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G325 – QUESTION 1B By Georgia Leaper
CONCEPTS USED IN A2
COURSEWORK
o Genre
o Narrative
o Representation
o Audience
o Media language
GENRE
What is it?
“A way of categorising a particular media text according to its content
and style.”
E.g. Doctor Who = Sci Fi
Why is it important and who for?Producers of media texts?
Gives a pattern for construction, a template
Genre pieces have an established audience who are
easy to market to
Certain personnel can develop their skills working
within a particular genre (e.g. horror make up
specialists)
Stars can associate themselves with a particular genre
e.g. Will Ferrell is known for a certain type of slapstick
comedy, and his face on a poster instantly tells
audiences what kind of movie they are likely to see if
he is in it.
Fans of a genre know the codes, so you don't have to
Distributors?
Clear channels for marketing and distribution —
easily targetable audience
Concentration of distribution resources — no point in
trying to get eg football matches to a non-sports
audience
Fans of a genre as a whole can easily be persuaded to
buy other texts in the same genre eg dance music
compilation CDs
Provides a structure for retail outlets
THEORISTS OF GENRE
Rick Altman (1999) Theorist and Critic:
Created list of points he found problematic with genre classification
- Genre is a useful category, because it bridges multiple concerns
- Genres are defined by the film industry and recognised by mass
audience
- Genres have clear, stable identities and boarders
- Individual films belong wholly and permanently to a single genre
- Genres are trans historical (adjective: transcending historical
boundaries; eternal.)
- Genres undergo predictable development
- Genres are located in particular topic, structure and corpus
- Genre films share certain fundamental characteristics
- Genres have either a ritual or ideological function
- Genre critics are distanced from the practice of genre
THEORISTS OF GENRE
Tom Ryall (1978):
Genre provides a framework of structuring rules, in the shape of
patterns/forms/structures, which act as a form of ‘supervision’ over
work of production of filmmakers and the work of reading by the
audience.
John Fiske:
Defines genres as ‘attempts to structure some order into the wide
range of texts and meanings that circulate in our culture for the
convenience of both producers and audiences.
Steve Neale (1990):
Argues that Hollywood’s generic regime performs two inter-related
functions:
1) to guarantee meanings and pleasures for audiences
2) to offset the considerable economic risks of industrial film
production by providing cognitive collateral against innovation and
difference.
CONCEPTS USED IN A2
COURSEWORK
o Genre
o Narrative
o Representation
o Audience
o Media language
NARRATIVE
What is it?
“In media terms, narrative is the coherence/organisation given to a
series of facts. The human mind needs narrative to make sense of
things. We connect events and make interpretations based on those
connections. In everything we seek a beginning, a middle and an end.
We understand and construct meaning using our experience of reality
and of previous texts. Each text becomes part of the previous and the
next through its relationship with the audience.”
What are the conventions?
-Genre
- Character
- Form
- Time
NARRATIVE THEORISTS
Vladimir Propp:
Argued that all narratives followed a similar structure and included 8
character roles:
NARRATIVE THEORISTS
Levi Strauss:
- Anthropologist
- Studies how ‘primitive’ societies functioned
- Argued that primitive societies and “advanced” societies shares
similar elements
His binary oppositions theory includes:
Homesteaders: Native Americans
Christian - Pagan
Domestic - Savage
Weak - Strong
Garden - Wilderness
Inside society - Outside society
NARRATIVE THEORIES
“Equilibrium theory”
What is it?
This theory says that all stories are about the fight to return to
normality.
An event happens and everything after the event is about the attempt
to return to normal – or “equilibrium”
CONCEPTS USED IN A2
COURSEWORK
o Genre
o Narrative
o Representation
o Audience
o Media language
REPRESENTATION
What is it?
“By definition, all media texts are re-presentations of reality.”
How can we analyse representation?
The analysis of different sorts of representation forms an important
part of Media Studies. The factors of representation most commonly
addressed are:
Gender
Race
Age
Disability
CONCEPTS USED IN A2
COURSEWORK
o Genre
o Narrative
o Representation
o Audience
o Media language
AUDIENCE THEORIES
CONCEPTS USED IN A2
COURSEWORK
o Genre
o Narrative
o Representation
o Audience
o Media language
MEDIA LANGUAGE
What is it?
Otherwise known as terminology, media
language is the specific jargon used by media
makers.
E.g.
Signifies, codes and conventions, MES, framing,
etc

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G325 – question 1b

  • 1. G325 – QUESTION 1B By Georgia Leaper
  • 2. CONCEPTS USED IN A2 COURSEWORK o Genre o Narrative o Representation o Audience o Media language
  • 3. GENRE What is it? “A way of categorising a particular media text according to its content and style.” E.g. Doctor Who = Sci Fi Why is it important and who for?Producers of media texts? Gives a pattern for construction, a template Genre pieces have an established audience who are easy to market to Certain personnel can develop their skills working within a particular genre (e.g. horror make up specialists) Stars can associate themselves with a particular genre e.g. Will Ferrell is known for a certain type of slapstick comedy, and his face on a poster instantly tells audiences what kind of movie they are likely to see if he is in it. Fans of a genre know the codes, so you don't have to Distributors? Clear channels for marketing and distribution — easily targetable audience Concentration of distribution resources — no point in trying to get eg football matches to a non-sports audience Fans of a genre as a whole can easily be persuaded to buy other texts in the same genre eg dance music compilation CDs Provides a structure for retail outlets
  • 4. THEORISTS OF GENRE Rick Altman (1999) Theorist and Critic: Created list of points he found problematic with genre classification - Genre is a useful category, because it bridges multiple concerns - Genres are defined by the film industry and recognised by mass audience - Genres have clear, stable identities and boarders - Individual films belong wholly and permanently to a single genre - Genres are trans historical (adjective: transcending historical boundaries; eternal.) - Genres undergo predictable development - Genres are located in particular topic, structure and corpus - Genre films share certain fundamental characteristics - Genres have either a ritual or ideological function - Genre critics are distanced from the practice of genre
  • 5. THEORISTS OF GENRE Tom Ryall (1978): Genre provides a framework of structuring rules, in the shape of patterns/forms/structures, which act as a form of ‘supervision’ over work of production of filmmakers and the work of reading by the audience. John Fiske: Defines genres as ‘attempts to structure some order into the wide range of texts and meanings that circulate in our culture for the convenience of both producers and audiences. Steve Neale (1990): Argues that Hollywood’s generic regime performs two inter-related functions: 1) to guarantee meanings and pleasures for audiences 2) to offset the considerable economic risks of industrial film production by providing cognitive collateral against innovation and difference.
  • 6. CONCEPTS USED IN A2 COURSEWORK o Genre o Narrative o Representation o Audience o Media language
  • 7. NARRATIVE What is it? “In media terms, narrative is the coherence/organisation given to a series of facts. The human mind needs narrative to make sense of things. We connect events and make interpretations based on those connections. In everything we seek a beginning, a middle and an end. We understand and construct meaning using our experience of reality and of previous texts. Each text becomes part of the previous and the next through its relationship with the audience.” What are the conventions? -Genre - Character - Form - Time
  • 8. NARRATIVE THEORISTS Vladimir Propp: Argued that all narratives followed a similar structure and included 8 character roles:
  • 9. NARRATIVE THEORISTS Levi Strauss: - Anthropologist - Studies how ‘primitive’ societies functioned - Argued that primitive societies and “advanced” societies shares similar elements His binary oppositions theory includes: Homesteaders: Native Americans Christian - Pagan Domestic - Savage Weak - Strong Garden - Wilderness Inside society - Outside society
  • 10. NARRATIVE THEORIES “Equilibrium theory” What is it? This theory says that all stories are about the fight to return to normality. An event happens and everything after the event is about the attempt to return to normal – or “equilibrium”
  • 11. CONCEPTS USED IN A2 COURSEWORK o Genre o Narrative o Representation o Audience o Media language
  • 12. REPRESENTATION What is it? “By definition, all media texts are re-presentations of reality.” How can we analyse representation? The analysis of different sorts of representation forms an important part of Media Studies. The factors of representation most commonly addressed are: Gender Race Age Disability
  • 13. CONCEPTS USED IN A2 COURSEWORK o Genre o Narrative o Representation o Audience o Media language
  • 15. CONCEPTS USED IN A2 COURSEWORK o Genre o Narrative o Representation o Audience o Media language
  • 16. MEDIA LANGUAGE What is it? Otherwise known as terminology, media language is the specific jargon used by media makers. E.g. Signifies, codes and conventions, MES, framing, etc