Joe hahn
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alexJoe Hahn is an American DJ and director best known for his work with the band Linkin Park. He has directed many of their music videos, which are known for their unique visual style incorporating animation, graphics, and special effects that tie into the song lyrics. Hahn also directed videos for other artists as well as a trailer for a video game. He is renowned for his innovative use of visual elements to tell stories and make the music videos stand out.
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Conventions of a music videos
There are three main types of music videos: narrative videos which tell a story, conceptual videos based around a single idea, and performance videos featuring the artist. Music videos use various camera shots and angles like close-ups and tracking shots to focus attention. They also utilize editing techniques, lighting, costumes, sets and props to match the genre and mood of the song.
Video research presentation
Music videos began as promotional tools for songs but became an art form in their own right. Directors like Michel Gondry brought unique styles to videos in the 1990s. Samuel Bayer is known for directing alternative rock videos like Nirvana's "Smells Like Teen Spirit" and Green Day's "Jesus of Suburbia" which linked together themes. Conventions for metal music videos include dark themes, dark clothing, powerful poses from band members, and fast editing to match the intensity of the music.
Alternative Rock Music
Alternative rock emerged in the 1980s and gained worldwide popularity in the 1990s. It combines various subgenres like grunge, Britpop, and indie pop. Well-known alternative rock bands include Green Day, Foo Fighters, Nirvana, Oasis, and Paramore. Alternative rock music videos typically feature either a narrative structure following the song's lyrics or a performance structure of the band playing, with cuts between the two. They also often incorporate random objects and effects for an unconventional style.
Task 1
This document discusses conventions in alternative rock music videos. It analyzes conventions around camera work like close-ups and tracking shots, editing techniques like cutting to the beat and ramping up shots, dark costumes, gritty locations, passionate performances, and direct address of the audience. The document also examines conventions for band websites like dark colors and advertising new albums, as well as album cover conventions like animations and mysterious color schemes. The music video discussed in the document follows many of these conventions to appeal to alternative rock audiences.
Common motifs within music videos
This document discusses common motifs found in music videos. It identifies fragmentation of the body, horror themes, intertextuality, ritual celebrations, film references, cross-cutting between narrative and concerts, and other techniques like slow motion or breaks for the artist to sing as popular motifs. Fragmentation draws attention to body parts while horror can be controversial but bring publicity. Intertextuality recognizes art referring to itself through mirrors or other videos. Ritual celebrations typically show happy black artists and demonic white artists partying. Some music videos include film clips when the song appeared in a movie. Cross-cutting mixes narrative with concert footage.
Castle of Glass
The video is primarily narrative based, telling the story of a boy who loses his father and later joins the military. It cuts between shots of the band's performance and the narrative. The visuals, such as dull colors and settings, relate to the sad lyrics. The editing pace increases with the music, and more shots are used during instrumental parts. Close-ups focus on the vocalists, reflecting their importance to the band's image. The video also references the game it was created for through gameplay footage.
Tim story presentation
Timothy Story is an American music video and film director born in 1970. After failed attempts to pursue a music career in high school, he began focusing on directing and producing. Since the late 1990s, Story has directed numerous music videos for artists like Jon B., Tyrese, and 'N Sync. He later transitioned into film directing with movies such as Barbershop (2002), Think Like a Man (2012), and Ride Along (2014). Story owns an entertainment production company with his wife.
Conventions
The document discusses conventions commonly used in music videos, focusing on conventions for indie music videos. It describes typical camera shots, movements, and editing techniques used. It also discusses elements of mise-en-scene like lighting, props, costumes, and color that reflect the genre and mood of the music. Specifically for indie videos, it notes they tend to change calmly with the beat, sometimes use black and white, include close-ups of artists, and feature the band playing instruments.
Recommended
Conventions of a music videos
There are three main types of music videos: narrative videos which tell a story, conceptual videos based around a single idea, and performance videos featuring the artist. Music videos use various camera shots and angles like close-ups and tracking shots to focus attention. They also utilize editing techniques, lighting, costumes, sets and props to match the genre and mood of the song.
Video research presentation
Music videos began as promotional tools for songs but became an art form in their own right. Directors like Michel Gondry brought unique styles to videos in the 1990s. Samuel Bayer is known for directing alternative rock videos like Nirvana's "Smells Like Teen Spirit" and Green Day's "Jesus of Suburbia" which linked together themes. Conventions for metal music videos include dark themes, dark clothing, powerful poses from band members, and fast editing to match the intensity of the music.
Alternative Rock Music
Alternative rock emerged in the 1980s and gained worldwide popularity in the 1990s. It combines various subgenres like grunge, Britpop, and indie pop. Well-known alternative rock bands include Green Day, Foo Fighters, Nirvana, Oasis, and Paramore. Alternative rock music videos typically feature either a narrative structure following the song's lyrics or a performance structure of the band playing, with cuts between the two. They also often incorporate random objects and effects for an unconventional style.
Task 1
This document discusses conventions in alternative rock music videos. It analyzes conventions around camera work like close-ups and tracking shots, editing techniques like cutting to the beat and ramping up shots, dark costumes, gritty locations, passionate performances, and direct address of the audience. The document also examines conventions for band websites like dark colors and advertising new albums, as well as album cover conventions like animations and mysterious color schemes. The music video discussed in the document follows many of these conventions to appeal to alternative rock audiences.
Common motifs within music videos
This document discusses common motifs found in music videos. It identifies fragmentation of the body, horror themes, intertextuality, ritual celebrations, film references, cross-cutting between narrative and concerts, and other techniques like slow motion or breaks for the artist to sing as popular motifs. Fragmentation draws attention to body parts while horror can be controversial but bring publicity. Intertextuality recognizes art referring to itself through mirrors or other videos. Ritual celebrations typically show happy black artists and demonic white artists partying. Some music videos include film clips when the song appeared in a movie. Cross-cutting mixes narrative with concert footage.
Castle of Glass
The video is primarily narrative based, telling the story of a boy who loses his father and later joins the military. It cuts between shots of the band's performance and the narrative. The visuals, such as dull colors and settings, relate to the sad lyrics. The editing pace increases with the music, and more shots are used during instrumental parts. Close-ups focus on the vocalists, reflecting their importance to the band's image. The video also references the game it was created for through gameplay footage.
Tim story presentation
Timothy Story is an American music video and film director born in 1970. After failed attempts to pursue a music career in high school, he began focusing on directing and producing. Since the late 1990s, Story has directed numerous music videos for artists like Jon B., Tyrese, and 'N Sync. He later transitioned into film directing with movies such as Barbershop (2002), Think Like a Man (2012), and Ride Along (2014). Story owns an entertainment production company with his wife.
Conventions
The document discusses conventions commonly used in music videos, focusing on conventions for indie music videos. It describes typical camera shots, movements, and editing techniques used. It also discusses elements of mise-en-scene like lighting, props, costumes, and color that reflect the genre and mood of the music. Specifically for indie videos, it notes they tend to change calmly with the beat, sometimes use black and white, include close-ups of artists, and feature the band playing instruments.
Task 1
1) The document analyzes conventions used in country music videos and how the author incorporated these conventions into their own music video. It discusses techniques like close-ups during choruses to connect with the audience, natural lighting to seem authentic, and outdoor settings that reflect country music's roots.
2) Details are provided on other aspects of country music promotion like websites that share an artist's personal life, album covers that highlight the artist and instrument, and back covers that tie into the music.
3) The author aimed to mimic these established country music conventions to make their music video, album, and other promotions fit properly within the genre and appeal to country fans. Adhering to conventions was meant to make the artist
Professional product
The Foo Fighters music video for the song "Rope" was directed by Butch Vig and filmed entirely on VHS. It does not have a narrative structure, rather showing different shots of the band members playing in a single white room. The video captures the alternative rock/post-grunge genre through its black and white filming, slow beginning that picks up intensity, and the band's dark clothing. The video was successful due to it being the first single from their new album, having catchy elements typical of Foo Fighters songs, and topping the charts.
Q1- Media coursework A2
The document discusses the conventions of music videos in different genres. It analyzes examples of R&B, pop, and street music videos to identify common features. These include using a performance style with some narrative elements, fast editing that matches the beat of the music, and symbolic imagery related to the song's lyrics. The document also notes conventions like the sexual portrayal of women and establishing a band identity through style.
Shot count analysis_Version 2
The video for the song "Ain't no Rest for the Wicked" by indie rock band Cage and the Elephant contains 147 separate shots. It has a disjointed and dizzying editing style, using an old film reel filter throughout. During the chorus when the tempo increases, the number of cuts also increases to amplify the music. The video follows a non-chronological narrative, flashing between scenes of the band in a crashed car and driving around getting into trouble. It jumps elliptically between situations to create a detached and rushed vibe, playing with conventions of the rock genre in a unique way for an indie band.
Shot count analysis
The video for the song "Ain't no Rest for the Wicked" by indie rock band Cage and the Elephant contains 147 separate shots. It has a disjointed and dizzying editing style, using an old film reel filter throughout. During the chorus when the tempo increases, the number of cuts also increases to amplify the music. The video follows a non-chronological narrative, flashing between scenes of the band members in a crashed car and driving around getting into trouble. It jumps elliptically between situations to create a detached and rushed vibe, reflecting the lyrics and conventions of the rock genre in a unique way for an indie band.
Goodwin analysis: Kanye West - Stronger
Andrew Goodwin identified 6 key aspects of music videos in his analysis: 1) Demonstration of genre characteristics, 2) Relationship between lyrics and visuals, 3) Relationship between music and visuals, 4) Focus on the artist, 5) Voyeuristic portrayal of women, 6) Intertextual references. Kanye West's "Stronger" music video illustrates these aspects through footage of him rapping, dancing with Cassie, close-ups, and homages to the film "Akira".
Analysis of camera shots
The document analyzes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like spinning camera shots and shots of the singer laying down to create unique visual effects. It also uses fades between shots.
2) Stereophonics' "Handbags and Gladrags" uses moving camera shots and the rule of thirds composition. It includes close-ups of band members and shots framed between colored lights.
3) Foster the People's "Pumped Up Kicks" uses a variety of shots like silhouettes, sped-up walking shots, and close-ups. It also uses out-of-focus and low-angle light
Genre characteristics
The document discusses genre characteristics commonly found in different types of music videos. It analyzes several rock and metal music videos to see if they demonstrate these characteristics. The videos analyzed all focus on a stage performance by the band, adhering to genre characteristics of rock and metal videos. However, they also include elements that reference the electronic influences in the bands' music, such as scenes set in nightclubs, fast editing, and sci-fi elements for one video and audience members wearing lights for another video.
Analysis of rock genre
The document analyzes common elements found in rock music videos. It discusses that rock music videos typically feature bands playing their own music, often in a performance-based format. The music is usually loud and aggressive while settings create a dark atmosphere. Clothing worn often includes skinny jeans, flannels, and leather jackets. Instruments like guitars are prominently featured and artists cultivate a "bad boy" image through depictions of drugs, sex, and alcohol. Three video examples are summarized that demonstrate these elements: Queen's "We Will Rock You" emphasizes the band and guitars in a bleak forest setting. Meat Loaf's "Bat Out of Hell" uses dark locations and colors along with typical white shirts. Elvis Pres
Inspiration
This document discusses inspiration from several music videos for the creator's own music video project. It summarizes shots from videos by Foster the People, Green Day, Catfish and the Bottlemen, Kaiser Chiefs, The Killers, Stereophonics, and Coldplay that the creator finds interesting including close-ups, high and low angles, quick cuts, silhouettes, diagonal shots, colorful backgrounds, retro filters, and kaleidoscope effects. The creator notes techniques like adjusted focus, logo inserts, red lighting, and non-traditional band member positioning that could be replicated.
Music video theories
This document summarizes several music video theories proposed by Peter Fraser, Carol Vernallis, and Andrew Goodwin. Peter Fraser defines key elements of music videos including technical codes, symbolic codes, genre conventions, and how costumes relate to the genre. Carol Vernallis' theory discusses narrative, editing, camerawork, and sound in music videos. Andrew Goodwin's theory notes how music videos create genre characteristics, the connection between music/visuals and lyrics/images, close-up shots of artists, and intertextual references in music videos.
Auteur study hype williams complete luke o'donnell
Harold "Hype" Williams is an American music video director known for directing videos for artists like 2Pac, The Notorious B.I.G., LL Cool J, and Nas. Some of his directorial styles include using a fish eye lens, widescreen ratios with split screens, and aerial/tracking shots. In Kanye West's "Gold Digger" video, he utilizes his signature widescreen style along with pastel colors and lighting to connote emotions. The video for Ol' Dirty Bastard's "Shimmy Shimmy Ya" features a glowing 80s disco setting and fish eye lens distortions to capture ODB's wild personality through costume changes and dance moves.
Rock analysis ppt
This document analyzes common elements found in rock music videos. It discusses that rock music videos typically feature performances by the band playing their own instruments. The music is often loud and aggressive while creating a dark atmosphere. Common settings include abandoned buildings, cityscapes, and on stage. Artists typically dress in skinny jeans, flannels, leather jackets and have unkept hair. Close ups of guitars and the performers emphasize the live instrumentation. Meat Loaf's "Bat Out of Hell" video takes place in a dark graveyard and shows him singing with typical white shirt attire. Elvis Presley's "Jailhouse Rock" sticks to the performance format in black and white with his leather jacket reflecting the song's lyrics.
Music video
The document proposes a music video concept for the song "Bring Back Honesty" by Washing Machine. The video would feature shots of the band playing in an empty warehouse, taking inspiration from an existing music video. The shots would focus on close-ups of the band members and their instruments, changing quickly to match the fast pace of the song. The end result would zoom between long shots of the full band and close-ups of individual members, especially focusing on the singer during vocals. A proposed digipak cover would feature a black and white photo of the band in front of bricks with song titles on the back.
British intelligence
The group will create a music video for the song "Street Fight" by British Intelligence. The video will feature comedy clips of non-violent street fights in dark alleys to match the style of the song in a viewer-friendly way. Scenes will include close-ups of the aggressive rapper singing, long shots of dark surroundings, and shots of the full band playing instruments in a dimly-lit room. The video will switch between black and white to highlight aspects and use split screens to show close-ups of each band member.
British intelligence
The group will create a music video for the song "Street Fight" by British Intelligence. The video will feature comedy clips of non-violent street fights in dark alleys to match the style of the song in a viewer-friendly way. Scenes will include close-ups of the aggressive rapper singing, long shots of dark surroundings, and shots of the full band playing instruments in a dimly-lit room. The video will switch between black and white to highlight aspects and use split screens to show close-ups of each band member.
The Hives - Hate to say I told you so analysis.
The document analyzes and describes the shots in the music video for the song "Hate to Say I Told You So" by the band The Hives. It notes that the first shot uses motion blur to make the guitarist look like he is playing very fast. Subsequent shots zoom out and focus on different band members as they perform. Throughout the video, the camera varies between close-ups of the instruments and full shots of the band playing together while dressed in matching black and white suits. Some special effects are added towards the end, including freezing some band members in time.
Video video! - Joe Faulkner
This document provides an overview of music videos, including their purposes and history. It discusses generic codes and conventions across different genres like heavy metal, indie rock, rap, and electronica. Three influential music videos are then analyzed in detail: Aphex Twin's "Come to Daddy" from 1997, Guns N' Roses' "Welcome to the Jungle" from 1987, and The White Stripes' "Fell In Love With a Girl" from 2002. Each summary highlights narrative elements, visual techniques, and how they relate to their respective genres.
Music Video Initial Research
The document discusses different frameworks for analyzing music videos. It summarizes Frith's three typologies of music videos as performance, narrative, or conceptual. Examples are given for each type. The document also outlines Goodwin's seven conventions for music videos, which include close-ups of artists, developing star iconography, references to voyeurism, and relationships between lyrics/music and visuals. Genres are also said to have consistent styles.
My music video analysis
This document analyzes and summarizes three shots from the music video for the song "Ratchet-Bloc Party". Each section describes the shot/camera angles, music/lyrics, analysis of the genre and themes, and editing/transitions for one shot. The shots include close-ups, wide shots, and long shots. The analysis discusses the indie rock genre elements like dark backgrounds and gloomy expressions of band members. Editing includes transitions like replacing a head with a boot and slow motion.
Treatment sheet - Sunrise - A2 Coursework
1) The document is a treatment for a music video for the song "Sunrise" by the band Our Last Night.
2) The proposed story is about a teenage boy struggling with suicidal thoughts who goes on a journey through woods and barriers as a metaphor for overcoming his suicidal thoughts.
3) Scenes with the band will be incorporated to maintain the rock vibe while keeping the emotional theme of the song, with lighting meant to capture a sunrise atmosphere.
A level media studies – evaluating your coursework
Ryan Blackford evaluated their media studies coursework on creating a magazine. They researched different magazine designs and incorporated elements into their own magazine masthead, cover lines, main title, and contents page to make them bold and stand out. Their target audience was 16-20 year olds, so they featured models and articles relevant to that age group. They used market research to help attract their audience and distributed through a large company like IPC. Through constructing their magazine, they learned how to use Photoshop and Quark X Press software.
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Task 1
1) The document analyzes conventions used in country music videos and how the author incorporated these conventions into their own music video. It discusses techniques like close-ups during choruses to connect with the audience, natural lighting to seem authentic, and outdoor settings that reflect country music's roots.
2) Details are provided on other aspects of country music promotion like websites that share an artist's personal life, album covers that highlight the artist and instrument, and back covers that tie into the music.
3) The author aimed to mimic these established country music conventions to make their music video, album, and other promotions fit properly within the genre and appeal to country fans. Adhering to conventions was meant to make the artist
Professional product
The Foo Fighters music video for the song "Rope" was directed by Butch Vig and filmed entirely on VHS. It does not have a narrative structure, rather showing different shots of the band members playing in a single white room. The video captures the alternative rock/post-grunge genre through its black and white filming, slow beginning that picks up intensity, and the band's dark clothing. The video was successful due to it being the first single from their new album, having catchy elements typical of Foo Fighters songs, and topping the charts.
Q1- Media coursework A2
The document discusses the conventions of music videos in different genres. It analyzes examples of R&B, pop, and street music videos to identify common features. These include using a performance style with some narrative elements, fast editing that matches the beat of the music, and symbolic imagery related to the song's lyrics. The document also notes conventions like the sexual portrayal of women and establishing a band identity through style.
Shot count analysis_Version 2
The video for the song "Ain't no Rest for the Wicked" by indie rock band Cage and the Elephant contains 147 separate shots. It has a disjointed and dizzying editing style, using an old film reel filter throughout. During the chorus when the tempo increases, the number of cuts also increases to amplify the music. The video follows a non-chronological narrative, flashing between scenes of the band in a crashed car and driving around getting into trouble. It jumps elliptically between situations to create a detached and rushed vibe, playing with conventions of the rock genre in a unique way for an indie band.
Shot count analysis
The video for the song "Ain't no Rest for the Wicked" by indie rock band Cage and the Elephant contains 147 separate shots. It has a disjointed and dizzying editing style, using an old film reel filter throughout. During the chorus when the tempo increases, the number of cuts also increases to amplify the music. The video follows a non-chronological narrative, flashing between scenes of the band members in a crashed car and driving around getting into trouble. It jumps elliptically between situations to create a detached and rushed vibe, reflecting the lyrics and conventions of the rock genre in a unique way for an indie band.
Goodwin analysis: Kanye West - Stronger
Andrew Goodwin identified 6 key aspects of music videos in his analysis: 1) Demonstration of genre characteristics, 2) Relationship between lyrics and visuals, 3) Relationship between music and visuals, 4) Focus on the artist, 5) Voyeuristic portrayal of women, 6) Intertextual references. Kanye West's "Stronger" music video illustrates these aspects through footage of him rapping, dancing with Cassie, close-ups, and homages to the film "Akira".
Analysis of camera shots
The document analyzes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like spinning camera shots and shots of the singer laying down to create unique visual effects. It also uses fades between shots.
2) Stereophonics' "Handbags and Gladrags" uses moving camera shots and the rule of thirds composition. It includes close-ups of band members and shots framed between colored lights.
3) Foster the People's "Pumped Up Kicks" uses a variety of shots like silhouettes, sped-up walking shots, and close-ups. It also uses out-of-focus and low-angle light
Genre characteristics
The document discusses genre characteristics commonly found in different types of music videos. It analyzes several rock and metal music videos to see if they demonstrate these characteristics. The videos analyzed all focus on a stage performance by the band, adhering to genre characteristics of rock and metal videos. However, they also include elements that reference the electronic influences in the bands' music, such as scenes set in nightclubs, fast editing, and sci-fi elements for one video and audience members wearing lights for another video.
Analysis of rock genre
The document analyzes common elements found in rock music videos. It discusses that rock music videos typically feature bands playing their own music, often in a performance-based format. The music is usually loud and aggressive while settings create a dark atmosphere. Clothing worn often includes skinny jeans, flannels, and leather jackets. Instruments like guitars are prominently featured and artists cultivate a "bad boy" image through depictions of drugs, sex, and alcohol. Three video examples are summarized that demonstrate these elements: Queen's "We Will Rock You" emphasizes the band and guitars in a bleak forest setting. Meat Loaf's "Bat Out of Hell" uses dark locations and colors along with typical white shirts. Elvis Pres
Inspiration
This document discusses inspiration from several music videos for the creator's own music video project. It summarizes shots from videos by Foster the People, Green Day, Catfish and the Bottlemen, Kaiser Chiefs, The Killers, Stereophonics, and Coldplay that the creator finds interesting including close-ups, high and low angles, quick cuts, silhouettes, diagonal shots, colorful backgrounds, retro filters, and kaleidoscope effects. The creator notes techniques like adjusted focus, logo inserts, red lighting, and non-traditional band member positioning that could be replicated.
Music video theories
This document summarizes several music video theories proposed by Peter Fraser, Carol Vernallis, and Andrew Goodwin. Peter Fraser defines key elements of music videos including technical codes, symbolic codes, genre conventions, and how costumes relate to the genre. Carol Vernallis' theory discusses narrative, editing, camerawork, and sound in music videos. Andrew Goodwin's theory notes how music videos create genre characteristics, the connection between music/visuals and lyrics/images, close-up shots of artists, and intertextual references in music videos.
Auteur study hype williams complete luke o'donnell
Harold "Hype" Williams is an American music video director known for directing videos for artists like 2Pac, The Notorious B.I.G., LL Cool J, and Nas. Some of his directorial styles include using a fish eye lens, widescreen ratios with split screens, and aerial/tracking shots. In Kanye West's "Gold Digger" video, he utilizes his signature widescreen style along with pastel colors and lighting to connote emotions. The video for Ol' Dirty Bastard's "Shimmy Shimmy Ya" features a glowing 80s disco setting and fish eye lens distortions to capture ODB's wild personality through costume changes and dance moves.
Rock analysis ppt
This document analyzes common elements found in rock music videos. It discusses that rock music videos typically feature performances by the band playing their own instruments. The music is often loud and aggressive while creating a dark atmosphere. Common settings include abandoned buildings, cityscapes, and on stage. Artists typically dress in skinny jeans, flannels, leather jackets and have unkept hair. Close ups of guitars and the performers emphasize the live instrumentation. Meat Loaf's "Bat Out of Hell" video takes place in a dark graveyard and shows him singing with typical white shirt attire. Elvis Presley's "Jailhouse Rock" sticks to the performance format in black and white with his leather jacket reflecting the song's lyrics.
Music video
The document proposes a music video concept for the song "Bring Back Honesty" by Washing Machine. The video would feature shots of the band playing in an empty warehouse, taking inspiration from an existing music video. The shots would focus on close-ups of the band members and their instruments, changing quickly to match the fast pace of the song. The end result would zoom between long shots of the full band and close-ups of individual members, especially focusing on the singer during vocals. A proposed digipak cover would feature a black and white photo of the band in front of bricks with song titles on the back.
British intelligence
The group will create a music video for the song "Street Fight" by British Intelligence. The video will feature comedy clips of non-violent street fights in dark alleys to match the style of the song in a viewer-friendly way. Scenes will include close-ups of the aggressive rapper singing, long shots of dark surroundings, and shots of the full band playing instruments in a dimly-lit room. The video will switch between black and white to highlight aspects and use split screens to show close-ups of each band member.
British intelligence
The group will create a music video for the song "Street Fight" by British Intelligence. The video will feature comedy clips of non-violent street fights in dark alleys to match the style of the song in a viewer-friendly way. Scenes will include close-ups of the aggressive rapper singing, long shots of dark surroundings, and shots of the full band playing instruments in a dimly-lit room. The video will switch between black and white to highlight aspects and use split screens to show close-ups of each band member.
The Hives - Hate to say I told you so analysis.
The document analyzes and describes the shots in the music video for the song "Hate to Say I Told You So" by the band The Hives. It notes that the first shot uses motion blur to make the guitarist look like he is playing very fast. Subsequent shots zoom out and focus on different band members as they perform. Throughout the video, the camera varies between close-ups of the instruments and full shots of the band playing together while dressed in matching black and white suits. Some special effects are added towards the end, including freezing some band members in time.
Video video! - Joe Faulkner
This document provides an overview of music videos, including their purposes and history. It discusses generic codes and conventions across different genres like heavy metal, indie rock, rap, and electronica. Three influential music videos are then analyzed in detail: Aphex Twin's "Come to Daddy" from 1997, Guns N' Roses' "Welcome to the Jungle" from 1987, and The White Stripes' "Fell In Love With a Girl" from 2002. Each summary highlights narrative elements, visual techniques, and how they relate to their respective genres.
Music Video Initial Research
The document discusses different frameworks for analyzing music videos. It summarizes Frith's three typologies of music videos as performance, narrative, or conceptual. Examples are given for each type. The document also outlines Goodwin's seven conventions for music videos, which include close-ups of artists, developing star iconography, references to voyeurism, and relationships between lyrics/music and visuals. Genres are also said to have consistent styles.
My music video analysis
This document analyzes and summarizes three shots from the music video for the song "Ratchet-Bloc Party". Each section describes the shot/camera angles, music/lyrics, analysis of the genre and themes, and editing/transitions for one shot. The shots include close-ups, wide shots, and long shots. The analysis discusses the indie rock genre elements like dark backgrounds and gloomy expressions of band members. Editing includes transitions like replacing a head with a boot and slow motion.
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Auteur study hype williams complete luke o'donnell
Auteur study hype williams complete luke o'donnell
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Treatment sheet - Sunrise - A2 Coursework
1) The document is a treatment for a music video for the song "Sunrise" by the band Our Last Night.
2) The proposed story is about a teenage boy struggling with suicidal thoughts who goes on a journey through woods and barriers as a metaphor for overcoming his suicidal thoughts.
3) Scenes with the band will be incorporated to maintain the rock vibe while keeping the emotional theme of the song, with lighting meant to capture a sunrise atmosphere.
A level media studies – evaluating your coursework
Ryan Blackford evaluated their media studies coursework on creating a magazine. They researched different magazine designs and incorporated elements into their own magazine masthead, cover lines, main title, and contents page to make them bold and stand out. Their target audience was 16-20 year olds, so they featured models and articles relevant to that age group. They used market research to help attract their audience and distributed through a large company like IPC. Through constructing their magazine, they learned how to use Photoshop and Quark X Press software.
Digipak analysis
The document analyzes and summarizes the key visual elements and symbolism used in various album digipaks and covers, including those of Rihanna, Britney Spears, and Katy Perry. Common techniques discussed include using large prominent images of the artist to identify the album and brand, symbolic colors and objects that relate to the album title or theme, and body language or facial expressions that imply deeper meanings or tell a narrative to intrigue audiences. Imagery is used to entice audiences and allow them to make their own interpretations about the music without overt persuasion.
Mr monocle – pipeline pdf
The document summarizes the development process of the game Mr. Monocle from ideation to post-production. It began as an idea for a 2D side-scrolling endless runner inspired by Mario and Temple Run. The developers designed a character, Mr. Monocle the monocled pig, and enemies. They prototyped the game, implemented it in GameSalad, tested it, gathered feedback, and improved it based on that feedback to create a balanced challenge before releasing it.
Permission Request
The band requested permission to use a song in their music video production that was signed to the British record label XL Recordings. They sent an enquiry message to the record label asking for permission to use the song from the band that is signed to XL Recordings in their music video.
5.Shot List Jordan Brace
This document contains a shooting script for a student film called "The Corner" to be filmed at St Paul's Catholic College on November 19th and 26th, 2014. It lists 20 shots with descriptions of the camera positions, movements, and actions for each shot. The shots include locations like a graveyard, pub, alleyway, and street from various camera angles and with different camera movements like panning, tilting, tracking and zooming shots. It provides a plan for capturing the scenes and visual storytelling elements of the student film.
Pre shot routine
For more brilliant ways to improve your golf go to https:golfmentaltips.co.uk All pro golfers have a pre-shot routine but very few amateurs know how to develop one that suits them. Once you get to grips with the whole concept your golf will become AWESOME I promise you.
Linking Spec to Case Studies
This document discusses 7 key topics related to contemporary media: 1) issues of media ownership, 2) the importance of cross-media convergence and synology in production, distribution, and marketing, 3) new technologies introduced for production, distribution, marketing and exchange, 4) the significance of increased hardware and content for institutions and audiences, 5) how technological convergence impacts institutions and audiences, 6) issues around international institutions targeting national and local, specifically British, audiences, and 7) how the author's own media consumption experiences illustrate wider audience behavior patterns and trends.
Evaluation: Question 5
This document discusses why IPC Media would be interested in distributing a new British Asian music magazine. It notes that IPC already distributes magazines like NME that cover a variety of genres and artists. Distributing an Asian music magazine would allow IPC to reach a new audience and be the exclusive distributor of one of the few Asian music magazines in the UK. The proposed magazine would have a similar format to established magazines like NME, featuring the standard sections found in other popular music publications.
Conventions of rap music videos
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Production scheduel
The production schedule outlines the tasks to be completed over several months for a media production project. It includes developing branding and logos in November, location scouting and planning shoots in December, researching influences and conducting textual analysis in September/October, filming sponsorship videos and adverts in January/February, and completing the project evaluation questions in March.
Exhibition ideas
The document discusses plans for a photography exhibition on macro and landscape topics. It considers potential exhibition titles and name ideas that reference the outdoors. The proposal is to layer multiple miniature photos on top of one another to create a single composite image. Photos will be taken around the student's school and in rural countryside areas, inspired by amazing internet photos. Costs of a camera, tripod, SD cards and possible photo editing in Photoshop are listed. The exhibition may be displayed in a frame rather than on cards.
excel
Este documento proporciona instrucciones para el uso de herramientas ofimáticas como Excel. Explica las funciones básicas de Excel como iniciarlo, navegar entre hojas, trabajar con filas y columnas, y guardar y abrir archivos. También describe cómo crear y formatear hojas de cálculo, tablas y gráficos, e incluye criterios de evaluación para medir el aprendizaje de estas herramientas.
Boy faculty 2014
The document provides information about changes to the school library for the upcoming year. It notes that the library will be part of the specials rotation, with classes visiting every 6 days. It provides information on library checkout policies and times when the library is open or closed. It encourages teachers and the librarian to collaborate by sharing student and lesson plans. It also introduces the school's online library guide and past usage statistics.
Editing software
I used Adobe Premier Pro, Photoshop, and InDesign software to edit videos and design marketing materials for a course project. With Premier Pro, I was able to crop footage, adjust speeds, and render previews. In Photoshop, I edited images using tools like magic wand and clipping to make the images brighter and more colorful for marketing pieces. Finally, I imported the edited images into InDesign to lay out my magazine and Digipak, utilizing skills from previous experience with the software.
Unit 18 final evaluation
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This document summarizes a student's media coursework project creating a promotional package for a fictional horror film. The package includes a magazine cover, film poster, and trailer. The student aimed to use conventions from real media products while also innovating in some ways. Feedback was positive and praised the creepy tone, continuity across items, and clear genre. However, some felt it revealed too much about the killer. The student learned new technologies like Photoshop, Premiere Pro, and professional cameras during the project.
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Music videos
The document discusses the history and types of music videos. It notes that the first music video was created in the 1920s using a gramophone, but they became more prominent in the 1980s when MTV's format focused on them. There are different types of music video genres, including homage videos that pay tribute to past works, animation videos that use drawings to illustrate lyrics, and narrative videos that tell a story. The document also provides examples for each genre and discusses techniques used in music video production.
Analysis 1 real
This document discusses the music video for the song "Best Friend" by Yelawolf featuring Eminem. The music video takes a non-stereotypical approach for a hip-hop video, with settings like a field, cemetery, and church that fit the song's lyrics. It has a performance-based structure without dancing or narratives. The video represents Eminem and Yelawolf in a modern hip-hop style rather than stereotypical baggy clothing. There are close-ups of Yelawolf throughout, while Eminem has mid-shots, reflecting their roles in the video. The tone, lighting, and editing match the dark and sad mood of the music.
Goodwin’S Music Video Theory Mark Iiii
The document discusses how the music video produced applied aspects of Goodwin's Music Video Theory for funk genre videos. Key points included:
1) The video conformed to funk genre characteristics like use of colorful costumes representing the main character's traits and performance-based scenes set in a nightclub.
2) While the lyrics did not always match the visuals as is common in funk videos, close-ups of the artist were used during singing parts to sell the artist.
3) The cutting rhythm and visuals matched the tempo and pace of the upbeat music.
Music video presentation
The document discusses and analyzes the stylistic elements of music videos by Kanye West, Linkin Park, and Jay-Z. It notes the unique use of graphics, animation, and black and white filming in the Kanye West and Jay-Z videos. For the Linkin Park video, it highlights the influence of Japanese manga drawings on the graphics. Specific elements like keys and drummers are linked to the music in the Kanye West and Jay-Z videos respectively.
My 3 music videos analysis
The document analyzes and summarizes three music videos: Blink 182's "I Miss You" features the band in a haunted mansion depicting a ghostly feel to match the song's darker theme. Linkin Park's "Breaking the Habit" uses anime to tell the story of a character's depression and death shown through flashbacks. Yellowcard's "Only One" focuses on the singer and his girlfriend walking through a protest, with closeups showing his love and need for her against the backdrop of conflict with authority.
Spike jonze
Spike Jonze is regarded as one of the most successful music video directors due to his unpredictable surrealist style. He is known for videos such as "Sabotage" by Beastie Boys and "Weapon of Choice" by Fatboy Slim which have no correlation in style but are equally unique. Jonze's videos typically feature surreal elements within realistic settings, like Christopher Walken dancing fantastically through a normal hotel in "Weapon of Choice". He also shoots videos backwards so the artists move surreally but walk correctly once reversed, as in "Drop" by The Pharcyde. What sets Jonze apart is that his work doesn't rely on techniques most directors use, like illustrating the lyrics or using
Spike Jonze
Spike Jonze is regarded as one of the most successful music video directors due to his unpredictable surrealist style. He is known for videos such as "Sabotage" by Beastie Boys and "Weapon of Choice" by Fatboy Slim which have no correlation in style but are equally unique. Jonze's videos typically feature urban environments and manipulate elements to create surreal effects within realistic settings, like Christopher Walken's flying dance in "Weapon of Choice." Unlike most directors, Jonze does not rely on illustrating lyrics or using close-ups and voyeurism; he sets himself apart through an innovative approach.
Spike jonze
Spike Jonze is regarded as one of the most successful music video directors due to his unpredictable surrealist style. He is known for videos such as "Sabotage" by Beastie Boys and "Weapon of Choice" by Fatboy Slim which have no correlation in style but are equally unique. Jonze's videos typically feature surreal elements within realistic settings, like Christopher Walken dancing fantastically through a normal hotel in "Weapon of Choice". He also shoots videos backwards so the artists have surreal movements when played normally, as in "Drop" by The Pharcyde. What sets Jonze apart is that his videos don't rely on techniques like illustrating the lyrics or close-ups of the artist
Bekis Slides Evaulation
The document discusses the conventions used and broken in the production of an alternative hip hop music video. Conventions followed include urban settings like a pub and Chinese takeaway, and editing cuts that match the rhythm of the music. Conventions broken include using a teddy bear to show emotion and locations like a park and living room that are not typically urban. Location, sound, editing, mise-en-scene, the single cover, and poster are also discussed in terms of how they do or do not follow genre conventions.
Evaluation
The document discusses the conventions used and broken in the production of an alternative hip hop music video. Conventions followed include urban settings like a pub and Chinese takeaway, and editing cuts that match the rhythm of the music. Conventions broken include using a teddy bear to show emotion and locations like a park and living room that are not typically urban. Location, sound, editing, mise-en-scene, the single cover, and poster are also discussed in terms of how they do or do not follow genre conventions.
History of music videos
Bohemian Rhapsody by Queen, released in 1975, is considered the first official music video. It featured different styles of music throughout and special effects but no narrative elements. In contrast, Da Funk by Daft Punk from 1997 featured a narrative that overshadowed the song and diegetic sound. Milkshake by Kelis from 2003 combined performance and narrative shots set in a single location. Bezerk by Eminem from 2013 demonstrated more advanced technology through CGI, effects, and a green screen. Bohemian Rhapsody had the biggest impact by pioneering the music video and inspiring record companies to produce promotional videos for artists' singles.
Spike Jonze - Auteur Theory
Spike Jonze is an American director known for his unique visual storytelling style that mixes live-action, animation, and puppetry. Some of his most famous music videos include "Buddy Holly" by Weezer, which was shot on the set of Happy Days to feel like an episode of the show, and "Sabotage" by Beastie Boys, which portrayed the band as characters in a 1970s police series. Jonze's videos are considered off-beat but creative in their blending of genres and exaggerated humor.
Incidental and theme music
Incidental and theme music play an important role in films. Composers work with directors to create music that enhances the emotional tone of scenes and gives audiences cues to process what is happening. Theme music allows audiences to associate a recognizable musical piece with a specific film or TV series. It is essential that both incidental and theme music match the intended tone and atmosphere of their associated visuals for the work to be effective. Examples of well-known theme music include the orchestral themes from Star Wars and Avengers films and the subtle guitar-orchestral theme from James Bond films.
Images from shooting
The document discusses props, costumes, locations, and actors used in filming a music video for an R&B band. Props included alcohol bottles at a house party and DJ equipment. Costumes featured button-up shirts and jeans. Locations were a house party and shots inside a car. Actors were the band members and party guests meant to appeal to the target age range of the audience.
Music video director research
Spike Jonze is an American director known for his music videos from 1992 to 2010 for artists like Bjork, Beastie Boys, and Fat Boy Slim. His style typically involves using narrative themes over live performances. Many of his videos do not feature the artist and have an unconventional, postmodern style. He is known for giving meaning to songs through unique videos and helping to promote bands. Some of his techniques include using intertextual references, parody, and assembling elements from different sources to create new works.
Mark romanek
Mark Romanek is an American filmmaker known for his work directing music videos and films. He has directed videos for major artists like Nine Inch Nails, Johnny Cash, Jay-Z, and Madonna. Some of his most famous videos include "Closer" by Nine Inch Nails and "Hurt" by Johnny Cash. He is praised for his gritty, realistic style seen in black-and-white videos that make audiences feel uncomfortable. Romanek also directed the 2002 film One Hour Photo starring Robin Williams. He is considered a pioneer in the music video industry known for his quirky and distinctive directorial style.
Evaluation - Question One
The document discusses various conventions used in rap music videos that the media product challenges or develops. It summarizes how each element of the media product (music video, digipak, magazine advert) incorporates or adapts conventions of real rap music products. Transitions match the beat, black and white captures emotion but challenges using outdoor footage at night. Shots like side angles are inspired by other artists but with a unique backdrop. Slow motion and negative space intensify emotion.
Evaluation question 1
The document discusses conventions of music videos and how the student's music video product conforms to and challenges conventions of hip hop music videos. It conforms by portraying wealth through expensive clothing, using low camera angles to make the artist seem powerful, and including a party scene. However, it challenges conventions by showing the artist is not enjoying the party scene, telling a different story. The pacing of cuts matches the song, and visuals follow a narrative inspired by the sad lyrics about escaping gang life to pursue music career dreams.
David Fincher - Director Case STUDY
David Fincher is an American film director known for films like The Social Network and The Girl with the Dragon Tattoo. He started making movies at age 8 and worked in television commercials and music videos before becoming a successful director. Fincher is known for his fluid camera work, use of shadows and silhouettes, and color temperature changes to set atmospheres. His music video for "Suit & Tie" by Justin Timberlake and Jay-Z features the artists in a recording studio and performances that highlight their musical styles through camera work and scene elements.
Conventions of a music video
This document discusses the conventions and techniques used in music videos. It explains that music videos can feature artists lip syncing and performing, narratives acting out the song's meaning, or mixtures of both. Editing must sync the audio and video accurately. Parody videos humorously change original songs' lyrics and sometimes reference the original's video. Weird Al Yankovic is famous for parody songs and sometimes references original videos. Other parody artists on YouTube use acting, animation, and performance to match changed lyrics.
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Music video question 4
The document discusses how new media technologies were used at various stages of creating a music video. YouTube and social media sites helped with research, planning, and evaluation. Adobe Premiere was used to edit footage and add effects like color adjustments. Photoshop skills from a previous project helped design the digital packaging, using tools like warping and brushes to achieve different feels. Feedback from social media helped evaluate the music video.
Music video question 4
The document discusses how new media technologies were used at various stages of creating a music video. YouTube and social media sites helped with research, planning, and evaluation. Adobe Premiere was used to edit footage and add effects like color adjustments. Photoshop skills from a previous project helped design the digital packaging, using tools like warping and brushes to achieve the desired style. Feedback from social media helped evaluate the music video.
Presentation question 3
The audience feedback on the music video provided several key points:
1) The visuals were well-edited to match the tempo and beat of the music, creating a sense of continuity.
2) The specific color grading used in the studio shots stood out and helped create a rave/club feel as intended.
3) While the narrative was unclear, the video successfully conveyed a sense of danger and mystery through implied storytelling, as intended by the filmmaker.
Music video presentation 2
The combination of the main product and ancillary texts is very effective according to the document. Red and black are used consistently across products to represent a dark rave theme and create a recognizable brand identity. Mask imagery is also repeated in the digital pack artwork, advert, and music video to maintain continuity and signal the products are related. Audience feedback confirms a good relationship between the main product and supporting materials.
Music video question 4
The document discusses how new media technologies were used at various stages of creating a music video. YouTube and social media sites helped with research, planning, and evaluation. Adobe Premiere was used to edit footage and add effects like color adjustments. Photoshop skills from a previous project helped design the digital packaging, using tools like warping and brushes to achieve the desired style. Feedback from social media helped evaluate the music video.
Presentation question 3
The audience feedback received for the music video provided several key points. The visuals and music were well synced and maintained a consistent flow and sense of continuity throughout the video. The color scheme used in the studio scenes stood out and created the intended rave/club feel. While the narrative was not entirely clear, viewers enjoyed the mysterious and "trippy" vibe created through the characters and juxtaposition of scenes. Most feedback praised the relationship between the visuals and music. The graffiti and studio footage worked well with the genre. Some negative feedback noted that the narrative could have been made clearer.
Music video presentation 2
The combination of the main product and ancillary texts for a band is very effective, as evidenced by audience feedback. The use of red and black colors, masks, and continuity between the digital packaging, advertisements, and music video create a strong branded identity that clearly links all of the products and promotes the band. This original branding strategy allows the audience to instantly recognize the signature stylistic features and relationship between the various materials.
Final evaluation
The document discusses how the music video uses and challenges conventions of the genre. It incorporates several typical elements of music videos like having a relationship between the music and visuals, using styling suited to the genre, and including quick cuts and transitions timed to the beat. However, it challenges conventions by not including lyrics and creating an implied narrative through the use of masks that leaves the audience guessing about the characters' intentions. Overall, the music video effectively captures the feel of the genre through visuals synchronized to the music while adding mysterious elements that engage viewers.
Presentation question 3
The audience feedback on the music video highlighted that the visuals and music were well synced, the editing matched the beat throughout, and the use of red and black in the studio shots created a rave/club feel. Some negative feedback noted the lack of a clear narrative, though that was not the intended purpose. Overall, most of the audience enjoyed the "trippy" and "mysterious" video, finding the juxtaposition of characters with masks to be "grungy" as was the creator's intention.
Music Video evaluation 3
The audience feedback on the music video highlighted that the visuals and music were well synced, the editing matched the beat throughout, and the use of red and black in the studio shots created a rave/club feel. Some negative feedback noted the lack of a clear narrative, though that was not the intended purpose. Overall, most of the audience enjoyed the "trippy" and "mysterious" video, finding the juxtaposition of characters with masks to be "grungy" as was the creator's intention. YouTube received more feedback than the survey tool.
Music Video evaluation 3
The audience feedback on the music video highlighted that the visuals and music were well synced, the editing matched the beat throughout, and the use of red and black in the studio shots created a rave/club feel. Some negative feedback noted the lack of a clear narrative, though that was not the intended purpose. Overall, most of the audience enjoyed the "trippy" and "mysterious" video, finding the juxtaposition of characters with masks to be "grungy" as was the creator's intention.
Music video evaluation 2
The combination of the main product and ancillary texts for a band is very effective, as evidenced by audience feedback. The use of red and black colors, masks, and continuity between the digital packaging, advertisements, and music video create a strong and recognizable branded identity that markets the band and clearly links all of the products. This original branding strategy promotes the band and provides a good marketing approach according to feedback from the audience.
Music video evaluation 2
The combination of the main product and ancillary texts for a band is very effective, as evidenced by audience feedback. The use of red and black colors, masks, and continuity between the digital packaging, advertisements, and music video create a strong and recognizable branded identity that markets the band and clearly links all of their products. This original branding strategy promotes the band and provides a good marketing technique according to feedback from the audience.
Final evaluation (Q1)
My music video challenges conventions of real media products by not including lyrics but having a strong relationship between the beat and visual transitions that interlock well. Feedback confirmed the visuals worked well with the beat. The fast-paced cuts and transitions suit the drum and bass genre. The visuals change with the beat and music timing, uniting all elements. Scenes in a rave studio use strobing lights and red colors to portray a dance feel. Masked characters running creates an implied narrative that leaves viewers guessing about their destination or purpose. The masks dehumanize the characters and create a mysterious or sinister impression that is enhanced by juxtaposition with an innocent playground setting.
Treatment sheet 2[1]
This document outlines the plans for a music video production. It includes contact information for the artist and production crew. It describes ideas for shooting scenes, both in the studio with green screen and locations around the city. Special effects like strobe lights and colored backgrounds are mentioned. Influences include blurred dancing from music videos and fast editing with minimal lighting. Needed equipment includes a video camera, strobe light, steady camera and tripod. Studio time and equipment are requested for experimenting on Wednesday the 10th.
Mgmt
The music video for MGMT's "Time to Pretend" uses psychedelic graphics and animation with green screen effects. While the visuals do not directly relate to the lyrics, they portray an ironic take on the rock and roll lifestyle through scenes of people dancing around fires and references to 1970s rock videos. Close-ups show each band member playing their instruments, and other visual elements like surfing and archery are incorporated through the use of green screen and rotoscoping effects.
video analysis
The video uses close-up shots and lyrics about wealth and luxury items to portray Jay-Z's message of riches and wealth as an artist. Intertextual references to films like Kill Bill contribute to the dark, artistic tone. Stylistic elements like the monochrome color scheme, repeated dancing, and pouring liquid on objects establish Jay-Z's recognizable signature style and brand him as an artist.
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Joe hahn
- 1. Joe Hahn Is an American turntablist and director best known as the DJ and sampler for the band Linkin Park. He has also directed videos for Story of the Year, Xzibit, and Alkaline Trio. There is a major change in the genre He has also directed a trailer for a video game “Medal of honor” Hahn provided special effects work on The X-Files and the miniseries Frank Herbert's Dune
- 2. Joe Hahn likes to use specialised graphics and animation to tell a story which links to the lyrics of the song. “Points of Authority”. Moving backgrounds which emphasises the video’s features and gives it a special effects. It makes it stand out to other video’s because it mixes its graphics and animation with real life shots.
- 3. Some of the video’s are linked style wise.E.g the way in which some of the graphics are themed and similar to the Japanese Manga style The music video’s that he has directed for Linkin Park all have a link in the certain style that is used in the visuals that they all use animations. He is known for his special effects in television shows, music videos One of his music video’s ( New Divide) has been converted.
- 4. • What I like about the Linkin Park is how they market and promote their music through the use of their art work and the design of their images for example their album covers and music videos. Because they continuously use Japanese themes to advertise themselves they are known for the graphical designs, which in its own its in a niche market! • Linkin Park now have a recognisable look to their videos because they techniques used constantly and have although they have changed and progressed over time, they still have a similar theme.