The document provides information for a media evaluation assignment. It includes details about creating promotional materials for a music album release, including a CD/DVD package cover, magazine advertisement, and music video. The student discusses their process for developing these materials, including researching genres, artists, and conventions. They analyze how their products compare to real examples and how they challenge conventions. Audience feedback was gathered during the planning and evaluation stages. A variety of media technologies were used for research, construction, and sharing work, including video cameras, editing software, social media, and blogs.
The document discusses final editing steps for a CD cover. Grid lines and symmetrical layout were added to give the cover a professional look. Consistent fonts were used for the artist name and album title to create continuity and establish the artist logo. A simple design was chosen to make a strong statement about the artist's personality through minimal use of images and bright colors, representing the artist as a young girl trying to make her mark in the industry through her rough childhood.
The digipak meets many conventions of real music products through consistent fonts, colors, and emphasis on the artist's name and album title. It challenges conventions by cutting off parts of images and including the artist's social media instead of producer details. While mostly conventional, elements like a handwritten font and messages from the artist aim to feel authentic yet distinctive. Overall, the design draws from typical digipak styles but incorporates some original elements.
The document provides details about the development stages of a music video and CD cover. It describes experimenting with different designs and taking inspiration from artists like Coldplay. The final products featured a robot shadow design with varied colors. Feedback indicated more locations should be included in the music video. Analysis of the project showed how technologies like Windows Movie Maker and PowerPoint were used for planning, while feedback was gathered through Word documents.
The document discusses the creation of a digi pack for a music album. The author created a digi pack that focuses on the theme of the main song "Time" through the use of clocks and images that represent time passing. Colors like red, black, and white were used to represent the emotional theme of the love song. Bright colors and images of the artist were also included to attract audiences and promote the album according to typical digi pack conventions. The digi pack design was meant to represent the theme of the song and create an eye-catching product to help sell the album.
The digipak uses and develops conventions of real music products through consistent fonts, color schemes, and placement of typical information like the artist's name and album title. It challenges conventions by editing images in a way that emphasizes the eyes and lips and including a message from the artist on the inside cover. Overall, the digipak draws from typical conventions to appear professional while incorporating some original design choices.
The document discusses the process of designing an album cover for a band called "Video Boy" and their album "M.boy". The designer created two initial cover concepts - one with a cartoon style and one focusing only on the logo. A survey found that people preferred the simpler logo-focused design because it looked more professional and modern. The final cover design featured the logo and title against a black background to make them stand out clearly. The inside layout mimicked a speaker design to relate to the music. Overall, the designer learned that simplicity is best for album covers rather than cluttering the design with too many visual elements.
The document discusses the importance of maintaining consistent themes across ancillary media products to effectively promote a music artist and genre. It analyzes the music video, digipak, and poster created by the author to promote a house music song. Bright colors, fonts, and imagery are used throughout to clearly represent the fun, lively nature of house music and appeal to fans of the genre. Consistency in themes makes the artist and their products easily recognizable and helps drive sales.
The document discusses final editing steps for a CD cover. Grid lines and symmetrical layout were added to give the cover a professional look. Consistent fonts were used for the artist name and album title to create continuity and establish the artist logo. A simple design was chosen to make a strong statement about the artist's personality through minimal use of images and bright colors, representing the artist as a young girl trying to make her mark in the industry through her rough childhood.
The digipak meets many conventions of real music products through consistent fonts, colors, and emphasis on the artist's name and album title. It challenges conventions by cutting off parts of images and including the artist's social media instead of producer details. While mostly conventional, elements like a handwritten font and messages from the artist aim to feel authentic yet distinctive. Overall, the design draws from typical digipak styles but incorporates some original elements.
The document provides details about the development stages of a music video and CD cover. It describes experimenting with different designs and taking inspiration from artists like Coldplay. The final products featured a robot shadow design with varied colors. Feedback indicated more locations should be included in the music video. Analysis of the project showed how technologies like Windows Movie Maker and PowerPoint were used for planning, while feedback was gathered through Word documents.
The document discusses the creation of a digi pack for a music album. The author created a digi pack that focuses on the theme of the main song "Time" through the use of clocks and images that represent time passing. Colors like red, black, and white were used to represent the emotional theme of the love song. Bright colors and images of the artist were also included to attract audiences and promote the album according to typical digi pack conventions. The digi pack design was meant to represent the theme of the song and create an eye-catching product to help sell the album.
The digipak uses and develops conventions of real music products through consistent fonts, color schemes, and placement of typical information like the artist's name and album title. It challenges conventions by editing images in a way that emphasizes the eyes and lips and including a message from the artist on the inside cover. Overall, the digipak draws from typical conventions to appear professional while incorporating some original design choices.
The document discusses the process of designing an album cover for a band called "Video Boy" and their album "M.boy". The designer created two initial cover concepts - one with a cartoon style and one focusing only on the logo. A survey found that people preferred the simpler logo-focused design because it looked more professional and modern. The final cover design featured the logo and title against a black background to make them stand out clearly. The inside layout mimicked a speaker design to relate to the music. Overall, the designer learned that simplicity is best for album covers rather than cluttering the design with too many visual elements.
The document discusses the importance of maintaining consistent themes across ancillary media products to effectively promote a music artist and genre. It analyzes the music video, digipak, and poster created by the author to promote a house music song. Bright colors, fonts, and imagery are used throughout to clearly represent the fun, lively nature of house music and appeal to fans of the genre. Consistency in themes makes the artist and their products easily recognizable and helps drive sales.
The document provides information about a music video created for the band Crimson. The target audience is males and females aged 18-40 who enjoy music, socializing, drinking and fun. The music video's story line involves two groups, common people and non-common people, who have a powder paint fight. The goal was to create a fun, lighthearted video reflecting the band's style while using conventions of music videos like visuals moving to the beat and different shots.
The document discusses the design choices made for the digipak and promotional poster for an indie folk album. Elements were taken from the music video to maintain consistency of the artist's image and theme of isolation. The front cover features the artist similarly dressed and styled as in the video. The back, inside, and disc panels use minimalist white backgrounds and borders to link elements and maintain the genre's conventions. Photos and video stills are incorporated throughout to connect the pieces while keeping the overall style simplistic and elegant.
The document discusses how to effectively combine a music video, digital album packaging (digi pack), and website through consistent brand identity. It provides Coldplay as an example that links all their media through bold colors and abstract images. For a student's class project on an alternative rock artist named Alex Steel, the music video was created first and established motifs using black and white footage from a forest location. These visual elements were then carried over to the digi pack and website through matching imagery, color schemes, and fonts to clearly connect the three pieces while also adding new elements like orange to keep things interesting.
The combination of the main products and ancillary tasks effectively promotes brand identity for the artist Ollie Logan and his new album. The webpage uses images of the artist and album cover along with consistent color scheme and fonts to create recognition. The digipak features photos of the artist and album details to look professional. The music video ties together the artist's style shown in photos to connect the audience with Ollie Logan's genre and brand.
The student created a digipak, poster, music video, and music magazine to promote an artist and their acoustic pop music. The digipak, poster, and music video all featured the same guitar image to tie them together visually and represent the music. Feedback from the target audience showed they effectively conveyed the artist's image and acoustic pop genre through their consistent design choices across media that related back to the song and video. The student learned the importance of research, planning, and editing quality media products that would appeal to their intended audience.
The document summarizes the student's use of forms and conventions in their media products for an evaluation assignment. The student created an album cover and poster with no images that were both conventional and unconventional. Their music video challenged conventions by telling the story of a relationship over five years in an animated format. Feedback informed changes to make the products more appealing to the target audience. A variety of media technologies were used at different stages, including Fireworks for design, iMovie to create the animated music video, and Blogger for research, planning and evaluation.
This document discusses the design elements of a digipak created by Chloe Yearsley for her music. It includes summaries of the front cover, back cover, interior, CD design, and spine. The front and back covers feature a dark cloudy background and lightning bolts to represent fear and mystery. The interior design includes rain to relate to the cloud theme. The CD design stands out with writing on it instead of the artist's name. The spine is mainly white to stand out from the digipak and features the radioactive symbol and writing going down. Overall, the designs link the elements to represent themes from Chloe's music video and song about radioactivity.
The document discusses how to effectively combine a music video, digital packaging (digi pack), and website for an artist through consistent brand identity. It explains that Coldplay is a good example of this, using bold colors across all their media. The author created their media products for an artist by using motifs from the music video, such as a forest setting, across the digi pack and website to connect them visually through black and white imagery and use of specific colors. Their consistent brand identity through these subtle connections helps audiences understand the artist's brand and that the media products are related.
The document summarizes a student's media production project for an A2 course. It discusses how the student incorporated conventions from R&B music videos such as Usher's "My Boo" video into their own music video and ancillary tasks. Specifically, they used scenes, camera angles, settings, and the introduction of dancing characters. They also developed a storyline throughout their video and challenged some conventions by using fewer gender stereotypes. Their ancillary tasks of an album cover and advertisement followed research into typical R&B styles and colors. Various technologies like cameras, phones, Photoshop, and Premier were used to film, edit, and produce the project.
The document discusses the design and conventions used in the media products created by the student, including an album cover, inside cover, back cover, poster, and music video for a rock/punk band. The front cover uses conventions like advisory warnings and placing the artist and album names at the top. The inside cover and elements of the covers link together through consistent fonts, colors, and imagery. Audience feedback was incorporated to improve the designs. Research involved analyzing other album covers and music videos, and media technologies like Yahoo, Macromedia Fireworks, iMovie, and PowerPoint were used in planning, constructing, and evaluating the media products.
This document summarizes the key ways in which the media product uses and develops conventions of real music videos and media products. It discusses conventions of music videos such as demonstrating genre characteristics and relationships between lyrics, music, and visuals. It then describes how the media product incorporates these conventions, such as through shots that reference other music videos and the use of close-ups, angles, and imagery that establish the indie/rock genre. Overall, the document conveys how the media product was influenced by real examples but adapted them in an original way.
The document discusses the effectiveness of combining a music video, digipak, and website for a pop music production. It describes how each ancillary text conforms to pop genre conventions while adding original elements. The music video features two artists and conveys codes and conventions. The six-panel digipak maintains a consistent theme and links the artists' social media. The website provides information about the artists and links to their social profiles, maintaining synergy between the music video and digipak. All elements were researched and applied codes and conventions appropriately to create an effective combination of ancillary texts.
The document discusses creating continuity and synergy across various music products for a band called Crystal Whites, including their magazine advert, digipak, CD, lyric booklet, and music video. Key elements that provide continuity include using the same images, fonts, color schemes, and representations of the band members across products. Social media logos on the magazine advert promote the music video and band profile pages allow audiences to learn more about Crystal Whites.
How effective is the combination of your main product and ancillary textsScott Barrass
The document discusses how ancillary materials like a CD cover and poster were created to complement a music video. The creator ensured the ancillary items featured imagery that matched the video, like including a picture of someone screaming to match a scene of the protagonist screaming. Later revisions made the CD cover and poster cohesive by using a dark red background and the same image of the band screaming. Connecting the ancillary materials in this way makes the overall product more successful for audiences.
How effective is the combination of your main product and ancillary texts?emilyllaw
The document discusses house style and brand identity in media products. It provides examples of Hozier's consistent use of color scheme and typography across his album digipak, music video, and poster. It then discusses the student's own house style and brand identity developed across a digipak, poster, and music video. The student aimed to reflect the indie genre through earthy colors and natural, personal imagery and fonts. Links were made between the products to clearly associate them and engage the audience with the artist.
The document summarizes an A2 media music video project. The music video explores a love story from the artist's point of view and how they cope with heartache. It takes the audience through the artist's journey as they progress and move on. The video uses various filming techniques like cuts, fades, and close-up shots to portray the artist's emotions. Accompanying promotional materials like a CD digipak and poster were also created to match the style and narrative of the music video through consistent use of fonts, colors, images and black-and-white/color themes.
The student created three products - a music video, digipak, and magazine advert - for an artist to showcase their song. Synergy between the products was important. The artist is featured prominently in all three to connect them. Similar locations, costumes, and modern aesthetics are used. Feedback indicated the story in the video could be clearer but the ancillary products were effective in showcasing the artist. With more time, stronger location links between all three products could improve their synergy.
This document summarizes Harry Butler's media project analyzing how it uses, develops, and challenges conventions of real media products. Harry created a digipak, magazine advertisement, and music video. For the digipak, Harry researched existing digipaks and incorporated typical design elements but challenged conventions by including Japanese text. The magazine ad featured typical elements like album art but included uncommon copyright information. Harry's music video opening conformed to displaying the artist name but challenged conventions by including a Japanese translation. It also featured the artist singing while making eye contact, conforming to the video for "Another Love" by Tom Odell.
The document discusses house style and brand identity in media products. It provides examples of how the musician Hozier consistently uses color schemes, typography, and imagery across his digipak, poster, and music video for "The Work Song" to create a clear brand identity. It then discusses the student's own house style and use of earth tones, hand-drawn images, and fonts across a digipak, poster, and music video to portray an indie genre and build familiarity with their artist. The student explains how their choice of natural scenery and costumes in the music video effectively communicate the indie genre.
The student created a music video and ancillary materials for a punk rock album. They chose recurring themes of sparks and fire to link the projects together and represent the edgy nature of punk rock. Stylistic elements like clothing, makeup, and typography were also kept consistent. By closely following punk rock conventions and creating a clear brand identity through the spark motif, the student aimed to effectively promote recognition of the album, artist, and their record label.
This document provides etiquette guidelines for eating, including using the right hand for eating and keeping the left hand at the side, not passing food with the left hand, waiting for the oldest man to start eating before beginning your own meal, not chewing and talking at the same time, putting aside disliked food on your own plate, men being served before women, using a spoon in the right hand and fork in the left when both are needed, and not eating while standing, lying down, walking, or burping during meals.
Less Dependence of Indonesian People in Using Health Insurance (mini research)Hedi Fauzi
This is my final presentation in EAP (English for Academic Purposes) class. This presentation is about mini research with the title Less Dependence of Indonesian People in Using Health Insurance.
Slide: PowerPoint 2013
Design by: Hedi Fauzi
Image: Freepik, Google Image, Made by myself
If you need the original file for your reference, feel free to ask me via email: hedi.fauzi@hotmail.com with subject [SlideShare] (Your Subject)
The document provides information about a music video created for the band Crimson. The target audience is males and females aged 18-40 who enjoy music, socializing, drinking and fun. The music video's story line involves two groups, common people and non-common people, who have a powder paint fight. The goal was to create a fun, lighthearted video reflecting the band's style while using conventions of music videos like visuals moving to the beat and different shots.
The document discusses the design choices made for the digipak and promotional poster for an indie folk album. Elements were taken from the music video to maintain consistency of the artist's image and theme of isolation. The front cover features the artist similarly dressed and styled as in the video. The back, inside, and disc panels use minimalist white backgrounds and borders to link elements and maintain the genre's conventions. Photos and video stills are incorporated throughout to connect the pieces while keeping the overall style simplistic and elegant.
The document discusses how to effectively combine a music video, digital album packaging (digi pack), and website through consistent brand identity. It provides Coldplay as an example that links all their media through bold colors and abstract images. For a student's class project on an alternative rock artist named Alex Steel, the music video was created first and established motifs using black and white footage from a forest location. These visual elements were then carried over to the digi pack and website through matching imagery, color schemes, and fonts to clearly connect the three pieces while also adding new elements like orange to keep things interesting.
The combination of the main products and ancillary tasks effectively promotes brand identity for the artist Ollie Logan and his new album. The webpage uses images of the artist and album cover along with consistent color scheme and fonts to create recognition. The digipak features photos of the artist and album details to look professional. The music video ties together the artist's style shown in photos to connect the audience with Ollie Logan's genre and brand.
The student created a digipak, poster, music video, and music magazine to promote an artist and their acoustic pop music. The digipak, poster, and music video all featured the same guitar image to tie them together visually and represent the music. Feedback from the target audience showed they effectively conveyed the artist's image and acoustic pop genre through their consistent design choices across media that related back to the song and video. The student learned the importance of research, planning, and editing quality media products that would appeal to their intended audience.
The document summarizes the student's use of forms and conventions in their media products for an evaluation assignment. The student created an album cover and poster with no images that were both conventional and unconventional. Their music video challenged conventions by telling the story of a relationship over five years in an animated format. Feedback informed changes to make the products more appealing to the target audience. A variety of media technologies were used at different stages, including Fireworks for design, iMovie to create the animated music video, and Blogger for research, planning and evaluation.
This document discusses the design elements of a digipak created by Chloe Yearsley for her music. It includes summaries of the front cover, back cover, interior, CD design, and spine. The front and back covers feature a dark cloudy background and lightning bolts to represent fear and mystery. The interior design includes rain to relate to the cloud theme. The CD design stands out with writing on it instead of the artist's name. The spine is mainly white to stand out from the digipak and features the radioactive symbol and writing going down. Overall, the designs link the elements to represent themes from Chloe's music video and song about radioactivity.
The document discusses how to effectively combine a music video, digital packaging (digi pack), and website for an artist through consistent brand identity. It explains that Coldplay is a good example of this, using bold colors across all their media. The author created their media products for an artist by using motifs from the music video, such as a forest setting, across the digi pack and website to connect them visually through black and white imagery and use of specific colors. Their consistent brand identity through these subtle connections helps audiences understand the artist's brand and that the media products are related.
The document summarizes a student's media production project for an A2 course. It discusses how the student incorporated conventions from R&B music videos such as Usher's "My Boo" video into their own music video and ancillary tasks. Specifically, they used scenes, camera angles, settings, and the introduction of dancing characters. They also developed a storyline throughout their video and challenged some conventions by using fewer gender stereotypes. Their ancillary tasks of an album cover and advertisement followed research into typical R&B styles and colors. Various technologies like cameras, phones, Photoshop, and Premier were used to film, edit, and produce the project.
The document discusses the design and conventions used in the media products created by the student, including an album cover, inside cover, back cover, poster, and music video for a rock/punk band. The front cover uses conventions like advisory warnings and placing the artist and album names at the top. The inside cover and elements of the covers link together through consistent fonts, colors, and imagery. Audience feedback was incorporated to improve the designs. Research involved analyzing other album covers and music videos, and media technologies like Yahoo, Macromedia Fireworks, iMovie, and PowerPoint were used in planning, constructing, and evaluating the media products.
This document summarizes the key ways in which the media product uses and develops conventions of real music videos and media products. It discusses conventions of music videos such as demonstrating genre characteristics and relationships between lyrics, music, and visuals. It then describes how the media product incorporates these conventions, such as through shots that reference other music videos and the use of close-ups, angles, and imagery that establish the indie/rock genre. Overall, the document conveys how the media product was influenced by real examples but adapted them in an original way.
The document discusses the effectiveness of combining a music video, digipak, and website for a pop music production. It describes how each ancillary text conforms to pop genre conventions while adding original elements. The music video features two artists and conveys codes and conventions. The six-panel digipak maintains a consistent theme and links the artists' social media. The website provides information about the artists and links to their social profiles, maintaining synergy between the music video and digipak. All elements were researched and applied codes and conventions appropriately to create an effective combination of ancillary texts.
The document discusses creating continuity and synergy across various music products for a band called Crystal Whites, including their magazine advert, digipak, CD, lyric booklet, and music video. Key elements that provide continuity include using the same images, fonts, color schemes, and representations of the band members across products. Social media logos on the magazine advert promote the music video and band profile pages allow audiences to learn more about Crystal Whites.
How effective is the combination of your main product and ancillary textsScott Barrass
The document discusses how ancillary materials like a CD cover and poster were created to complement a music video. The creator ensured the ancillary items featured imagery that matched the video, like including a picture of someone screaming to match a scene of the protagonist screaming. Later revisions made the CD cover and poster cohesive by using a dark red background and the same image of the band screaming. Connecting the ancillary materials in this way makes the overall product more successful for audiences.
How effective is the combination of your main product and ancillary texts?emilyllaw
The document discusses house style and brand identity in media products. It provides examples of Hozier's consistent use of color scheme and typography across his album digipak, music video, and poster. It then discusses the student's own house style and brand identity developed across a digipak, poster, and music video. The student aimed to reflect the indie genre through earthy colors and natural, personal imagery and fonts. Links were made between the products to clearly associate them and engage the audience with the artist.
The document summarizes an A2 media music video project. The music video explores a love story from the artist's point of view and how they cope with heartache. It takes the audience through the artist's journey as they progress and move on. The video uses various filming techniques like cuts, fades, and close-up shots to portray the artist's emotions. Accompanying promotional materials like a CD digipak and poster were also created to match the style and narrative of the music video through consistent use of fonts, colors, images and black-and-white/color themes.
The student created three products - a music video, digipak, and magazine advert - for an artist to showcase their song. Synergy between the products was important. The artist is featured prominently in all three to connect them. Similar locations, costumes, and modern aesthetics are used. Feedback indicated the story in the video could be clearer but the ancillary products were effective in showcasing the artist. With more time, stronger location links between all three products could improve their synergy.
This document summarizes Harry Butler's media project analyzing how it uses, develops, and challenges conventions of real media products. Harry created a digipak, magazine advertisement, and music video. For the digipak, Harry researched existing digipaks and incorporated typical design elements but challenged conventions by including Japanese text. The magazine ad featured typical elements like album art but included uncommon copyright information. Harry's music video opening conformed to displaying the artist name but challenged conventions by including a Japanese translation. It also featured the artist singing while making eye contact, conforming to the video for "Another Love" by Tom Odell.
The document discusses house style and brand identity in media products. It provides examples of how the musician Hozier consistently uses color schemes, typography, and imagery across his digipak, poster, and music video for "The Work Song" to create a clear brand identity. It then discusses the student's own house style and use of earth tones, hand-drawn images, and fonts across a digipak, poster, and music video to portray an indie genre and build familiarity with their artist. The student explains how their choice of natural scenery and costumes in the music video effectively communicate the indie genre.
The student created a music video and ancillary materials for a punk rock album. They chose recurring themes of sparks and fire to link the projects together and represent the edgy nature of punk rock. Stylistic elements like clothing, makeup, and typography were also kept consistent. By closely following punk rock conventions and creating a clear brand identity through the spark motif, the student aimed to effectively promote recognition of the album, artist, and their record label.
This document provides etiquette guidelines for eating, including using the right hand for eating and keeping the left hand at the side, not passing food with the left hand, waiting for the oldest man to start eating before beginning your own meal, not chewing and talking at the same time, putting aside disliked food on your own plate, men being served before women, using a spoon in the right hand and fork in the left when both are needed, and not eating while standing, lying down, walking, or burping during meals.
Less Dependence of Indonesian People in Using Health Insurance (mini research)Hedi Fauzi
This is my final presentation in EAP (English for Academic Purposes) class. This presentation is about mini research with the title Less Dependence of Indonesian People in Using Health Insurance.
Slide: PowerPoint 2013
Design by: Hedi Fauzi
Image: Freepik, Google Image, Made by myself
If you need the original file for your reference, feel free to ask me via email: hedi.fauzi@hotmail.com with subject [SlideShare] (Your Subject)
The document summarizes the history of key music innovations from sheet music in the 1800s to modern developments like social networking, mobile apps, and user-generated content. It traces how technology has radically altered the creation, production, distribution, and consumption of music. Specifically, it discusses the shift from analog to digital formats and the massive disruption of the recorded music industry's old business model brought about by the internet and peer-to-peer file sharing. The new paradigm empowers creators and fans by decentralizing the means of production and dispersing revenue streams. Those who will survive in the new paradigm are described as being fan-focused, generating multiple income streams, using word-of-mouth marketing, and being creative and tech
This document discusses various aspects of promoting an album including album artwork, website design, music videos, and album promotion strategies. It also touches on analyzing the effectiveness of these promotional efforts and how a cross-media approach can help promote an album.
A critical analysis of purchasing arrangements under BPJS in Indonesiaresyst
This document summarizes a presentation on strategic purchasing arrangements under Indonesia's National Health Insurance program (BPJS). It outlines the country's transition to universal health coverage through BPJS, describes the key actors and financing mechanisms, and identifies gaps and challenges, including unclear roles and accountability between BPJS and the Ministry of Health, limited data and monitoring capacity, problems with incentive structures, and inadequate resources and capacity at BPJS to effectively manage the program and monitor providers. Recommendations include strengthening collaboration between central and local governments, public reporting on performance, and reforming BPJS's management culture.
MUC110 LEC4.Record Promotion and DistributionMUC110
The document discusses the key teams and tactics involved in promoting and distributing recorded music. The promotion teams are responsible for activities like radio promotion, public relations, advertising, and sales to generate demand for new releases. The distribution process involves record labels manufacturing music products, distributors warehousing and transporting products to retail stores, and retailers selling products to consumers. Different types of distributors include major label divisions, independent distributors, rack jobbers, one-stops, and online distributors. The majority of music is still sold through physical formats in brick-and-mortar retail stores.
Dokumen tersebut membahas tentang BPJS Ketenagakerjaan dan Kesehatan di Indonesia. BPJS didirikan berdasarkan undang-undang untuk menyelenggarakan program jaminan sosial nasional bagi seluruh rakyat Indonesia, termasuk program Jaminan Kecelakaan Kerja, Jaminan Kematian, Jaminan Hari Tua, dan Jaminan Kesehatan. Dokumen ini juga menjelaskan tentang tujuan, peserta, iuran, dan manfaat dari program-program BPJS.
Este documento describe los grupos de discusión (Focus Group), incluyendo su definición, propósito, ventajas, desventajas y pasos para su desarrollo metodológico. Un Focus Group es una entrevista guiada por un moderador para obtener información sobre usuarios, productos, conceptos y estrategias a través de la interacción del grupo. Proporciona retroalimentación barata y rápida pero depende de la sinceridad de los participantes. Los pasos clave incluyen seleccionar un moderador, desarrollar una
SOSIALISASI Peraturan Pemerintah NO. 44, 45 dan 46 Tahun 2015 Tentang BPJS Ketenagakerjaan meliputi Program Jaminan Kecelakaan Kerja (JKK), Jaminan Kematian (JKM), Jaminan Hari Tua (JHT) dan Jaminan Pensiun (JPN)
Dokumen tersebut memberikan informasi mengenai program-program jaminan sosial yang diselenggarakan oleh BPJS Ketenagakerjaan untuk pekerja penerima upah (PU) dan bukan penerima upah (BPU), meliputi Program Jaminan Kecelakaan Kerja (JKK), Jaminan Hari Tua (JHT), Jaminan Kematian (JKM), dan Jaminan Pensiun (JP). Dokumen juga menjelaskan manfaat, besaran iuran, dan ketentuan untuk masing-m
Este documento describe qué es un focus group, cómo se lleva a cabo y para qué sirve. Un focus group es una entrevista grupal dirigida por un moderador en la que 6-10 personas conversan sobre un producto o tema durante 1-2 horas. Sirve para explorar opiniones y actitudes de forma cualitativa con el fin de obtener información para el desarrollo de nuevos productos o campañas publicitarias. Los participantes son seleccionados de acuerdo a un perfil objetivo y son incentivados para garantizar su participación.
Dokumen tersebut membahas tentang strategi promosi yang mencakup latar belakang promosi, tujuan promosi, bauran promosi yang terdiri dari iklan, penjualan perorangan, promosi penjualan, dan hubungan masyarakat, serta bentuk-bentuk iklan yang dapat digunakan seperti iklan lokal, nasional, televisi, radio, majalah, dan surat kabar.
Pemasaran mata kuliah ini membahas konsep-konsep pemasaran inti seperti kebutuhan, keinginan, nilai dan kepuasan pelanggan. Materi mencakup empat komponen pemasaran (4P), siklus hidup produk, dan strategi pemasaran untuk setiap tahap siklus hidup produk. Terdapat juga pembahasan mengenai pengembangan produk baru dan kombinasi produk.
This Indonesia Power Point highlights these facts and much more including: 20 Points on General Information, 8 Points on Family Life, 20 Points on Food, 20 Points on Food Etiquette, 13 Points on Social Etiquette, 27 Points on Business Etiquette, and 14 Points on Trivia.
The document discusses a music video project for an A2 media studies course. It describes the development of a CD cover to accompany the music video. The CD cover was designed in the style of artist Charli XCX, using bright colors and images that connect to the video and catch the audience's eye. Elements like the artist name, background, and effects were chosen to convey the feel of pop/rock music and suit the theme. While simple, the cover is effective at attracting attention and providing synergy with the other products through its identifiable images.
The document analyzes the effectiveness of combining a main music video product with ancillary texts like CD covers and magazine ads. It examines examples from artists like Amy Winehouse, Adele, and Duffy to see how they establish clear product identities through consistent branding across related materials. The document concludes that the combination of its own music video and ancillary texts is effective because it maintains a clear product identity, shows relationships between the products, and stays consistent in colors, themes and fonts.
A digi-pak is a form of CD packaging that protects the disk. It can hold one or two disks and includes pictures on the inside and outside, usually promoting the artist. Album covers normally display the artist's name so audiences know who it is, as well as the album name so consumers know what they are buying. Covers also commonly feature pictures of the artist to create iconography that allows audiences to identify them. Continuity is important, so elements like color schemes, text styles, and images are often repeated across the front and back covers.
The document discusses how effective the combination of a main product and ancillary texts can be through establishing a clear product identity. It analyzes examples from artists like Amy Winehouse, Adele, and Duffy to see how their music videos, CD covers, and magazine ads work cohesively through consistent branding elements like simplicity, similar imagery and colors. The document also evaluates how the combination of products created for this evaluation project establish relationships with the music video through narrative and performance imagery, color schemes, and clear connections to the song's message and themes.
Research and planning cd covers case studiesNicky Campbell
The magazine advert uses a simple dark image of the artist taking up most of the space to promote her album. Bold colors and lighting create a dark, rough theme suggesting a more rebellious album different than her usual pop music. Only the artist's name is in bold text while the album title is smaller to focus attention solely on her and make the album memorable.
The document discusses conventions of pop music videos, such as bright colors and provocative artist attire. It then summarizes how the group's music video challenges some conventions by not using very bright colors or showing much skin. The actress is covered up. The document also discusses how the group's CD cover challenges conventions by not using many primary colors and instead focusing on neutral tones with some color on clothes to draw attention to the artist.
Katy Lewis created a music video and album packaging for a school project. She researched conventions of real media products to incorporate effective techniques that would make her work look professional. This included color correction in the video to make scenes brighter or darker, lip syncing during verses, and using different camera angles and shots. For the album packaging, she featured the artist on the cover, included clear writing of the name and artist, and added a parental advisory logo since the song contains profanity. She also included proper copyright information on the back cover to follow industry standards.
This document discusses the conventions Tanvir Khan followed for their Digipack design project. It provides background on what a Digipack is and its typical features such as a limited number of fonts, small production details, the artist's name and photo on the front cover. The document then shows screenshots of the front and back covers Tanvir designed, taking inspiration from other artists' album designs. It also includes an advertisement page Tanvir created, following conventions like using a bright photo, including tour dates and social media details.
This magazine advert promotes Chris Brown's album "Fortune". The album title is the main focus, displayed prominently in a simple font at the top to draw attention. Chris Brown's name is in a smaller font below. Consistent colors and positioning link the advert clearly to the album. The commercial for the album also emphasizes the title, showing it is the primary promotional element over the artist's name.
This document discusses the conventional elements used in the media product's album cover, poster, digipak, music video, and their relationship to conventions of the indie rock genre. Specifically, it notes the use of a minimalist black and white design on the album cover inspired by Royal Blood. Fonts, images, and information are consistently presented across materials. While many elements follow conventions like the band name, release date and barcode, the inside cover features a band member quote challenging conventions. Editing techniques in the music video like flash cuts and color schemes link to the lyrics and narrative in a way that expands on the story.
The document discusses the conventions used in music videos, CD covers, and posters, and how the creator incorporated and changed some of these conventions for their own media products. They wanted their video to have a darker, gloomier tone so they desaturated the colors to focus on the actress. They focused on one person rather than two for their story. They included some typical conventions to attract audiences but also challenged conventions to make the message clear. The CD cover includes standard elements but changes the back cover convention by making it simple. The poster uses a similar picture but changes tour date information to promote the single and album being available now.
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
From researching existing album packaging, the author found several conventions:
1) Front covers typically feature the band/artist name and album title along with a dominant image, while back covers list the tracklist and include a band photo.
2) Inside covers sometimes include additional photos or images.
3) Spines usually contain the band/artist name, album title, and a number for manufacturing identification.
4) CDs and DVDs commonly feature images or patterns to distinguish them visually and include copyright information.
This document provides an evaluation of a student's media coursework project creating promotional materials for a fictional rock band called Onyx. The student summarizes the key design elements of the album digipak cover, magazine advertisement poster, and music video for the project. For the digipak cover, a simple black and red pattern was used without images to intrigue viewers, and the band and album names were displayed in different fonts and sizes. The poster and music video continued this design approach. The music video featured a bleak abandoned building for the story location and a small studio for the performance to reflect feelings of being overwhelmed.
The document discusses how the media product, a DigiPak for a CD, uses and develops conventions of real music packaging. It follows conventions like shape/size of a CD case and only including the artist on the cover. It also develops conventions by using a similar mysterious image and font style to the Sam Smith album "In The Lonely Hour". The back cover includes standard info but with a consistent handwritten font. The CD itself challenges conventions by using an image with a black background. The music video follows conventions of using different shots but develops them with a narrative storyline rather than just a performance.
The document discusses the design process for ancillary materials to promote a music artist and single called "Burn It Down". Key points:
1) The CD cover, digital booklet, and magazine ad were designed to coordinate with the music video's theme of fire through an orange background and sunglasses to represent brightness.
2) Research was done on design trends in the electro-pop genre which informed bold text, plain images, and font sizes ordered by importance.
3) Similar styles of clothing on the artist and actor aim to relate to the target audience and compel them to listen through portrayed trends.
4) Sources for music downloads and a popular record shop make the cover look official, while log
How effective is the combination of your main product and ancillary textsAlex
1) The document discusses how to effectively promote a song through various ancillary materials like a music video, album cover, and poster.
2) It describes the music video, album cover, and poster the author created to promote a song by The Saturdays.
3) The visual elements of the album cover and poster were directly taken from footage in the music video to clearly link the materials and attract an audience familiar with the song and video.
The CD cover features a colorful, abstract design by band member John Squire in various directions. Track listings can be found to the right. The back cover replicates the front cover with Squire's artwork and highlights the track listing separately. Squire's psychedelic, expressive artwork is featured prominently throughout to maximize awareness of his work and give a continuous theme.
This document summarizes how the author's promotional package for a music album challenges, develops, and uses conventions of real media products.
The front cover takes inspiration from three real album covers in its style but develops the concept individually. The magazine advert conforms to conventions like including the album cover and label logo while developing the color scheme.
Various parts of the digipack like the back cover, spine, and inside panels take inspiration from real album packaging in their use of images, colors, and logos but develop these concepts to fit the author's vision. The CD design is inspired by real examples but adapted to the project's color scheme and continuity.
Leona Lewis is a British pop and R&B singer who gained fame after winning The X Factor in 2006. Some of her most successful songs include "Bleeding Love," which reached #1 in many charts worldwide. Her debut album Spirit was a huge commercial success, becoming the fastest selling debut album ever in the UK. Lewis has since released two more successful albums and has transitioned to more revealing and mature imagery in her music videos over the years to better suit pop and R&B conventions.
A Comprehensive Guide to Setting Up A1 IPTV for Your Home Entertainment.pdfXtreame HDTV
The digital age has revolutionized the way we consume content, and IPTV (Internet Protocol Television) stands at the forefront of this transformation. A1 IPTV is one of the leading services in this space, offering a wide range of channels and features that cater to the needs of modern viewers. This comprehensive guide will delve into everything you need to know about A1 IPTV, from its features and benefits to how it compares to traditional TV services.
So far, no details are known about Darby Galen’s career. She is not old enough to work yet. Currently, Darby focuses on her academic studies rather than making plans for his future career.
As a result, no one knows how much money it is worth. However, Patrick Dempsey’s net worth is projected to be around $80 million as of February 2023, as of this date.
The fact that Darby Galen Dempsey is related to Patrick Dempsey is what makes her best known. Darby was also born in Los Angeles, California on February 1, 2007. In 2020, Darby will turn 13 years old. She is Aquarius by birth sign. Her twin brother Sullivan Dempsey is also an actor.
Similarly, Darby Galen Dempsey is listed as the most famous celebrity on Wiki Famous People. Jillian Fink, Patrick Dempsey’s second wife, is Darby’s mother. Patrick Dempsey’s first wife was Rochelle “Rocky” Parker. Rocky, Patrick’s first wife, is an actress and acting teacher; However, the two divorced in 1994.
Darby’s parents, Patrick and Jillian, married in 1994. Together, Patrick and Jillian Fink are the parents of three children. Tallulah Fyfe and Sullivan Patrick, twins, are Darby’s siblings. Patrick founded the Patrick Dempsey Center, a cancer center at Central Maine Medical Center, in addition to his acting career. When Patrick’s mother was diagnosed with ovarian cancer and experienced severe suffering as a result, Patrick was motivated to find the center.
Darby Galen’s father is a well-known American actor who also drives racing cars. In Pastor’s film “McDreamy,” he plays Derek, a neurologist. The character of Darby’s father in the romantic thriller Grey’s Anatomy is well known. 2005 marked the year Darby’s father made his theatrical debut. In addition, the program is still on the air. In the 1980s, Darby’s father Patrick was the most sought-after and successful performer, and every director and producer wanted to collaborate with him. He has appeared in numerous films and television shows.
Darby’s father, Patrick, appeared in several major films during this time, such as “Can’t Buy Me Love” in 1987 and “Loverboy” in 1989. The wildly popular mystery horror film Scream 3 featured Darby’s father, Mark Kincaid, in 2000. The father is also a racing enthusiast. Darby’s father is a car fanatic who likes to race, drive sports vehicles, and collect old cars.
Robert Downey Jr. Net Worth: A Comprehensive Analysisgreendigital
Introduction
Robert Downey Jr., synonymous with Hollywood success. has had a career marked by dramatic ups and downs. Downey's journey is remarkable, from his early days as a promising young actor to his well-documented struggles with addiction and his triumphant comeback in Iron Man. Central to this narrative is his financial success. This article delves into Robert Downey Jr. net worth, exploring how he amassed his fortune. the various income streams contributing to his wealth, and his financial management strategies.
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Early Life and Career Beginnings
Childhood and Family Background
Robert Downey Jr. was born on April 4, 1965, in Manhattan, New York City. His father, Robert Downey Sr., was an influential filmmaker and actor. while his mother, Elsie Ann, was an actress. Growing up in a creative environment, Downey was exposed to the entertainment industry at a very young age, appearing in his father's films as early as age five.
Breakthrough in the 1980s
Downey's career began in earnest in the 1980s when he joined the cast of Saturday Night Live. His early film roles in movies like Weird Science (1985) and Less Than Zero (1987) showcased his talent and potential. Despite his initial success, these early years were also marked by personal challenges. Particularly his struggles with substance abuse.
The Downfall and Recovery
Struggles with Addiction
The 1990s were a tumultuous period for Downey. Despite critical acclaim for roles in films such as "Chaplin" (1992), for which he received an Academy Award nomination, his career was derailed by legal troubles related to his drug addiction. Frequent arrests and stints in rehab created an image of an actor whose potential was being overshadowed by his demons.
Comeback and Redemption
The early 2000s marked the beginning of Downey's remarkable comeback. With the support of friends and family and a strong will to overcome his addictions. he gradually rebuilt his career. Key to this resurgence was his role in the TV series Ally McBeal, which not only earned him a Golden Globe but also proved that he still had the talent and appeal needed for Hollywood stardom.
The Marvel Era and Explosive Financial Growth
Casting as Iron Man
2008 was a pivotal year for Downey, as he was cast as Tony Stark/Iron Man in the Marvel Cinematic Universe (MCU). This role would redefine his career and boost Robert Downey Jr. net worth. Marvel Studios took a risk by casting him, but it paid off as "Iron Man" (2008) became a critical and commercial success.
Earnings from the Marvel Cinematic Universe
Downey's portrayal of Iron Man became iconic. Leading to roles in many MCU films, including the "Avengers" series. His compensation for these films varied significantly, starting with a modest (by Hollywood standards) $500,000 for the first "Iron Man" movie. But, his earnings skyrocketed as the MCU grew and his role expanded. For example, Downey reportedly earned $50 million for "The Avengers" (2012) a
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Enhance Your Viewing Experience with Gold IPTV- Tips and Tricks for 2024.pdfXtreame HDTV
In the ever-evolving landscape of digital entertainment, IPTV (Internet Protocol Television) has emerged as a popular alternative to traditional cable and satellite TV services. Offering unparalleled flexibility, a vast selection of channels, and affordability, IPTV services like Gold IPTV have revolutionized the way we consume television content. This comprehensive guide will delve into everything you need to know about Gold IPTV, its features, benefits, setup process, and how it can enhance your viewing experience.
The cats, Sunny and Rishi, are brothers who live with their sister, Jessica, and their grandmother, Susie. They work as cleaners but wish to seek other kinds of employment that are better than their current jobs. New career adventures await Sunny and Rishi!
Frank Woods: A Philosophy of Brutality and Brotherhood!Rodney Thomas Jr
#SSAPhilosophy #Philosophy #FrankWoods #CallOfDuty #GamingPhilosophy #Brotherhood #WarriorSpirit
In today's video, we explore the intense and gripping philosophy of one of the most resilient and tough-as-nails soldiers in the Call of Duty series—Frank Woods. Join me as we journey through the life and philosophy of Frank Woods, a character who embodies the raw power of brutality tempered by the unbreakable bonds of brotherhood. Whether you're a fan of Call of Duty or someone interested in the deeper philosophical themes of warfare and loyalty, this video will offer you a unique perspective on one of gaming's most iconic soldiers.
Link to video: https://youtu.be/CRudRp7HA-M
2. THE BRIEF
The brief is to make a promotion package for the release of an album; to include a music video together
with the following:-
•A cover for its release as part of a digipak (CD/DVD package)
•A magazine advertisement for the digipak (CD/DVD package)
3. MY ARTIST
These are the pictures of my artist I
took. The model I am using for my
music video is called Ally Andrews, the
reason I am using her is because the
song we chose to do the video for was
sung by a girl. The other reason I used
her is because she is already is a singer
which made it easier for her to learn
the song., this made it easier when
filming the video.
4. IN WHAT WAYS DOES YOUR MEDIA PRODUCT USE, DEVELOP OR CHALLENGE FORMS
AND CONVENTIONS OF REAL MEDIA PRODUCTS?
When making the CD cover I wanted to
make sure that the cover didn't have alot of
This is the track list which shows the writing on the front, I wanted to keep it
audience what songs are on the album. quiet simple.
The colour I selected
to use designed for
To make sure the
the CD cover are
audience knew what the
quiet natural, I
product was I added a
selected black and
title to show what the
white for the CD
CD cover was, I also
cover as its very
added the artists name
simple. And different
under the title so the
to many CD covers, I
audience could see who
think this makes it
the CD belongs to.
stand out.
I added the record label Barcode and Q code. Using a central image to try and help
information to the back of the promote the artist, another way to help
CD cover, I also add the promote the artist is what she is wearing,
models web address as well. Because her name is ‘Ally’ she is wearing a
‘A’ top which links in with her name. For
the picture I used a medium close up.
5. HOW DOES MY CD COVER CHALLENGE FORMS AND CONVERSIONS OF
REAL MEDIA PRODUCTS.
My CD cover
Because the genre of my music video is pop/rock I looked at a
similar artist to mine. I decided to look at Kelly Clarkson, the
reason I chose her is because she is a well known pop/rock
artist. I think that she is a very similar artist to mine. I looked at
Kelly Clarkson's CD cover to see what I need to include on my
CD cover.
These are the things that are similar on my CD cover and
Kelly's CD cover:-
-The bar codes
-The colours I used are very similar to Kelly’s, they are very
plain. Black and white shows the genre of the CD cover. Black is
sometimes known as a ‘rock’ colour so this shows to the
audience what sort of cover this is.
-The font is very easy to read, I wanted to make sure the
Kelly Clarkson's CD cover writing didn’t take up to much room on the cover. On my CD
cover and on Kelly’s you cane easily read what the writing says.
Unlike on Kelly’s CD cover I have used iconography like a micro-
phone and guitars in the background to show the target
audience what sort of CD cover this is, its important for them
to know what sort of genre the CD is. I also used a QR code,
because most products no have them on this keeps my product
up-to-date with the latest technology. I used simple things like
the record label information and the models website and
twitter to make it look more like a real CD cover.
6. HOW DOES MY CD COVER ADVERT CHALLENGE FORMS
AND CONVERSIONS OF REAL MEDIA PRODUCTS.
My advert
To make my CD advert look like a real advert I used the
conventions of a real advert to make it, basic parts like
the title of the cd and the artists name had to be added
to the advert. Because the genre of my artist is pop/rock
which means its quiet basic colours, I used black and
white to show this; I also used these colours because I
used them on the CD cover. To show the audience why
they should why the CD I added the title of the new
single by my artist would of brought out. I also added the
iTunes logo.
7. HOW DOES MY MUSIC VIDEO CHALLENGE FORMS
AND CONVERSIONS OF REAL MEDIA PRODUCTS.
When making the music video I looked at three unlike
videos, I wanted to see what sort of genre of music I
VIDEO
wanted to do. I then decided on pop/rock; I looked at
artist like Kelly Clarkson and Miley Cyrus to see how
they show their genre of music through their music
video. The main parts that stood out were the use of
lyrics to vials, the clothes they their wearing and also
the props they used.
WOULD When making my music video I took these points and
tried to use them; when thinking about what my artist
should wear I chose for her to wear a Beatles top the
reason I chose that is because The Beatles were a very
popular band although they were not seen as a
BE
pop/rock band I wanted to show that my artist liked
music and show what sorts of artists she likes. When
thinking about the lyrics and the vials I listened to the
song and worked out where to film and how to film. Like
when their were long notes I used longer camera shots
to show this. For the props I tried to include as many as
HERE
I could, once I started to film I found this harder to do.
To challenge the convections of a music video I wanted
to change what most people would think was a normal
pop/rock video because I wanted tot make sure it was
different to other music videos I changed where I filmed
the music video, I decided to film it in a woods; doing
this changed the whole impression of the video.
8. HOW EFFECTIVE IS THE COMBINATION OF
YOUR MAIN PRODUCT AND ANCILLARY TEXTS?
When making the CD cover, the CD advert and the music video I tried to link them all together I used the following
things to make this happen.
What the model was wearing:-
To make sure this linked in all the productions I made sure she was wearing black and white clothing or very simple
colour to tie in with the CD cover. Throughout the music video I made sure she only had a couple of outfit changes.
Strong female role:-
Because the song we used is sung my a female we had to make sure we used not only a female but one that had a
strong music theme look and background, this made it easier for her to learn the words and get into the role for the
video. Because the person we used was confinable with singing this made it easier to make the music video and take
pictures for the CD cover.
Colours:-
Similar to what the model was wearing we used black and white for the main colours of the cd cover and the advert. I
didn’t want to have bright colours in the music video have very simple colours on the CD cover I felt it wouldn’t link so
that’s why I choose to use more simple colours this also made it easier when making the advert.
Throughout making the CD cover, advert and the music video I had to make sure that they linked all together, to do
this I used the logo on all the products. This means that when the target audience see’s my product they would be
identity them by the logo. Having a logo would give all my products and my artist a brand identity. Another link I have
included on all my products is the artists website.
9. WHAT HAVE YOU LEARNED FROM YOUR
AUDIENCE FEEDBACK?
Before the making of the music video:-
Before we started making the music video we had to do a questionnaire to see what genre of music most people
listen to, also what channel they watch music channels on and how they watch them, weather its on the computer,
their phones or I-pods. Once we completed the questionnaire it made it easier to see what sorts of things we needed
to include in the media but also on the CD cover and advert. When thinking about the CD cover I showed 5 of my
friends the ideas I had for the cover, they felt that my first cover was good but didn’t like the fonts I used and the
colours this is what made me change the colours of the CD and the colours of the advert. Having the feed back made
it better then thinking about the music video. I run the ideas for the music video through the 5 people I asked about
the CD cover, I asked them what they thought of the ideas for the video and is there anything else we need. They said
that I had to make sure the video ties in with the song, the artist does some performing in the video, they also felt
that the video should not include to many people as the song it very personal.
Feedback after the music video:-
Now I have started to make the video I wanted to ask the 5 people again what they thought of the music video so far,
because they were the people I asked before I made the video I thought it would be a good idea to see how they
think the music video is turning out. The feedback from them was really good, they said the use of camera shots
worked well with the lyrics and they think it tried in well, the thing they didn’t like was the different locations we shot
the video in; they felt that changing from the woods to the roof didn’t really fit. They also felt that there was to much
performing in the video, I have looked at these parts of the music video and can see where they are coming from.
Now I can see what parts of the music video I need to change, this will hopefully make it look better.
10. EVALUATION
Because new technology is becoming more and more popular; things like the internet, Google and YouTube have all
become the most important parts in many of peoples like. For my evaluation I am using power point to show my
work. Using power points has helped me to show my work to many different people at once, it helped me show the
development of my work from talking the pictures to producing the music video.
11. HOW DID YOU USE MEDIA TECHNOLOGIES IN THE
CONSTRUCTION AND RESEARCH, PLANNING AND
EVALUATION STAGES?
Research:- Construction:-
Before I could start making the music video I had to To film the music video, I used a video camera, at first I
research into the music business, there are the had a lot of problems with the camera as it was
difficulty to hold when trying to film this meant a lot of
following things I looked into:- the footage didn’t look as good, a lot of the time I found
-Different genres that the footage looked good on the camera but as
soon as it get onto the computer it didn’t. After sorting
-Different artists, music channels and music labels these problems out it get easier to use the camera.
-What is meant to be in a music video, on a CD cover To make the music video I used the apple mac
and advert ect. programme IMovie:- this is what helped me make the
music video, I could add music, cut and crop different
parts of the video and add the music. Using this
To do all this I used the following things:- the internet, programme helped me when do the video. The main
problems I had with using the editing programme was
YouTube and Google. After the research I then found trying to get use to it, it took me a couple of weeks to
out what genre of music I wanted to look at; I decided get use to all the tools it had. To make sure that my
on pop/rock music. Once I finished the research I then advert was up to date with new technology I added the
looked into making the music video, CD cover and iTunes logo, doing this shows the target audience that
they can download the album from ITunes.
advert.
Because blackberry's and iPhones are becoming the
most popular phones around I added a QR code to the
CD cover to make it more interactive , this means that
when they scan the code using there blackberry’s or
iPhones they will connect to my artists website, this
makes the CD cover up to date with technology.
12. HOW DID YOU USE MEDIA TECHNOLOGIES IN THE CONSTRUCTION
AND RESEARCH, PLANNING AND EVALUATION STAGES?
Twitter Blogger
Over the last couple of years twitter has become more and For our coursework this year we didn’t just print all our work
more popular, it now has over 140 millions users, most off, we had to make a blog. At first I wasn’t to sure about the
people now has heard or use twitter. Because twitter is so idea of a blog, it sounded really stupid at first having to
popular I decided to make our artist a twitter account, doing upload our coursework onto a blog but after some time of
this means we are keeping up to date with the new getting use to it I found it a lot easier. The main problems I
technology. On most television programmes and on products found with blogger is having the time to write the
you see # harsh tags this links back to twitter. Making our coursework then having to upload it, because teenagers
twitter account was very easier, we started by get some of would be reading the blog I had to make sure it would appeal
my friends to follow it then we twittered celebrities to try to them, doing this I didn’t use long words or long sentences
and get them to follow the account. Having a twitter means I kept them quiet simple and easy to read. Another problem
we can tweet what our artist is doing, this lets all her I found was the uploading the coursework, because I took
followers know what she is up to. Many celebrities have quiet a lot of time doing the coursework I wanted to make
twitter like Katy Perry and Lady Gaga, they use twitter to sure it looked good on the blog. After I uploaded the first
connect with their fans, they let them know of any up and couple of posts I got use to doing the blog.
coming tours and offend tweet pictures of themselves.
This is the link to my blog:-
http://mollielatter.blogspot.co.uk/
There is the link to the twitter for our model Ally Andrews:-
https://twitter.com/#!/allyandrews2