Italy 1200 to 1400 (2)

The document summarizes developments in northern Europe between 1400-1500. Key points include: - The emergence of great wealth from individual accomplishment rather than inheritance fueled learning and creativity in the Renaissance. - Interest grew in observing the natural world and portraying individual personalities in portraits. - Cities like Dijon thrived under powerful dukes like Philip the Bold, who patronized northern Renaissance art. - Artists like Jan van Eyck advanced oil painting techniques and created masterworks depicting religious and secular subjects with intricate symbols.

Romanesque

The document provides an overview of Romanesque art between the 11th and 12th centuries in Western Europe. It describes how new architectural techniques like stone vaulting allowed churches to become larger and more impressive. It also discusses increased pilgrimages, trade, and growth of cities as influences. Examples of key Romanesque churches are given from France, Germany, Italy, England, and other regions to illustrate common artistic styles and regional variations in this period.

Byzantine Art

The document discusses several important Byzantine architectural and artistic works from the 6th-11th centuries, including: Hagia Sophia in Istanbul, constructed between 532-537 under Anthemius of Tralles and Isidorus of Miletus. The mosaics of San Vitale in Ravenna, Italy dating from 526-547 depicting Justinian, Theodora and other figures. Sant'Apollinare in Classe in Ravenna with 6th century mosaics depicting Saint Apollinaris amid sheep. Several other churches and artworks are mentioned from the 6th-14th centuries showcasing the Byzantine artistic tradition

Early medieval art

This document provides an overview of early medieval art in Europe from the 6th to 11th centuries. It features examples of artwork from this period from France, England, Ireland, Norway, Germany, and Scotland. The artwork showcases the emergence of distinct regional styles such as Hiberno-Saxon art, Viking art, Ottonian art, and Carolingian art during this time. Materials included gold, silver, wood, and illuminated manuscripts. Subjects ranged from jewelry, crosses, books, architecture, sculptures, and religious scenes. Overall, the document outlines the variety of artistic traditions that developed in early medieval Europe.

1st semester reivew part 3

The document provides images and descriptions of artworks from Late Antiquity through the Romanesque period in Europe, with a focus on architectural developments. Key points covered include the transition from pagan Roman styles to Early Christian art in the 4th century; the emergence of Byzantine art with its emphasis on flat, frontal figures; and the rise of major Romanesque church buildings across Europe in the 11th-12th centuries featuring stone construction, rounded arches, and vaulted ceilings. Significant architects and artistic centers discussed are Justinian's Hagia Sophia in Constantinople and churches in Ravenna, as well as cathedrals built in France, Germany, England, and Italy between the 11th-12th

Review early ren high ren

This document provides an overview of artworks from the Late Gothic period to the Renaissance in three sentences: It begins with Italian artworks from the 13th century that showed early innovations in perspective and lighting, including works by Cimabue, Giotto, and Duccio. Important 15th century Northern Renaissance artists like van Eyck and van der Weyden are highlighted for their advancements in oil painting technique. The High Renaissance saw masters like Leonardo, Raphael, Michelangelo and Titian produce iconic works that epitomized the period's ideals of proportion, anatomy, and realistic rendering through masterful use of things like fresco, sculpture and oil painting.

1st semester review part 4

Late Antique and Early Christian Art chronicles the development of Christian art from the 1st century AD to the 6th century AD. Key events included the crucifixion of Christ, periods of Christian persecution, and the Edict of Milan which legalized Christianity. Early Christian art incorporated symbols like the Good Shepherd and used artistic programs to teach biblical stories in places like catacombs, churches, and manuscripts. Significant works included the Dura Europos synagogue and baptistery paintings, as well as later Byzantine-style mosaics in churches like Santa Costanza and San Vitale.

English version s maria degli angeli e la porziuncola

My own sweet home

The Basilica of Santa Maria degli Angeli is located in Assisi, Italy. It measures 75 meters tall, 126 meters long and 65 meters wide. Construction began in 1569 and was completed in 1679. The current neo-Renaissance style facade was added between 1924-1930. Inside is the small Porziuncola chapel, dating back to the 4th century, where St. Francis lived and died. The Porziuncola gained significance as the place where St. Francis received his calling from God.

Ahtr proto renaissance

Amy Raffel

The Proto-Renaissance in Italy from 1200-1400 saw a transition away from the Italo-Byzantine style. Artists like Cimabue and Duccio incorporated more realistic elements like realistic perspective and proportions in their works. Giotto is considered a pioneer of the Renaissance for works like the Scrovegni Chapel frescoes which used techniques like foreshortening and chiaroscuro modeling to depict religious scenes in a naturalistic style. Simone Martini's Annunciation and Ambrogio Lorenzetti's Effects of Good and Bad Government frescoes further advanced realistic painting techniques.

Gothic Art: Chapter 16

smolinskiel

Gothic art developed between 1140-1400 and up to 1500 in parts of Europe. Gothic architecture built upon Romanesque styles with innovations like rib vaults, pointed arches, and flying buttresses. Gothic cathedrals featured stained glass windows, rose windows, sculpture, and were taller with smaller transepts than Romanesque churches. Gothic art originated in Paris due to increased wealth and the intellectual culture of universities. The Hundred Years War, the Babylonian Captivity of the Pope, and the Black Death impacted art in the Late Gothic period. Gothic styles included Early Gothic, High Gothic, Rayonnant Gothic, Flamboyant Gothic, and Perpendicular Gothic in England. Examples discussed are Notre Dame, Saint

Chapter 11 - Early Medieval Europe

Juan Carlos Perdigones Arguijo

This document provides an overview of early medieval art in Europe following the fall of the Western Roman Empire. It discusses the artistic traditions of the Merovingians, Saxons, Vikings, and Insular art in Britain and Ireland between the 6th-10th centuries. Key developments included illuminated manuscripts like the Book of Kells and Lindisfarne Gospels, as well as Celtic stone crosses. The rise of the Carolingian Empire under Charlemagne led to a revival of classical forms. Major artworks included the coronation Gospels and Aachen Palatine Chapel. Under the Ottonian dynasty in Germany, Romanesque architecture and bronze doors emerged at churches like Hildesheim Cathedral between the

Gothic art

Gothic art developed between the 12th and 15th centuries in Europe as a new urban style that emphasized cities' power and wealth through grand cathedrals. Gothic architecture used pointed arches and rib vaults supported by flying buttresses to allow for taller buildings with large stained glass windows. Gothic sculpture showed more realistic and independent figures, while painting featured bright colors, gold accents, landscapes, and greater realism in religious and portrait subjects.

Precursor to the Renaissance

Denver School of the Arts, Denver Public Schools

International Gothic was a style of painting and sculpture in Europe from 1150-1450. This period saw a precursor to the Renaissance in Italy, with artists beginning to consciously revive classical styles and focus on humanism and naturalism in their works. Some key developments included Nicola Pisano's classical-inspired pulpits from the 13th century, Giotto's frescoes showing more realistic human emotion and form, and Duccio's large altarpieces which helped to establish panel painting as a major artistic medium in Italy.

Ah 295 Final Study Guide

lcooney1

This document provides information on artworks from the Early Renaissance period in Italy, including paintings, frescoes and their artists, dates, mediums, locations, and patrons. It features works by Masolino, Fra Angelico, Fra Filippo Lippi, Paolo Uccello, Domenico Veneziano, Andrea del Castagno and Piero della Francesca. The artworks depicted religious subjects like the Baptism of Christ and Annunciations, as well as secular portraits of notable figures who commissioned the works.

Gothic Art

The document summarizes Gothic art from the 12th-15th centuries, focusing on developments in France. It describes how Gothic architecture used pointed arches, rib vaults, and flying buttresses to allow buildings to gain height and fill with light. Key cathedrals discussed include Notre Dame de Paris, Chartres, Reims, and Amiens, showing the evolution of Gothic styles from early to high Gothic. Contemporary art such as stained glass windows, sculpture, and illuminated manuscripts are also mentioned.

Art in italy presentation

Nino Mencl

This document provides information on art and architecture in Palermo, Italy from different historical periods. It discusses Arab-Norman art from the 11th century when the Normans invaded Sicily and created a new style combining Arab and Norman influences. Examples given include the Monreale Cathedral from 1174 known for its Byzantine mosaics. It also describes iconic artworks and artists from the Italian Renaissance like Leonardo da Vinci's Mona Lisa and The Last Supper, Michelangelo's David, and Raphael's School of Athens. The document concludes with brief biographies of the Italian architect Renzo Piano and artists Alberto Abate and Arnaldo Pomodoro.

Chapter11

Mus. of the History of Religion

The document discusses art and architecture in Late Antiquity Europe and the Near East, particularly the influence of Christianity. It examines early Christian art forms like frescoes depicting Christ and biblical scenes. Architecture moved from pagan Roman styles to new church buildings, seen in structures like Old St. Peter's in Rome and mosaics in Sant'Apollinare Nuovo in Ravenna. Illuminated manuscripts also emerged as a new medium for Christian art during this period.

Chapter 11

artsvisual

1. The document provides an overview of early medieval art in Europe after the fall of Rome, summarizing artistic traditions of the Merovingians, Saxons, Vikings, Hiberno-Saxons, Carolingians, and Ottonians. 2. It examines architectural forms and illuminated manuscripts produced during these periods, noting the adaptation of indigenous styles to Christianity. Manuscripts from the Book of Kells and Lindisfarne Gospels are highlighted. 3. Sculpture from the Ottonian period is discussed, including works from Hildesheim commissioned by Bishop Bernward.

The State Museum of the History of Religion's Jewish Collection

Chapter17

The document provides an overview of Romanesque art and architecture in Europe around 1100 AD. It discusses the rise of large pilgrimage churches driven by relics and pilgrimages. Key architectural elements are described, including the ambulatory, radiating chapels, and cruciform shape. The geometric design of Saint-Sernin in Toulouse is examined as an example. Romanesque sculpture is discussed in relation to its placement on church exteriors and interiors. Painting, manuscript illumination, tapestries like the Bayeux Tapestry are also summarized.

Chapter 10 - The Islamic World

This document provides an overview of Islamic art and architecture. It outlines the goals of understanding the origins of Islam and how it is manifested in art and architecture. It examines early Islamic architecture derived from Muslim beliefs and traditions. Key architectural structures are discussed like the Dome of the Rock in Jerusalem and Great Mosque in Damascus. The document also covers the development of architectural elements in mosques, madrasas and mausoleums across the Islamic world. Luxury arts like calligraphy, tilework, mosaic and carpet weaving are explored as expressions of Islamic ideas.

Gothic interior

VRUTANT PAREKH

The document discusses Gothic architecture and its key features. It flourished between 1200-1600 AD and is characterized by tall designs reaching towards heaven, pointed arches, flying buttresses, vaulted ceilings, and light/airy interiors. Early Gothic buildings had few windows, poor light/ventilation, and were not suitable for tall structures. Innovations like increasing window size, flying buttresses, and pointed arch roofs helped address these issues.

Gothic Art and Architecture

April Gerbasi

Gothic art and architecture emerged in France in the 12th century and lasted for 200 years. The primary mediums of Gothic art included sculptures, panel paintings, stained glass windows, frescoes, and illuminated manuscripts, which were mostly created for religious purposes and to decorate churches. Gothic architecture featured pointed arches, large windows, stone vaulted ceilings, and stained glass became more prevalent as walls grew thinner.

Renaissance Slide Show

acrumlish

The document lists important artists and artworks from the Italian Renaissance and Northern Renaissance. It includes paintings, sculptures, and frescoes by Massacio, Botticelli, Donatello, Leonardo da Vinci, Michelangelo, Dürer, Bosch, Brueghel, Holbein, and Van Eyck that showcase major developments and themes during these periods such as religious subjects, classical influences, and realistic depictions of nature and people.

AT 10001 Lectures 3_4 Quattrocento Italy.pptx

The document discusses developments in art and culture in 15th century Florence, known as the Quattrocento period. It describes the expansion of humanism and emphasis on education, as well as major artistic developments like linear perspective pioneered by Brunelleschi. A key event was a competition for the Baptistery doors, won by Ghiberti, which showcased the confrontation between Gothic and classical styles. Donatello's sculptures like the David were among the first freestanding nudes since antiquity. Painters like Masaccio and Uccello mastered techniques like linear perspective and foreshortening in their frescoes.

AT 1001_Lectures 3_4 Quattrocento.pptx

The document discusses developments in art and culture in 15th century Florence, known as the Quattrocento period. It highlights the expansion of humanism and emphasis on education, as well as major artistic developments like linear perspective pioneered by Brunelleschi. Two key events discussed are the competition for the Baptistery doors won by Ghiberti, and Donatello's statues of David and Gattamelata, which revived classical styles of freestanding nude figures. Major artists of the time like Masaccio, Botticelli, and Uccello incorporated these developments and influenced the transition to the Renaissance.

Cinquecento italy

This document provides an overview of Italian art from the Cinquecento period, or 16th century. It discusses major artists such as Leonardo da Vinci, Michelangelo, Raphael, Titian, and Palladio. Their most famous works are described, including Leonardo's Last Supper and Mona Lisa, Michelangelo's Sistine Chapel ceiling and Last Judgment, and Palladio's influential architectural designs. The document also notes key developments in painting techniques, patronage, and the role of the Catholic Church and humanism in shaping Renaissance art.

Early Renaissance - Italy, 1400-1500

Gary Freeman

The document provides an overview of art and architecture in 15th century Florence during the early Renaissance period. It discusses the increased influence of classical art and humanism, as well as the patronage of wealthy families. Important artistic achievements are highlighted, including the development of linear perspective, modeling forms with chiaroscuro, and incorporating classical elements into architecture. Key artists such as Brunelleschi, Ghiberti, Donatello, Masaccio, and Botticelli are mentioned, along with some of their most famous works that exemplified Renaissance styles and ideals.

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Early Renaissance - Italy, 1400-1500

Gary Freeman

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In 15th century Italy, Florence emerged as an intellectual, financial, and artistic center under the patronage of the Medici family. Humanism flourished during this period, emphasizing secular ideals and the study of classical Greek and Latin texts. Important early Renaissance artists included Filippo Brunelleschi, who pioneered the use of linear perspective in painting and constructed the dome of Florence Cathedral, and Lorenzo Ghiberti, whose Gates of Paradise on the Florence Baptistery made use of classical influences and set new standards for realism in sculpture. Masaccio's frescoes in Florence further advanced the use of linear perspective and naturalism in figure painting.

AH2: Italy 1400-1500

Jacques de Beaufort

The document discusses the development of Renaissance art and humanism in 15th century Florence. It describes competitions between Brunelleschi and Ghiberti to design doors for the Florence Baptistery, with Ghiberti being awarded the commission. Masaccio is highlighted as an innovator for his use of linear perspective and realistic anatomy in frescoes. Donatello and other sculptors like Nanni di Banco and Ghiberti created works reflecting Renaissance ideals and a revival of classical forms. Neoplatonism became an influential philosophy embraced by the powerful Medici family.

5. Renaissance (Eearly Renaissance [Autosaved].pptx

ChstrMprnm

The document provides an overview of the Renaissance period in Italy, beginning with the Early Renaissance in the 15th century. It describes how humanism fostered individual achievement and participation in civic life. Artistic leaders like Donatello, Masaccio, Fra Angelico, and Botticelli emerged in Florence and developed new techniques like linear perspective that made their works more naturalistic and three-dimensional. Architects like Brunelleschi and Alberti incorporated classical forms and proportions. The High Renaissance saw the work of masters like Leonardo da Vinci, Raphael, Michelangelo and Titian who combined technical skill with lofty subjects and patrons.

Andreea Del Castagno

guestb032b7

The document contains information on numerous artworks by the early Renaissance artist Andrea del Castagno. It includes titles, dates, locations, and brief descriptions of many of his frescoes and panel paintings depicting religious subjects such as the Crucifixion, the Last Supper, and the Assumption of the Virgin Mary. The works were created between 1442-1455 and are located in churches and galleries in Florence, Venice, Berlin and Washington D.C.

Andreea Del Castagno

Viorica Munteanu

The document appears to be a collection of artwork descriptions for paintings and frescoes by the early Renaissance artist Andrea del Castagno. It includes descriptions of religious works depicting scenes from the lives of Jesus and the Virgin Mary, as well as portraits of famous historical figures. The works were created between 1443-1455 and include frescoes located in churches and other buildings in Florence and Venice.

Creative Industries 1: updated 6 renaissance 1- humanism or early renaissance

Elisa Raho

The document summarizes developments in art and architecture during the Early Renaissance period in Italy. It discusses how humanism fostered new interest in antiquity and individualism, leading to artistic innovations like Lorenzo Ghiberti winning a competition to design the "Gates of Paradise" doors and Filippo Brunelleschi's dome for Florence Cathedral. Key artists mentioned include Masaccio, who pioneered 3D realism and linear perspective, Donatello, and Fra Angelico. Architecture developed classical proportions and orders under Brunelleschi and Alberti.

GROUP 1 - WESTERN ART HISTORY.pdf

TiffanyAgon2

12. 14th – 15th c. italy

Justin Morris

An artist creates visual works through skills like drawing, painting, or sculpting. They think creatively and use elements of design. The role of the artist has changed since prehistoric times, evolving from a craftsman in medieval times to a respected intellectual during the Renaissance who was seen as skilled in both art and philosophy. The document discusses important artworks from 13th to 15th century Italy that demonstrate developments for artists during the Early Renaissance period.

Ch 16 and 17 quiz images

Andy Heisey

This document provides figures and descriptions related to artworks from the Renaissance period in Italy, focusing on early 15th century Florence and highlighting major artists like Donatello, Masaccio, Botticelli, da Vinci, Raphael, and Michelangelo. Key artworks discussed include Donatello's statues, Masaccio's frescoes in the Brancacci Chapel, Botticelli's Primavera and Birth of Venus, da Vinci's Last Supper and Mona Lisa, Raphael's School of Athens, and Michelangelo's frescoes on the ceiling of the Sistine Chapel. The document

Florence Cultural Trip

Daryl Hitchcock

The two largest works in this room, Lorenzo Monaco’s Coronation of the Virgin and Gentile da Fabriano’s Adoration of the Magi (1423), exhibit several characteristics of the International Gothic style: - Elegant, sinuous lines and elongated figures - Interest in decorative patterns and textures like gold leaf, brocade, intricate carpets - Realistic, meticulous rendering of surfaces and materials - Symmetrical, organized compositions with figures arranged in tiers or rows - Rich use of color, especially bright reds, blues, and golds - Interest in realistic landscape details and architectural settings - Graceful, courtly figures engaged in spiritual narratives

Late Gothic to E. Renaissance - Italy, 1200-1400

Gary Freeman

Late Gothic to Early Renaissance Italy, 1200 to 1400 saw a rejection of medieval artistic elements and a growing interest in classical antiquity and the natural world. Artists developed techniques like spatial depth, solid human figures, and emotional expression. Major city-states like Siena, Florence, and Venice saw growth of patronage systems and civic architecture responding to rising power. The International Gothic style blended elements like linear perspective, realistic figures, and ornate decoration.

High renaissance 2

slebail

The document provides an overview of the High Renaissance period in Italy from 1500-1524. It discusses important artists of the time like Leonardo da Vinci, Bramante, Michelangelo, Raphael, Bellini, Giorgione and Titian. Their works embodied classical ideals of balance, symmetry, and ideal proportions. Key locations included Rome, which saw a revitalization under Pope Julius II, and Venice, where artists used oil paint and canvas to create colorful works with sensuous forms.

sffre

slebail

Giotto and other early Italian Renaissance artists like Duccio and Lorenzetti moved painting away from the flat Byzantine style towards realistic three-dimensional naturalism through techniques like foreshortening and realistic proportions. Giotto's frescoes in the Scrovegni Chapel showing biblical scenes with complex emotions helped establish him as the father of modern European painting. Duccio and Simone Martini combined Byzantine elements with Italian trends towards realism, creating works with elegant lines and refined colors.

Italian Renaissance: Private Patronage and Architecture

The rise of portraiture during the Renaissance was significant because it reflected the increasingly secular and humanist worldview that focused on individuals and their lives rather than religion. Patrons also began commissioning portraits and secular works of art for personal fame and prestige rather than just religious works. This led to a rise in independent portrait commissions and subjects from mythology, and art eventually began being made simply for its own aesthetic value.

Chapter 14 - Late Medieval Italy

Cape Cod Community College

Late medieval Italy saw a rejection of medieval artistic values and a growing interest in classical antiquity and the natural world. Artists in places like Siena and Florence developed new techniques like linear perspective to create the illusion of three-dimensional space. Major works included Giotto's frescoes in the Arena Chapel in Padua, which depicted emotionally expressive figures, and Ambrogio Lorenzetti's frescoes of good and bad government for Siena's city hall. Architecture blended Gothic and classical elements, as seen in the cathedrals of Florence and Orvieto. By the 14th century, cities like Florence and Siena competed through civic patronage of the arts that promoted their republican ideals of

Hum Renaissance

The document provides background information on the Renaissance period in Italy, particularly in Florence. It discusses key developments and figures such as Humanism, Lorenzo Ghiberti's Gates of Paradise doors for the Florence Baptistery, Filippo Brunelleschi's dome for Florence Cathedral, linear perspective, important artists like Masaccio, Donatello, Botticelli, and influential works including Alberti's treatises, Castiglione's Book of the Courtier, and Pico della Mirandola's Oration on the Dignity of Man. The document traces developments in art, architecture, literature, and thought during this period that emphasized classical influences and an emerging individualism.

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Art since 1945

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Early 20th c architecture

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Baroque art flourished in Italy and Spain during the Counter-Reformation. In Italy, artists like Bernini, Borromini, and Carracci created dramatic works featuring complex compositions and illusionistic space. Their buildings featured elaborate decorative elements. In Spain, artists like Velázquez, Zurbarán, and Ribera painted realistic religious works and genre scenes for the Spanish court. Velázquez's Las Meninas depicted the artists and royalty in the royal collection. Baroque art aimed to astonish viewers and promote the Roman Catholic Church through dramatic works on a grand scale.

1st semester reivew part 3

The document provides an overview of art from Late Antiquity through the Romanesque period in Europe. It includes numerous images and descriptions of architectural features and artworks from this time spanning locations like Rome, Ravenna, Constantinople, England, France, Germany, and beyond. Key developments discussed include the emergence of Byzantine art styles with flattened forms, use of mosaics, and dome architecture like in Hagia Sophia. For architecture, the rise of basilica and cruciform church floor plans is covered as well as Romanesque innovations like rounded arches, vaulting techniques, and sculpted tympanums.

1st semester review part 2

This document provides an overview of ancient Greek and Roman art and architecture from approximately 750 BCE to 330 CE. It features descriptions and images of famous sculptures, paintings, and structures from ancient Greece and Rome organized chronologically. Some of the key periods and works highlighted include Archaic Greek kouroi sculptures from around 600 BCE, Classical Greek sculptures like the Riace Warriors from 460-450 BCE, Hellenistic sculptures such as the Laocoön Group from the 1st century CE, famous Greek temples like the Parthenon, and iconic Roman structures like the Colosseum and Pantheon.

1st semester review part 1

1. The document provides details on numerous important artworks and architectural structures from ancient Mesopotamia, Egypt, the Aegean, and surrounding regions, dating from approximately 3,000 BCE to 47 BCE. Key examples mentioned include the White Temple of Uruk, Statuettes of Worshippers from Eshnunna, the Standard of Ur, sculptures of Akkadian rulers and Naram-Sin, the Code of Hammurabi stele, structures at Hattusa and Persepolis, and numerous works from ancient Egypt including the Palette of Narmer, the Great Pyramids of Giza, and temples of Karnak, Abu Simbel, and Edfu. Monuments

India se asia (1)