Conventions of rap music videos
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Rap music videos commonly feature the performer rapping towards the camera to engage with the audience. Shots are often filmed with a fish-eye lens from a low angle. The videos typically have fast-paced cuts that match the song's tempo or longer cuts to signify jumps in the narrative. Many videos tell a story through the narrative but also include scenes of the artist lip-syncing the song. Eminem's "Lose Yourself" balances both a narrative about his career and performances of him rapping to the camera. Artists frequently rap about wealth which is represented through mise-en-scene such as money, guns, and other luxury items.
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Conventions Of A Hip Hop Music Video.
In hip hop music videos, there are several conventions used to convey status and power. Low camera angles are used to make the artist appear powerful over the audience. Crowds dancing to the beat gives credibility to the song. Expensive clothing, jewelry, cars, and money flaunt wealth and status. Men generally dominate while women are portrayed as sex objects. Visuals are linked to lyrics by featuring objects mentioned. Close ups emphasize the importance of the artist. Intertextuality connects lesser-known artists to more popular culture figures. Overall, the goal is to present the artist as powerful, wealthy, and with many admirers through these visual conventions.
Conventions of a DigiPak
DigiPaks are a style of CD or DVD packaging that consists of a cardboard or paper outer case containing a plastic inner case that holds the disc. They typically have a gatefold design like a book and feature prominent artwork on the front panel with the artist and album name. Inside the DigiPak is the plastic holder for the disc, which may be transparent and contain additional album artwork, as well as information like the tracklist, barcode, and extra details about the music or artist. DigiPaks became a popular packaging choice for special editions and albums starting in the early 2000s.
Codes and conventions of music videos
Codes and conventions of music videos generally include style, camerawork, sound, mise-en-scene, editing, and stereotypes. However, these conventions can vary slightly depending on the genre and style of the video. Conventions create a structure for audiences to understand and familiarize themselves with different genres. Videos typically last the length of the song and represent the song's message through relatable themes. While most videos follow conventions, some challenge norms. The two main techniques used in videos are technical aspects like camerawork and symbolic elements like facial expressions.
Steve Archer Music Video Theory
Steve Archer is a media theorist known for his analysis of how music videos appeal to audiences. He identified five key elements that make music videos successful at enhancing the listening experience and marketing music. These include visualizing the imagery listeners associate with the music, telling a narrative, developing the artist's public image, illustrating or expanding on the song's meaning, and technical aspects like camerawork, lighting, and editing that keep time with the music. Archer sees music videos as part of an intertextual marketing strategy to attract audiences through multiple related media forms that together appeal to fans' desires to consume as much content as possible about their favorite artists.
Codes and conventions of a rock music video
Rock music originated in the 1950s in the US and was influenced by other genres like folk, country, and jazz. It is typically performed by bands with 4 or more members playing electric guitar and other instruments like drums. Rock artists in music videos and performances commonly wear black, have tattoos and piercings, and use facial expressions and body language to express the mood of the song. Rock videos also feature common visual conventions like low-key lighting, outdoor settings, cuts that match the tempo, and narratives that relate to the lyrics.
Codes and Conventions of Indie Genre Music Videos
This document provides an overview of codes and conventions commonly found in indie genre music videos. It discusses the broad and diverse nature of the indie genre and some of its subcategories like indie-pop, indie-rock, and indie-folk. It then examines typical elements of indie music videos like their narrative style, use of camera shots, sound design, editing techniques, mise-en-scene aspects involving lighting, props, costumes, locations, and color palettes. Examples are given of specific music videos to illustrate these common conventions.
Andrew Goodwin Music Video Theory
1. Goodwin suggested that music videos often link the genre of music to the genre of visuals. For example, a punk rock video may feature punk rock fashion and live performance elements.
2. Goodwin also noted there is usually a relationship between the visuals and lyrics of a music video. Visuals may illustrate, amplify, or contradict what is being sung.
3. According to Goodwin, the tone and atmosphere of a music video typically reflects the music itself.
Analysis of Music Videos
The music video for "On the Floor" by Jennifer Lopez featuring Pitbull depicts a dance party scene in Los Angeles featuring elaborate choreography and costumes. It draws from various dance music genres like electro house, electropop, eurodance, and Latin music. Fans were able to vote on their preferred ending for the video, allowing audience participation.
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Conventions Of A Hip Hop Music Video.
In hip hop music videos, there are several conventions used to convey status and power. Low camera angles are used to make the artist appear powerful over the audience. Crowds dancing to the beat gives credibility to the song. Expensive clothing, jewelry, cars, and money flaunt wealth and status. Men generally dominate while women are portrayed as sex objects. Visuals are linked to lyrics by featuring objects mentioned. Close ups emphasize the importance of the artist. Intertextuality connects lesser-known artists to more popular culture figures. Overall, the goal is to present the artist as powerful, wealthy, and with many admirers through these visual conventions.
Conventions of a DigiPak
DigiPaks are a style of CD or DVD packaging that consists of a cardboard or paper outer case containing a plastic inner case that holds the disc. They typically have a gatefold design like a book and feature prominent artwork on the front panel with the artist and album name. Inside the DigiPak is the plastic holder for the disc, which may be transparent and contain additional album artwork, as well as information like the tracklist, barcode, and extra details about the music or artist. DigiPaks became a popular packaging choice for special editions and albums starting in the early 2000s.
Codes and conventions of music videos
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Steve Archer Music Video Theory
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Codes and conventions of a rock music video
Rock music originated in the 1950s in the US and was influenced by other genres like folk, country, and jazz. It is typically performed by bands with 4 or more members playing electric guitar and other instruments like drums. Rock artists in music videos and performances commonly wear black, have tattoos and piercings, and use facial expressions and body language to express the mood of the song. Rock videos also feature common visual conventions like low-key lighting, outdoor settings, cuts that match the tempo, and narratives that relate to the lyrics.
Codes and Conventions of Indie Genre Music Videos
This document provides an overview of codes and conventions commonly found in indie genre music videos. It discusses the broad and diverse nature of the indie genre and some of its subcategories like indie-pop, indie-rock, and indie-folk. It then examines typical elements of indie music videos like their narrative style, use of camera shots, sound design, editing techniques, mise-en-scene aspects involving lighting, props, costumes, locations, and color palettes. Examples are given of specific music videos to illustrate these common conventions.
Andrew Goodwin Music Video Theory
1. Goodwin suggested that music videos often link the genre of music to the genre of visuals. For example, a punk rock video may feature punk rock fashion and live performance elements.
2. Goodwin also noted there is usually a relationship between the visuals and lyrics of a music video. Visuals may illustrate, amplify, or contradict what is being sung.
3. According to Goodwin, the tone and atmosphere of a music video typically reflects the music itself.
Analysis of Music Videos
The music video for "On the Floor" by Jennifer Lopez featuring Pitbull depicts a dance party scene in Los Angeles featuring elaborate choreography and costumes. It draws from various dance music genres like electro house, electropop, eurodance, and Latin music. Fans were able to vote on their preferred ending for the video, allowing audience participation.
Codes and conventions of indie music videos
1) Indie music videos often feature live performances to keep the focus on the artist's talent and passion for music. This conveys the genre's emphasis on music over commercial success.
2) Narrative videos are also popular, using a story to make the video more memorable and engage viewers. Special effects allow more creative storylines.
3) Mise-en-scene elements like sets, costumes, and makeup are used to establish retro aesthetics common in indie rock and convey themes through a character's appearance.
Andrew Goodwin's Codes and Conventions of Music Videos
A powerpoint exploring the codes and conventions in music videos that Andrew Goodwin talks about, and how they convey meaning to an audience.
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This document outlines Andrew Goodwin's theory for analyzing music videos based on codes and conventions. It discusses several elements:
1) Seeing the sounds - how the visuals relate to the music through illustration, amplification, or contradiction. Faster songs use quick cuts while slower songs use longer shots.
2) Narrative and performance - videos need a storyline and performance element to engage viewers. Artists typically act as both performer and narrator.
3) Star image - videos promote the artist as the main subject and increase their profile through close-ups and screen time. Artists develop signature styles of representation.
4) Relation of visuals to song - videos can disjuncture, amplify, or illustrate
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Conventions Of Music Videos
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1) Artists dressing in stylish, fashionable outfits and portrayed as happy and enjoying life.
2) Songs typically focus on love and relationships, with lyrics aimed at teens.
3) A verse-chorus-verse structure is followed with catchy hooks that stay in the mind.
A2 Media Studies - Music Video Analysis
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1) The document provides guidance on how to structure responses for Section A and Section B of the G322 AS Media exam.
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3) For Section B on film institutions, it recommends discussing the processes of production, distribution, and exhibition in British film by referencing specific case studies and films. Key words related to these processes are defined.
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Codes and conventions of indie music videos
1) Indie music videos often feature live performances to keep the focus on the artist's talent and passion for music. This conveys the genre's emphasis on music over commercial success.
2) Narrative videos are also popular, using a story to make the video more memorable and engage viewers. Special effects allow more creative storylines.
3) Mise-en-scene elements like sets, costumes, and makeup are used to establish retro aesthetics common in indie rock and convey themes through a character's appearance.
Andrew Goodwin's Codes and Conventions of Music Videos
A powerpoint exploring the codes and conventions in music videos that Andrew Goodwin talks about, and how they convey meaning to an audience.
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This document outlines Andrew Goodwin's theory for analyzing music videos based on codes and conventions. It discusses several elements:
1) Seeing the sounds - how the visuals relate to the music through illustration, amplification, or contradiction. Faster songs use quick cuts while slower songs use longer shots.
2) Narrative and performance - videos need a storyline and performance element to engage viewers. Artists typically act as both performer and narrator.
3) Star image - videos promote the artist as the main subject and increase their profile through close-ups and screen time. Artists develop signature styles of representation.
4) Relation of visuals to song - videos can disjuncture, amplify, or illustrate
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Representations in music videos
The document discusses various representations of gender, sexuality, and ethnicity in music videos. Regarding gender, it notes that females are often sexualized to appeal to the male gaze, while males are typically presented as powerful figures with money and attracting many females. It also discusses how music videos have begun representing more sexualities as societal acceptance has increased, often shown in indie genres. Ethnic representations are also examined, noting stereotypes of black culture that are sometimes perpetuated.
Sven E Carlsson - Music Video Theorist
Sven E Carlsson developed a theory categorizing music videos into two main types: performance and conceptual. Performance videos focus on the artist, and may feature them as a commercial exhibitionist, televised bard, or electronic shaman. Conceptual videos tell a narrative story either through clips (silent movies synchronized to the song) or art clips with no narrative. Both types of videos often use binary opposites to drive the narrative forward, such as light vs dark. The document provides examples of videos that fit each category and discusses their characteristics.
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Pop punk music videos typically feature shots of the band performing along with an accompanying storyline related to the song's theme. Common visual elements include colorful, punk styles among both the band and extras meant to appeal to and represent the target teenage audience. Editing is often fast-paced to match the energetic mood, cutting between performance shots and a narrative that commonly depicts a misfit protagonist pursuing a romantic interest. Lighting and camera work enhance the outsider subculture image through techniques like low-key lighting, close-ups, and fast-paced movements.
Conventions Of Music Videos
Music videos employ various camera techniques, editing styles, and mise-en-scene elements to represent the mood and themes of songs. Common shots include long shots, close-ups, and mid shots to emphasize artists, locations, and emotions. Jump cuts are frequently used to transition between scenes. Mise-en-scene arranges performers and props to reflect elements of the song through settings, costumes, and lighting. Different genres also have distinguishing conventions - for example, indie videos often use black and white with dark locations while hip hop features expensive displays of wealth and pop emphasizes bright colors and upbeat emotions.
Andrew goodwin’s music video theory
This document discusses several common characteristics and techniques used in music videos. It notes that music videos often represent typical genre characteristics through elements like dance routines for boy bands or bikini-clad women in rap videos. Music videos also frequently reference voyeurism and the objectification of the female body through props like mirrors and cameras. Additionally, the relationship between the music and visuals can be illustrative, amplifying, or contradictory, and record labels often demand that videos include close-ups of the artist and a recurring visual style.
Conventions of pop music
Pop music conventions include:
1) Artists dressing in stylish, fashionable outfits and portrayed as happy and enjoying life.
2) Songs typically focus on love and relationships, with lyrics aimed at teens.
3) A verse-chorus-verse structure is followed with catchy hooks that stay in the mind.
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RESEARCH: A2 Media Music Video Analysis (Alternative Genre)
I did not find any explicit intertextual references to other films, TV programs or music videos in the "We Are Young" music video by Fun. The video focuses on depicting the song's lyrics through a narrative of a chaotic party scene. While it utilizes some common music video techniques like close-ups, slow motion and performance shots, it does not directly reference or allude to any other existing media texts.
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The document provides information about the film I, Daniel Blake including its production, distribution, marketing, genre, audience, narrative, and critical and commercial success. It was directed by Ken Loach, stars Dave Johns and Hailey Squires, and focuses on two characters affected by the UK benefits system. The film was marketed through grassroots screenings, social media campaigns, and press coverage of its themes. It was a critical success, winning the Palme d'Or at Cannes, and sparked political debate around welfare reform in the UK.
Andrew Goodwin Theory
This document analyzes Kanye West's music video for "Gold Digger" using Andrew Goodwin's theory of key aspects to look for in music videos. The analysis finds that the video has a strong relationship between the lyrics and visuals, illustrating the lyrics. It also has a relationship between the music and visuals, with the editing and shots amplifying the beat. There are many close-up shots of Kanye West and Jamie Foxx, showing their star images. Elements of voyeurism and the male gaze are present through sexualized shots of scantily-clad women. In general, the video is found to be a clear example of the aspects Goodwin identified as common in music videos.
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The document discusses voyeurism in music videos. Voyeurism involves watching others engage in sexual acts without their consent in order to gain pleasure. Music videos often feature the objectifying male gaze towards women through fragmented camera shots that emphasize sexual body parts. Voyeurism is used in music videos to sell products and generate interest. Examples provided include videos that feature scantily clad women dancing sexually while being filmed from low camera angles that accentuate their bodies.
Digipak analysis (1)
The document provides an analysis of album covers, CDs, and websites for albums by Selena Gomez, Drake, and Taylor Swift. For each album, the analysis examines elements like the color scheme, typography, images, and how they relate to the theme and message of the album. The target audiences are identified as teenage girls for Selena Gomez and Taylor Swift based on the styles portrayed, and teenagers and young adults for Drake based on the themes in his music. Overall, the document analyzes how visual design elements of album covers and marketing communicate messages to fans.
G322: AS Media Studies Section A & B
1) The document provides guidance on how to structure responses for Section A and Section B of the G322 AS Media exam.
2) For Section A on TV drama, it advises to focus the response on analyzing how technical elements construct representations rather than just describing them.
3) For Section B on film institutions, it recommends discussing the processes of production, distribution, and exhibition in British film by referencing specific case studies and films. Key words related to these processes are defined.
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Similar to Conventions of rap music videos
Codes and conventions of rap videos
Rap music videos often follow certain codes and conventions regarding their content and style. Lyrics typically tell a story about the artist's struggles or life experiences. Videos commonly feature props representing money, luxury items, and sexuality to portray wealth and attract male audiences. Settings are usually run-down neighborhoods to show the artist's origins but also wealth through expensive props. Camerawork is dynamic with quick cuts that match the fast pace of rap music. Mise-en-scene elements like clothing, jewelry, and lighting further emphasize themes of wealth, crime, and mystery through expensive but dark stylistic choices.
Codes and conventions of a genre
The document discusses the codes and conventions of hip-hop jazz genre music videos. It notes that the videos typically do not have storylines, but rather focus on conveying the artist's style, image, and lifestyle through shots of them rapping. The mise-en-scene often involves the artist in a city or rough area with friends. Iconography shows the artists trying to portray a tough side in cities without obvious symbols. Camera work focuses on medium shots of the artist rapping with some effects to match lyrics.
Music video similar text anaylsis codes
The document provides an analysis of the music video for the song "Love the Way You Lie" by Eminem featuring Rihanna. It summarizes that the video depicts Rihanna in close-ups focusing on her facial expressions and makeup to appeal to male viewers, while Eminem is shown alone in a field representing himself as a storyteller. By the end, both performers are shown burning to represent how relationships can burn out over time. The editing cuts quickly between the performers and other actors to illustrate the intense emotions of the lyrics.
Music video similar text anaylsis codes
The document provides an analysis of the music video for the song "Love the Way You Lie" by Eminem featuring Rihanna. It summarizes that the video depicts Rihanna in close-ups focusing on her facial expressions and makeup to appeal to male audiences. It shows Eminem rapping in an isolated field using various camera shots and movements. The video cuts between their narratives and actors portraying a burning relationship, merging the stories and showing the emotions in the lyrics. It analyzes the costumes, editing, and perspectives portrayed to effectively tell the story in an engaging way for audiences.
Evaluation Question One
The document provides details about the production of a music video for a rap song. It discusses the representation of the two artists in the video and how their body language and appearance were inspired by other rappers like Eminem and Kendrick Lamar. It describes the single location used for filming and how it relates to the narrative. Editing techniques, special effects, costumes, and props are explained in the context of conventions from other rap music videos. The narrative aims to capture a dark theme like Eminem's "Stan" video by portraying the artists as trapped.
2. a2 media evaluation reece stewart
The video establishes the artist standing at the top of a hill to represent being number one in his genre. Various shots are used to link to lyrics about representing his city, needing a worldwide stage, and having control of the game. Close-ups, hand gestures, and props are employed to emphasize lyrics about defeating other artists and having inevitable success. The video ends with a long shot of the artist going up in a lift, symbolizing staying at the top of his genre.
Without me analysis 2
Eminem is one of the best-selling artists of all time, having sold over 300 million records worldwide. He has won 15 Grammys and an Oscar. The music video for his song "Without Me" uses a disjunctive narrative structure where Eminem portrays Batman and Robin. It features fast editing and camera cuts to match the upbeat tempo of the song. Eminem is shown in baggy clothes of the early 2000s hip hop style. The visuals amplify and illustrate the lyrics, such as impersonating his mother and threatening another artist mentioned in the song.
Music video analysis
1) The DMX music video "Where The Hood At" uses conventions of gangster hip hop to portray African American gang life both in prison and the neighborhood.
2) The Eminem music video "Not Afraid" breaks conventions by focusing on close-ups of his emotions rather than wealth or jewelry. It follows his journey from being suicidal on a rooftop to transforming his life for the better.
3) Both videos use varied camera angles and editing techniques to tell narratives - DMX contrasts prison and neighborhood life while Eminem represents overcoming addiction through his transformation.
Analysis 1 real
This document discusses the music video for the song "Best Friend" by Yelawolf featuring Eminem. The music video takes a non-stereotypical approach for a hip-hop video, with settings like a field, cemetery, and church that fit the song's lyrics. It has a performance-based structure without dancing or narratives. The video represents Eminem and Yelawolf in a modern hip-hop style rather than stereotypical baggy clothing. There are close-ups of Yelawolf throughout, while Eminem has mid-shots, reflecting their roles in the video. The tone, lighting, and editing match the dark and sad mood of the music.
Quantitative analysis – music videos
Through analyzing different music video genres, the document identifies common elements in hip-hop, alternative rock, rap, dance, pop, folk, rock and roll, and drum and bass videos. Hip-hop and rap videos often focus on the artist's performance and connecting with viewers, while alternative rock, folk, and some pop videos center on the band's performance. Dance, rock and roll, and some pop videos combine performance with a storyline. Drum and bass videos use special effects to match the music's feel.
Equipment, props, cast list, location
This document provides equipment, props, cast, location and shot lists for a music video. The primary equipment includes a Panasonic DMC-L10 camera and a Mino Flip camera, with a tripod for stable shots. Props include the artist's guitar and the filmmaker's car. The cast is limited to the artist and filmmaker portraying his lost love. Shooting will take place at Swanage beach, in the filmmaker's car, and at his house. The shot list outlines various shots including close-ups, establishing shots, and shots conveying the artist-love relationship story over the course of the video.
Question 4- Genres of music videos
Indie pop music videos are typically low budget and focus on the artist's performance. They are usually filmed in natural locations like fields, parks or cities and feature close-up shots of the artist singing and playing instruments. Narratives may be included to relate the lyrics to a story. Special effects, camera work and editing are used to engage the audience and match the mood of the song. Common indie pop visual styles include natural locations, simple outfits and makeup, and inclusion of musical instruments as props.
Analysis of game
The music video for "Game" was released on July 2nd and produced by Black Metaphor. It follows conventions of typical rap music videos, featuring the artists rapping toward the camera and establishing shots of a futuristic city. The artists are portrayed as wealthy individuals showing off flashy cars and jewelry. While the budget is unknown, production values are high, utilizing expensive vehicles, elaborate sets, and helicopter shots of a CGI city. The target audience includes fans of generic rap music who enjoy the artists' lyrics about women and possessions displayed prominently in the simple performance-style video.
Assignmemnt 3
The document summarizes and compares two music videos: Eminem's "Stan" and Ed Sheeran's "Galway Girl". For "Stan", the narrative video directly matches the song's lyrics and tells the story of the character Stan to provide an outlet for Eminem's own struggles with drugs and alcohol. It includes three characters from the lyrics so the audience can see who and what Eminem is rapping about. For "Galway Girl", the video is shot from Ed Sheeran's point of view and tells the story of him meeting a girl on a night out through descriptive lyrics matched with corresponding actions on screen. It also includes other characters and shows Ed Sheeran's recognizable ginger hair
Evaluation
The document discusses conventions used in music video production based on Goodwin's theory of music videos. It analyzes several factors that record labels and producers consider when constructing music videos, including genre characteristics, relationships between lyrics/music and visuals, narrative/performance aspects, editing styles, mise-en-scene elements like location, clothing, lighting, and performers' expressions. The author applies these conventions in their own music video by mirroring shots, edits, clothing, and lighting styles from popular artists' music videos to match the song's genre.
Assingment 28
The document discusses two different types of music videos - a performance video for Radiohead's "Creep" and a narrative video for Eminem's "Without Me". The Radiohead video simply shows the band performing in a dark, cramped room, promoting their image as a rock band. The Eminem video tells a lighthearted yet darkly comedic story, showing his personality and humor while still conforming to conventions of rap music videos like featuring girls, fast cars, and drink. Both videos effectively promote the artists, with the Radiohead video emphasizing the live performance aspect and band members, while the Eminem video highlights his entertaining personality.
Conventions of a music video
The document discusses several conventions of music videos, including narrative/performance, sound, camera techniques, editing, lighting/colors, and performance shot types. It analyzes the music videos for "Airplanes" by B.O.B. featuring Hayley Williams and "Love the Way You Lie" by Rihanna featuring Eminem. Key elements like locations, props, costumes, and editing are described and related to conveying mood. Performance shots focus on emotion through close-ups while maintaining a balance between male and female artists.
Music video analysis_grid-1
The music video for "Lose Yourself" by Eminem intends to promote the movie 8 Mile by showing Eminem's journey and lifestyle. It represents Eminem as motivated and streetwise, wearing baggy clothes. The relationship between the music and visuals changes from calm to gritty scenes as the beat intensifies. The lyrics and visuals are closely related, showing scenes that represent the lyrics like vomiting when the lyrics mention it. As the song is from the 8 Mile soundtrack, the video uses clips from the movie to tell the narrative and promote both the film and song, appealing to Eminem's core audience of rap fans.
Tempa t presentation
Tempa T is an English Grime MC known for his 2009 single "Next Hype." The music video for "Next Hype" both shows Tempa T performing for the camera as well as quick cuts to different scenes relating to the lyrics, making it both a performance and narrative-based video. The fast pace of the lyrics matches the quick editing of the video and scenes are depicted that help illustrate what is being said in the lyrics, such as a plate being smashed when the word "Smash" is recited. Through both shots of Tempa T's performance and cuts to other scenes telling the story of the lyrics, the video effectively combines performance and narrative elements.
Narrative Music Videos
Narrative videos tell a visual story that relates to the song, with the lyrics often reflected in the narrative. They commonly feature no lip-synched singing. The most common type is a performance/narrative video, which shows the artist performing but also includes a narrative, such as mimicking a film genre. Narrative videos can emphasize an artist's interest in their music over image, and keep audiences engaged with their simple plots, but can be costly for record labels to produce.
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Conventions of rap music videos
- 2. -The performer will rap towards the camera almost like they are talking to the audience. A lot of the time this kind of shot will be using a fish eyed type camera lenses at a low angle.
- 3. Shot cuts will normally be fast paced (depending on the tempo of the song). Longer cuts will normally be used to show a jump in time for the narrative of the music video. A lot of rap music videos will be narrative heavy only to have a minor performance part where the star will be lip syncing.
- 4. The music video for Eminem’s ‘lose yourself’ is an example of a video with a split of both narrative and performance. The narrative is about the characters rap career but the other half of the video is Eminem rapping to the camera.
- 5. Having the artist talk about their wealth is quite a common idea in rap music and music videos. If money is not shown then things that represent their wealth will be shown through mise-en-scene such as guns.