The document summarizes Ludwig Mies van der Rohe's philosophy and his most famous work, the Barcelona Pavilion. It discusses his minimalist approach and emphasis on open spaces with industrial materials. It then describes the pavilion's design including its grid structure, use of glass, steel and marble, and free plan layout which divided spaces with moveable walls. The pavilion demonstrated Mies' concepts of letting architecture speak for itself through its rational structure and natural light.
Ludwig Mies van der Rohe was a pioneering German-American architect who helped define modern architecture in the 20th century. Some of his most notable works emphasized open space and revealed the industrial materials used in construction. His Farnsworth House (1946-1951) explored the relationship between people, shelter, and nature with a glass pavilion raised above a floodplain. The Seagram Building (1954-1958) in New York City featured a steel frame with non-structural glass walls and was a seminal example of his International Style.
Less is more
OUTLINE
Intro
Biography
Pioneers of Modern architecture
Philosophy
Style
Features
Traditionalism to Modernism
Characteristic features
Furniture
Works
Chicago school
Barcelona pavilion
S.r crown hall
Ludwig Mies van der Rohe was a pioneering German-American architect known for developing the International Style of architecture. Some key aspects of his work included an emphasis on simplicity, open floor plans, and exposing structural elements. Some of his most famous works that exemplified his principles were the Barcelona Pavilion, which featured glass walls and floors, and Crown Hall at IIT, which had a large open space defined by a minimal steel structure. Mies strove to create flexible, universal spaces using modern materials like steel and glass.
The document provides information on several influential modern architects and their works:
- The International Style emerged in the 1920s-1930s with characteristics of rectilinear forms, light planes stripped of ornamentation, and use of glass, steel and concrete.
- Frank Lloyd Wright designed over 1000 structures in his philosophy of organic architecture that blended with nature, like Fallingwater. Mies van der Rohe pioneered modern architecture using steel and glass like his Farnsworth House.
- Le Corbusier developed the five points of architecture used in works like the Villa Savoye. Gropius founded the Bauhaus School and designed the Fagus Factory using modern materials.
Ludwig Mies Van der Rohe (about Him and his two famous works)SeasonShakya
This was a presentation done for my semester work in Contemporary Architecture ( IOE Puchowk B.Arch III year, I part).
Its not got much content but ill just drop it here.
Rationalism was an architectural movement of the 20th century characterized by simplicity of form following function. Rationalist architects used industrial materials like concrete which was cheap, durable, and allowed for prefabrication. They designed with large windows and open floor plans, eliminating decorative elements in favor of proportion and asymmetry. Notable Rationalist architects included Mies van der Rohe, who designed glass skyscrapers with pure forms, and Le Corbusier, who developed the five points of architecture and applied concrete construction and standardization to projects like the Ville Savoye and Unité d'Habitation housing blocks.
Ludwig Mies van der Rohe was a pioneering German-American architect who helped define modern architecture in the 20th century. Some of his most notable works emphasized open space and revealed the industrial materials used in construction. His Farnsworth House (1946-1951) explored the relationship between people, shelter, and nature with a glass pavilion raised above a floodplain. The Seagram Building (1954-1958) in New York City featured a steel frame with non-structural glass walls and was a seminal example of his International Style.
Less is more
OUTLINE
Intro
Biography
Pioneers of Modern architecture
Philosophy
Style
Features
Traditionalism to Modernism
Characteristic features
Furniture
Works
Chicago school
Barcelona pavilion
S.r crown hall
Ludwig Mies van der Rohe was a pioneering German-American architect known for developing the International Style of architecture. Some key aspects of his work included an emphasis on simplicity, open floor plans, and exposing structural elements. Some of his most famous works that exemplified his principles were the Barcelona Pavilion, which featured glass walls and floors, and Crown Hall at IIT, which had a large open space defined by a minimal steel structure. Mies strove to create flexible, universal spaces using modern materials like steel and glass.
The document provides information on several influential modern architects and their works:
- The International Style emerged in the 1920s-1930s with characteristics of rectilinear forms, light planes stripped of ornamentation, and use of glass, steel and concrete.
- Frank Lloyd Wright designed over 1000 structures in his philosophy of organic architecture that blended with nature, like Fallingwater. Mies van der Rohe pioneered modern architecture using steel and glass like his Farnsworth House.
- Le Corbusier developed the five points of architecture used in works like the Villa Savoye. Gropius founded the Bauhaus School and designed the Fagus Factory using modern materials.
Ludwig Mies Van der Rohe (about Him and his two famous works)SeasonShakya
This was a presentation done for my semester work in Contemporary Architecture ( IOE Puchowk B.Arch III year, I part).
Its not got much content but ill just drop it here.
Rationalism was an architectural movement of the 20th century characterized by simplicity of form following function. Rationalist architects used industrial materials like concrete which was cheap, durable, and allowed for prefabrication. They designed with large windows and open floor plans, eliminating decorative elements in favor of proportion and asymmetry. Notable Rationalist architects included Mies van der Rohe, who designed glass skyscrapers with pure forms, and Le Corbusier, who developed the five points of architecture and applied concrete construction and standardization to projects like the Ville Savoye and Unité d'Habitation housing blocks.
- Farnsworth House was designed and built from 1946 to 1951 by German architect Ludwig Mies van der Rohe.
- The house consists of precast concrete floor and roof slabs supported by a carefully crafted steel skeleton frame, with single panes of glass spanning from floor to ceiling.
- Though it proved difficult to live in, Farnsworth House is still regarded as an important accomplishment of the international style for its elegant simplicity.
Ludwig Mies van der Rohe was a German-American architect. The architect responsible for the dictum "Less Is More," He is commonly referred to and was addressed as Mies, his surname.
- Adolf Loos was an Austrian and Czech architect and theorist of modern architecture born in 1870. He pioneered a modern style characterized by simplicity and lack of ornamentation. His designs emphasized rich materials and craftsmanship. Major works include the American Bar in Vienna and the Villa Müller houses.
- Louis Kahn was an American architect, educator, and philosopher born in 1901. He developed a spiritual philosophy of architecture focused on form and light. Notable buildings include the Salk Institute, Kimbell Art Museum, and Yale Center for British Art which featured his concepts of symmetry and separation of space.
- Kahn's Fisher House in Pennsylvania exemplified his idea of "two cubes" merging at an angle
Peter Behrens, (born April 14, 1868, Hamburg—died Feb. 27, 1940, Berlin), architect noted for his influential role in the development of modern architecture in Germany.
Ludwig Mies van der Rohe was a pioneering German-American architect who helped define modern architecture. Some of his most notable works included the Barcelona Pavilion, Farnsworth House, 860-880 Lake Shore Apartments in Chicago, and S.R. Crown Hall. Mies strove to create open floor plans and harmonious balances between buildings and nature using new materials like steel and glass. He believed "less is more" and that form should follow function.
Charles-Édouard Jeanneret, better known as Le Corbusier, was a pioneer of modern architecture and a leader of the International Style. The prominent—and largely self-taught— architect was also an accomplished painter and writer.
Chapter 21 modernism in archtecture at mid-centuryPetrutaLipan
This document provides an overview of modern architecture in the mid-20th century. It discusses key modernist architects and their works, including Frank Lloyd Wright and his Fallingwater house, Le Corbusier and his Purist theory of architecture, and Mies van der Rohe's influence on the International Style of skyscrapers with glass and steel. The document also covers the spread of the International Style globally and experimental housing designs from figures like Charles and Ray Eames.
(History of Architecture 2) Nov 2012 modern architectureCarla Faner
Modern Architecture in the 20th Century outlines key developments and movements. New materials like steel and reinforced concrete enabled new building forms. Schools like the Chicago School, Werkbund, and Bauhaus explored these materials and functional design. The International Style codified modern architecture's emphasis on simplicity, rejection of ornament, and use of materials honestly. Key figures like Le Corbusier, Mies van der Rohe, and Walter Gropius pioneered modern architecture.
Born : 27 March 1886
Death : 1969
Nationality : German
Career : Worked Under Peter Behrens
: As A Bauhaus Director
: Migrated to US and taught Architecture
Works : German Pavilion , Barcelona
: Crown Hall , Chicago
Farnsworth House
Seagram Building , New York
Lake Shore Apartments , Illinois
Ludwig Mies van der Rohe was a pioneering German-American architect known for his work in modernist architecture. Some of his most famous works include the Barcelona Pavilion (1929), Villa Tugendhat (1930), and Farnsworth House (1951). Mies believed that architecture should express the modern age through simplified forms and the use of new industrial materials like steel and glass. He strived to achieve a unified expression where every element of a building contributes to the overall design. Mies was influential in spreading the principles of the International Style and was known for his aphorisms "less is more" and "God is in the details."
Adolf Loos was an Austrian architect born in 1870 who helped pioneer modern architecture. He was inspired by Louis Sullivan's philosophy of "form follows function" and advocated for smooth, clear surfaces without ornamentation. Loos became known for his essay "Ornament and Crime" which criticized decorative elements on useful objects. Some of his most notable works included the Looshaus in Vienna, considered one of the first modern buildings for its mixed commercial and residential use, and the Villa Moller in Vienna, which featured his "Raumplan" concept of flexible interior spaces defined by non-bearing walls. Loos sought to make architecture more precise by linking beauty and utility through simplicity of form.
Ludwig Mies van der Rohe was a pioneering German-American architect who worked in Germany until 1937 before immigrating to the United States. Some of his most notable works include the Barcelona Pavilion built for the 1929 World's Fair, which featured an innovative steel and glass structure, and the Villa Tugendhat in Brno, Czech Republic, built from 1928-1930 using a revolutionary iron framework. Later in his career, Mies designed several influential glass and steel skyscrapers in Chicago and New York that came to define the International Style of modern architecture.
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Renzo Piano first gained success collaborating with Richard Rogers on the Centre Georges Pompidou in Paris in the 1970s. This inside-out design that exposed the building's functional elements launched both of their careers. In the 1980s, Piano designed the Menil Collection museum in Houston to house the private art collection of John de Menil and his wife Dominique. Piano's design blended the modern museum building into the surrounding residential neighborhood through a low-slung facade of gray wood siding and a large front lawn. Inside, Piano used a wave-shaped "leaf" structure made of ferrocement to control natural light levels for the artworks.
Modern architecture developed in reaction to 19th century styles by emphasizing form following function. New building types arose with industrialization like skyscrapers and warehouses using steel and concrete. Pioneers in the late 19th/early 20th century included Joseph Paxton, Louis Sullivan, and Otto Wagner. The Bauhaus school under Walter Gropius and figures like Le Corbusier and Mies van der Rohe popularized the International Style using steel frames, flat roofs, and open floor plans. Notable modern buildings include the Guggenheim Museum, Seagram Building, and Sydney Opera House.
An architectural style that emerged around early 1960s and was against the architectural styles advocated by Le Corbusier and Ludwig vies Van der Rohe.
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From the sleek lines of Villa Savoye to the revolutionary urban planning of Chandigarh, Le Corbusier's projects exemplify the International Style and Brutalism, blending functionality with aesthetic innovation. His architectural masterpieces, including the Unité d'Habitation and Notre Dame du Haut, reflect his commitment to creating harmonious living spaces that cater to human needs and aspirations.
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Born : 27 March 1886
Death : 1969
Nationality : German
Career : Worked Under Peter Behrens
: As A Bauhaus Director
: Migrated to US and taught Architecture
Works : German Pavilion , Barcelona
: Crown Hall , Chicago
Farnsworth House
Seagram Building , New York
Lake Shore Apartments , Illinois
Ludwig Mies van der Rohe was a pioneering German-American architect known for his work in modernist architecture. Some of his most famous works include the Barcelona Pavilion (1929), Villa Tugendhat (1930), and Farnsworth House (1951). Mies believed that architecture should express the modern age through simplified forms and the use of new industrial materials like steel and glass. He strived to achieve a unified expression where every element of a building contributes to the overall design. Mies was influential in spreading the principles of the International Style and was known for his aphorisms "less is more" and "God is in the details."
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Ludwig Mies van der Rohe was a pioneering German-American architect who worked in Germany until 1937 before immigrating to the United States. Some of his most notable works include the Barcelona Pavilion built for the 1929 World's Fair, which featured an innovative steel and glass structure, and the Villa Tugendhat in Brno, Czech Republic, built from 1928-1930 using a revolutionary iron framework. Later in his career, Mies designed several influential glass and steel skyscrapers in Chicago and New York that came to define the International Style of modern architecture.
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1. PHILOSOPHY OF MIES VAN DER
ROHE AND BARCELONA PAVILION
PRESENTED BY: PRESENTED TO:
LAXMI TWANABASU (740116) Ar. SUSHMA BAJRACHARYA
MANDIRA KC (740119)
PRIYANKA CHAUDHARY (740127)
RISHNA THAPA (740130)
SANGITAADHIKARI (740138)
2. INTRODUCTION
• Ludwig Mies van der Rohe was born in Aachen,
German on March 27, 1886 and died on August
17,1969.
• No formal training in architecture but migrated to Us
and taught architecture at the Illinois institute of
Technology.
• Worked under Peter Behrens and Bruno Paul.
• Designed Skyscrapers of Steel And Glass which
became models of skyscraper design throughout the
world.
• He adopted a minimalist approach to architecture,
calling his ideal style “skin and bones” architecture.
3. • He was a German architect and educator and is widely acknowledged as one of the 20th century’s greatest
architects.
• He helped in defining the modern architecture by emphasizing open spaces and revealing the industrial
materials used in construction.
AWARDS:
1. Order pour le merite (1959)
2. Royal gold medal (1960)
3. Aia gold medal (1960)
4. Presidential medal of freedom (1963)
4. Mies quickly became a leading figure in the avantgarde life of
Berlin and was widely respected in Europe for his innovative
structures, including the Barcelona Pavilion.
In 1930, he was named director of the
Bauhaus, the renowned German school of
experimental art and design, which he led until
1933 when he closed the school under pressure
from Zazi government
5. DESIGN PHILOSOPHY
• Mies Buildings, beyond merely affecting our lives with
greater significance and beauty.
• His Building is the expression of their structure.
• he absence of any decoration treatment was
fundamental.
• Togetherness of the interior space and the landscape
served the ideology.
• His Building Radiate the confidence, rationality and
elegance of their creator.
• His Building were free of ornamentation.
• His work confess the essential elements of our lives.
• He followed the reductionist approach.
• Less is more and God lies in detail.
6. EARLY CAREER
• He worked with his father in a stone carving shops at
several local design firms before moving to Berlin.
• Worked for Bruno Paul, the art nouveau architect and
furniture design, after moving to berlin.
• At the age of 20 he received his first independent
commission to plan a house (Riehl House) for a
philosopher.
• In 1908 he began working for the architect peter Behrens.
• Despite of a formal college –level education, he opened his
own office in berlin in 1912.
Architect Bruno Paul
Riehl House
Architect Peter Behrens
7. CHARACTER OF HIS WORKS
• Simple rectangular forms, clean lines and pure use of color.
• Open, flexible plan and multi- functional spaces.
• Widespread use of glass to bring the outside in.
• Mastered steel and glass construction.
• His Building are executed as objects of beauty and craftmanship
and seem very direct and simple.
• Every aspect of his architecture, from overall concept to the
smallest detail, supports his effort to express the modern age.
• He is often associated with the aphorisms “less is more” and
“God I sin the details”.
8. HIS WORKS
BARCELONA PAVILION
Location: Barcelona, Spain
Architectural Style: Modernism
Construction started: 1928
Demolished: 1930 (Rebuilt) 1986
Type: Exhibition Building
Client: Government of Germany
Architect: Ludwig mies van der Rohe
Structural system: Steel frame with Glass and
polished stone
9. BARCELONA PAVILION
• It is also known as German Pavilion designed by
Ludwig Mies van der Rohe and Lilly Reich.
• Designed for international Exposition in 1929 in
Barcelona, Spain.
• This building was used for the official opening of the
German section of the exhibition.
• It is an important building in the history of modern
architecture.
• It was conceived as a temporary structure to host a
reception for the Spanish king and the German
authorities during the exhibition.
10. CONCEPT
• Mies van der Rohe was commissioned by the Weimar Republic
• The Commissioner, Georg von Schnitzler said it should give "voice to the spirit of a new era".
• The aim was to evince democratic, culturally progressive, prospering, and thoroughly pacifist; a self-
portrait through architecture.
• Thereby show the world Germany’s new architecture, represented through the space.
• This concept was carried out with the realization of the "Free plan" and the "Floating room".
11.
12. PLAN LAYOUT
• Barcelona Pavilion is known for its simple form.
• use of extravagant materials such as glass, steel, marble, red onyx and travertine
• The design is based on a formulaic grid system developed by Mies.
• The layout of the building consists of a single-story, horizontal volume, with several interconnected
areas.
• There are no closed rooms, but the layout of walls and glass panels guides the visitor.
13. PLAN LAYOUT
• The building is oriented parallel to the street, from north to south.
• The access is parallel to the street and to the west facade of the building.
• On the north corner, behind the water pond,
• The spatial sequence was created using a free plan layout.
• The walls work as vertical plans, defining, and at the same time connecting, the different areas.
• Walls and glass panels are separated from the structural elements; this is known as free walls.
• Therefore, the building has a visible metal structure.
16. STRUCTURE
• The structure is created with eight steel pillars in a cross
holding a flat roof.
• Complete the work a relieved from large glass structure
and interior walls.
• The regular grid system developed by Mies not only
serves as a pattern for laying travertine pavers , but also
serves as an underlying framework of working systems
for interior walls.
17. MATERIAL
• Pavilion glass steel
• Reinforced concrete
• Four different type of marble
• Roman travertine
• Green alpine marble
• Ancient green marble
• Dore atlas
18. BARCELONA CHAIR
• The Barcelona chair is a chair designed by Ludwig Mies
van der Rohe and Lilly Reich.
• It was originally designed for the German Pavilion, that
country's entry for the International Exposition of 1929,
which was hosted by Barcelona, Spain.
• It was first used in Villa Tugendhat, a masterpiece of Mies
van den Rohe in the City of Brno (Czech Republic).
• The Barcelona chair was manufactured in the US and
Europe in limited production from the 1930s to the 1950s.
19. NATURAL LIGHTING
• The building is open plan and minimal in
design,
• Composed of horizontal planes that appear
to float and divided by vertical planes of
marble and glass that seem almost free-
standing.
• The juxtaposition of natural marble and
man-made materials means it’s not only a
great feat of design, but also a master class in
defining space through the medium of light.
20. CONCLUSION
• Architect Mies van der rohe had taught us that, not everything that you design need to be extra and
exaggerated with big element and component design but somethings can also make big difference.
• Not to compliment your design with other expectations but natural beauty like Barcelona Pavilion.
• Barcelona pavilion, which is simple and elegant as well as easy to understand and beautifully compose with
nature, which also has already been explained above.
• Hence, less is more.