Minimalism
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Minimalism was an American art movement that emerged in the 1950s and 1960s as a reaction to Abstract Expressionism and World War II. It emphasized extreme simplicity and minimal elements in works, often using basic geometric shapes, industrial materials, and primary colors without distractions of composition or themes, allowing viewers to experience the art more intensely. Key traits included geometric and non-representational forms, repetition, and the elimination of the artist's hand in the interest of objectivity and anonymity.
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![What is Minimalism? ,[object Object],[object Object],A school of abstract painting and sculpture that emphasizes extreme simplification of form, as by the use of basic shapes and monochromatic palettes of primary colors, objectivity, and anonymity of style.](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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Minimalism emerged in the 1960s as an reaction against Abstract Expressionism. It emphasized geometric forms, industrial materials, hard edges, and a reduced palette of solid colors. Key influences included the Bauhaus, De Stijl, and Russian Constructivism movements. Notable minimalist artists included Carl Andre, Robert Morris, Sol LeWitt, Frank Stella, Dan Flavin, and Donald Judd, who created sculptures and installations focusing on the essence of materials and forms.
Minimalism
Minimalism refers to a style of art from the 1950s to 1970s characterized by simplicity in form and content. Minimalist artists like Frank Stella, Carl Andre, Dan Flavin, Ellsworth Kelly, and Donald Judd reacted against Abstract Expressionism by creating stark canvases and sculptures with removed personal expression, aiming for objects of interest and beauty. Examples of works mentioned include Stella's Sunset Beach, Andre's Steel Aluminum Plain, Flavin's Untitled, Kelly's Grape Leaves III, and Judd's Untitled.
Minimalism
This document provides an overview of minimalism in art from the late 1950s to the early 1970s. It discusses the main artistic influences on minimalism including abstract expressionism, constructivism, and Marcel Duchamp. The leading minimalist artists of the movement are identified as Frank Stella, Carl Andre, Dan Flavin, Donald Judd, Robert Morris, and Sol LeWitt. Their key characteristics and works are described, focusing on reduction, industrial materials, and viewer interaction. Minimalism aimed to strip down art to its basic forms and reject metaphorical interpretations.
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This document provides an overview of the Minimalist art movement, including its key characteristics, social context, and notable artists such as Donald Judd, Robert Morris, Carl Andre, Sol Lewitt, and Dan Flavin. Minimalist art featured geometric forms made from industrial materials and lacked color, with the goal of having the artwork and viewer be part of the same experience. It emerged in the 1960s as a reaction to Abstract Expressionism and was influenced by mass production and media at the time.
03 minimalism
This document discusses key artists and works associated with minimalism, including Josef Albers, Ellsworth Kelly, Donald Judd, Tony Smith, Dan Flavin, and Sol LeWitt. It provides examples of their serial, reductionist, formally focused artworks from the 1960s-1970s that emphasized simple geometric forms, use of grids, and industrial materials to reduce art to its most essential elements.
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Dadaism architecture
Dadaism was an early 20th century avant-garde art movement founded in Zurich that rejected reason and logic in favor of irrationality, chaos and nonsense. It began as a reaction to World War I and the nationalism and rationalism that had led to the war. Key figures included Hugo Ball, Richard Huelsenbeck, Tristan Tzara, Marcel Duchamp, Max Ernst, Francis Picabia and Raoul Hausmann. Their works featured found objects, collage, photomontage and absurdist performances designed to shock audiences. Dadaist art rejected cultural norms and emphasized anti-art, chance, nonsense and irrationality through provocative works that undermined traditional notions of art.
minimalism
Minimalism originated in the 1960s as a reaction to abstract expressionism. It emphasizes simplicity, absence of emotion and ornamentation. Key artists include Donald Judd, Frank Stella and Agnes Martin. Minimalist architecture by designers like Tadao Ando focuses on essential materials and relationships with nature. Minimalist design applies clean lines, neutral colors and open spaces to interiors, furniture and products. Photography strives for simplicity while retaining significance, and minimalist music uses repetition and gradual transformation.
History of Sculpture
This document provides a high-level overview of the history of sculpture from prehistoric times through the 20th century. It covers major periods and locations where sculpture flourished including prehistoric sculpture, Mesolithic sculpture, Neolithic sculpture, sculpture of ancient civilizations like Egypt, Mesopotamia and China, sculpture of Classical Antiquity including Archaic and Classical Greek sculpture and Roman sculpture, and later periods like Byzantine, Romanesque, Gothic, Renaissance, Baroque, Neoclassical and 20th century sculpture. Key developments in sculptural materials, styles and techniques are discussed for each major time period and culture.
Minimalism ppt
1. Minimalism was a reaction to abstract expressionism that arose in the 1960s, characterized by simple geometric forms and clean lines.
2. It aimed to reduce art to its most basic and essential forms, removing emotion and extra meanings.
3. In architecture, minimalism focused on stripping down designs to their fundamental elements, using simple planes and shapes influenced by Japanese design. Pioneers like Mies van der Rohe adopted the motto "less is more".
Minimalism powerpoint full
Minimalism emerged in the 1960s as a reaction to Abstract Expressionism. Minimalist artists aimed to eliminate emotion, allusion, and meaning from their work by creating simple geometric objects and structures. Key minimalist artists included Frank Stella, Donald Judd, Carl Andre, Sol LeWitt, Robert Morris, and Dan Flavin. Their work used basic forms and industrial materials to focus attention on the objects themselves rather than on symbolism or expression.
Minimalist design
So trendy, so hot topic. Pity many misunderstand minimalist design basics, don't get the core of the subject. I tried to show the roots and influences, shed the light by decomposing minimalist design principles one by one
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After World War 2, the art world underwent major changes and disruptions. Modernism shifted from Paris to New York City and took on a stricter formalism under the influence of Clement Greenberg. In Europe, art reflected existentialist themes of despair through works like Francis Bacon's painting. Abstract Expressionism emerged in New York featuring gestural paintings like Pollock's. Minimalism and Pop Art also emerged, simplifying forms and using imagery of mass culture. New movements challenged assumptions through Happenings, Conceptual art, and Land art. Architecture integrated sculpture and structure in works like Wright's Guggenheim Museum.
Week 12 Lecture, 20th Century
Minimalism emerged as an art movement in the 1960s that aimed to dismantle illusionism and focus on the inherent properties of materials. Artists like Donald Judd, Carl Andre, and Dan Flavin created simple sculptures and structures using industrial materials. Around the same time, Conceptual art developed with works centered around ideas rather than aesthetic forms, inspired by Duchamp's readymades. Site-specific artworks of the period engaged with natural environments on a large scale, with works by Robert Smithson and Michael Asher sited outdoors.
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This document discusses the concept of formalism in art, which emphasizes the visual form and aesthetic qualities of a work over its representational content. It describes how formalism was promoted in the early 20th century by critics like Clive Bell and Roger Fry, who argued that a work's "significant form" produced an emotional response in viewers. The document then outlines how formalism influenced Modernist art movements and was later challenged by anti-formalists who argued it had become too detached from social and political issues. It provides examples of how Minimalism, Conceptual art, and other movements reacted against the dominance of formalism.
3.3 post painterly_abstraction
1) In the late 1950s, Clement Greenberg began championing a new style of painting he called Post Painterly Abstraction, which moved beyond Abstract Expressionism towards a more purified abstraction.
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Abstract Expressionism emerged in New York City in the 1940s-1950s as an American art movement focused on spontaneous, emotional, and abstract qualities rather than objective representation. Key figures included Jackson Pollock, whose action painting involved dripping and splattering paint, as well as Mark Rothko, whose color field paintings used large areas of color without edges. The movement emphasized personal expression and the act of painting over recognizable imagery, influencing later art styles through its rejection of realism.
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Minimalism emerged in the 1960s as an reaction against Abstract Expressionism. It emphasized geometric forms, industrial materials, hard edges, and a reduced palette of solid colors. Key influences included the Bauhaus, De Stijl, and Russian Constructivism movements. Notable minimalist artists included Carl Andre, Robert Morris, Sol LeWitt, Frank Stella, Dan Flavin, and Donald Judd, who created sculptures and installations focusing on the essence of materials and forms.
Abstract Expressionism
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The document provides background information on Abstract Expressionism, also known as the New York School. It summarizes key events and influences that led to the development of this post-World War II art movement in New York City in the 1940s-1960s. It profiles several influential Abstract Expressionist artists like Jackson Pollock, Willem de Kooning, Mark Rothko, and Robert Motherwell and describes their signature styles like action painting and color field painting.
Art Appreciation Topic X: Art after 1945
The document summarizes several modern art movements from the 1940s through the 1970s, including Abstract Expressionism, Post-War European art, Pop Art, Op Art, Kinetic Art, and Minimalism. It provides examples of key artists and works for each movement. Abstract Expressionism emerged in 1940s New York and emphasized emotional content and the sensuousness of paint. Post-War European art reflected social and political issues. Pop Art used imagery from popular culture and mass media. Op Art and Kinetic Art utilized optical illusions and motion. Minimalism featured basic geometric forms and large scales to engage viewers in the space around the works.
Minimalism
Minimalism started in the 1960s in New York and aimed to remove elements of self-expression from art. Minimalist artists used industrial materials and focused on simple geometric forms and colors to create artworks that referred only to themselves. Some notable minimalist artists mentioned include Sol LeWitt, Donald Judd, Frank Stella, and Carl Andre. LeWitt's modular cubes and Stella's bright geometric paintings exemplified the movement. Minimalism emphasized neutrality and influenced later modern architecture through figures like Mies van der Rohe. Some Filipino artists also explored minimalism, like Constancio Bernardo's abstract meditative works.
my report in humanities
Expressionism was an early 20th century movement where artists sought to express inner feelings and emotions over physical reality through distortions of color and line. Key works include The Scream by Edvard Munch. Surrealism developed after World War 1 and aimed to resolve dream and reality. Leaders like Andre Breton asserted it as a revolutionary philosophy with works as artifacts. In the post-war period, Abstract Expressionism moved painting toward formal purity and minimalism with simple shapes and colors, while neoexpressionism reintroduced figurative works in the 1980s.
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This document provides an overview of Abstract Expressionism, a major American art movement that developed in New York City during the 1940s and 1950s. It notes that many European artists immigrated to New York during World War 2, influencing the development of innovative artworks through cross-pollination of ideas. Key Abstract Expressionist artists mentioned include Pollock, de Kooning, Rothko, and Kline. The movement is described as the first truly American school of art that was internationally influential until the rise of Pop Art in the 1960s.
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Minimalism
- 1. M
- 4. Transition from Abstract Expressionism Bartnett Newman: Concord , 1949 Bartnett Newman: Be I (second version), 1970 Bartnett Newman: Genesis – The Break , 1946
- 6. Geometric Madinat as-Salam I by Frank Stella, 1970
- 7. Non-Representational Untitled by Dan Flavin, 1973
- 8. Repetition Stack by Donald Judd
- 9. Industrial Materials Unititled by Donald Judd
- 10. Experiential Cigarette by Tony Smith
- 11. Elimination of the Artist’s Hand Wall Drawing No. 681 by Sol LeWitt
- 12. Close Reading The Marriage of Reason and Squalor II by Frank Stella,1959
Editor's Notes
- Explanation of what the work is, where it is housed, and how it shows this trait. A little elaboration of the work of this particular artist might fit in well too.
- Explanation of what the work is, where it is housed, and how it shows this trait. A little elaboration of the work of this particular artist might fit in well too.
- Explanation of what the work is, where it is housed, and how it shows this trait. A little elaboration of the work of this particular artist might fit in well too.
- Explanation of what the work is, where it is housed, and how it shows this trait. A little elaboration of the work of this particular artist might fit in well too.
- Explanation of what the work is, where it is housed, and how it shows this trait. A little elaboration of the work of this particular artist might fit in well too.
- Explanation of what the work is, where it is housed, and how it shows this trait. A little elaboration of the work of this particular artist might fit in well too.
- Explanation of the piece and how it shows each of the traits
- Put the “classic” example of minimalism used for the close reading up while we take questions