on ensuring long-term sustainability through strong service delivery and business practices.
The document provides tips for photojournalism, including capturing human emotion rather than posed pictures, focusing on people rather than inanimate objects, getting close-up shots, identifying a main subject, using different angles and the rule of thirds composition technique. The tips are meant to help photographers tell stories and capture the human experience through their photos.
The document provides tips for storytelling and writing fiction. It advises focusing on character development by challenging characters and having them deal with situations opposite of what they are comfortable with. It also recommends coming up with the ending first before figuring out the middle, as endings are the hardest part. Writers are told to finish their story and edit it later rather than worrying about perfection during the initial draft.
The document discusses tie-in products, which are authorized products based on existing media properties like movies, TV shows, or books. Common types of tie-ins include novelizations of stories, soundtracks, collectible merchandise, and promotions from fast food restaurants. The purpose of tie-ins is to generate additional income and promote visibility of the original property.
This document provides guidance on analyzing characters' personalities based on their responses to major events in stories. It uses the example of Goldilocks and the Three Bears, noting that the bears' gentle reaction to finding Goldilocks shows they are caring, trusting and slow to anger. In contrast, Goldilocks' panicked response to waking in their home without permission reveals her to be rude, selfish, reckless and disrespectful. The document instructs readers to identify major story events, analyze characters' responses, and determine what those responses suggest about their personalities.
This document provides guidance on writing a personal narrative. It explains that a personal narrative is a true story from one's own life that is told from a first-person point of view using "I", "me", and "we". It discusses the key elements of narratives, including character, setting, conflict, plot, and theme. Conflict in a narrative creates tension and can be external, such as man vs. man, man vs. nature, or man vs. society, or internal, as in man vs. self. The document provides examples of different types of conflicts and recommends outlining a narrative with a beginning, middle, and end that establishes the problem, how the character tries to solve it, and whether it gets
The document provides tips and exercises for drama students to practice being spontaneous, accepting offers, extending scenes, and advancing the storyline in improvisation exercises like questions only, space jump, blind freeze tag, and bus stop. Students are encouraged to provide details, continue the narrative, respond to others' offers, and avoid statements, hesitation and repetition.
J.J. Abrams gave a TED talk about his approach to storytelling, which involves maintaining an element of mystery to keep audiences engaged. He used personal anecdotes and video clips to illustrate his point. Abrams explained that leaving some mysteries unsolved acts as a catalyst for creativity both in storytelling and in audiences' imaginations. He followed many of the TED talk conventions like telling a story and maintaining audience interest through his energetic presence.
The Lady in the Looking Glass: A reflection by Virginia WolfIsabel Paz
Ā
The document provides instructions for students to analyze and interpret the short story "The Lady in the Looking Glass". Students are encouraged to watch interpretations of the story by other students, create their own interpretation using media like YouTube or Prezi, and tweet the main idea of the story in 140 characters or less. The document also provides guidance on narrative tenses exercises for students to complete, including practicing past forms and more practice/a quiz. Students are assigned a story writing exercise using narrative tenses and incorporating themes about the role of modern women.
This document provides instructions for generating an online photo story in 3 steps:
1) Turn on safe search when using an image search engine to choose 5 photos to inspire a story.
2) Have learners write a story with a beginning, middle, and end based on the 5 photos.
3) Search for specific terms and use descriptive words when choosing photos to avoid ambiguity.
This document provides strategies and guidance for reading the novel The Wreckers, including previewing vocabulary, predicting events, connecting to one's own life, questioning unfamiliar content, visualizing descriptions, and evaluating characters and events. It outlines activities to complete before, during, and after reading such as making predictions, answering comprehension questions, creating a storyboard of key scenes, and summarizing each chapter. Background information is also given on the author and historical context around shipwrecks and wreckers.
The lady in_the_looking_glass_(proyecto_final)[1]Sobre Tiza
Ā
The document provides instructions and resources for students to analyze and interpret the short story "The Lady in the Looking Glass". It includes suggestions to watch video interpretations, create their own presentations, analyze a written explanation, and summarize the main idea in a tweet. Students are also assigned exercises practicing past tenses and narrative writing, including writing a story about a woman in trouble using relevant quotes from Virginia Woolf.
The document discusses the wonderful world of writing and provides examples of different types of writing. It introduces the author Amie Jane Leavitt and describes some of her books, including choose your own adventure stories and a book about the Battle of Alamo. It encourages writing from a young age by discussing how the author started writing as a child through journals and stories. Finally, it emphasizes that writing is fun and can be done in many forms, from letters and notes to movies, recipes, and more.
This document provides a word work activity where students are instructed to color sight words in a list of words. They are to say each sight word out loud as they color it. After coloring all words, students will uncover a character and write its name, using spelling strategies to help with spelling. The word list contains sight words mixed with non-sight words for students to identify and color only the sight words.
This document provides several narrative prompts for writing short stories, including: 1) finding an unknown object in the woods; 2) starting a new, extremely dangerous but exciting job for the first time; 3) waking up as a one-inch tall squirrel and surviving the first day; and 4) getting lost in the loneliest place imaginable and finding the way back home. The prompts challenge the reader to write a story plan and choose one to develop into a short narrative.
The document provides tips for writing concisely and effectively using words through various techniques. It discusses starters for writing, elements of storytelling, adding sizzle through strong word choice and literary devices, self-editing, and resources for improving writing skills. Specific strategies are outlined for active voice, brevity, repetition, thesaurus use, fact-checking, and proofreading. Tools and further reading materials are also recommended.
The film opening will show a group of friends talking and laughing while their dog barks and runs toward a strange noise. They will investigate and one will see something sprinting away, leading them to follow and try to find what it was. One character then goes missing, worrying the group as they search to find him sitting alone in a field. The main characters include Riess, who tries to keep everyone together; Bilal, who is brave but jumpy; and Haroon, who jokes to seem brave, while Kyle is scared and Josh/Ollie is paranoid and wants to leave.
Cosplay involves dressing up as a character from movies, books, or video games. This document provides tips for those interested in cosplaying, including choosing an appropriate character based on interest and skill level, researching the character thoroughly, taking reference photos, planning your project based on your available time, budget, and desired quality, deciding how and where to make the costume, and gathering necessary supplies like wigs, outfits, accessories, props, and makeup.
This presentation was created for an iPad for ESOL workshop for teachers.
Have a look at the extremely easy to read slides and learn 20 different ways of using the iPad to teach ESOL/ESL/EFL.
The teachers who attended the workshop got to play and use the Apps during the session and as well in their classroom with their students. Their feedback was positive and enthusiastic.
If you have iPads in your school/college, use them effectively. Get some inspiration here!
This document provides guidance on how to write a fable. It explains that fables are stories that use animals as characters to teach a moral or life lesson. It identifies key elements to consider, such as choosing a moral, selecting animal characters that fit the moral, setting the story, naming the animals appropriately, introducing the characters, including dialogue and a sequence of events, and concluding with a restatement of the moral. The document encourages writers to think through these elements before beginning their fable.
This document provides a rubric for scoring student work in language arts. It outlines 7 standards and substandards that will be used to determine a student's proficiency level. For each standard, student work will be scored on a scale of 1 to 4, with 4 being the highest. The rubric will be used to determine a student's proficiency score at the end of each trimester in areas such as reading comprehension, writing skills, grammar, research skills, and oral presentation skills.
Cso Sustainability National Charter Conference2010tedfujimoto
Ā
This document discusses strategies for community service organizations to effectively serve members and achieve sustainability. It identifies key issues like leadership priorities, relationship building, and measuring success. The document then outlines several strategies such as dedicated customer relationship teams, separate boards for different services, and financial dashboards to track costs. Panelists from different states share experiences implementing strategies and lessons learned around relationship building, understanding customer needs, and diligence in launching new offerings. The goal is to have a productive discussion on ensuring long-term sustainability through strong service delivery and business practices.
Concept Paper: Model Neutral Charter Management Organizationtedfujimoto
Ā
Concept paper: how a model-neutral charter management organization platform could support high quality and more rapid growth and creating more impact on communities.
This document provides reading assignments for students to complete in pairs of authors from the 19th-20th centuries. For each pair, students must read short excerpts from two works, one by each author, and analyze some element of literature discussed. They then complete a short assessment comparing and contrasting the two authors or their works. Some author pairs included are Paulsen and London, Angelou and Walker, Hughes and Updike, Twain and Faulkner, and horror writers like Poe, Jackson, Doyle, and King.
This document discusses the use of technology in education. It notes that students today are "digital natives" who are comfortable with technology, while teachers are often "digital immigrants" who need to adapt. The document advocates using technology to actively engage students and allow for extended work. It provides examples of online tools and applications that can be used for different subject areas like language arts, science, social studies, and math. These include interactive games, videos, and collaborative tools. The document emphasizes starting small with technology and using it to differentiate instruction for students.
Narrative for master of education portfolioCM Ites
Ā
This document is a narrative written by Colleen Ites for her Master of Education portfolio. It details her educational journey and experiences in the Curriculum and Instructional Technology program at Iowa State University from 2008-2011. It discusses how various events led her to pursue this program and take the "less traveled road" in her education. It also summarizes how the program helped her grow as an educator by pushing her out of her comfort zone and learning to implement new technologies in innovative ways in her classroom. Finally, it addresses how she met several standards for teachers related to technological applications, technology planning and integration, and social/ethical issues of technology use.
The document provides a summary of the children's book "If You Give a Mouse a Cookie" by Laura Numeroff. It discusses that the book was initially rejected by publishers 9 times before becoming a hit series. The story is about a mouse who asks for more and more items like milk, scissors for a hair trim, and a broom to clean up, after being given a cookie. The document also provides vocabulary words and a student worksheet related to identifying causes and effects in the story.
This document provides guidance on writing a story by outlining the key elements: main character, setting, problem, and resolution. It recommends starting with describing the main character using a character web. The setting should be established by considering where and when the story takes place. An engaging problem for the character to face is important to create conflict. Finally, the resolution should involve the character solving the problem on their own using their strengths. Practice writing stories from beginning to end is emphasized to develop storytelling skills.
7th grade writerās workshop narrative bend 1 (1)krochalek
Ā
The document provides guidance for a 7th grade writer's workshop on developing realistic fiction stories. It discusses generating story ideas from everyday moments and small details from one's own life. Students are taught techniques for developing believable characters, such as imagining characters in everyday scenes to understand their traits and motivations. The workshop focuses on helping students craft compelling fictional stories and characters.
1302 Notes ā 06 ā February 4, 2021 Writing about Fiction (& CicelyBourqueju
Ā
1302 Notes ā 06 ā February 4, 2021
Writing about Fiction (& Exam)
1. Putting the āCompositionā into Composition II
(how to start and end paragraphs with your topic sentence)
2. The Academic Paragraphāwith an Example
(it starts and ends with the same topic sentence)
3. Analyze First
4. Letās Practice Topic Sentences (which will start and end the paragraphs)
5. Letās Practice Finding Support (for the topic sentences which go where?)
6. Drafting the Paragraph Assignment (establishes todayās attendance)
7. Homework Help (Paragraph & Exam 1: Fiction)
8. Checklist of Graded Assignments, Week 3
HOMEWORK for NEXT TIME: 1- ANALYZE a short story. 2-DRAFT an
academic paragraph of 8-24 sentences, communicating one writing technique in that
story. 3-REVISE the paragraph, then UPLOAD it by Sunday night. 4-TAKE Exam 1:
Fiction any time until next Wednesday (note: no new readings).
1. Putting the āCompositionā into Composition 2
ā¢ You are LEARNING ABOUT FICTION in order to WRITE ABOUT FICTION
ā¢ The skills you use to write about fiction, you can then use in real life
to write about incident reports, peer reviews, etc.
ā¢ We will start by writing an ACADEMIC PARAGRAPH
ā¢ Next week, we will write an ESSAY, which will include:
ā¢ An introductory paragraph
ā¢ 2 or more academic paragraphs, and
ā¢ A concluding paragraph
2. The Academic Paragraph (with an Example)
ACADEMIC PARAGRAPHS, in literary analysis, exist to communicate ONE (1) specific
insight about a story, poem, or play. This time, weāre doing short stories.
WHY WRITE? Consider Comic-Con, book clubs, and fandoms (like Trekkers or
Browncoats). Also, this develops your ability to look at evidence and build a theory
based on that evidenceāa good skill to have in law, in medicine, in business, etc.
HOW & WHEN TO WRITE? Use todayās class time to write an academic paragraph
explaining one (1) insight about one (1) short story. You will then have a chance to
The paragraph starts and ends
with the same point. This "topic
sentence" is the whole reason
the paragraph exists. Be sure to
name the author & title. If you
think a reader may need a
reminder about the term you
are using, define it. If you don't
use your own words, you must
use quotation marks and cite
your source! It's a good idea,
toward the start, to give a one-
line summary of the story in
your own wordsāname the
main characters. You should
have points to make that
support your topic sentence. Put
them before the quotes that
support them. Support can be
given as quotes and as facts
from the story. If you use a story
with page numbers, remember
to put the page number of the
quote in parentheses after the
quote. Make sure you proved
your point, by the end, even if
you feel you're stating the
obvious, because you probably
are not stating the obvious.
Finish with a restatement of the
topic sentence.
revise and fix any glitches before uploading by Sunday night ...
1302 Notes ā 06 ā February 4, 2021 Writing about Fiction (& ChantellPantoja184
Ā
1302 Notes ā 06 ā February 4, 2021
Writing about Fiction (& Exam)
1. Putting the āCompositionā into Composition II
(how to start and end paragraphs with your topic sentence)
2. The Academic Paragraphāwith an Example
(it starts and ends with the same topic sentence)
3. Analyze First
4. Letās Practice Topic Sentences (which will start and end the paragraphs)
5. Letās Practice Finding Support (for the topic sentences which go where?)
6. Drafting the Paragraph Assignment (establishes todayās attendance)
7. Homework Help (Paragraph & Exam 1: Fiction)
8. Checklist of Graded Assignments, Week 3
HOMEWORK for NEXT TIME: 1- ANALYZE a short story. 2-DRAFT an
academic paragraph of 8-24 sentences, communicating one writing technique in that
story. 3-REVISE the paragraph, then UPLOAD it by Sunday night. 4-TAKE Exam 1:
Fiction any time until next Wednesday (note: no new readings).
1. Putting the āCompositionā into Composition 2
ā¢ You are LEARNING ABOUT FICTION in order to WRITE ABOUT FICTION
ā¢ The skills you use to write about fiction, you can then use in real life
to write about incident reports, peer reviews, etc.
ā¢ We will start by writing an ACADEMIC PARAGRAPH
ā¢ Next week, we will write an ESSAY, which will include:
ā¢ An introductory paragraph
ā¢ 2 or more academic paragraphs, and
ā¢ A concluding paragraph
2. The Academic Paragraph (with an Example)
ACADEMIC PARAGRAPHS, in literary analysis, exist to communicate ONE (1) specific
insight about a story, poem, or play. This time, weāre doing short stories.
WHY WRITE? Consider Comic-Con, book clubs, and fandoms (like Trekkers or
Browncoats). Also, this develops your ability to look at evidence and build a theory
based on that evidenceāa good skill to have in law, in medicine, in business, etc.
HOW & WHEN TO WRITE? Use todayās class time to write an academic paragraph
explaining one (1) insight about one (1) short story. You will then have a chance to
The paragraph starts and ends
with the same point. This "topic
sentence" is the whole reason
the paragraph exists. Be sure to
name the author & title. If you
think a reader may need a
reminder about the term you
are using, define it. If you don't
use your own words, you must
use quotation marks and cite
your source! It's a good idea,
toward the start, to give a one-
line summary of the story in
your own wordsāname the
main characters. You should
have points to make that
support your topic sentence. Put
them before the quotes that
support them. Support can be
given as quotes and as facts
from the story. If you use a story
with page numbers, remember
to put the page number of the
quote in parentheses after the
quote. Make sure you proved
your point, by the end, even if
you feel you're stating the
obvious, because you probably
are not stating the obvious.
Finish with a restatement of the
topic sentence.
revise and fix any glitches before uploading by Sunday night ...
Edmodo is a free social learning network for teachers, students, and schools that allows for safe collaboration through sharing content, homework, grades, and notices. The document provides various online tools and resources for inspiring creative writing, including making superheroes, random story starters, descriptive images, poetry generators, exploring words and images, and creating slideshows and avatars. Teachers can use these tools to engage students and spark new writing ideas.
This document provides guidance on developing stories for children, including key elements to include and story structure. It discusses the characteristics of target audiences, types of stories, and what children need when learning to read. Examples of story elements are given, such as enjoyable stories, rich visual images, play with words and sounds, suspense and danger. Methods for finding inspiration, developing stories using free writing and the "What If" approach, and adding structure are described. Templates and examples of plot structure including beginning, middle, end, character, conflict and resolution, and theme are provided.
How Teachers Can Use Stories In Teaching Classroom LessonsAileen Santos
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Most teachers already know that stories are more interesting to students than plain facts. This article serves as a primer for teachers from grade school to high school on how they can use stories to teach actual lessons.
The article includes a 4-step process for turning lessons into stories, as well as story suggestions you can find online to start your storytelling adventures with.
Courtesy of STAR TEACHER magazine (published by Summit Media, Inc.) and A.S.Santos of http://StudentParanormalResearchGroup.com .
The document provides guidance to students on completing a project called "What's Your Story?". It involves retelling a short story they read, using vocabulary words and explaining the author's message. Students have completed plot diagrams and identified themes. The document reviews how to make text connections, including comparing the short story to their own lives (text to self), other works (text to text), and broader societal issues (text to world). Students are encouraged to think critically and ask questions to make connections, even if they disliked aspects of the story.
This document provides advice on writing effective college admissions essays. It emphasizes telling compelling stories and focusing on interesting personal experiences and qualities rather than trying to impress readers. Some key points include:
- College admissions essays should be interesting to read by telling unique stories in an authentic voice rather than focusing on accomplishments.
- Students should find meaningful conflicts or problems from their own lives and reflect on what they learned from dealing with them.
- Even mundane or everyday topics can make compelling essays if presented as stories that provide insights about the student.
- Essays should avoid dull descriptions and instead use concrete examples, anecdotes, and a personal narrative style to engage the reader.
The document provides tips for writing a successful story for a writing assessment in 35 minutes. It emphasizes spending the first 5-7 minutes planning by brainstorming ideas for characters, plot, conflict and resolution. It also stresses including descriptive details to make characters interesting and a compelling beginning, middle and end to engage the reader. Mechanics like spelling, punctuation and grammar should also be proofread.
This document provides tips for writing good stories, including developing characters, conflicts, and plots. It recommends finding ideas from real life and favorite stories. The basics of every story are main and minor characters, a conflict, and a resolution. Characters should have flaws and goals, and secondary characters like villains, allies, and mentors can assist or block the main character. Common conflicts include person vs. person, person vs. self, and person vs. nature. The plot follows a chain of cause-and-effect events to solve the initial conflict. Dialogue, setting, and a satisfying conclusion are also important elements to include.
7th grade writerās workshop narrative bend 1krochalek
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This document outlines lessons from a 7th grade writer's workshop on developing realistic fiction stories. It discusses strategies for finding story ideas, such as paying attention to small moments from one's own life, places that are meaningful, or issues that are important. Students brainstorm potential stories and choose one idea to develop further. They are encouraged to consider stories that feel personally meaningful or that address issues the world needs. The goal is for students to practice turning real-life experiences and wishes for different stories into fictional narratives.
Creative Writing: The Short Story for Kids... YOU can do it!.pdfRennyKhan1
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This document provides an introduction to various literary devices and techniques for developing characters in stories. It discusses 14 different literary devices including simile, metaphor, alliteration and onomatopoeia. It then outlines 8 steps for developing characters, such as establishing their motivations, choosing a narrative voice, creating conflict, and developing secondary characters. Finally, it discusses 7 common character roles in stories like the protagonist, antagonist, love interest and confidant.
This document provides instructions and examples for students to complete creative and formal writing exercises as part of a rich task assignment. It includes guidelines for formal writing styles and features, as well as prompts and examples for various creative writing genres and forms, including poems, stories, and a pantoum poetic structure. Students are assigned to write a letter to the editor on a provided topic and to submit a portfolio including different types of creative writing pieces.
This document provides an overview of a 5-part lesson plan on narrative writing for Year 5/6 students. The lessons aim to teach students about narrative texts by explaining their purpose and key features, identifying important elements like setting and characters, and learning how to structure a story using a story arc. The lessons include activities like analyzing sample texts, creating character profiles and settings, and drafting their own stories using the planning template. By the end of the lessons, students will understand narrative writing techniques and be able to craft their own short narratives.
How to impress everyone with your essayedubirdiecom
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To impress readers with your essay, begin with a creative introduction that draws them in. Reference an analogy, personal story, or unique perspective to attract attention. Additionally, add emotion through discussing hopes or personal experiences. Utilize consistent sentence structures and incorporate quotes, sayings, or references to enhance the narrative. Employ varied vocabulary while avoiding complex words that could be misused. The overall goal is to engage readers from the start through creative writing and emotional connection.
This document provides instructions for several activities using various online tools. It begins by describing an activity using Wordle to create word clouds from fairy tales. Students would read stories, write important words, create Wordle clouds, and try to match clouds to stories. Another activity uses ESLvideo to create quizzes from fairy tales with unusual endings in Roald Dahl's "Revolting Rhymes." A third activity uses the "Listen and Write" tool to have students write lyrics to children's songs and test each other. The document provides detailed steps for introducing, conducting, and evaluating each lesson.
This document provides instructions and guidance for an essay assignment. Students are asked to write about a family story that is often told at gatherings. They are to brainstorm potential stories, choose one to focus on, and free write about retelling the story. A rough draft is due on September 28th for peer review, and the final draft is due on October 3rd. The essay should be 2 pages and is worth 70 points. For homework, students are to brainstorm potential stories, free write about one chosen story, and list details about that story. They should also read and annotate a passage from their textbook.
Mrs. Kidd's class has a book project option due each 9-week grading period where students choose from 15 project options related to an independently read novel. Projects include creating character models, t-shirts, songs, paintings, travel brochures, puppet shows, and more. Students must present their project to the class in 2 minutes and get approval for custom project ideas by week 3. The project is worth at least 100 points and will be graded on creativity, effort, and specifics of the chosen option.
This document provides biographies of two authors:
1. Maya Angelou, an American writer and poet known for her autobiographies and poetry exploring themes of racism and identity. She was born in 1928 in Missouri and spent part of her childhood in Arkansas. Her career spanned over 50 years and she published several acclaimed autobiographies and books of poetry.
2. Pearl Buck, an American writer who won the Pulitzer Prize in 1932 for her novel The Good Earth. She was born in 1892 in West Virginia but spent most of her early life in China as the daughter of Presbyterian missionaries. Her novel explored the life of Chinese peasants and was a critical and commercial success.
This document provides reading assignments for students to complete in pairs of authors from the 19th-20th centuries. For each pair, students must read short excerpts from two works, one by each author, and analyze some element of literature discussed. They then complete a short assessment comparing and contrasting the two authors or their works. Some author pairs included are Paulsen and London, Angelou and Walker, Hughes and Updike, Twain and Faulkner, and horror writers Jackson, Poe, Doyle, and King.
This document provides instructions for students to create a Venn diagram comparing 4 horror writers - Shirley Jackson, Sir Arthur Conan Doyle, Stephen King, and Edgar Allen Poe - by listing 3 similarities and 5 differences for each pair within the diagram. The student's work will then be scored on a scale of 1 to 4, with 4 being above standards and 1 needing improvement.
This document contains information in different formats including text, images, and audio. It likely conveys some message or story using a combination of written words, visual content, and recorded sound. The various formats used together aim to effectively communicate the overall content or message to the reader/viewer/listener.
This document lists various literary elements and their corresponding page numbers. It includes elements such as suspense on page 541, nonfiction on pages 624 and 131, foreshadowing on page 968, and a mystery story on page 473. It also notes elements like fable on page 967, colloquialism versus dialect on page 967, and flashback on page 63.
1. The document provides questions to guide the reader in analyzing an article, including making predictions based on visual aids, identifying the topic and main idea, defining unfamiliar vocabulary, listing key points and whether any bias is present, and writing an introduction and closing sentence.
This document contains basic metadata about an article including the name of the author and the title of the article or document. It lists fields for the name, title, topic content, and author but does not provide any values for those fields.
Narrative for master of education portfolioCM Ites
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This document provides the narrative portfolio for a Master of Education in Curriculum and Instructional Technology program. It discusses the author's journey to the program, influenced by events like reading The World is Flat and seeing "Shift Happens." The program encouraged leaving one's comfort zone and fostered a supportive environment for implementing new technologies. The author feels prepared to create similar supportive environments and give students skills for success beyond standardized tests. The portfolio addresses how courses helped the author evaluate technologies' implications for learning and create innovative technology uses with reflection, as required by the program's standards.
Shifting sands globalization and digital equity ites midtermCM Ites
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The document analyzes perspectives on globalization and the digital divide from Thomas Friedman's The World is Flat and other sources. It discusses how definitions of the digital divide vary and how issues like corporate responsibility, Western influence in developing countries, and inclusion of marginalized groups must be considered. While Friedman is optimistic about globalization, other researchers address more negative impacts and complex societal factors that must be understood to effectively address the digital divide on a global scale.
Pd for integrating interactive tech at sts itesCM Ites
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This professional development plan aims to integrate interactive technologies like SMART Boards, LCD projectors, and ELMOs at St. Theresa School over the 2010-2011 school year. Teachers will learn the technologies in small groups led by change agent aides and provide feedback and support virtually through Google sites and documents. The plan involves multiple face-to-face and online sessions where teachers will learn to use the technologies, develop lesson plans using them, observe each other, and provide feedback. The goal is for teachers to gain basic proficiency in using the technologies and for the principal to understand teachers' skill levels and support needs to continue technology integration.
This document provides an introduction to an action research study that will examine the impact of implementing Google Apps as a learning management system in a grade 8 classroom. The study aims to see how Google Apps affects student initiative, collaborative group work, and compatibility issues between student work done on different operating systems. The researcher believes action research is well-suited for examining technology innovations in the classroom. The document outlines the researcher's area of focus and research questions regarding how Google Apps may enable more effective instruction inside and outside the classroom.
This document provides vocabulary definitions for chapters 1-5 of the novel "To Kill a Mockingbird". It defines over 50 words used in the text and provides the context in which each word is used. The vocabulary words cover a range of topics from parts of buildings to medical terms to behaviors. Each definition is accompanied by a single sentence taken from the text to provide an example usage.
This document provides guided reading questions for students to answer after reading Chapter 2 of The Outsiders. The questions ask students to:
1. Make 2-3 predictions about what will occur in the book based on Chapter 1 and explain the reasons for the predictions.
2. Choose 10 vocabulary words from a list, write where they were found in the text, and provide definitions.
3. Identify 4-5 main ideas from the chapter and explain why they are main ideas and what biases they reveal.
4. Take notes on each character introduced in the chapter, focusing on important details about relationships, appearance, and social groups.
5. Discuss whether a line of foreshadow
This reading guide provides questions to help guide students through reading a chapter of the book Outsiders. It asks students to make predictions about the book based on the cover, define 12 vocabulary words found in the chapter, identify 4-5 main ideas and explain their reasoning, take notes on characters introduced, and reflect on the idea of lying to oneself and whether it can be effective. The guide is designed to help students actively engage with the text and draw out key details, themes, and comprehension.
The document provides instructions for completing a final Office project in Publisher, including how to change margins and add headers/footers, insert text boxes and an Excel chart, add artistic elements, search EbscoHOST for images or quotes and cite them properly, and save the file in multiple formats. Steps include using the Master Page toolbox to set layout guides, pasting a chart created in Excel, choosing a design set or adding pictures for shading/art, searching EbscoHOST using provided login credentials, using EasyBib to generate citations using the EbscoHOST URL, and saving in formats like .pub and .jpg.
Technology Exploratory Final Assignment Office Suite ReschCM Ites
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Students will create a 1-2 page newsletter for a company using Word or Publisher and integrating at least one chart or graph from Excel. The newsletter must include headers, footers, text boxes, shading techniques, a cited quote or image from EbscoHOST, and be saved in two formats to the Z drive. Final projects are due on October 5th, December 7th, or February 8th depending on the student's session.
This rubric outlines the standards, benchmarks, and proficiency levels for a 6th grade technology class, including formative and summative assessments that will be used to evaluate students on their understanding of technology concepts, use of tools to gather information, legal and ethical online behavior, and ability to use programs to create documents, enter data, and develop keyboarding skills. Students will be rated on a scale of 1-4 for each benchmark based on their fulfillment of the expectations for 6th grade level work.
The document outlines a rubric for assessing 7th grade technology skills, with standards and benchmarks scored on a proficiency scale of 1-4, and includes both formative weekly skills assessments and summative project assessments. The rubric lists the standards and benchmarks to be assessed, including responsible technology use, information literacy skills, software application abilities, and applying research to generate original technology-based products.
QR Secure: A Hybrid Approach Using Machine Learning and Security Validation F...AlexanderRichford
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QR Secure: A Hybrid Approach Using Machine Learning and Security Validation Functions to Prevent Interaction with Malicious QR Codes.
Aim of the Study: The goal of this research was to develop a robust hybrid approach for identifying malicious and insecure URLs derived from QR codes, ensuring safe interactions.
This is achieved through:
Machine Learning Model: Predicts the likelihood of a URL being malicious.
Security Validation Functions: Ensures the derived URL has a valid certificate and proper URL format.
This innovative blend of technology aims to enhance cybersecurity measures and protect users from potential threats hidden within QR codes š„ š
This study was my first introduction to using ML which has shown me the immense potential of ML in creating more secure digital environments!
Dandelion Hashtable: beyond billion requests per second on a commodity serverAntonios Katsarakis
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This slide deck presents DLHT, a concurrent in-memory hashtable. Despite efforts to optimize hashtables, that go as far as sacrificing core functionality, state-of-the-art designs still incur multiple memory accesses per request and block request processing in three cases. First, most hashtables block while waiting for data to be retrieved from memory. Second, open-addressing designs, which represent the current state-of-the-art, either cannot free index slots on deletes or must block all requests to do so. Third, index resizes block every request until all objects are copied to the new index. Defying folklore wisdom, DLHT forgoes open-addressing and adopts a fully-featured and memory-aware closed-addressing design based on bounded cache-line-chaining. This design offers lock-free index operations and deletes that free slots instantly, (2) completes most requests with a single memory access, (3) utilizes software prefetching to hide memory latencies, and (4) employs a novel non-blocking and parallel resizing. In a commodity server and a memory-resident workload, DLHT surpasses 1.6B requests per second and provides 3.5x (12x) the throughput of the state-of-the-art closed-addressing (open-addressing) resizable hashtable on Gets (Deletes).
Lee Barnes - Path to Becoming an Effective Test Automation Engineer.pdfleebarnesutopia
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Soā¦ you want to become a Test Automation Engineer (or hire and develop one)? While thereās quite a bit of information available about important technical and tool skills to master, thereās not enough discussion around the path to becoming an effective Test Automation Engineer that knows how to add VALUE. In my experience this had led to a proliferation of engineers who are proficient with tools and building frameworks but have skill and knowledge gaps, especially in software testing, that reduce the value they deliver with test automation.
In this talk, Lee will share his lessons learned from over 30 years of working with, and mentoring, hundreds of Test Automation Engineers. Whether youāre looking to get started in test automation or just want to improve your trade, this talk will give you a solid foundation and roadmap for ensuring your test automation efforts continuously add value. This talk is equally valuable for both aspiring Test Automation Engineers and those managing them! All attendees will take away a set of key foundational knowledge and a high-level learning path for leveling up test automation skills and ensuring they add value to their organizations.
"Scaling RAG Applications to serve millions of users", Kevin GoedeckeFwdays
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How we managed to grow and scale a RAG application from zero to thousands of users in 7 months. Lessons from technical challenges around managing high load for LLMs, RAGs and Vector databases.
"NATO Hackathon Winner: AI-Powered Drug Search", Taras KlobaFwdays
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This is a session that details how PostgreSQL's features and Azure AI Services can be effectively used to significantly enhance the search functionality in any application.
In this session, we'll share insights on how we used PostgreSQL to facilitate precise searches across multiple fields in our mobile application. The techniques include using LIKE and ILIKE operators and integrating a trigram-based search to handle potential misspellings, thereby increasing the search accuracy.
We'll also discuss how the azure_ai extension on PostgreSQL databases in Azure and Azure AI Services were utilized to create vectors from user input, a feature beneficial when users wish to find specific items based on text prompts. While our application's case study involves a drug search, the techniques and principles shared in this session can be adapted to improve search functionality in a wide range of applications. Join us to learn how PostgreSQL and Azure AI can be harnessed to enhance your application's search capability.
Connector Corner: Seamlessly power UiPath Apps, GenAI with prebuilt connectorsDianaGray10
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Join us to learn how UiPath Apps can directly and easily interact with prebuilt connectors via Integration Service--including Salesforce, ServiceNow, Open GenAI, and more.
The best part is you can achieve this without building a custom workflow! Say goodbye to the hassle of using separate automations to call APIs. By seamlessly integrating within App Studio, you can now easily streamline your workflow, while gaining direct access to our Connector Catalog of popular applications.
Weāll discuss and demo the benefits of UiPath Apps and connectors including:
Creating a compelling user experience for any software, without the limitations of APIs.
Accelerating the app creation process, saving time and effort
Enjoying high-performance CRUD (create, read, update, delete) operations, for
seamless data management.
Speakers:
Russell Alfeche, Technology Leader, RPA at qBotic and UiPath MVP
Charlie Greenberg, host
This talk will cover ScyllaDB Architecture from the cluster-level view and zoom in on data distribution and internal node architecture. In the process, we will learn the secret sauce used to get ScyllaDB's high availability and superior performance. We will also touch on the upcoming changes to ScyllaDB architecture, moving to strongly consistent metadata and tablets.
Session 1 - Intro to Robotic Process Automation.pdfUiPathCommunity
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š Check out our full 'Africa Series - Automation Student Developers (EN)' page to register for the full program:
https://bit.ly/Automation_Student_Kickstart
In this session, we shall introduce you to the world of automation, the UiPath Platform, and guide you on how to install and setup UiPath Studio on your Windows PC.
š Detailed agenda:
What is RPA? Benefits of RPA?
RPA Applications
The UiPath End-to-End Automation Platform
UiPath Studio CE Installation and Setup
š» Extra training through UiPath Academy:
Introduction to Automation
UiPath Business Automation Platform
Explore automation development with UiPath Studio
š Register here for our upcoming Session 2 on June 20: Introduction to UiPath Studio Fundamentals: https://community.uipath.com/events/details/uipath-lagos-presents-session-2-introduction-to-uipath-studio-fundamentals/
"What does it really mean for your system to be available, or how to define w...Fwdays
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We will talk about system monitoring from a few different angles. We will start by covering the basics, then discuss SLOs, how to define them, and why understanding the business well is crucial for success in this exercise.
As AI technology is pushing into IT I was wondering myself, as an āinfrastructure container kubernetes guyā, how get this fancy AI technology get managed from an infrastructure operational view? Is it possible to apply our lovely cloud native principals as well? What benefitās both technologies could bring to each other?
Let me take this questions and provide you a short journey through existing deployment models and use cases for AI software. On practical examples, we discuss what cloud/on-premise strategy we may need for applying it to our own infrastructure to get it to work from an enterprise perspective. I want to give an overview about infrastructure requirements and technologies, what could be beneficial or limiting your AI use cases in an enterprise environment. An interactive Demo will give you some insides, what approaches I got already working for real.
Keywords: AI, Containeres, Kubernetes, Cloud Native
Event Link: https://meine.doag.org/events/cloudland/2024/agenda/#agendaId.4211
How information systems are built or acquired puts information, which is what they should be about, in a secondary place. Our language adapted accordingly, and we no longer talk about information systems but applications. Applications evolved in a way to break data into diverse fragments, tightly coupled with applications and expensive to integrate. The result is technical debt, which is re-paid by taking even bigger "loans", resulting in an ever-increasing technical debt. Software engineering and procurement practices work in sync with market forces to maintain this trend. This talk demonstrates how natural this situation is. The question is: can something be done to reverse the trend?
In our second session, we shall learn all about the main features and fundamentals of UiPath Studio that enable us to use the building blocks for any automation project.
š Detailed agenda:
Variables and Datatypes
Workflow Layouts
Arguments
Control Flows and Loops
Conditional Statements
š» Extra training through UiPath Academy:
Variables, Constants, and Arguments in Studio
Control Flow in Studio
Discover the Unseen: Tailored Recommendation of Unwatched ContentScyllaDB
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The session shares how JioCinema approaches ""watch discounting."" This capability ensures that if a user watched a certain amount of a show/movie, the platform no longer recommends that particular content to the user. Flawless operation of this feature promotes the discover of new content, improving the overall user experience.
JioCinema is an Indian over-the-top media streaming service owned by Viacom18.