This document provides an overview of a 5-part lesson plan on narrative writing for Year 5/6 students. The lessons aim to teach students about narrative texts by explaining their purpose and key features, identifying important elements like setting and characters, and learning how to structure a story using a story arc. The lessons include activities like analyzing sample texts, creating character profiles and settings, and drafting their own stories using the planning template. By the end of the lessons, students will understand narrative writing techniques and be able to craft their own short narratives.
The Senior Literacy Writing Handbook 1 is a workbook for students undertaking Units 1&2 VM Literacy or VPC Literacy. This workbook is filled with a huge range of every day texts with different purposes – from workplace texts, social media posts and online campaigns through to pamphlets and street side posters. Accompanying activities will guide students to explore, evaluate and respond to the different purposes, features and issues within the texts through prior knowledge activities, note taking, writing, speaking and research activities. Students will also be scaffolded to develop their own ideas and create their own versions of texts they study throughout the workbook.
1302 Notes – 06 – February 4, 2021 Writing about Fiction (& CicelyBourqueju
1302 Notes – 06 – February 4, 2021
Writing about Fiction (& Exam)
1. Putting the “Composition” into Composition II
(how to start and end paragraphs with your topic sentence)
2. The Academic Paragraph—with an Example
(it starts and ends with the same topic sentence)
3. Analyze First
4. Let’s Practice Topic Sentences (which will start and end the paragraphs)
5. Let’s Practice Finding Support (for the topic sentences which go where?)
6. Drafting the Paragraph Assignment (establishes today’s attendance)
7. Homework Help (Paragraph & Exam 1: Fiction)
8. Checklist of Graded Assignments, Week 3
HOMEWORK for NEXT TIME: 1- ANALYZE a short story. 2-DRAFT an
academic paragraph of 8-24 sentences, communicating one writing technique in that
story. 3-REVISE the paragraph, then UPLOAD it by Sunday night. 4-TAKE Exam 1:
Fiction any time until next Wednesday (note: no new readings).
1. Putting the “Composition” into Composition 2
• You are LEARNING ABOUT FICTION in order to WRITE ABOUT FICTION
• The skills you use to write about fiction, you can then use in real life
to write about incident reports, peer reviews, etc.
• We will start by writing an ACADEMIC PARAGRAPH
• Next week, we will write an ESSAY, which will include:
• An introductory paragraph
• 2 or more academic paragraphs, and
• A concluding paragraph
2. The Academic Paragraph (with an Example)
ACADEMIC PARAGRAPHS, in literary analysis, exist to communicate ONE (1) specific
insight about a story, poem, or play. This time, we’re doing short stories.
WHY WRITE? Consider Comic-Con, book clubs, and fandoms (like Trekkers or
Browncoats). Also, this develops your ability to look at evidence and build a theory
based on that evidence—a good skill to have in law, in medicine, in business, etc.
HOW & WHEN TO WRITE? Use today’s class time to write an academic paragraph
explaining one (1) insight about one (1) short story. You will then have a chance to
The paragraph starts and ends
with the same point. This "topic
sentence" is the whole reason
the paragraph exists. Be sure to
name the author & title. If you
think a reader may need a
reminder about the term you
are using, define it. If you don't
use your own words, you must
use quotation marks and cite
your source! It's a good idea,
toward the start, to give a one-
line summary of the story in
your own words—name the
main characters. You should
have points to make that
support your topic sentence. Put
them before the quotes that
support them. Support can be
given as quotes and as facts
from the story. If you use a story
with page numbers, remember
to put the page number of the
quote in parentheses after the
quote. Make sure you proved
your point, by the end, even if
you feel you're stating the
obvious, because you probably
are not stating the obvious.
Finish with a restatement of the
topic sentence.
revise and fix any glitches before uploading by Sunday night ...
1302 Notes – 06 – February 4, 2021 Writing about Fiction (& ChantellPantoja184
1302 Notes – 06 – February 4, 2021
Writing about Fiction (& Exam)
1. Putting the “Composition” into Composition II
(how to start and end paragraphs with your topic sentence)
2. The Academic Paragraph—with an Example
(it starts and ends with the same topic sentence)
3. Analyze First
4. Let’s Practice Topic Sentences (which will start and end the paragraphs)
5. Let’s Practice Finding Support (for the topic sentences which go where?)
6. Drafting the Paragraph Assignment (establishes today’s attendance)
7. Homework Help (Paragraph & Exam 1: Fiction)
8. Checklist of Graded Assignments, Week 3
HOMEWORK for NEXT TIME: 1- ANALYZE a short story. 2-DRAFT an
academic paragraph of 8-24 sentences, communicating one writing technique in that
story. 3-REVISE the paragraph, then UPLOAD it by Sunday night. 4-TAKE Exam 1:
Fiction any time until next Wednesday (note: no new readings).
1. Putting the “Composition” into Composition 2
• You are LEARNING ABOUT FICTION in order to WRITE ABOUT FICTION
• The skills you use to write about fiction, you can then use in real life
to write about incident reports, peer reviews, etc.
• We will start by writing an ACADEMIC PARAGRAPH
• Next week, we will write an ESSAY, which will include:
• An introductory paragraph
• 2 or more academic paragraphs, and
• A concluding paragraph
2. The Academic Paragraph (with an Example)
ACADEMIC PARAGRAPHS, in literary analysis, exist to communicate ONE (1) specific
insight about a story, poem, or play. This time, we’re doing short stories.
WHY WRITE? Consider Comic-Con, book clubs, and fandoms (like Trekkers or
Browncoats). Also, this develops your ability to look at evidence and build a theory
based on that evidence—a good skill to have in law, in medicine, in business, etc.
HOW & WHEN TO WRITE? Use today’s class time to write an academic paragraph
explaining one (1) insight about one (1) short story. You will then have a chance to
The paragraph starts and ends
with the same point. This "topic
sentence" is the whole reason
the paragraph exists. Be sure to
name the author & title. If you
think a reader may need a
reminder about the term you
are using, define it. If you don't
use your own words, you must
use quotation marks and cite
your source! It's a good idea,
toward the start, to give a one-
line summary of the story in
your own words—name the
main characters. You should
have points to make that
support your topic sentence. Put
them before the quotes that
support them. Support can be
given as quotes and as facts
from the story. If you use a story
with page numbers, remember
to put the page number of the
quote in parentheses after the
quote. Make sure you proved
your point, by the end, even if
you feel you're stating the
obvious, because you probably
are not stating the obvious.
Finish with a restatement of the
topic sentence.
revise and fix any glitches before uploading by Sunday night ...
This presentation is about some activities that I tried in my classrooms and that provd to be a success. They met the main aims of the lesson which were involving learners, motivating them to take in the information presented, and leading them to use what they learned.
Designed for level 2 ESOL learners to teach them the requirements to pass the Trinity writing exam and get them practicing the skills through creating a group digital story
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
The Senior Literacy Writing Handbook 1 is a workbook for students undertaking Units 1&2 VM Literacy or VPC Literacy. This workbook is filled with a huge range of every day texts with different purposes – from workplace texts, social media posts and online campaigns through to pamphlets and street side posters. Accompanying activities will guide students to explore, evaluate and respond to the different purposes, features and issues within the texts through prior knowledge activities, note taking, writing, speaking and research activities. Students will also be scaffolded to develop their own ideas and create their own versions of texts they study throughout the workbook.
1302 Notes – 06 – February 4, 2021 Writing about Fiction (& CicelyBourqueju
1302 Notes – 06 – February 4, 2021
Writing about Fiction (& Exam)
1. Putting the “Composition” into Composition II
(how to start and end paragraphs with your topic sentence)
2. The Academic Paragraph—with an Example
(it starts and ends with the same topic sentence)
3. Analyze First
4. Let’s Practice Topic Sentences (which will start and end the paragraphs)
5. Let’s Practice Finding Support (for the topic sentences which go where?)
6. Drafting the Paragraph Assignment (establishes today’s attendance)
7. Homework Help (Paragraph & Exam 1: Fiction)
8. Checklist of Graded Assignments, Week 3
HOMEWORK for NEXT TIME: 1- ANALYZE a short story. 2-DRAFT an
academic paragraph of 8-24 sentences, communicating one writing technique in that
story. 3-REVISE the paragraph, then UPLOAD it by Sunday night. 4-TAKE Exam 1:
Fiction any time until next Wednesday (note: no new readings).
1. Putting the “Composition” into Composition 2
• You are LEARNING ABOUT FICTION in order to WRITE ABOUT FICTION
• The skills you use to write about fiction, you can then use in real life
to write about incident reports, peer reviews, etc.
• We will start by writing an ACADEMIC PARAGRAPH
• Next week, we will write an ESSAY, which will include:
• An introductory paragraph
• 2 or more academic paragraphs, and
• A concluding paragraph
2. The Academic Paragraph (with an Example)
ACADEMIC PARAGRAPHS, in literary analysis, exist to communicate ONE (1) specific
insight about a story, poem, or play. This time, we’re doing short stories.
WHY WRITE? Consider Comic-Con, book clubs, and fandoms (like Trekkers or
Browncoats). Also, this develops your ability to look at evidence and build a theory
based on that evidence—a good skill to have in law, in medicine, in business, etc.
HOW & WHEN TO WRITE? Use today’s class time to write an academic paragraph
explaining one (1) insight about one (1) short story. You will then have a chance to
The paragraph starts and ends
with the same point. This "topic
sentence" is the whole reason
the paragraph exists. Be sure to
name the author & title. If you
think a reader may need a
reminder about the term you
are using, define it. If you don't
use your own words, you must
use quotation marks and cite
your source! It's a good idea,
toward the start, to give a one-
line summary of the story in
your own words—name the
main characters. You should
have points to make that
support your topic sentence. Put
them before the quotes that
support them. Support can be
given as quotes and as facts
from the story. If you use a story
with page numbers, remember
to put the page number of the
quote in parentheses after the
quote. Make sure you proved
your point, by the end, even if
you feel you're stating the
obvious, because you probably
are not stating the obvious.
Finish with a restatement of the
topic sentence.
revise and fix any glitches before uploading by Sunday night ...
1302 Notes – 06 – February 4, 2021 Writing about Fiction (& ChantellPantoja184
1302 Notes – 06 – February 4, 2021
Writing about Fiction (& Exam)
1. Putting the “Composition” into Composition II
(how to start and end paragraphs with your topic sentence)
2. The Academic Paragraph—with an Example
(it starts and ends with the same topic sentence)
3. Analyze First
4. Let’s Practice Topic Sentences (which will start and end the paragraphs)
5. Let’s Practice Finding Support (for the topic sentences which go where?)
6. Drafting the Paragraph Assignment (establishes today’s attendance)
7. Homework Help (Paragraph & Exam 1: Fiction)
8. Checklist of Graded Assignments, Week 3
HOMEWORK for NEXT TIME: 1- ANALYZE a short story. 2-DRAFT an
academic paragraph of 8-24 sentences, communicating one writing technique in that
story. 3-REVISE the paragraph, then UPLOAD it by Sunday night. 4-TAKE Exam 1:
Fiction any time until next Wednesday (note: no new readings).
1. Putting the “Composition” into Composition 2
• You are LEARNING ABOUT FICTION in order to WRITE ABOUT FICTION
• The skills you use to write about fiction, you can then use in real life
to write about incident reports, peer reviews, etc.
• We will start by writing an ACADEMIC PARAGRAPH
• Next week, we will write an ESSAY, which will include:
• An introductory paragraph
• 2 or more academic paragraphs, and
• A concluding paragraph
2. The Academic Paragraph (with an Example)
ACADEMIC PARAGRAPHS, in literary analysis, exist to communicate ONE (1) specific
insight about a story, poem, or play. This time, we’re doing short stories.
WHY WRITE? Consider Comic-Con, book clubs, and fandoms (like Trekkers or
Browncoats). Also, this develops your ability to look at evidence and build a theory
based on that evidence—a good skill to have in law, in medicine, in business, etc.
HOW & WHEN TO WRITE? Use today’s class time to write an academic paragraph
explaining one (1) insight about one (1) short story. You will then have a chance to
The paragraph starts and ends
with the same point. This "topic
sentence" is the whole reason
the paragraph exists. Be sure to
name the author & title. If you
think a reader may need a
reminder about the term you
are using, define it. If you don't
use your own words, you must
use quotation marks and cite
your source! It's a good idea,
toward the start, to give a one-
line summary of the story in
your own words—name the
main characters. You should
have points to make that
support your topic sentence. Put
them before the quotes that
support them. Support can be
given as quotes and as facts
from the story. If you use a story
with page numbers, remember
to put the page number of the
quote in parentheses after the
quote. Make sure you proved
your point, by the end, even if
you feel you're stating the
obvious, because you probably
are not stating the obvious.
Finish with a restatement of the
topic sentence.
revise and fix any glitches before uploading by Sunday night ...
This presentation is about some activities that I tried in my classrooms and that provd to be a success. They met the main aims of the lesson which were involving learners, motivating them to take in the information presented, and leading them to use what they learned.
Designed for level 2 ESOL learners to teach them the requirements to pass the Trinity writing exam and get them practicing the skills through creating a group digital story
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
Safalta Digital marketing institute in Noida, provide complete applications that encompass a huge range of virtual advertising and marketing additives, which includes search engine optimization, virtual communication advertising, pay-per-click on marketing, content material advertising, internet analytics, and greater. These university courses are designed for students who possess a comprehensive understanding of virtual marketing strategies and attributes.Safalta Digital Marketing Institute in Noida is a first choice for young individuals or students who are looking to start their careers in the field of digital advertising. The institute gives specialized courses designed and certification.
for beginners, providing thorough training in areas such as SEO, digital communication marketing, and PPC training in Noida. After finishing the program, students receive the certifications recognised by top different universitie, setting a strong foundation for a successful career in digital marketing.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
3. Learning Objective
By the end of this lesson, we will be able to
explain what narrative writing is and identify the
purpose and key features of narrative texts.
4. Success Criteria
You will be successful today if you are able to:
Describe what a narrative text is.
State the purpose of narrative texts.
Identify key features of narrative texts.
5. Let’s activate some prior knowledge
What do you already know about narrative writing?
Have you ever written a narrative text before?
When was that?
Think Pair
Share
6. Cold task – Blooket
Grab your iPads
Use the code to log into Blooket
Remember this just a cold task – use your
previous knowledge to answer the questions.
We will repeat the task after we finish learning
about narrative texts.
1
0
9. What is the relevance of narrative writing
in real life?
• Many forms of entertainment, including books,
movies, and video games, are built on narrative
structures. These narratives provide enjoyment
and helps us express emotions.
• Helps people express their thoughts, emotions
and feelings through the stories.
Think Pair
Share
Can you think
of some
more?
10. Success criteria review
Can you do the following?
Describe what a narrative text is.
State the purpose of narrative texts.
Identify key features of narrative texts.
11. Next lesson we will focus
on…
How to set a scene in a story
Identifying the setting in a sample story
Creating our own setting.
13. Learning objective
By the end of the lesson,
We will be able to explain the importance of a
setting in a story.
We will be able to identify and analyse a setting
in a sample text.
We will be able to write a short setting.
14. Success criteria
You will be successful today if you are able to:
Explain the importance of setting in a narrative
text.
Analyse the setting of a sample text.
Write a short setting on the picture provided.
15. Let’s activate our prior knowledge!
Turn to your partner and tell them 3 things you
learnt about narrative texts last lesson!
Think Pair
Share
16. So what is setting? And what does it
do?
Setting is where and when a story takes place. It includes details
about the Location, Time and Atmosphere.
What are the purposes of a setting?
1) Creates interests and pleasure for the reader of a story.
2) Establishes mood.
3) It gives you a clue of the story’s theme.
17. Elements of a setting.
Location:
Where and when does the story take place? Is it a real or imaginary
place?
Time:
What time period is the story set in? Is it in the past, present or
future? What time of the day is it?
Atmosphere:
How does the setting make the reader feel? Is it cheerful, spooky,
mysterious, nervous, peaceful, eager, joyful? Gives reader the sense
of the theme of the story.
18. Let’s analyse a setting together.
Location:
Where and when does the
story take place? Is it a real or
imaginary place?
Time:
What time period is the story
set in? Is it in the past, present
or future?
Atmosphere:
How does the setting make the
reader feel? Is it cheerful,
spooky, mysterious, nervous,
peaceful, eager, joyful?
In a small, calm and peaceful village named
WillowBrook, the sun dipped low in the sky. The
year was 1960, and the air felt warm and cosy.
As the clock on the town hall struck 5, children
raced to the nearby park. They giggled and
played, their laughter echoing through the quiet
streets. The atmosphere was filled with a sense
of wonder, as if something magical was about to
happen in WillowBrook.
Think Pair
Share
19. Write a setting of our classroom right now!
Look at the classroom around you.
Imagine you were to write a story that takes place in
this classroom.
Write a short introduction that includes the 3 main
elements of a setting. (remind me what they were)
Get ready to share yours!
20. Time to write our own setting
Note: You may choose to write a setting describing these images.
Considering what you would hear? Smell? Taste? Feel? Touch?
See?
Don’t forget to use lots of descriptive words such as:
Exciting, magical, dull, vibrant, dangerous, noisy, and many
more…
21. Next lesson we will focus
on…
The characters in a story.
Create a character profile.
22. Exit ticket
You can only go to recess if you tell me the 3
elements of a setting in my ear.
24. Learning objectives
Today we will learn how to:
Analyse characters from a story.
Create a character profile from scratch.
25. Success criteria
You will be successful today if you can do the
following:
Analyse characters from a story.
Create a character profile from scratch.
26. Activate prior knowledge:
Can you tell your partner the 3 main
things in a setting? That you learnt in the
previous lesson.
Location, Time and
Atmosphere (mood)
30. Learning objective
By the end of the lesson,
We will understand the concept of a story arc. And
use the knowledge to draft your own story.
31. Success criteria
You will be successful today if you are able to:
Explain each of the elements in the story arc.
Draft your own story using the story arc.
32. So, what is a story arc?
A story arc is the path a story takes, like a journey, with a
beginning, middle and end .
Exposition
Climax
Resolution
Main characters and setting are
introduced.
• Conflict is revealed.
Different types of conflicts
include character
struggles with someone
else, self (appearance,
choices etc), nature
(animals, weather,
environment).
• Events begin to unfold,
tension rises.
• The turning point, the
most intense part.
Character faces the
biggest challenge or
makes an important
decision.
• Actions and events that
occur after the climax
where things start to
wind down. Loose
ends are tied up. Story
begins to move
towards its resolution.
• End of the story
where the conflicts
or the problems
are solved.
Questions are
answered.
33. Lets break down ‘the three little pigs’ together.
Exposition:
• The three little pigs leave
their mother house.
Rising action:
• Pigs build their houses
with different materials
(straws, sticks and
bricks)
• Wolf arriving and blowing
down the first two house.
• Creating tension and
danger for the pigs.
• So the main conflict is
the wolf.
Climax:
• Wolf tries to blow down
the 3rd pig’s house.
Falling action:
• The wolf tries to get in the brick house
through the roof but falls Into a pot of hot
soup.
• He leaves the house defeated and decided
never to come back.
• The pigs learn the importance of hard work
and planning. The story calms down.
Resolution:
• The 3 little pigs decide to live
happily ever after in the brick
house.
• The characters (pigs) learn their
lesson of making wise choices.
34. Let’s create our own class story
Exposition:
Rising action:
Climax:
Falling action:
Resolution:
35. Your turn to create a story:
Exposition:
Rising action:
Climax:
Falling action:
Resolution:
37. Learning objective
We will learn how to enhance our writing using
different language elements.
38. Success criteria
Can you explain some of the language
element? And name a few examples of each.
39. Placemat activity on the video
On the next clean page of your writing book, can you
divide the page so that it looks like the picture below.
Remember, you should have 5 sections in
total.
When watching the video for the first time,
listen carefully for the 5 different language
elements it mentions.
Then after watching the video the second time,
you can write each element in each section of
the placemat.
Then write down everything you heard about
that element, Some examples from the video,
some of your own ones.
40.
41. Placemat activity continued…
Now that you have added information on your placemats, I want
you to move around the classroom and look at what other people
wrote.
No one should be talking/ commenting.
If you feel like someone has some really good ideas, you can
“borrow” their ideas and add those to your placemats.
42. Hot task – Blooket
Grab your iPads
Use the code to log into Blooket
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44. Learning objective
We are going to plan our own story using the
template which includes key elements such as
setting, characters, plot structure and conflict.
45. Success criteria
Does your planning have a clear setting?
Does it have a main character?
Does it have a conflict that the character
faces?
Does it follow the story arc elements?
46. Lets activate our prior knowledge
Can you remember the 3 main elements in a setting?
When analysing characters/ making characters, what are some of
the aspects we focus on?
What are the five main elements of a story arc?
Time, location and
atmosphere/mood.
Exposition, rising action, climax,
falling action, resolution
47. Planning your story
Look at the different prompts that you can use for your story (next slide).
Think in your head of any ideas that come to your mind straight away, while I read them.
Write them on your whiteboards so you don’t forget.
Spend a few mins deciding what prompt you want to do.
PLAN YOUR STORY USING THE PLANNING TEMPLATE.
Read the text. Get the students to read the text. Give them time to highlight the 3 different elements in the text. Pick students to come up to the board to highlight it on the board. A different highlighter for each element. Discuss the setting.
When it asks to analyse Ada’s character, pause the video and get students to analyse on their whiteboards.