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Analytical Approaches

      Marxist film criticism
Karl Marx
   Wrote Communist Manifesto in 1848
   History of society is history of class
    struggles
   Marxist film criticism based on his
    theoretical ideas
   Marx liked realist texts
   Marxist critics are wary of how cinema
    supports dominant ideology
Ideologies in film
   Individual matters and can make a difference to the
    world
   Individual can improve him/herself
   Good will triumph
   Effort will be rewarded
   Financial comfort and stable marriage best reward
   Criminal will return to scene of crime
   Evil will be exposed
   Corruption exists in ISOLATED cases
   DON’T do drugs, drink, have sex, meddle with things
    you don’t understand, go down in the cellar
Films in relation to ideology
Films which
   Support dominant ideology (critics response: show what these
    films are blind to)
   Attack ideology by discussing political subject (critics response:
    read critically and note connection of signifiers and signified)
   Operate ‘against the grain’-subvert message through form e.g.
    satire (critics response: read critically and note connection of
    signifiers and signified)
   Set out to attack but end up endorsing ideology (critics
    response: show how politics of these films are weakened by
    failure to change form)
   Appear to endorse ideology but show critique thru fissures and
    cracks (critics response: show how there is a gap between
    these films and ideology through the working of the film)

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Marxist film theory

  • 1. Analytical Approaches Marxist film criticism
  • 2. Karl Marx  Wrote Communist Manifesto in 1848  History of society is history of class struggles  Marxist film criticism based on his theoretical ideas  Marx liked realist texts  Marxist critics are wary of how cinema supports dominant ideology
  • 3. Ideologies in film  Individual matters and can make a difference to the world  Individual can improve him/herself  Good will triumph  Effort will be rewarded  Financial comfort and stable marriage best reward  Criminal will return to scene of crime  Evil will be exposed  Corruption exists in ISOLATED cases  DON’T do drugs, drink, have sex, meddle with things you don’t understand, go down in the cellar
  • 4. Films in relation to ideology Films which  Support dominant ideology (critics response: show what these films are blind to)  Attack ideology by discussing political subject (critics response: read critically and note connection of signifiers and signified)  Operate ‘against the grain’-subvert message through form e.g. satire (critics response: read critically and note connection of signifiers and signified)  Set out to attack but end up endorsing ideology (critics response: show how politics of these films are weakened by failure to change form)  Appear to endorse ideology but show critique thru fissures and cracks (critics response: show how there is a gap between these films and ideology through the working of the film)