This document provides an overview of important artworks and architectural structures from various periods of history. It includes brief descriptions of pieces ranging from 720 BCE to the 15th century CE, such as Queen Tiye from Egypt, the Parthenon in Greece, structures like the Pantheon and Arch of Constantine in Rome, illuminated manuscripts like the Book of Kells, and Renaissance art like works by Donatello, Masaccio, Botticelli and architectural designs by Alberti. The document touches on a wide span of time and locations, highlighting significant cultural developments in art and architecture.

1. Mid Term Study Slides

2. Llamassa, c. 720 BCE

3. Queen Tiye, c. 1353-1335 BCE

4. Akhenaten, c. 1350 BCE

5. Dipylon Amphorac. 750 BCE

6. Grave stele of Hegeso, 5th century BCE

7. Kritios Boy, c. 480 BCE

8. Parthenon, 432 BCE

9. Temple of Athena NikeAcropolis, c. 427 BCE

10. AraPacis13 – 9 BCE, Rome

11. AraPacis13 – 9 BCE, Rome

12. Pantheon, Rome, 126 CE

13. Plan of the Pantheon

14. Arch of Constantine, c. 315 CE

15. Sarcophagus of JuniusBassus, c. 359 CE

16. Christ as the Good Shepherd, the mausoleum of GallaPlacidia, C. 425-426, Mosaic

17. Justinian and Attendants, San Vitale, 546 CE

18. Madonna, St. Appolinaire, Ravenna

19. S. Vitale, c. 525 -547

20. Plan of the Pantheon Plan of San Vitale

21. Purse Cover from Sutton HooBurial, c. 625 CE

22. Cross Page from the LindisfarneGospels, c. 700

23. Chi Rho page from Book of Kellsc. 800

24. Interior and floor plan of the Palatine Chapel, Aachen, c 800

25. St. Matthew from the Ebbo Gospels, c. 816-835 CE

26. Dome of the Rock, c. 689 CE

28. Aerial Viewofthe Great Mosque of Kairouan

29. Current Plan of the Great Mosque of Kairouan

30. GiottoMadonna Enthroned, 1306

31. Santa Croce, Interior toward Naveand Planc. 1300

32. Limbourgh Brothers, May, from the Book of Hours, Les Tres Riches Hueres, 1413-16

33. Merode Altarpiece, Robert Campin, c. 1425

34. Hugo van der Goes, Portinari Altarpiece, 1475

35. Ghiberti, Sacrifice of Isaac, 1401-02

36. St. George, 1417

37. Italian Quattrocento SculptureDonatello, Saint Mark, 1413Commissioned by the Guild of Linen Weavers and Peddlers, suggested by pillow at base and ample draperyAlthough in a Gothic niche, the statue is free standingContrapposto based on Roman artDrapery falls directly downEasy postureFace has piercing eyesCalculated how the sculpture would look from street level

38. DonatelloDavid (L)St. Mark (R)

39. DonatelloMary Magdalene, 1454

40. Masaccio, 1426-27

41. Perugino, Christ Delivering the Keys of the Kingdom St. Peter, 1481-83

42. Paolo Ucello, Battle of San Romano (first panel) 1450’sNiccolòdaTolentino Leads the Florentine Troops

43. Fra Angelico, Annunciation, c. 1450

44. St James on the way to his executionc. 1455FrescoDestroyed, formerly church of the Eremitani, Padua

45. Botticelli, Adoration of the Magi, Uffizi

46. Primavera, 1482

47. Birth of Venus 1486

48. AlbertiPalazzo Rucellai, 1455-58Façade to unify several pre-existing houses.

49. Based on Palazzo Medici

50. Pilasters and architraves across levels (Doric on bottom, modified Corinthian, Corinthian)

51. Heavy cornice

52. Model of classical elements and mathematical proportionshouse of Jaques Coeur, Bourges, France, 1443-51

53. Alberti, Sant’Andrea, Mantua 1472Patron: Ludovico Gonzaga

54. Original Church housed a vial containing blood of Christ

55. Idea of an “Etruscan Temple” with o basilica model plan

56. Façade derived from Roman triumphal arches