Impressionism
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1) Vincent Van Gogh's iconic Post-Impressionistic painting "Café Terrace at Night" from 1888 features a luminous star-filled sky and contrasting colors that achieved influential modern techniques. 2) Claude Monet's 1872 painting "Impression, Sunrise" represents the port of Le Havre where he spent his life, achieving a balance of warm and cold colors, and was stolen in 1958 before being recovered in 1990. 3) Georges Seurat's 1884 masterpiece "A Sunday on La Grande Jatte" uses pointillism to show daily French life through little color dots that create the scene's movement, light and color.
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Monet 3 26
Claude Monet was a French painter and founder of Impressionism. He painted en plein air, seeking to capture the changing effects of light and atmosphere rather than depicting scenes realistically. Monet is known for his series paintings of the same subject under different lighting conditions, such as his paintings of poplars, haystacks, and the facade of Rouen Cathedral, which helped establish abstract painting. He spent the latter part of his life painting water lilies at his home in Giverny, developing a looser style using broad brushstrokes.
Impressionism
The document discusses Impressionism as an art movement that originated in 19th century France. It focuses on Claude Monet, a pioneering Impressionist painter, describing some of his most famous works like Impression, Sunrise which helped give the movement its name. The summary highlights techniques used by Monet and other Impressionists like capturing fleeting moments, applying color side-by-side with little mixing, avoiding black paint, and accurately depicting how light and colors are reflected in a scene.
Claude Monet
Claude Monet was a famous French painter and founder of Impressionism. He is known for capturing light and natural forms in his works. The term "Impressionism" comes from his painting Impression, Sunrise, exhibited in 1874. Monet focused on plein air painting and capturing momentary effects of sunlight. He helped form an alternative artist group when some of his works were rejected from the Salon. Monet achieved success and fame late in his career. He is renowned for his water lily series painted in his garden at Giverny. Monet struggled with declining vision late in life but continued painting until his death in 1926.
Press release TRIBUTE TO MONET
This watch by Damoiselle D pays tribute to Claude Monet's Water Lilies paintings through its dial design. The blue enamel dial is meant to evoke the calming color of water while its oval shape references the double ellipse symbolizing infinity that Monet used in his panoramic Water Lilies series. The watch embodies themes of femininity, renewal, and the flowing nature of time as expressed in Monet's landscapes.
Impressionism
Impressionism was an artistic movement that began in the late 19th century in France. It focused on capturing fleeting moments and effects of light with visible brushstrokes. Key Impressionist artists included Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Alfred Sisley. They painted outdoors to capture natural light and scenes of modern life. Sculptor Auguste Rodin also worked in an Impressionistic style, seeking to capture effects of light through multiple planes.
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Georges Seurat was a 19th century Neo-Impressionist painter who developed the technique of Pointillism. He studied color theory and the scientific effects of complementary colors and light. His most famous work La Grande Jatte applied these techniques by using small dots of pure color that blended in the eye of the viewer. Seurat sought to capture fleeting moments in a timeless manner and influence future artists through his innovations in color, composition, and frame design. His paintings had a profound impact on Post-Impressionism and later artistic movements through his mastery of color theory and abstraction of form.
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The document discusses several art movements from Impressionism to Expressionism. It provides key details about each movement:
Impressionism focused on painting contemporary scenes and landscapes outdoors using pure colors. Post-Impressionism rejected Impressionism's focus on light and color, preferring symbolic content and structure. Expressionism was an early 20th century movement in France and Germany characterized by emotionally charged paintings that emphasized inner experiences over outer reality.
post impressionism
The document discusses post-Impressionist artists and characteristics of their styles. It describes Pointillism, pioneered by Georges Seurat, which uses small dots of primary colors that blend in the eye. Key post-Impressionist artists mentioned include Seurat, Vincent van Gogh, Paul Cezanne, and Henri Edmond Cross. Seurat took a scientific approach to color theory with his masterpiece Sunday Afternoon on the Island of La Grande Jatte. Cezanne is said to have formed a bridge to Cubism with simplified geometric forms. Van Gogh's art was not appreciated until after his death by suicide, though he was prolific producing over 2,000 works in the last 10 years
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Claude Monet was a French painter and founder of Impressionism. He painted en plein air, seeking to capture the changing effects of light and atmosphere rather than depicting scenes realistically. Monet is known for his series paintings of the same subject under different lighting conditions, such as his paintings of poplars, haystacks, and the facade of Rouen Cathedral, which helped establish abstract painting. He spent the latter part of his life painting water lilies at his home in Giverny, developing a looser style using broad brushstrokes.
Impressionism
The document discusses Impressionism as an art movement that originated in 19th century France. It focuses on Claude Monet, a pioneering Impressionist painter, describing some of his most famous works like Impression, Sunrise which helped give the movement its name. The summary highlights techniques used by Monet and other Impressionists like capturing fleeting moments, applying color side-by-side with little mixing, avoiding black paint, and accurately depicting how light and colors are reflected in a scene.
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Claude Monet was a famous French painter and founder of Impressionism. He is known for capturing light and natural forms in his works. The term "Impressionism" comes from his painting Impression, Sunrise, exhibited in 1874. Monet focused on plein air painting and capturing momentary effects of sunlight. He helped form an alternative artist group when some of his works were rejected from the Salon. Monet achieved success and fame late in his career. He is renowned for his water lily series painted in his garden at Giverny. Monet struggled with declining vision late in life but continued painting until his death in 1926.
Press release TRIBUTE TO MONET
This watch by Damoiselle D pays tribute to Claude Monet's Water Lilies paintings through its dial design. The blue enamel dial is meant to evoke the calming color of water while its oval shape references the double ellipse symbolizing infinity that Monet used in his panoramic Water Lilies series. The watch embodies themes of femininity, renewal, and the flowing nature of time as expressed in Monet's landscapes.
Impressionism
Impressionism was an artistic movement that began in the late 19th century in France. It focused on capturing fleeting moments and effects of light with visible brushstrokes. Key Impressionist artists included Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Camille Pissarro, and Alfred Sisley. They painted outdoors to capture natural light and scenes of modern life. Sculptor Auguste Rodin also worked in an Impressionistic style, seeking to capture effects of light through multiple planes.
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Georges Seurat was a 19th century Neo-Impressionist painter who developed the technique of Pointillism. He studied color theory and the scientific effects of complementary colors and light. His most famous work La Grande Jatte applied these techniques by using small dots of pure color that blended in the eye of the viewer. Seurat sought to capture fleeting moments in a timeless manner and influence future artists through his innovations in color, composition, and frame design. His paintings had a profound impact on Post-Impressionism and later artistic movements through his mastery of color theory and abstraction of form.
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The document discusses several art movements from Impressionism to Expressionism. It provides key details about each movement:
Impressionism focused on painting contemporary scenes and landscapes outdoors using pure colors. Post-Impressionism rejected Impressionism's focus on light and color, preferring symbolic content and structure. Expressionism was an early 20th century movement in France and Germany characterized by emotionally charged paintings that emphasized inner experiences over outer reality.
post impressionism
The document discusses post-Impressionist artists and characteristics of their styles. It describes Pointillism, pioneered by Georges Seurat, which uses small dots of primary colors that blend in the eye. Key post-Impressionist artists mentioned include Seurat, Vincent van Gogh, Paul Cezanne, and Henri Edmond Cross. Seurat took a scientific approach to color theory with his masterpiece Sunday Afternoon on the Island of La Grande Jatte. Cezanne is said to have formed a bridge to Cubism with simplified geometric forms. Van Gogh's art was not appreciated until after his death by suicide, though he was prolific producing over 2,000 works in the last 10 years
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Impressionism
Impressionism was a 19th century art movement that began in France. It was characterized by visible brushstrokes, attention to the effects of light and color, and the depiction of modern life. The movement took its name from Claude Monet's painting Impression, Sunrise. Some of the most famous Impressionist artists included Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Alfred Sisley, and Camille Pissarro. Their works, such as Monet's series of Rouen Cathedral paintings and Renoir's Luncheon of the Boating Party, focused on capturing fleeting moments and the changing effects of light.
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Claude Monet was a famous French Impressionist painter best known for his paintings of water lilies. He began his career painting outdoors, influenced by Eugene Boudin. His early works helped define the Impressionist style. Throughout his life, Monet painted series focusing on the same subject in different lights and times of day, seeking to accurately capture the effects of light. He painted hundreds of works of his garden at Giverny, where he lived for many years until his death. In his later works, Monet's brushstrokes became looser and he sacrificed detail for vibrant color.
Impressionism
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2. Key characteristics included emphasizing the play of natural light, using pure colors rather than black for shadows, and painting outdoors (en plein air) to represent reflections on surfaces.
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- Impressionism emphasized small brushstrokes, light/color depiction, ordinary subjects, and movement over composition
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Impressionism (Speaker: Vincent LEE Kwun-leung)
Impressionism was a historic start that painters from France had the right to emerge as artists based on their loosened pigments, vibrant brushstrokes, romantic sentiments and naturalistic compositions.
Impressionism
Impressionism was a 19th century art movement that began in France. It was characterized by visible brushstrokes, attention to the effects of light and color, and the depiction of modern life. The movement took its name from Claude Monet's painting Impression, Sunrise. Some of the most famous Impressionist artists included Claude Monet, Pierre-Auguste Renoir, Edgar Degas, Alfred Sisley, and Camille Pissarro. Their works, such as Monet's series of Rouen Cathedral paintings and Renoir's Luncheon of the Boating Party, focused on capturing fleeting moments and the changing effects of light.
Potd8 Impressionism2 Monet
Claude Monet was a famous French Impressionist painter best known for his paintings of water lilies. He began his career painting outdoors, influenced by Eugene Boudin. His early works helped define the Impressionist style. Throughout his life, Monet painted series focusing on the same subject in different lights and times of day, seeking to accurately capture the effects of light. He painted hundreds of works of his garden at Giverny, where he lived for many years until his death. In his later works, Monet's brushstrokes became looser and he sacrificed detail for vibrant color.
Impressionism
1. Impressionism was a 19th century art movement that originated in Paris in the 1870s-1880s. Artists used short, thick brushstrokes of unblended color applied side-by-side to capture light and color rather than details.
2. Key characteristics included emphasizing the play of natural light, using pure colors rather than black for shadows, and painting outdoors (en plein air) to represent reflections on surfaces.
3. Founding members like Monet, Degas, and others broke from the Salon and Royal Academy and held independent exhibitions, though their unfinished style was initially panned
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Post-Impressionism developed in response to Impressionism between 1886 and 1892. Artists considered Impressionism too casual or naturalistic and sought to explore emotion in paint. Key Post-Impressionist artists included Paul Cezanne, whose still lifes influenced Cubism, Vincent Van Gogh, known for his vivid colors and expressive brushwork, and Henri de Toulouse-Lautrec, who captured modern Parisian nightlife in satirical works that bordered on caricature. These artists broke from Impressionism by restoring color, shape, and subjectivity to their paintings.
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The document summarizes the French Impressionist art movement between 1867 and 1886. Key points include:
- Impressionists aimed to accurately depict visual reality and effects of light/color, influenced by scientific light examination
- Major artists included Monet, Renoir, Cassatt, Degas, and Cézanne
- Impressionism emphasized small brushstrokes, light/color depiction, ordinary subjects, and movement over composition
- The term "Impressionism" originated from Monet's painting Impression, Sunrise (1872)
- Artists explored new techniques like plein air painting and the use of complementary colors
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Oscar-Claude Monet (1840-1926) was a famous French Impressionist painter known for his use of loose brushstrokes, ordinary subject matter, and unusual visual angles in works like Impression, Sunrise (1872). This early plein air work is credited with giving the Impressionist art movement its name after the critic Louis Leroy used the title disparagingly. Throughout his career, Monet focused on landscapes and gardens, producing multiple variations of water lilies and other subjects in his garden at Giverny.
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Post Impressionism originated in the late 19th century as French painters like Paul Cézanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, and Henri de Toulouse-Lautrec rejected Impressionism's focus on capturing fleeting effects of light and color, instead using bolder colors and personal styles to convey deeper meanings and emotions. Cézanne was fascinated with structure and how painting depicts nature, Gauguin developed original interpretations of scenes after traveling to Martinique, and Toulouse-Lautrec was inspired by the cabaret scenes of Montmartre in his depictions of dance halls and clubs.
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Edouard Manet was a French artist born in 1832 who tried to go against the prevailing styles of art during his time by painting subjects and scenes from everyday modern life. Some of his most famous paintings included The Battle of the Kearsarge and the Alabama, The Boy with the Red Cherries, and self-portraits. He was influenced by Spanish artist Diego Velázquez and aimed to paint in a realistic style.
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The Impressionist movement was founded in Paris in 1874 when a group of artists including Monet, Degas, Renoir, Pissarro, and Sisley held their first exhibition. Key to Impressionism was painting outdoors (en plein air) and using short brush strokes and pure colors to capture light and atmosphere. The movement sought to depict reality based on optical visual perception rather than strict adherence to traditional techniques. Major Impressionist works explored themes of modern life and leisure activities through the use of bright colors, loose brushwork, and candid scenes of nature.
Impressionism: Famous Impressionist Painters and Masterpieces
The Impressionist movement began in the 1870s as artists rebelled against rigid academic painting standards. They started independent exhibitions to show their unfinished, spontaneous works which emphasized capturing fleeting moments and effects of light. Art critic Louis Leroy coined the term "Impressionism" after Monet's painting Impression, Sunrise. Key Impressionist techniques included painting outdoors, using loose brushstrokes and bright colors, and focusing on modern life subjects. Famous Impressionists like Monet, Renoir, Degas, Pissarro and Sisley developed these techniques to depict the optical effects of light and convey changing atmospheres. Their work marked a shift to a more modern style of painting.
Monet 1.0
Claude Monet (1840-1926) was the leading member of the Impressionist group known for his use of color and light. He painted outdoors to capture visual sensations directly from nature. Monet is renowned for his water lily paintings and scenes of landscapes like the Thames, as well as his home and gardens in Giverny. In his later years, Monet began to lose his vision but continued painting, memorizing colors on his palette until he was legally blind.
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moudah.jpg
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© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Chapter Twenty-One
The Modern World: 1800-1945
Movements:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Fauvism and Expressionism, Cubism
Fantasy and Futurism
Dada and Surrealism
Building New Societies: Harlem Renaissance, De Stijl, and Bauhaus
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
For 19th-century artists and writers, walking through the teeming streets was the equivalent of today’s channel surfing—one sensation followed quickly by another, offering fleeting glimpses of thousands of lives. They found it overwhelming, thrilling, and sometimes disturbing—artists recognized it as new and termed it “modern.”
This was the world of mass production, mass advertising, and mass consumption; the world of leisure activities, shopping, entertainment, and visiting art museums and galleries.
We have already seen unique qualities from diverse traditions in art. We have also seen how diverse cultures have integrated new influences. As you look at these movements, you will realize that artists build upon or react against established traditions. In this age of communication, artists begin reacting more quickly, hence the number of rapidly accumulating movements. The changes of modernity occurred everywhere in Europe, but the debates they provoked played out most dramatically in France, especially in Paris, and this brief survey largely focuses there.
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Neoclassicism and Romanticism
Figure 21.2 Eugène Delacroix, The Women of Algiers, 1834.
Figure 21.1 Jean-Auguste-Dominique Ingres, Jupiter and Thetis, 1811.
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
We ended Chapter 17 with the rejection of Baroque & Rococo in the Neoclassical work of David. These artists favored emotional reserve, classical compositions, and precise draftsmanship. Ingres was a pupil of David, the leading painter of Neoclassicism and the most influential teacher in France at the turn of the 19th century. Ingres inherited his master’s admiration of ancient Greek and Roman Art, and emphasis on clean contours, a smooth finish, and precise draftsmanship.
On the left, Jupiter and Thetis, figures from Homer’s Iliad, are portrayed. Here Thetis is shown pleading with Jupiter to intervene in the war on behalf of her son. With its clear contours, clean colors, and precise draftsmanship, the painting clearly shows Ingres’ debt to his teacher. He felt that the greatest subject matters of all were history, Classical mythology, and Biblical scenes.
Ingres’ lifelong rival was Delacroix, champion of the Romantic movement. The Romantic ideal stressed dramatic subject matter, turbulent emotions, and complex compositions. Romanticism was not a style so much as a set of attitudes and characteristic subjects. The 18th century is sometimes known as “the Age of Reason,” for its leading thinkers plac ...
Dance at the moulin de la galette2
Renoir's painting Dance at the Moulin de la Galette depicts a Sunday afternoon dance at an entertainment venue called the Moulin de la Galette in Montmartre, Paris. The painting is considered one of Renoir's most famous works and one of the most beautiful paintings of the 19th century. It captures aspects of daily life in Paris with the dappled light and human subjects that were characteristic of Renoir's Impressionist style. While Renoir painted at least two other versions of this scene, it is believed the version currently housed in the Louvre in Paris was likely completed in Renoir's studio after painting on location.
© 2010, The McGraw-Hill Companies, Inc. All Rights Rese.docx
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Chapter Twenty-One
The Modern World: 1800-1945
Movements:
Neoclassicism
Romanticism
Realism
Impressionism
Post-Impressionism
Fauvism and Expressionism, Cubism
Fantasy and Futurism
Dada and Surrealism
Building New Societies: Harlem Renaissance, De Stijl, and Bauhaus
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
For 19th-century artists and writers, walking through the teeming streets was the equivalent of today’s channel surfing—one sensation followed quickly by another, offering fleeting glimpses of thousands of lives. They found it overwhelming, thrilling, and sometimes disturbing—artists recognized it as new and termed it “modern.”
This was the world of mass production, mass advertising, and mass consumption; the world of leisure activities, shopping, entertainment, and visiting art museums and galleries.
We have already seen unique qualities from diverse traditions in art. We have also seen how diverse cultures have integrated new influences. As you look at these movements, you will realize that artists build upon or react against established traditions. In this age of communication, artists begin reacting more quickly, hence the number of rapidly accumulating movements. The changes of modernity occurred everywhere in Europe, but the debates they provoked played out most dramatically in France, especially in Paris, and this brief survey largely focuses there.
*
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
Neoclassicism and Romanticism
Figure 21.2 Eugène Delacroix, The Women of Algiers, 1834.
Figure 21.1 Jean-Auguste-Dominique Ingres, Jupiter and Thetis, 1811.
© 2010, The McGraw-Hill Companies, Inc. All Rights Reserved.
*
We ended Chapter 17 with the rejection of Baroque & Rococo in the Neoclassical work of David. These artists favored emotional reserve, classical compositions, and precise draftsmanship. Ingres was a pupil of David, the leading painter of Neoclassicism and the most influential teacher in France at the turn of the 19th century. Ingres inherited his master’s admiration of ancient Greek and Roman Art, and emphasis on clean contours, a smooth finish, and precise draftsmanship.
On the left, Jupiter and Thetis, figures from Homer’s Iliad, are portrayed. Here Thetis is shown pleading with Jupiter to intervene in the war on behalf of her son. With its clear contours, clean colors, and precise draftsmanship, the painting clearly shows Ingres’ debt to his teacher. He felt that the greatest subject matters of all were history, Classical mythology, and Biblical scenes.
Ingres’ lifelong rival was Delacroix, champion of the Romantic movement. The Romantic ideal stressed dramatic subject matter, turbulent emotions, and complex compositions. Romanticism was not a style so much as a set of attitudes and characteristic subjects. The 18th century is sometimes known as “the Age of Reason,” for its leading thinkers placed their faith .
Eugene atget 1
Eugene Atget (1857-1927) was a French photographer best known for documenting architecture and street scenes in Paris between 1897-1927. He took over 10,000 photos of the city using a large format camera, capturing old streets and buildings before they were demolished. While not initially well-known, his photos attracted famous artists in the 1920s and helped preserve the historic visual culture of Paris.
Eugene atget 1[1]
Eugene Atget (1857-1927) was a French photographer known for documenting architecture and street scenes of Paris between 1897-1927. He took over 10,000 photos of the city using a large format camera, often early in the morning to avoid people. While seen as an eccentric commercial photographer, his photos attracted famous artists and helped capture the culture of old Paris.
Modern Art Movements (by Ar Kush Jee Kamal)
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s and denotes the styles and philosophy of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation.
It's a chronological compilation of 100 years of Art movements by Ar. Kush Jee Kamal (India) for the benefits of all the art lovers.
MAPEH 10 Arts Lesson 1.pptx
This document provides an overview of art elements and principles through analyzing works from different art movements and periods. It begins by introducing formal art analysis and identifying key elements to look for. It then examines paintings by Vincent Van Gogh, Marc Chagall, and Fernand Léger. The document continues by exploring the influence of Delacroix on Impressionism and profiles seminal Impressionist artists like Manet, Monet, and Renoir. It concludes with a section on Post-Impressionism and the work of Paul Cézanne.
Claude Monet 2.0
Claude Monet (1840-1926) was the leading member of the Impressionist group and the one who longest practised the principles of absolute fidelity to the visual sensation and painting directly from the object, in necessary out of door. Cezanne is said to have described him as ’only one eye, but my God what an eye!’. Monet is also the one who took impressionism into new contradictory way to become, in the 1940s, a major influence on Abstract Expressionism.
ART102Art History IIUnit 6 LectureRealism and Impress.docx
ART102
Art History II
Unit 6 LectureRealism and
Impressionism
1848-1885
Post-Impressionism
1880-1907
Realism in France occurred around the same
time as the Revolution 0f 1848, largely due to
Courbet. This style champions socialism, which
challenges authority and privilege of the rich.
Courbet has painted an image of a funeral, a scene
of commoners carrying out a simple social ritual.
Devoid of political or philosophical agendas, Realism
can literally be described as real: simple, everyday
scenes and events.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Gustave Courbet
Burial at Ornans
Ca. 1849-1850
Oil on canvas
Musee D’Orsay, Paris
Post-Impressionism
1880-1907
Jean-Francois Millet
The Gleaners
Ca. 1857
Oil on canvas
Musee d’Orsay, Paris
Millet creates a scene of gleaners, who were
beggars of the time. These three women are
picking the leftovers of grain in a field after the
major harvesting (you can see the large harvest in
the wagon). At the time of its exhibition in Paris,
the people were scared of this scene. It reveals at
what cost society has to pay for such wealth for an
upper class.
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Manet’s painting is considered to be the one that
turned the Parisian art world on its head, and
propelled the world into the Modern Art Era. It
might not look like much, but this image is actually
ridiculing what the traditionalists viewed as
appropriate subject matter. This is a contemporary
scene, with Parisians having lunch in a park with a
naked woman. Another woman wearing a Roman
toga plays in the water. It is obvious that this scene
would never really happen in real life, and that’s the
message Manet was after. He also painted it with
bold, thick strokes of color.
Edouard Manet
Luncheon on the Grass
Ca. 1863
Oil on canvas
Musee du Louvre, Paris
Realism and
Impressionism
1848-1885
Burial at Ornans
The Gleaners
Luncheon on the Grass
The Dance Class
Plum Estate, Kameido
Woman with a Parasol
Luncheon of the
Boating Party
The Child’s Bath
Symphony in White
No. II
Snap the Whip
Post-Impressionism
1880-1907
Degas developed a painterly approach to his
everyday scenes as Manet had. His compositions
appear off-centered, and elements are cut-off on
the edges, much like a photograph would crop a
scene. This is unusual in painting at the time, and
creates a image of spontaneity, as a snap-shot does.
Edgar Degas
The Dance Class
Ca. 1874
Oil on canvas
Metropolitan Museum of Art
Realism and
Impressionism
1848 ...
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Impressionism
- 1. E N G L I S H F I N A L P R O J E C T Impressionism Alexia A, Ania T, Valeria H, Mauricio A
- 2. Café Terrace at Night V I N C E N T V A N G O G H Impressionism can be said to be one of the main influences of modern art. A L E X I A A Using contrasting colors and tones, Van Gogh achieved a luminous surfaces Van Gogh never signed "Café Terrace at Night." Van Gogh's iconic Post-Impressionistic star-filled sky appears for the first time in his "Café Terrace at Night." The Café is a real place which is named like the paint
- 3. Impression, soleil levant C L A U D E M O N E T It was painted in the year of 1872 by Claude Monet. "Impression, sunrise" M A U R I C I O A Monet achieves a good balance between cold and warm colors. It was stolen in 1958 and recovered in 1990 Represents the port of Le Havre, a french norwest city where Monet spent most of his life.
- 4. A Sunday on La Grande Jatte G E O R G E S E U R A T V A L E R I A H This masterpiece is considered as the greatest work of George Seurat, it was painted in 1884. The artist use a fascinating technique, pointillism. It consists in making little and distinct color dots that in a general perspective make a whole image. Seurat tried to show the color, light and movement of the scene in front of him. It represents a daily life situation of french people.
- 5. The Water Lily Pond C L A U D E M O N E T Created in 1899, this Impressionist artwork is one of the latest piece of art from Claude Monet. A N I A T R E V I Ñ O The artist used his own backyard as an inspiration which took years to develop. The picture represents the reflection of the lilies in the pond, using the green and white as the most important colors to reflect calmness.