lowlands secular music_grade 7.ppt
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When the Spanish arrived in the Philippines in 1521, they introduced European musical influences that marked the beginning of cultivated music in the country. Some examples of Spanish-influenced secular vocal music that developed in the Lowlands of Luzon include harana (serenades), kumintang (war songs), kundiman (art songs), polka, and pandango (dances). These musical forms helped express feelings of love, history, and religion through both lyrics and instrumentation.
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This document provides information about a lesson that teaches students about colonially-influenced secular music in Luzon. The class is divided into 5 groups, with each group presenting on the history, composers, and sample music of Harana, Kumintang, Pandanggo, Polka, or Balitaw. It also covers Kundiman. Details are provided on the origins and musical elements of each genre. Famous composers mentioned include Nicanor Abelardo, who composed over 140 works and helped establish a music conservatory.
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Music of the Philippines incorporates diverse genres and styles that blend Asian, Spanish, Latin American, and indigenous influences. Traditional folk music often reflects rural life and is accompanied by instruments like the gong, banduria, and laud. Popular music such as kundiman, harana, and OPM have also been influenced by Mexican-Spanish traditions and American pop music. A variety of musical groups like rondalla ensembles and madrigal singers perform throughout the Philippines.
Spanish Period
The document discusses the history of music in the Philippines from the Spanish colonial period of 1521-1898. It notes that Spanish arrival in 1521 brought European musical influence and marked the beginning of music as a fine art. It highlights the importance of sacred music in Christianity and the popularity of passion songs. It also discusses the establishment of formal music education under the 1863 Educational Decree and mentions Fray Geronimo de Aguilar as the first Spanish priest to teach music.
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This document summarizes different types of secular music from the Lowlands of Luzon region in the Philippines, including:
1) Harana - a serenade traditionally sung by men to express love for a woman, usually accompanied by guitar. Popular songs listed.
2) Kumintang - a love and courtship song originating from Batangas, performed in triple meter. Popular songs listed.
3) Pandanggo - a fast-paced courtship dance derived from the Spanish fandango, performed in some Luzon islands and Visayas.
It also briefly discusses polka, balitaw, and kundiman musical forms.
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Forms and Styles of Philippine Music
Music in the Philippines encompasses many diverse genres and styles that blend influences from Asian, Spanish, Latin American, and indigenous sources. Traditional forms of music include gong music, which uses different types of gong instruments; rondalla ensembles featuring string instruments; and romantic harana and kundiman songs. Other genres that developed include kulintang, a dance involving bamboo poles; tinikling, the national dance; OPM pop songs; and church choral music. More recently, hip hop and indie genres have grown in popularity among Filipino artists.
Musika
The document summarizes the transition and development of music in the Philippines from indigenous ethnic music to modern Philippine music. It discusses pre-colonial indigenous instruments like idiophones, aerophones, chordophones, and membranophones. It also describes the influence of Hispanic music like banda, rondalla, and sarswela during colonial times. Additionally, it outlines the development of kundiman, awit, corrido, and uyayi folk music genres as well as the modernization of Philippine music with genres like OPM, chorale music, and the filipinization of Western pop songs. It highlights famous Filipino musicians like Pilita Corrales and Ryan Cayaby
20th century traditional composers
This document provides biographical information on several prominent 20th century Filipino composers and discusses the development of contemporary music in the Philippines. It notes that contemporary Philippine music refers to compositions that have adopted elements from 20th century Western art music as well as popular entertainment styles. It then profiles several National Artists and other influential composers, describing their musical education, styles, and major works. These composers helped establish contemporary Philippine music by incorporating Western techniques with local musical traditions.
Music 71.5-1.6 FINAL.pdf
This document provides an overview of Philippine folk music from the lowlands of Luzon:
1) It discusses various musical elements and genres of the region, including zarzuelas, instrumental music like the Philippine Constabulary Band and Musikong Bumbong, and songs from the American and Japanese periods.
2) It examines how the music was influenced by and expressed the history and culture during Spanish, American, and Japanese rule.
3) The document aims to help students identify musical elements of the lowlands, appreciate the music's role in developing trust and honesty, and distinguish its characteristics related to the area's history.
Module in arts 7 1st quarter
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This document provides an overview of the musical characteristics and examples of folksongs from the lowlands of Luzon, Philippines. It discusses the history and stylistic traits of folk music from various ethnic groups in the region, such as Ilocano, Kapampangan, and Tagalog folksongs. Examples of well-known folk songs are provided for each group. The document also summarizes the religious music and secular music traditions that were influenced by Spanish colonization, such as liturgical songs, harana serenades, and dance forms like pandanggo and polka. Classroom activities are suggested to help students learn about and perform different types of regional folk music
Cotemporary-20th-tradional-composer-PPT.ppt
Francisco Buencamino, Francisco Santiago, and Nicanor Abelardo are considered the "Triumvirate of Filipino Composers" in the early 20th century. They helped establish a national style of classical music by incorporating Philippine folk melodies and Western forms. Many other notable Filipino composers followed, continuing to develop a uniquely Filipino classical music tradition.
Secular music
Harana is a traditional Filipino serenade sung by men to express love for a woman, often accompanied by guitar. Popular harana songs include "Ang Tangi kong Pag-ibig", "O Ilaw", and "Dungawin mo Hirang". Kundiman are Tagalog love songs that convey spiritual, intense love through melody and lyrics. Bamboo organs like the one in Las Piñas are large instruments made of bamboo pipes that are played during festivals.
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lowlands secular music_grade 7.ppt
- 1. Music of the Lowlands of Luzon 2: Spanish Influence in Secular Music Folk Music of the Lowlands of Luzon
- 2. • The lesson is an overview on the Spanish-influenced secular music of the Lowlands of Luzon. Through the lesson, one will discover how Spanish-influenced dance music and art songs express their feelings towards each other and the environment, their history, and their religious beliefs through voice and musical instruments.
- 3. Secular music Is a music intended for a non- religious activity. Liturgical music Is also called as church music usually written for performance in a religious rite or worship.
- 4. OVERVIEW • When the Spaniards came to the Philippines in the year 1521, they brought along not only their own culture but also European influence which marked the beginning f the cultivation of music as a fine art in the Philippines.
- 5. EXAMPLE OF SECULAR MUSIC VOCAL MUSIC • Harana • Kumintang • Kundiman • Polka (Leron-leron Sinta, Pamulinawen) • Pandanggo
- 6. HARANA (Spanish ‘jarana’) – serenade; traditionally sung by a young man to a young woman outside the young woman’s house to show his love to her. Usually accompanied by a guitar in duple or quadruple meter.
- 7. HARANA Popular Harana songs: - Ang Tangi Kong Pag-ibig- sung by Diomedes Maturan - O Ilaw- sung by Ruben Tagalog - Dungawin mo Hirang-by Santiago S. Suarez
- 9. KUMINTANG • originally a war song, this song is in triple time signature can be of any topic: love, resentment, or a social commentary and had been originated from Balayan, Batangas, so that Batangas is known as the Province of Kumintang
- 10. • In 1926 when Pasig became the venue of carnival performances, Nicanor Abelardo inspired to compose the Mutya ng Pasig in Kumintang tempo which symbolizes the country’s loss of freedom.
- 12. PANDANGO • is a dance that can be found in the different islands of Luzon, Batanes, Ilocos, Tarlac and parts of Visayas. Originated from the fandango of Spain, it is a fast-paced dance in triple time. • Pandangguhan is a form of entertainment in the Tagalog region performed during social celebrations.
- 13. PANDANGO • the singers of this folk song are called pandanggeros and pandanggeras • It is also a courtship dance.
- 14. POLKA •a lively dance in duple time originated in a Bohemian dance that became popular in Europe and America in the 19th century.
- 15. POLKA Some example of Philippine folksong in polka rhythm: -Magtanim Ay Di Biro -Leron-leron Sinta
- 17. KUNDIMAN (kung hindi man) – an art song. It conveys a selfless and spiritual attitude, intense love, caring, devotion, and patriotic sentiments
- 18. KUNDIMAN Famous kundiman Filipino composers: - Francisco Santiago - Nicanor Abelardo - Bonifacio Abdon - Francisco Buencamino - Angel Peña
- 19. KUNDIMAN Famous kundiman Filipino performers in early 1900’s: - Atang dela Rama - Jovita Fuentes - Conching Rosal - Ruben Tagalog
- 20. KUNDIMAN in musical context, kundiman usually starts in minor key then goes to the major key and in triple time signature
- 21. KUNDIMAN some examples of Kundiman: -Pilipinas Kong Mahal- by Francisco Santiago - Nasaan Ka Irog and Huling Awit- by Nicanor Abelardo - Jocelynang Baliwag- unknown composer inspired by the revolutionaries in Bulacan, 1896 revolution
- 22. KUNDIMAN some examples of Kundiman: -Sa Sariling Bayan- by V. Tolentino - Iyo Kailan Pa Man- by Angel Peña
- 23. KUNDIMAN