Logistics and job roles
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Logistics and scheduling are key aspects of pre-production that ensure a film can start shooting on time. A call sheet must be created to inform cast of their call times and guarantee everyone is prepared. As director, Emily Kelly had to make sure the cast and crew of her video "If She Only Knew" were ready by having them sign contribution sheets and preparing them for their roles. During filming with 6 people and a dog, she ensured safety and no animal harm. After completing the shoot, Emily began editing and could do reshoots if needed.
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Logistics and job roles
The document discusses the various logistics and job roles involved in film pre-production. It describes how the director must create call sheets and ensure all cast and crew are prepared. It also discusses managing finances, developing ideas and visuals, casting actors, costume design, set design, props, construction, and legal/clearance processes. The overall purpose is to outline the planning and coordination required to organize all elements before principal photography begins.
Production Management - Lois Goswell
The director guides the film crew to fulfill their vision of the film script. The director oversees all artistic and technical elements and ensures everyone works towards the same vision. Directors must also ensure the film meets age ratings and deadlines. For their school trailer project, the group will take turns acting as director when producing different elements. The cast will be chosen from their school to represent the planned characters and must be available for filming.
Production management
This document discusses the various roles involved in filmmaking and producing a trailer. It describes the director as controlling the artistic and dramatic aspects of the film and guiding the cast and crew. It states that the roles of director, producer, cinematographer, costume designer, and editor will be undertaken collaboratively by the group. The cinematographer is responsible for camera and lighting decisions. Costume and makeup are important for portraying characters. The editor's role includes using techniques to create the pace and atmosphere of the trailer through post-production editing.
Credits Used - Media
The document lists the credits for the film "Catch Me If You Can" and provides a brief description of the roles of each member of the film production team. It identifies DreamWorks Pictures as the distributor responsible for marketing and distributing the film. The Kemp Company and Splendid Pictures are identified as the production companies that helped create and fund the film. It also lists the names of the actors, caster, co-producers, composer, costume designer, film editor, production designer, director of photography, executive producers, co-executive producer, producer, screenplay writer, and director for the film.
Film
The document outlines various job descriptions in the film and TV industry. It describes roles such as literary agents who help creative talent find work, executive producers who manage all aspects of a television show, teleplay writers who turn outlines into scripts, and directors who oversee actors and translate scripts into filmed scenes. Other roles discussed include producers who manage financial aspects and hiring, directors of photography who work with directors on visual elements, costume and makeup designers, editors who assemble footage, composers who create musical scores, and production designers who determine the overall look of a show.
Job roles
The document describes various job roles in film and television production. A producer comes up with ideas and oversees projects. A director works with the producer to realize the creative vision. An assistant director helps manage practical aspects so the director can focus on the creative work. Actors portray characters in a production. Health and safety roles ensure no one is exposed to risks on set.
Production roles
1. The document outlines various production roles for a media project and assigns group members to each role.
2. Bavleen will be the producer, overseeing the budget and overall production. Indiana will be the director, supervising actors. Faiza will be the production designer, deciding locations.
3. Jeet will take on the roles of editor and sound producer, determining content and audio. She will also be the costume designer and continuity person.
Credits analysis
This document provides summaries of various shots from the credits of the film "Catch Me If You Can". It describes the roles of key production studios and companies like Dreamworks, the main actors and their importance in advertising the film, and other important crew roles like the director, producer, music composer, and others essential to the film's creation. The document emphasizes how the opening credits highlight the most prominent studios and talents to attract audiences and recognize their significant contributions.
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Logistics and job roles
The document discusses the various logistics and job roles involved in film pre-production. It describes how the director must create call sheets and ensure all cast and crew are prepared. It also discusses managing finances, developing ideas and visuals, casting actors, costume design, set design, props, construction, and legal/clearance processes. The overall purpose is to outline the planning and coordination required to organize all elements before principal photography begins.
Production Management - Lois Goswell
The director guides the film crew to fulfill their vision of the film script. The director oversees all artistic and technical elements and ensures everyone works towards the same vision. Directors must also ensure the film meets age ratings and deadlines. For their school trailer project, the group will take turns acting as director when producing different elements. The cast will be chosen from their school to represent the planned characters and must be available for filming.
Production management
This document discusses the various roles involved in filmmaking and producing a trailer. It describes the director as controlling the artistic and dramatic aspects of the film and guiding the cast and crew. It states that the roles of director, producer, cinematographer, costume designer, and editor will be undertaken collaboratively by the group. The cinematographer is responsible for camera and lighting decisions. Costume and makeup are important for portraying characters. The editor's role includes using techniques to create the pace and atmosphere of the trailer through post-production editing.
Credits Used - Media
The document lists the credits for the film "Catch Me If You Can" and provides a brief description of the roles of each member of the film production team. It identifies DreamWorks Pictures as the distributor responsible for marketing and distributing the film. The Kemp Company and Splendid Pictures are identified as the production companies that helped create and fund the film. It also lists the names of the actors, caster, co-producers, composer, costume designer, film editor, production designer, director of photography, executive producers, co-executive producer, producer, screenplay writer, and director for the film.
Film
The document outlines various job descriptions in the film and TV industry. It describes roles such as literary agents who help creative talent find work, executive producers who manage all aspects of a television show, teleplay writers who turn outlines into scripts, and directors who oversee actors and translate scripts into filmed scenes. Other roles discussed include producers who manage financial aspects and hiring, directors of photography who work with directors on visual elements, costume and makeup designers, editors who assemble footage, composers who create musical scores, and production designers who determine the overall look of a show.
Job roles
The document describes various job roles in film and television production. A producer comes up with ideas and oversees projects. A director works with the producer to realize the creative vision. An assistant director helps manage practical aspects so the director can focus on the creative work. Actors portray characters in a production. Health and safety roles ensure no one is exposed to risks on set.
Production roles
1. The document outlines various production roles for a media project and assigns group members to each role.
2. Bavleen will be the producer, overseeing the budget and overall production. Indiana will be the director, supervising actors. Faiza will be the production designer, deciding locations.
3. Jeet will take on the roles of editor and sound producer, determining content and audio. She will also be the costume designer and continuity person.
Credits analysis
This document provides summaries of various shots from the credits of the film "Catch Me If You Can". It describes the roles of key production studios and companies like Dreamworks, the main actors and their importance in advertising the film, and other important crew roles like the director, producer, music composer, and others essential to the film's creation. The document emphasizes how the opening credits highlight the most prominent studios and talents to attract audiences and recognize their significant contributions.
Crew Roles
A special effects supervisor oversees mechanical manipulations and special effects makeup. A production designer ensures the film set and objects look appropriate. A director of photography gives the film a distinctive visual style and look.
Production management
The document discusses the roles and responsibilities of different positions involved in filmmaking. It describes the director as controlling the artistic and dramatic aspects of the film and guiding the cast and crew to realize their vision. The cast will be chosen based on fitting the characters and using students from the sixth form for convenience of filming at school. The scriptwriter is responsible for generating ideas, planning, developing characters, and writing the script. The cinematographer must consider camera shots, lighting, sound, and visual elements to ensure the final image is aesthetically pleasing. The makeup and costume stylist will dress actors appropriately for different scenes based on realistic teenage fashion. The editors will use Final Cut software to edit the film together with cuts, sound, titles,
Finished miss o
This document discusses different job roles across the various stages of film and TV production. It begins by outlining the main stages: pre-production, production, and post-production. It then provides more detail on specific roles in each stage and department. In pre-production, the roles discussed are producer, screenwriter, and location scout. Producers manage all aspects of production and work closely with the director. Screenwriters create the initial script and story. Location scouts find suitable filming locations. During production, camera operators capture footage under the direction of the director. In post-production, editors assemble the final film by organizing all the raw footage.
Evaluation question 7
This document discusses various cinematography techniques used in filmmaking, including continuity, the 180 degree rule, match on action, shot reverse shot, and mise-en-scene. It provides examples of how these techniques were used in a preliminary task and opening scene created by the author. The author reflects on how their skills have improved from incorporating lighting, camera angles, editing, sound, and other techniques to create a more polished opening scene compared to the preliminary task. Continuity, camera work, titles, and representing characters through costume and setting were some areas the author felt they strengthened between the two projects.
An overview of a film crew
The document provides a brief overview of the key roles in a film crew, including the director who oversees all aspects of production, the editor who assembles the shots and clips, and other roles like producers, camera and lighting technicians, location managers, costume and makeup artists, and sound designers who all contribute to the filmmaking process.
Job role production designer
The production designer is responsible for the overall visual concept and style of a film, television, or theater production. This includes identifying design styles for sets, locations, graphics, props, lighting, camera angles, and costumes. As production designer, they work closely with the director and producer to ensure all visual elements are ready for filming scenes. For an action/sci-fi film, the production designer's tasks may include sourcing modern props like smart watches for characters and choosing practical black suits and subtle makeup for a bold look.
Job role production designer (1)
The production designer is responsible for the overall visual concept and style of a film, television, or theater production. This includes identifying design styles for sets, locations, graphics, props, lighting, camera angles, and costumes. As production designer, they work closely with the director and producer to ensure all visual elements are ready for filming scenes. For an action/sci-fi film, the production designer's tasks may include sourcing modern props like smart watches for characters and choosing practical black suits and subtle makeup for a bold look.
Finished miss o
The document discusses the different stages in the process of making a TV program or feature film, including pre-production, production, and post-production. It then explains that it will discuss some of the job roles in each stage, explaining their responsibilities and contributions. Some of the roles discussed include management/producer, creative/scriptwriter, editorial/editor, technical/camera team, research/location scout, and organizational roles like the producer. The roles are discussed in terms of their duties, who they work with, and which production department they are part of.
Finishedmisso ready for slidehsare
James Cameron is a famous Hollywood editor. As an editor, his job is to gather all footage that has been taken and put it together using editing software to cut out bits, overlap audio, and create continuity. Cameron has always had a passion for filmmaking. While his main role is as an editor in post-production, Cameron has also taken on roles as a screenwriter and director, creating very famous films like Titanic, The Terminator, and Terminator 2: Judgment Day. His career demonstrates that one can be successful in many different roles within the film and television industries.
Credits analysis
This document provides summaries of various shots from the credits of the film "Catch Me If You Can". It describes the roles of key production companies like Dreamworks, executives like Steven Spielberg, departments like casting, costume design, music, editing, cinematography, production design, and main credits like the producer, director, and screenwriter. The document emphasizes how crediting these important contributors is a way to recognize their efforts and advertise the talent behind the film to attract audiences.
Profile on-production-team
Ganesh will be responsible for editing and sound on the final production, playing the main role in short films which requires researching appropriate sound and editing footage. Ifaz Chowdhury will direct, ensuring correct mise-en-scene and verisimilitude, organizing the group and work. Shahil Islam will handle cinematography, being creative with shots and angles while following the 180 degree rule.
Pre-Production Timeline
The document outlines the typical pre-production timeline for a film. It begins with writing the script, then hiring a director and producers to develop the creative and logistical aspects. Next comes casting actors, securing locations, production design, costumes, and cinematography. Visual effects, makeup, props, and transportation are planned. A production schedule is made, specialists are consulted, and rehearsals are held to prepare all elements before filming begins.
Film crew roles_-_day_1
The document outlines the key roles and responsibilities of a technical film crew. The Director of Photography oversees the technical crew and works with the director to choose camera settings, lighting, and framing to achieve the desired visual style. The camera operator operates the camera under the direction of the DP or director. The first camera assistant ensures the camera remains in focus during shots, while the second camera assistant operates the clapperboard and loads film. The gaffer plans and executes the lighting design, while the key grip assists with lighting setups and blocking. Dolly grips precisely operate camera dolly and crane rigs for complex shots.
Task 4 presentation media
There are several key job roles within the film industry, including management, creative, editorial, research, and technical roles. Management roles oversee the financial, organizational, and administrative aspects of film production and include positions like film director, first assistant director, and production manager. Creative roles involve developing the narrative and vision for a film through writing, editing, and designing scripts, titles, and other elements. Editorial roles edit raw footage into a coherent film, including positions like editor, assistant editor, and title designer. Technical roles operate equipment needed for production like cameras, lighting, sound, locations, and transport.
Contributors
There are many contributors involved in filmmaking, including specialists and experts to consult on topics being documented, actors to bring characters and scripts to life, and extras to make scenes appear realistic. Key roles include producers who oversee projects, directors who implement their vision, editors who assemble the final cut, and designers who handle sets, costumes, lighting and more. The contributors for the upcoming production will focus on Adam Hester for camera work and editing, Courtney Fishwick for cinematography, makeup, and costumes, Ben Saunders for sound and music, Jessica Cartwright for props and locations, and Jordan Painter for advertising and marketing.
Structure of a typical film crew
There are many different job roles that exist within the creative media industry. Here are some the main jobs within a typical film crew.
PROFESSIONAL EXPERIENCE
The document summarizes the professional experience of an individual in the film industry. It lists their roles in several films and documentaries from 2012-2015, where they served as director, producer, creative head, screenplay writer, dialog writer, lyrics writer, assistant director, and production assistant. Their responsibilities included supervising film teams, managing operations and budgets, developing creative concepts, and directing actors.
Job roles
The document outlines various job roles for a film production. Seyi will be the director as she succeeded in this role previously and has a clear vision. Megan will be the producer and work closely with Seyi to ensure their ideas are realized. Megan and Seyi will both operate the camera as they are comfortable with it from prior experience. They will work together on editing to incorporate different ideas and transitions using Movie Studio Platinum software. Neave and Leaha were chosen as the main actors to portray the mother and Rayne characters respectively. Extras were also included from the drama club for the classroom scene.
Weekly updates 11
The HTR Productions weekly update covers October 13th to 20th. Due to actor exams and bad weather, the group focused on paperwork instead of filming. They discussed returning the rented wheelchair and filled out actor release forms. Next week, they will complete location forms, replan shots, return the wheelchair, and improve future footage.
Individual Pre-Production Report
This document provides an overview of the pre-production planning for a short thriller film called "Absent Minded." It will be about 1 minute long and have a budget of £25-30. The film will require 3 actors, makeup, props, costumes, catering, and equipment. Shooting will take place over 1 day at a single indoor location that has stairs and is dimly lit. Pre-production tasks include securing permissions, equipment booking, location scouting, risk assessment, and creating a production schedule with deadlines.
Credits analysis
The document summarizes various shots from the credits of the film "Catch Me If You Can" and identifies the roles of the individuals and companies listed. It discusses the main production company Dreamworks, other production companies involved, main actors, other cast members, the director, producers including Steven Spielberg, the screenwriter, costume designer, music composer, film editor, director of photography, production designer, executive producers, and coproducers. Seeing these credits at the beginning of the film provides recognition for their contributions and helps advertise the talent involved to attract audiences.
Film production
The process of film production involves several stages: development, pre-production, production, and post-production. In development, a story is selected and screenplay drafted. Pre-production includes planning, hiring crew, and location scouting. Production is the filming, and post-production is editing, adding sound/music, and distribution/marketing.
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A special effects supervisor oversees mechanical manipulations and special effects makeup. A production designer ensures the film set and objects look appropriate. A director of photography gives the film a distinctive visual style and look.
Production management
The document discusses the roles and responsibilities of different positions involved in filmmaking. It describes the director as controlling the artistic and dramatic aspects of the film and guiding the cast and crew to realize their vision. The cast will be chosen based on fitting the characters and using students from the sixth form for convenience of filming at school. The scriptwriter is responsible for generating ideas, planning, developing characters, and writing the script. The cinematographer must consider camera shots, lighting, sound, and visual elements to ensure the final image is aesthetically pleasing. The makeup and costume stylist will dress actors appropriately for different scenes based on realistic teenage fashion. The editors will use Final Cut software to edit the film together with cuts, sound, titles,
Finished miss o
This document discusses different job roles across the various stages of film and TV production. It begins by outlining the main stages: pre-production, production, and post-production. It then provides more detail on specific roles in each stage and department. In pre-production, the roles discussed are producer, screenwriter, and location scout. Producers manage all aspects of production and work closely with the director. Screenwriters create the initial script and story. Location scouts find suitable filming locations. During production, camera operators capture footage under the direction of the director. In post-production, editors assemble the final film by organizing all the raw footage.
Evaluation question 7
This document discusses various cinematography techniques used in filmmaking, including continuity, the 180 degree rule, match on action, shot reverse shot, and mise-en-scene. It provides examples of how these techniques were used in a preliminary task and opening scene created by the author. The author reflects on how their skills have improved from incorporating lighting, camera angles, editing, sound, and other techniques to create a more polished opening scene compared to the preliminary task. Continuity, camera work, titles, and representing characters through costume and setting were some areas the author felt they strengthened between the two projects.
An overview of a film crew
The document provides a brief overview of the key roles in a film crew, including the director who oversees all aspects of production, the editor who assembles the shots and clips, and other roles like producers, camera and lighting technicians, location managers, costume and makeup artists, and sound designers who all contribute to the filmmaking process.
Job role production designer
The production designer is responsible for the overall visual concept and style of a film, television, or theater production. This includes identifying design styles for sets, locations, graphics, props, lighting, camera angles, and costumes. As production designer, they work closely with the director and producer to ensure all visual elements are ready for filming scenes. For an action/sci-fi film, the production designer's tasks may include sourcing modern props like smart watches for characters and choosing practical black suits and subtle makeup for a bold look.
Job role production designer (1)
The production designer is responsible for the overall visual concept and style of a film, television, or theater production. This includes identifying design styles for sets, locations, graphics, props, lighting, camera angles, and costumes. As production designer, they work closely with the director and producer to ensure all visual elements are ready for filming scenes. For an action/sci-fi film, the production designer's tasks may include sourcing modern props like smart watches for characters and choosing practical black suits and subtle makeup for a bold look.
Finished miss o
The document discusses the different stages in the process of making a TV program or feature film, including pre-production, production, and post-production. It then explains that it will discuss some of the job roles in each stage, explaining their responsibilities and contributions. Some of the roles discussed include management/producer, creative/scriptwriter, editorial/editor, technical/camera team, research/location scout, and organizational roles like the producer. The roles are discussed in terms of their duties, who they work with, and which production department they are part of.
Finishedmisso ready for slidehsare
James Cameron is a famous Hollywood editor. As an editor, his job is to gather all footage that has been taken and put it together using editing software to cut out bits, overlap audio, and create continuity. Cameron has always had a passion for filmmaking. While his main role is as an editor in post-production, Cameron has also taken on roles as a screenwriter and director, creating very famous films like Titanic, The Terminator, and Terminator 2: Judgment Day. His career demonstrates that one can be successful in many different roles within the film and television industries.
Credits analysis
This document provides summaries of various shots from the credits of the film "Catch Me If You Can". It describes the roles of key production companies like Dreamworks, executives like Steven Spielberg, departments like casting, costume design, music, editing, cinematography, production design, and main credits like the producer, director, and screenwriter. The document emphasizes how crediting these important contributors is a way to recognize their efforts and advertise the talent behind the film to attract audiences.
Profile on-production-team
Ganesh will be responsible for editing and sound on the final production, playing the main role in short films which requires researching appropriate sound and editing footage. Ifaz Chowdhury will direct, ensuring correct mise-en-scene and verisimilitude, organizing the group and work. Shahil Islam will handle cinematography, being creative with shots and angles while following the 180 degree rule.
Pre-Production Timeline
The document outlines the typical pre-production timeline for a film. It begins with writing the script, then hiring a director and producers to develop the creative and logistical aspects. Next comes casting actors, securing locations, production design, costumes, and cinematography. Visual effects, makeup, props, and transportation are planned. A production schedule is made, specialists are consulted, and rehearsals are held to prepare all elements before filming begins.
Film crew roles_-_day_1
The document outlines the key roles and responsibilities of a technical film crew. The Director of Photography oversees the technical crew and works with the director to choose camera settings, lighting, and framing to achieve the desired visual style. The camera operator operates the camera under the direction of the DP or director. The first camera assistant ensures the camera remains in focus during shots, while the second camera assistant operates the clapperboard and loads film. The gaffer plans and executes the lighting design, while the key grip assists with lighting setups and blocking. Dolly grips precisely operate camera dolly and crane rigs for complex shots.
Task 4 presentation media
There are several key job roles within the film industry, including management, creative, editorial, research, and technical roles. Management roles oversee the financial, organizational, and administrative aspects of film production and include positions like film director, first assistant director, and production manager. Creative roles involve developing the narrative and vision for a film through writing, editing, and designing scripts, titles, and other elements. Editorial roles edit raw footage into a coherent film, including positions like editor, assistant editor, and title designer. Technical roles operate equipment needed for production like cameras, lighting, sound, locations, and transport.
Contributors
There are many contributors involved in filmmaking, including specialists and experts to consult on topics being documented, actors to bring characters and scripts to life, and extras to make scenes appear realistic. Key roles include producers who oversee projects, directors who implement their vision, editors who assemble the final cut, and designers who handle sets, costumes, lighting and more. The contributors for the upcoming production will focus on Adam Hester for camera work and editing, Courtney Fishwick for cinematography, makeup, and costumes, Ben Saunders for sound and music, Jessica Cartwright for props and locations, and Jordan Painter for advertising and marketing.
Structure of a typical film crew
There are many different job roles that exist within the creative media industry. Here are some the main jobs within a typical film crew.
PROFESSIONAL EXPERIENCE
The document summarizes the professional experience of an individual in the film industry. It lists their roles in several films and documentaries from 2012-2015, where they served as director, producer, creative head, screenplay writer, dialog writer, lyrics writer, assistant director, and production assistant. Their responsibilities included supervising film teams, managing operations and budgets, developing creative concepts, and directing actors.
Job roles
The document outlines various job roles for a film production. Seyi will be the director as she succeeded in this role previously and has a clear vision. Megan will be the producer and work closely with Seyi to ensure their ideas are realized. Megan and Seyi will both operate the camera as they are comfortable with it from prior experience. They will work together on editing to incorporate different ideas and transitions using Movie Studio Platinum software. Neave and Leaha were chosen as the main actors to portray the mother and Rayne characters respectively. Extras were also included from the drama club for the classroom scene.
Weekly updates 11
The HTR Productions weekly update covers October 13th to 20th. Due to actor exams and bad weather, the group focused on paperwork instead of filming. They discussed returning the rented wheelchair and filled out actor release forms. Next week, they will complete location forms, replan shots, return the wheelchair, and improve future footage.
Individual Pre-Production Report
This document provides an overview of the pre-production planning for a short thriller film called "Absent Minded." It will be about 1 minute long and have a budget of £25-30. The film will require 3 actors, makeup, props, costumes, catering, and equipment. Shooting will take place over 1 day at a single indoor location that has stairs and is dimly lit. Pre-production tasks include securing permissions, equipment booking, location scouting, risk assessment, and creating a production schedule with deadlines.
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The document summarizes various shots from the credits of the film "Catch Me If You Can" and identifies the roles of the individuals and companies listed. It discusses the main production company Dreamworks, other production companies involved, main actors, other cast members, the director, producers including Steven Spielberg, the screenwriter, costume designer, music composer, film editor, director of photography, production designer, executive producers, and coproducers. Seeing these credits at the beginning of the film provides recognition for their contributions and helps advertise the talent involved to attract audiences.
Film production
The process of film production involves several stages: development, pre-production, production, and post-production. In development, a story is selected and screenplay drafted. Pre-production includes planning, hiring crew, and location scouting. Production is the filming, and post-production is editing, adding sound/music, and distribution/marketing.
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The document summarizes the production roles for a media project and assigns group members to each role.
Bavleen will be the producer, responsible for the overall management and financials of the project. Indiana will be the director, overseeing the actors and creative aspects. Bavleen will also be the director of photography to realize her vision for the visuals.
Faiza will be the production designer and handle locations. Indiana will be the casting agent to find actors. Jeet will take on the roles of editor and sound producer to assemble the content and add audio.
Jeet will also be the costume designer and Faiza the makeup artist to create character appearances. Bavleen will manage props. Je
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Leila developed her production skills throughout a school project to create a film opening. She conducted research on similar films for inspiration and used Pinterest boards to plan character outfits and props. Prior to filming, Leila practiced different shot types and editing techniques to prepare. During production, Leila planned shots using storyboards and call sheets, and filmed scenes using various cameras and lighting setups. In post-production, Leila learned to use editing software like Final Cut Pro to assemble the film opening, adding sound effects and transitions. Looking back, Leila recognized improvements in her editing, filming, and planning skills from the start of the project.
Question 1
Through researching successful horror films from different eras, the filmmakers analyzed what made them successful, such as the directors, actors, and film festivals. They also researched trailers to see what content and order of events were shown. For planning, they storyboarded scenes for a miniature film to shoot footage from to construct a trailer that expressed the linear structure. The storyboards helped with scheduling shoots and were updated when elements like the caretaker character were changed. Research, planning, and aligning individuals' artistic roles helped greatly with creativity, influencing lighting, fonts, and starting points to maximize ideas.
Different job roles
This document outlines key roles in film production such as director, actor, and camera operator. It discusses the responsibilities of each role and the skills needed to fulfill them. For their group thriller project, the roles will be shared rather than allocated to one person. They feel collaborating and incorporating everyone's ideas will lead to a better final product and grade. The director role in particular will not be one person, but a joint effort of the whole group agreeing on the shots and ideas.
Media film assignment 2b v2
The document provides an overview of the film industry and the many jobs and departments involved in film production. It discusses the key roles and responsibilities in areas such as the script department, production departments, technical departments, post-production departments, and gives examples of what specific roles like producers, directors, camera operators, editors, and art directors actually do. It also provides a short biography of two women working in the film industry - Katherine Butler as Deputy Head of Film at Film4 and Lucy Paul as an independent producer and managing director of a production company.
The package evoluation
The document discusses the learning and skills gained from creating a preliminary film task. The student learned how to storyboard, film with different shots, direct and produce a film. They gained skills in time management, working in a group, and addressing continuity errors. The student took on many roles in creating the film such as scriptwriting, directing, producing and editing. They worked flexibly within their group and received experience in various filmmaking skills.
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Pre production, production and post production roles within a music video
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Copyright and health safety
Copyright law protects original creative works by giving the creator exclusive rights over the use of their work for a fixed period of time. It prevents others from copying, distributing, or adapting the work without permission. Risk assessments and safety precautions are also important for film productions to identify and address potential hazards to ensure everyone's health and safety during the production. Public liability insurance and background checks help protect the production and participants, especially if children are involved, as special rules apply regarding their working conditions and content exposure.
Funding and Costs - Emily Kelly
The document summarizes the budget breakdown for the blockbuster film Spider-Man 2. It details that the total budget was around £200 million. Major costs included £100 million paid to the cast, with Tobey Maguire receiving £9 million. Special effects cost £65 million. Marketing and advertising costs soared to £75 million. The high costs are due to using big-name actors and state-of-the-art visual effects to create large-scale productions.
Evaluation
Emily Kelly discusses her pre-production process for her film "Leader". She organized the production using call sheets to manage actors, equipment booking forms to track equipment, and a production schedule to manage time. Documentation was kept up-to-date to ensure legal compliance and that the production stayed on schedule. A budget plan was created to avoid overspending. Risk assessments were performed to keep the production safe. While some reshoots were needed due weather issues, in the future she would plan better for contingencies and finalize creative ideas earlier.
The I in team pre-production schedule
This document provides an analysis of the pre-production roles and tasks for six scenes in the Buffy the Vampire Slayer episode "The I in Team". It examines the ideas generation, writing, casting, location selection, set design, costumes, lighting, cinematography, sound, direction, and any special/visual effects needed for each scene. The scenes take place in recurring locations like Xander's basement, the woods, and a bar, and feature recurring characters like Buffy, Willow, and Xander. Pre-production planning is needed for things like securing filming permits, coordinating costumes and makeup for characters, and designing lighting setups that suit each scene location.
BECTU
BECTU was a trade union that supported people working in media industries through negotiating pay rates and working conditions, providing insurance, and advising contractors. It set minimum pay rates for different jobs and ensured standard employment terms through collective bargaining between employers and employees. The union also offered education, networking opportunities, and one-on-one support to help media professionals with issues like taxes, benefits, and career development. BECTU is now part of the larger Prospect union.
Other regulators
Ofcom regulates what is shown on TV and video on demand in the UK. They set watershed times after which more adult content can air. Ofcom's codes of practice are most relevant for determining when a film trailer can air based on its rating. The Advertising Standards Authority regulates advertisements on TV and in sponsored shows, but would likely not be relevant unless the film uses product placement, though that is allowed. Paying attention to advertising rules could allow a trailer for a 15 rated film to air before watershed if it is edited to a 12 rating.
Pre production docuementation
The document discusses various types of documentation needed during film pre-production. This includes a script to outline the vision, storyboard to plan shots, a budget to determine costs, a recce and risk assessment of locations, a production schedule to manage time efficiently, contributor release forms to comply with legal requirements, call sheets to inform cast and crew of schedules, equipment booking forms to manage assets, and an edit decision list to organize footage for editing. All of these help plan practical elements and protect legal interests during the pre-production process.
BBFC
The British Board of Film Classification (BBFC) is responsible for classifying and censoring films shown in UK cinemas and on television based on their content. Films are rated using an age rating system from U to 18. The BBFC examines each film and assigns it a rating based on factors like violence, language, drug use, and nudity. This ensures children and teenagers can only view films appropriate for their age. Common examples of films for each rating are provided. In the end, the BBFC system aims to allow all age groups access to entertainment while protecting younger viewers from potentially unsuitable content.
Types of documents
1. Ideas generation is the process of developing abstract, concrete, or visual ideas and bringing concepts to reality through construction, innovation, and development.
2. A proposal presents a potential solution to a customer and includes details like the main idea, title, running time, characters, and crew roles to represent the idea and stay organized.
3. A script provides all character lines and details like transitions, shots, and takes to allow the producer to visualize the story and make changes.
Copyright
Copyright law protects original creative works like art, music, writing, and films from being copied or reused without permission for a fixed period of time. It prevents others from stealing ideas and replicating works. If someone violates copyright by using a protected work without consent, they can face legal consequences. Common creative works are protected under copyright for many decades after the creator's death to ensure they retain control over how their works are used.
Sources of Funding
This document discusses various sources of finance for media products during pre-production. It outlines corporate finance from large successful companies that reinvest profits. It also mentions distribution rights sales, sponsorship from corporate partners in exchange for advertising, product placement in films and TV shows, franchising of derivative works, crowd funding from online campaigns, independent funding from private sources, and public funding from organizations like the BBC and National Lottery.
Comparison Essay - Learning Aim A
1) The document compares the horror-comedy film Zombie Land and the musical comedy Sing Street. It discusses their narratives, genres, conventions, audience expectations, and use of cinematic techniques.
2) Both films follow a five-act structure and have linear narratives, though Zombie Land has a smaller cast while Sing Street has a larger cast. They also both take place in real-world settings.
3) The genres of Zombie Land are monsters/zombies and comedy/horror, while Sing Street's genres are music/songs, romance, and fantasy sequences during songs. Both films meet audience expectations in different ways.
Timeline for leader
A school girl is walking to school and notices the dog walker staring at her, which causes her friends to tease her. When walking home a different way, the dog walker decides to talk to her and keeps talking even as she tries to get away. The school girl agrees to see what the dog walker wants, and an unthinkable event occurs.
Legal and ethical issues
Emily Kelly produced a horror film called "Leader" and took steps to address legal and ethical issues. She ensured no illegal or inappropriate content was filmed and that no animals or actors were harmed during production. While the film was inspired by other works, all ideas were original to avoid copyright issues. Free music and sounds were used to prevent copyright infringement. Risk assessments and safety procedures were followed to protect everyone involved. The film could receive a 12 or 15 rating as its messages are educational. It represents how youth can be vulnerable but in a way that educates without graphic violence or threat.
Contingency planning
This document outlines potential issues that could arise during a film shoot along with contingency actions to address them. It discusses having backup equipment available in case of damage, rescheduling shoots if weather poses risks, finding new locations if the planned one becomes unavailable, and replacing actors who cannot attend with alternatives or rescheduling.
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Logistics and job roles
- 1. Emily Kelly Unit4- Pre Production Logistics and Job Roles Logistics: Logistics is managing people in pre-production is the key to get the film starting to get put together. Before the day they start filming, there must be a call sheet that is used to let the cast know when they are needed on set for some shooting. A call sheet must be created because there needs to be a guarantee that everyone is ready and prepared to follow the schedule and ready to start their part of filming and being on set. As I was the director of the video ‘’ If she only knew’’, I had to make sure everyone who was involved had signed a contrubtion sheet and that the cast was prepared for their part in the video and that everyone could do their call times. Whist being the director, I had to make sure that all shots were the way I wanted them and that the cast was acting in the correct way for the video. During the making of the video, I was working with 6 people and a dog, therefore I had to make sure everyone was safe during the process and that no animals were harmed during this video. Even though, I was working with a lot of people and a dog, we managed to get all the shots we needed in order to complete the film so I can start editing it. By completing the shooting process, we were able to start the editing process, which I was able to reshoots any shot I felt that needed improving and that would go in the video. Finance: The finance of pre-production is also planned in the budget section where all the cost for the cast and crew are already calculated. However, this can change if any of the cast cannot do their time calls. Ideas Generation: Ideas generation includes different ideas and tasks that must be completed for a production like making a short video. This means looking at characters, what the characters are like and the settings that may be needed. Also the producer must have a script and a storyline to go off so the characters can start creating the story. Visual Ideas development: This includes the development of the production. Some examples are props, costumes, character designs. By creating a visual idea, it is allowing the producers to make any changes to the story line or add anything that they think would improve their ideas further or even interest their viewers.
- 2. Emily Kelly Unit4- Pre Production Casting: Casting is finding actors to play different characters in the production. The actors will play a part of the character they wanted to play and the actors will then show the producers what they can do. The producers will then decide which actors they think are the best fit for the characters they want. However, as the producing goes on, the producers may decide to bring new characters in the film. Costume: Costume involves the actors wearing specific clothes that would match their characters personality. Costume designers are employed to work on set to find and create costumes that would match the different actors to their characters. At this point, the costume designers will then have set costumes/ wardrobes to make for the different characters that are that recurring. The job of the costume designs are to be responsible for the way the characters look on each episode or scene. They also must make sure that the extras are dressed appropriately and must make sure the extras do not stand out unless they are meant too. The costume designers will work with the hair and makeup departments about how costume and hair will work together to make the character. Set Design and Set Dressing: This department will be in charge of any designs of any sets. The set designers may work with the producers and the location teams to find out where the best locations for the sets to work and that the characters and producers to film safely. Set designers will work to ensure that everything appears on the cameras are corrects and also makes the scene. The producers make sure the set work and that the characters develop well. Props: Props are the items that are used on set that the characters can use. Some examples of props are keys, umbrellas and bags. Props are made by the props developers from scratch. Construction: The construction staff will build or adapt to the sets that the producers would like for the set and how they would like it to look. There are some varieties of different construction workers. These are electricians, carpenters and painters. These help to create the sets to what the producers want and they also make sure it is a safe set for the characters. Legal and Clearances: Legal and clearances are making sure everything is safe and that everything is legal and by law. The legal and clearance team will be in charge of employment and what teams are working on different things. They will also be in charge of conducting health and safety measures which include risk assessments.