Harry potter world
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This document summarizes Luke M's visit to the Warner Brothers Harry Potter studio tour, where he took various photos of the film sets and props. In three sentences: Luke provides context that his class took a trip to the studios and he took photos to analyze the mise-en-scene; some of the photos show massive chess pieces and real wands used in the films; the tour included sets like the entrance to the Great Hall and Hogwarts castle itself, which were key locations in bringing the Wizarding World of Harry Potter to life on screen.
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The document discusses the production and marketing techniques used for the Harry Potter film series. Some key points:
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- Many iconic locations from the books were used as filming locations in the UK, like London and Leavesden Studios, to attract fans familiar with the stories. Animatronics and practical effects were used alongside CGI.
- Detailed props, costumes, and set designs closely followed the books' descriptions to please existing fans. Each character also had their own unique wand prop.
- Established actors
Task 3
The document discusses the production and marketing techniques used for the Harry Potter film series. Some key points:
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- Many iconic locations from the books were used as filming locations in the UK, like London and Leavesden Studios, to attract global audiences familiar with the stories. One scene was also shot in Ireland.
- Detailed props, costumes, and sets were created to closely match the books' descriptions and capture fans' imaginations. Each character also had their own unique wand prop.
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Task 3
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Film logos at the start of trailers tell audiences about the film company and genre. Horror film company logos like "Dark Castle" signal to audiences that the film is a horror. Audiences may be more interested in a film if they recognize the logo of a company that made a film they enjoyed. Non-diegetic sounds like music and voiceovers are important in horror trailers to build tension and intrigue audiences. Straps in horror trailers provide insight into the narrative and encourage audiences to watch by intriguing them or mentioning aspects like being "based on a true story." The film's title is usually revealed at the end of the trailer to leave a lasting impression on audiences and further entice them to see the
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Film logos at the start of trailers tell audiences about the film company and genre. Horror film company logos like "Dark Castle" signal to audiences that the film is a horror. Audiences may be more interested in a film if they recognize the logo of a company that made a film they liked. Non-diegetic sounds like music and voiceovers are important in horror trailers to build tension and adrenaline. Straps in horror trailers provide insight into the narrative and intrigue audiences. The film title is usually featured at the end of horror trailers to leave a lasting impression on audiences and further encourage them to see the film.
production charlie
The document describes the production of a thriller film opening titled "Blood Ivory" created by the author and two others. It details the roles each person took on, the research conducted on thriller films and title sequences, and the creative choices made in filming locations, costumes, music, and editing to build suspense and atmosphere for the opening.
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I have created edited pictures of the Eiffel Tower that will briefly appear in the mirror during the prologue scene, taking influence from a similar image in Carlito's Way meant to represent escape to paradise. I edited photos of the Eiffel Tower in Photoshop to add the words "Escape to paradise", intending for the images to symbolize the character's desire to escape his current lifestyle. Two examples of the edited photos are provided that could potentially be used in the opening scene.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. The document provides examples of films that demonstrate various codes and conventions.
Codes and conventions
Codes are rules that must be followed in filmmaking, such as establishing shots, production logos, and narrative content. Conventions do not have to be followed strictly, such as flashbacks, narration, action scenes, chase scenes, compilation of photographs, and enigma. Some examples of codes in films include establishing shots at the beginning of scenes to set the context, and production logos used by studios to brand their content. Examples of conventions include flashback scenes that interrupt the present narrative to show the past, and narration that can be used to tell the story.
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Similar to Harry potter world
Task 3
The document discusses the production and marketing techniques used for the Harry Potter film series. Some key points:
- The films were produced by Heyday Films and distributed by Warner Bros Pictures over 10 years from 2001-2011. They used the latest camera and filming technology at the time to keep quality high.
- Many iconic locations from the books were used as filming locations in the UK, like London and Leavesden Studios, to attract fans familiar with the stories. Animatronics and practical effects were used alongside CGI.
- Detailed props, costumes, and set designs closely followed the books' descriptions to please existing fans. Each character also had their own unique wand prop.
- Established actors
Task 3
The document discusses the production and marketing techniques used for the Harry Potter film series. Some key points:
- The films were produced by Heyday Films and distributed by Warner Bros Pictures over 10 years from 2001-2011. They used the latest camera and editing technologies at the time to keep picture quality high.
- Many iconic locations from the books were used as filming locations in the UK, like London and Leavesden Studios, to attract global audiences familiar with the stories. One scene was also shot in Ireland.
- Detailed props, costumes, and sets were created to closely match the books' descriptions and capture fans' imaginations. Each character also had their own unique wand prop.
- Both
Harry potter-warner bros studios
This document contains photos and descriptions of models, sets, costumes, and other production elements used in the Harry Potter films. White card models and detailed sculptures were created to help directors visualize scenes and characters. Elaborate sets like the Hogwarts castle and corridors were built to scale to make the magical world feel realistic. Costumes also advanced the story by indicating the maturation of characters over time. Precise replicas and creative filming techniques generated illusions that immersed viewers in the world of Harry Potter.
Task 3
The document discusses the production and marketing techniques used to make the Harry Potter film franchise a worldwide phenomenon. It describes the technologies, locations, costumes, makeup, props, and special effects used in production to create a realistic magical world. It also discusses the marketing strategies like using established and child actors, conducting interviews to promote the films, and building brand loyalty among fans. The Harry Potter films grossed over $7.7 billion globally due to the care taken in all aspects of production and promotion to immerse audiences in the magical storyworld.
Harry Potter
The document discusses various aspects of the production of the Harry Potter film franchise that contributed to its global success, including the budget, locations, visual effects, costumes, props, and cast and crew. The high budget allowed for elaborate sets, locations, and effects. Real locations like castles were used to attract fans, while sets replicated places like Harry's home. Props like wands, broomsticks and the Horcruxes were created in detail. The cast included well-known British actors and the director changed as the films became darker. Extensive marketing made use of advertisements, interviews, reviews and tie-ins to build a global fan base.
Contextual research 5
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Task 3
The document discusses the use of technology, locations, cast, crew, directors, and marketing strategies for the Harry Potter films. Some key points:
- Advanced CGI and animatronics were used to bring magical elements to life, like the troll scene, and encourage audiences interested in new technologies.
- Iconic Hogwarts locations were filmed at real-world sites like cathedrals in the UK to immerse viewers and associate the world of Harry Potter with England.
- Directors like Chris Columbus and David Yates were chosen based on their experience with children/young adult audiences or ability to handle darker themes in later films.
- Major casting decisions aimed to attract broad audiences using recogn
Harry potter
The Harry Potter film series used cutting-edge technology like digital recording and CGI, filmed in iconic English locations to cement the setting, and cast renowned actors alongside the young stars to appeal to both children and adults. An extensive marketing strategy created a passionate fan base through books, games, the Pottermore website, and trailers recreating memorable moments to generate hype between each new release and ensure fans would see the next installment. Multiple directors were chosen to suit the increasingly darker tones of the later films.
Mise en scene warner bros.
This document contains 6 paragraphs summarizing various scenes and set pieces from the Harry Potter films. It describes the Great Hall set with lit plates and statues on the walls. It also shows a model of Hogwarts castle used for aerial filming. Additionally, it outlines some of the costumes created for characters and an illusion doorway that appears larger than it is through film techniques. Hagrid's hut interior is depicted with props showing his rough living characteristics. Finally, a Hogwarts dormitory set is presented with features typical of dorm rooms and props fitting the film's theme.
Task 3
This document discusses the production and marketing techniques used for the Harry Potter film series. It covers the technologies used in production such as cameras, green screens, and CGI. It also discusses the casting of well-known older actors like Maggie Smith and Richard Harris to attract adult audiences. Key locations for filming included castles in England and Scotland. Marketing efforts included the Warner Bros. studio tour, cross-promotions, and targeting both child and adult audiences.
Fmp contextual research
Ray Harryhausen was an American animator known as the master of Dynamation, a form of stop motion animation. He is renowned for bringing stories to life through special effects and inspiring many with his realistic animated characters. Nick Park works for Aardman and created the successful Wallace & Gromit and Shaun the Sheep through stop motion. He uses plasticine to sculpt detailed characters. Art Clokey created Gumby, one of the most memorable stop motion characters, who resembled a simple one-colored person like figure similar to Morph.
Evaluation q1
The document discusses how a student media project utilized and challenged horror genre conventions. It describes how the group's horror trailer incorporated typical elements like a female monster villain and jump scares but challenged norms by making the monster a cannibalistic housewife instead of a possessed woman. The student reflects on specific shots and music choices for the trailer and how they balanced adhering to genre traditions with crafting an independent, 1950s-inspired vision.
Task 3 - Harry Potter
The document discusses the production and marketing techniques used to create the Harry Potter film franchise. It describes the various technologies, locations, costumes, props, and special effects used in production to make the films feel realistic and consistent. Marketing promoted the films after production through advertising the films and franchise. Both production and marketing contributed to Harry Potter becoming a $125 million worldwide phenomenon.
Harry Potter and the Deathly Hallows: The Marketing Campaign
The marketing campaign for Harry Potter and the Deathly Hallows Part 1 utilized various techniques to generate hype and awareness for the film, including teaser posters, a website, trailers, TV spots, merchandise, and the premiere event. Additionally, the Wizarding World of Harry Potter theme park in Orlando helped promote the films and bring the world of Harry Potter to life for fans. Overall, the comprehensive marketing campaign effectively built upon the established popularity of the franchise to ensure that the final installment would be a box office success.
3. research(1)
- The target audience is mainly young people aged 16-19, with a roughly even split between male and female viewers.
- Most of the audience prefers an animation length of 2-5 minutes.
- Viewers want the whole animation to be of good quality rather than just parts of it.
- There was a variety of preferences for character materials, but felt dolls may not be the most popular choice.
- The majority of viewers expressed interest in a "how it was made" video accompanying the animation.
- The gender of the lead characters does not seem to matter to most of the audience.
An Analysis of Edward Scissorshands’ Title Sequence
The document provides an in-depth analysis of the title sequence of the film Edward Scissorhands. It summarizes that the sequence uses shots of snow, a soft classical song, and gloomy locations to set a fantastical yet darker tone for the younger audience. It also reveals clues about Edward's character through symbolic shots, like showing him as a creation from a mechanical experiment who was left unfinished after the inventor's death. The analysis of the title sequence aims to understand how it introduces the film's narrative and represents the characters.
Blair witch project and 28 days later screen shot analysis
This document provides analysis of shots from the films "Blair Witch Project" and "28 Days Later". For "Blair Witch Project", it analyzes a close-up shot of a woman's face showing excitement, a mid-shot in a graveyard, and an insert shot of books about survival in the woods. For "28 Days Later", it examines the opening credit sequence, a shot of violence on television screens surrounding an infected chimpanzee, and two crane shots showing an empty hospital and abandoned streets in London. The analyses discuss film techniques like shot types and mise-en-scene used to set mood and intrigue audiences in the horror genre.
Fmp contextual research (final)
The document provides information on three animation practitioners: Ray Harryhausen, Nick Park, and Art Clokey.
Ray Harryhausen was an American animator known for developing Dynamation, a stop motion animation technique. He is recognized as inspiring many future animators. Nick Park is a British animator known for creating the Wallace & Gromit franchise for Aardman Animations. He won multiple Oscars for his films. Art Clokey created Gumby, a simple green clay character known for its stop motion TV show and films. He pioneered experimental clay animation.
Art of the Title
AS Media work looking at different opening titles to give us an idea of what we can do for our final project.
Art of the Title
Richard Morrison believed the opening title sequence of "Sweeney Todd: Demon Barber of Fleet Street" was successful because animating the movement of blood was the most crucial and challenging element, requiring building special platforms to film it. This challenge pushed him to make it as good as possible. He also believed the opening title of "Batman" was successful because his novel ideas of a 360-degree view of the Batman logo gave it a timeless feel, as nobody had done anything like it before.
Similar to Harry potter world (20)
Harry Potter and the Deathly Hallows: The Marketing Campaign
Harry Potter and the Deathly Hallows: The Marketing Campaign
An Analysis of Edward Scissorshands’ Title Sequence
An Analysis of Edward Scissorshands’ Title Sequence
Blair witch project and 28 days later screen shot analysis
Blair witch project and 28 days later screen shot analysis
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Evaluation question 2
The combination of the band's main products was effective in portraying their concept of "remedy" and brand identity. Each side of the digipack featured a band member with colorful explosions and chemical bottles to represent the remedy concept. Colors were coordinated across products to link them. Though somewhat obscure, the products captured the band's quirky, fun personality and indie genre through unusual imagery and rejection of conventions. The combination was successful in communicating the key ideas but could have made the links between the video and other products more overt.
Evaluation question 2
The combination of the band's main products was effective in conveying their concept of "remedy" and quirky brand identity. Each side of the digipack featured a band member with their instrument and a chemical bottle/color explosion, representing the remedy concept. Colors were consistently used across products to link them. While some links between the music video and other products could have been made clearer, overall the combination of products portrayed the remedy concept and band's fun, unique identity well.
Media ad anaylsis
This magazine advertisement for Kings of Leon's new album uses abstract photography with the band members' faces cut up and arranged around an eagle. The ad has a gloomy tone to match the likely sound of the album. While keeping a simple black background, the band's name stands out in font that is different colored but the same style as the album font, making the two easy to distinguish. The ad follows conventions by prominently featuring the artist and showing each band member through the fragmented faces around the eagle.
Font analysis
The document analyzes 8 different fonts for their suitability for an album cover describing the artist's personal development and change. 4 fonts are deemed suitable: a calligraphy style font that has unique, perfectly width letters; a handwritten style font that fits well for the artist's name but not the title; a laid back, subtle font that is not perfectly even or straight showing it's realistic; and a simpler font whose simplicity makes it easily readable and able to stand out on the cover. The other 4 fonts are deemed unsuitable for reasons such as being too bold, large, basic, or having the wrong shape or background color.
Magazine analysis
This advertisement for Lana Del Rey's album "Born to Die" uses minimalist design and lighting to draw attention to the up-and-coming artist. The simple color palette and focus on Lana through a low-angle shot and central positioning make her the clear subject. While the production costs are low, this maximizes potential attention for Lana by not overshadowing her with complex graphics or effects. The ad also promotes Lana's brand and website to increase exposure around the album release.
Indie rock analysis
This document provides summaries of three indie rock music videos:
1) "6 Feet" by Scarlxrd uses dark imagery and costumes to portray themes of mental instability. Unique editing and cinematography make the video impactful.
2) "Naive" by The Kooks tells a narrative embedded in performance scenes and uses typical indie rock styles. Simple editing focuses on the artist's expressions.
3) "Radioactive" by Imagine Dragons blends narrative scenes of teddy bear fighting with performance sections of the band. Casual clothing reflects the indie genre.
Summer assignment
The document provides an analysis of several music videos. It summarizes each video in 1-2 paragraphs, describing elements like genre, themes, imagery, and how the video relates to the song. Key points analyzed include how the videos represent the artists' images and messages, use of costumes, lighting, locations, and references to other works. The document examines videos for songs by KSI, Fame on Fire, and Yellow Claw featuring themes of isolation, partying, and not conforming to others' expectations.
Andrew goodwin’s music video rules
There are several rules that music videos typically follow:
1) The music video style reflects the genre of music. For the alternative rock song "Amsterdam" by Nothing But Thieves, the video features the band performing in an abandoned factory alongside dancers.
2) The visuals in a music video relate to the song lyrics, whether illustrating, amplifying or contradicting them. In "Amsterdam", scenes of the dancers emphasize lyrics about craziness and living under the same sun.
3) The visuals also relate to the music itself, using elements like tempo. In "No More Sad Songs" by Little Mix, the climax of the music is reflected in an intensification of the visuals
Summer homework media music video analysis task
This document analyzes three music videos according to Andrew Goodwin's six rules for music videos. Each video is summarized in terms of genre, relationship between lyrics and visuals, relationship between music and visuals, presence of close-ups of artists, references to looking, intertextual references, and whether it is performance, narrative or concept-based. The conclusion finds that most mainstream music videos are narrative-based to engage younger audiences, though some bands subvert this with alternative styles like Fall Out Boy's performance-focused video.
Evaluation 3
The document discusses potential distribution outlets for a short film opening sequence with no budget. It notes that major cinema chains like the Odeon would not be suitable due to the very short length and lack of profit potential. Independent cinemas also may not accept it if the genre is not popular locally. Online indie websites are suggested as they have lower costs and barriers. Television stations like BBC and Film4 that seek to make profits are also not realistic options. The conclusion is that platforms like BBC Three or free online movie websites may be best for a no-budget short film.
Evaluation question 3
The document discusses potential media institutions that could distribute a media product. It suggests that Netflix would be a good option due to its history of supporting independent films and having a catalog of similar genre films. Certain multiplex cinemas could also work as some have shown independent British films before. The BFI cinema may be suitable since it occasionally shows indie films to engage varied audiences, in addition to major films.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product and analyzes which might be suitable for the author's film. It identifies festivals, Netflix, and some multiplex cinemas as potential distribution outlets. Festivals often feature independent and niche films, while Netflix and select cinemas occasionally show smaller British productions. The author's crime thriller would fit in with genres typically presented on these platforms.
Media question 3
The document discusses different types of media for releasing a film, including various cinemas and film festivals. It analyzes the target audiences and marketing approaches of different venues. Based on the research, television is identified as the best option to reach the film's target 18-22 year old audience nationally, as it is easier for viewers than cinemas or festivals and offers broad exposure without the large competition of other options. Releasing on television balances advantages and disadvantages better than the alternatives.
Evaluation question 3 neamh
The document discusses distributing an independent thriller film. It analyzes different distribution options like independent cinemas versus large chains, and film festivals versus online forums. Independent cinemas and film festivals like Tribeca that feature thrillers are recommended over large chains or prestigious festivals like Cannes. Online forums are also suggested to generate reviews and exposure. In conclusion, independent cinemas are where the film would likely end up if successful, through a festival run and indie release that targets the appropriate audience for a psychological thriller.
Question 3
The document discusses potential media institutions that might distribute an independent thriller film. It analyzes what types of films are shown at mainstream cinemas (fantasy films), independent cinemas (dramas), and film festivals (mostly dramas that could win awards). It determines that an independent cinema or young filmmakers festival would be the most realistic venues, as mainstream cinemas primarily show larger budget films. Online sharing through websites like YouTube could also be an option to reach a wide audience.
Evaluation question 3 correct
The document evaluates potential outlets for showcasing a film. It is analyzed that mainstream cinemas like Odeon and Woking Theatre primarily show large budget films and are not currently interested in crime thrillers. Independent cinemas like BFI and Reading Theatre show a variety of genres and would be better options. Film festivals like Sundance and BFI could provide exposure but have many entries. A young filmmakers competition would allow comparison to similar skills and budgets and is concluded to be the best overall showcase for the film.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product. It provides examples of film festivals and cinemas as media institutions, analyzing the genres of films typically shown at each one. The document determines that a thriller genre media product could be distributed by cinema chains like Odeon that show thrillers, or streaming services like Netflix which host a wide variety of thriller films.
Evaluation question 3
This document discusses different types of media institutions that could distribute a media product. It provides examples of film festivals and cinemas as media institutions, analyzing the genres of films typically shown at each one. The document determines that a thriller genre media product could be distributed by cinema chains like Odeon that show thrillers, or streaming services like Netflix which host a wide variety of thriller films.
Question 3
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Mainstream cinemas primarily show big budget fantasy films, while independent cinemas focus more on drama genres. Film festivals commonly feature drama films that are more art-house in nature. Given that the film is an independent thriller, it would likely be shown at a young filmmakers' festival or shared online through websites like YouTube, as these venues are more open to lower budget, independent productions. Realistically, the best venue would be a youth festival if the film's production quality was high.
Question 3
This document discusses potential media institutions to distribute an independent thriller film. It analyzes what types of films are shown at different venues like mainstream cinemas, independent cinemas, film festivals, and television. Based on the genres typically featured at each, it determines that independent cinemas and young filmmakers' festivals would be most receptive to an independent thriller. Realistically, it concludes the film would likely be shown at a young people's festival if of high quality, or could alternatively be shared online via forums and YouTube.
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◇面对父母的压力，希望尽快拿到；
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3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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7:个人信誉贷款加10分
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Harry potter world
- 1. HARRY POTTER WORLD By Luke M
- 2. INTRO Earlier this term the media department took us to Warner Brother Studios – Harry Potter studios. We took various pictures of all the different sets. In this PowerPoint I will be explaining each picture with a detailed analysis on MISE-EN-SCENE Furthermore I would just like to add that many of the pictures that I took were from my iPhone – snap chat and not used with the media departments cameras and tripods.
- 3. This picture was taken as soon as I got to the warner brothers studios. Outside the exhibit there were massive chess pieces that were around 15 ft. tall. These weren’t just any chess pieces, they were the props used in the first Harry Potter film called the philosopher's stone which was released in November 4th 2001.
- 4. As you can see these were the real props – wands used in the actual Harry Potter Films. Each wand and wand case was made by hand and all very different. In the actual wand shop there were over 6000 hand made wands however they were all destroyed in one of the last Harry Potter films when it was blown up by the stunt department.
- 7. As you enter the exhibit you are faced with this as it is one of the first Movie sets you come face to Face with. These “ soldiers made of stone - Props are at the entrance of the “ Castle “ and are seen in every single film and they have a roll in the last film where they battle the opposing army. This type of Purple shade lighting was used so that it would draw the audience in and be extremely eye catching.
- 8. When you come out of the great hall you walk down a hallway toward the other sets. Along this hallway were various props such as this one. The lighting is very well thoughtout since the sky blue compliments the bright white very well.
- 9. After you walk down the hall way you are instantly comfronted by this huge prop that was used in all the movies and was part of the entrance to the “castle” This prop is very effective as it is hard to miss and very effective due to the fact that it is not normal and this reflects Harry Potter very well as it to is not based on normal everyday people.
- 10. This is the entrance to The headmasters office in the film. This prop was in many of the Harry potter mvoies.
- 11. This was the actual train station that was used in the film. As you can see this was one of the biggest sets in the enire production. This is one of my favourite sets because it is platform 9 and 3 quarters and the is also home to the famous steam train which transported all the Students to Hogwarts.
- 14. This is the picture of Hogwarts its self this is that exact set which was used in every single movie.
- 18. THANK YOU FOR WATCHING.