This document provides an analysis of the movie poster for "The Woman In Black". It summarizes the key details of the poster including the cast, production companies, release date, director, budget and box office numbers. It then analyzes several technical aspects of the poster including the shot type, composition, layout, and typography. Symbolic elements of the poster like costumes, props, and lighting are also discussed. Finally, it examines how the poster establishes narratives and mysteries to intrigue audiences.
This document summarizes Gabriel White's investigation into how the movie poster for Jenifer's Body conforms to or challenges horror genre conventions. It discusses audience expectations for horror films, the production and commercial success of Jenifer's Body, and analyzes elements of the Jenifer's Body movie poster, noting how it challenges conventions by not depicting the villain as monstrous and instead showing the main character in normal high school clothes.
The document summarizes and compares tropes in the horror movies Halloween (1978) and Scream (1996) and the teen comedy movies Mean Girls (2004) and The Duff (2015). It discusses common tropes like the final girl character, mysterious killers, cliques and love interests. Specific scenes and shots are analyzed to showcase how they employ typical genre conventions and tropes.
1) The film opening provides context about the characters Charlie and Rosie before the events of the story. It shows Rosie spying on Charlie and scaring him, foreshadowing her haunting of him after her death.
2) Music and special effects are used to convey emotions and signify themes, such as a drone noise symbolizing Charlie's horror after Rosie's fall.
3) Costumes are used to symbolize the differences between the characters, with Charlie in dark colors and Rosie in bright colors to portray her innocence masking her power to kill.
4) The opening establishes the thriller genre through techniques like low-angle shots that build tension and suspense around ominous locations and events.
The document analyzes two soap opera trailers using Propp's character roles and narrative functions. For EastEnders, Mick is identified as the hero who departs to confront villain Dean. In Coronation Street, an older man saves a distressed woman from a car, acting as the hero. Both trailers depict binaries of good vs. evil through the hero confronting threats posed by the villains.
The document provides details about a short teen thriller film titled "Hidden in Plain Sight". The film is about a teenage girl in London who is stalked by a mysterious figure wearing a white mask. As she seeks help from her friend Ezekiel, she unknowingly gets closer to the stalker. The film will have 8 scenes with contrasting colors and lighting to represent the themes of light and dark. It will use techniques like blackouts and faded transitions to create a creepy and mysterious mood. The film aims to appeal to its target audience of 12-20 year olds by using teen actors and realistic scenarios. It will use color costumes and shots to represent the two sides of the character Ezekiel and draw from theories about op
The poster analyzes analyzes the film poster for "Sinister" and how it effectively promotes the horror movie. It does so through the use of a creepy title with dripping blood text in a sinister font, an unsettling image of a bloody face on the wall apparently painted by a little girl, and a dull white background that makes the blood and face stand out. These visual elements set an ominous and disturbing tone that aligns with horror movie tropes and intrigues viewers about the supernatural plot of the film being advertised.
The document analyzes the poster for the horror film "Sinister" and discusses several design elements that establish it as a supernatural psychological thriller. These include the creepy font used for the title, the contrast between the dark title and bright background, the cracked wall paint suggesting a decaying mind, and the tagline that creates intrigue about the narrative. It also notes common horror film techniques like a lack of prominent actors and social media integration to promote the film. The main selling point is the disturbing bloody image of demonic eyes that seem to stare into the viewer's soul.
The poster focuses on a doll with blood crying from its eyes, giving it human-like features and the implication that it may come to life. The title is written in red, connoting blood and violence. The tagline explains that this film is a prequel to "The Conjuring", enticing those who enjoyed that film. Released as a teaser poster to generate early interest and curiosity, it does not provide a specific release date.
This document summarizes Gabriel White's investigation into how the movie poster for Jenifer's Body conforms to or challenges horror genre conventions. It discusses audience expectations for horror films, the production and commercial success of Jenifer's Body, and analyzes elements of the Jenifer's Body movie poster, noting how it challenges conventions by not depicting the villain as monstrous and instead showing the main character in normal high school clothes.
The document summarizes and compares tropes in the horror movies Halloween (1978) and Scream (1996) and the teen comedy movies Mean Girls (2004) and The Duff (2015). It discusses common tropes like the final girl character, mysterious killers, cliques and love interests. Specific scenes and shots are analyzed to showcase how they employ typical genre conventions and tropes.
1) The film opening provides context about the characters Charlie and Rosie before the events of the story. It shows Rosie spying on Charlie and scaring him, foreshadowing her haunting of him after her death.
2) Music and special effects are used to convey emotions and signify themes, such as a drone noise symbolizing Charlie's horror after Rosie's fall.
3) Costumes are used to symbolize the differences between the characters, with Charlie in dark colors and Rosie in bright colors to portray her innocence masking her power to kill.
4) The opening establishes the thriller genre through techniques like low-angle shots that build tension and suspense around ominous locations and events.
The document analyzes two soap opera trailers using Propp's character roles and narrative functions. For EastEnders, Mick is identified as the hero who departs to confront villain Dean. In Coronation Street, an older man saves a distressed woman from a car, acting as the hero. Both trailers depict binaries of good vs. evil through the hero confronting threats posed by the villains.
The document provides details about a short teen thriller film titled "Hidden in Plain Sight". The film is about a teenage girl in London who is stalked by a mysterious figure wearing a white mask. As she seeks help from her friend Ezekiel, she unknowingly gets closer to the stalker. The film will have 8 scenes with contrasting colors and lighting to represent the themes of light and dark. It will use techniques like blackouts and faded transitions to create a creepy and mysterious mood. The film aims to appeal to its target audience of 12-20 year olds by using teen actors and realistic scenarios. It will use color costumes and shots to represent the two sides of the character Ezekiel and draw from theories about op
The poster analyzes analyzes the film poster for "Sinister" and how it effectively promotes the horror movie. It does so through the use of a creepy title with dripping blood text in a sinister font, an unsettling image of a bloody face on the wall apparently painted by a little girl, and a dull white background that makes the blood and face stand out. These visual elements set an ominous and disturbing tone that aligns with horror movie tropes and intrigues viewers about the supernatural plot of the film being advertised.
The document analyzes the poster for the horror film "Sinister" and discusses several design elements that establish it as a supernatural psychological thriller. These include the creepy font used for the title, the contrast between the dark title and bright background, the cracked wall paint suggesting a decaying mind, and the tagline that creates intrigue about the narrative. It also notes common horror film techniques like a lack of prominent actors and social media integration to promote the film. The main selling point is the disturbing bloody image of demonic eyes that seem to stare into the viewer's soul.
The poster focuses on a doll with blood crying from its eyes, giving it human-like features and the implication that it may come to life. The title is written in red, connoting blood and violence. The tagline explains that this film is a prequel to "The Conjuring", enticing those who enjoyed that film. Released as a teaser poster to generate early interest and curiosity, it does not provide a specific release date.
This document discusses costumes and props for characters in a student film production. It describes the casual clothing that the three main protagonists (Lennon, Liam, Daniel) will wear to appear relatable to audiences, including branded t-shirts and coats. Minor props like chip bags and beer bottles are also mentioned. More details are given for the primary protagonist Lennon's costume, including no shoes and use of a PlayStation and headset. The lone antagonist Joseph will wear darker, less branded clothes like black jeans and jacket to seem more ominous, and both he and the protagonists may use knives as props.
The document analyzes three movie posters for the film Paranormal Activity 4. All three posters avoid including actors' names to maintain the films' focus on ordinary families encountering supernatural forces. Poster 1 is a teaser with only the number 4, while Posters 2 and 3 include ominous images of a girl asleep unaware of a lurking figure and increasing details about the film title and release date. Common elements across the posters include the use of lighting and shadows to build suspense without revealing too much about the plot.
The document analyzes three movie posters for the film Paranormal Activity 4. All three posters avoid including actors' names to maintain the films' focus on supernatural events affecting normal families. Poster 1 is a teaser with only the number 4, while Posters 2 and 3 reveal more about the plot through ambiguous images of a girl imperiled by a supernatural presence. Across the posters, the film title, taglines, and lack of actors' names remain consistent to build suspense and relate the film to the Paranormal Activity series without revealing too much of the story.
The poster depicts an old woman sitting alone in a dark, dingy room holding a creepy doll. Details like scratches on the walls, shadows on the floor, and the woman's posture imply something supernatural or terrifying has occurred. The poster uses conventions like a dark color scheme, isolated central image, and taglines to promote the film as a supernatural horror and attract audiences interested in the genre.
This document provides analyses of two horror film posters - The Woman in Black (2012) and The Amityville Horror (2005). For the first poster, it examines the denotations and connotations of the visual elements, as well as the language of the film title and catchphrase. It analyzes the text, framing, character representation, setting/location, and color symbolism used. For the second poster, a similar analysis is performed looking at denotations, language elements, text analysis, framing, character representation, color symbolism, setting, and how stereotypes are reinforced.
This poster analyzes conventions found in horror movie posters. It examines posters for The Human Centipede, Predators, Piranha 3D, The Last Exorcism, Paranormal Activity, The Blair Witch Project, and Let Me In. Key elements discussed include taglines, images, fonts, colors, and clues provided about the plot or subgenre. Overall, the document looks at techniques used across posters to entice audiences while revealing aspects of the story without giving too much away.
The document analyzes and summarizes several horror movie posters. It discusses elements like the titles, main images, color schemes, stars, and taglines to infer possible plot details and genres. Key points analyzed include a tree bursting through a cabin suggesting rural/woods setting and resurrection for "Evil Dead", a deer-like symbol creating intrigue for "Vilsen", and a girl emerging from a mirror with the tagline "You see what it wants you to see" for "Oculus".
The document describes the opening of a thriller film called Cold Case. It summarizes the characters, locations, costumes, props, lighting, sound, and camerawork used. The protagonist is a criminology student named Sophie who investigates the cold case of Eve Walcott's 1953 murder. Several locations are used that fit both the 1950s and modern settings, including Elm Hill in Norwich. Character costumes, lighting choices, and music selections all utilize conventions of the thriller genre to set the mood and advance the plot. Camera shots like tilts create tension and suspense as Sophie becomes paranoid of being followed.
The document summarizes the film opening the author is planning to create for a psychological thriller genre film. The opening scene will feature a young woman walking alone along the Dubai Marina promenade late at night, covered in blood with stripes of paint coming down her face. It will build mystery and tension without dialogue. There will be 4 characters total in the opening, focusing mainly on the female protagonist. The opening title sequence and credits will appear over a black background. Soundtrack music will also add tension without overwhelming the visuals when the paint stripes begin.
The document analyzes the codes and conventions used in the teaser trailer for the horror film "Annabelle." It summarizes that the trailer uses techniques like juxtaposition, close-ups, costumes, score, lighting, blood, and screams to establish mood, foreshadow danger, and frighten the audience - which are common conventions of horror film trailers meant to grab attention and set an unsettling tone. The analysis provides specific examples of how each convention is employed to build suspense, compare characters/objects, and imply threats to characters and the spread of evil.
The document provides an analysis of a film poster. It summarizes key elements of the poster's design and how they convey information to viewers. These include the use of dark colors and lighting to set a horror tone, the positioning of the title and actors' names for visibility, and symbolic images that reveal clues about the plot and genre. Overall, the analysis examines how visual codes and conventions in the poster are used to attract audience attention and inform them about the film.
This document analyzes several film posters and discusses their visual elements and how they are used to convey information and intrigue audiences. The posters analyzed employ techniques like shadowy figures, ominous typography, vulnerable characters, and references to true events to create atmospheres of fear, mystery and suspense that draw viewers into the horror genre worlds depicted. Common themes across the posters include the use of dark colors, low-key lighting, ambiguous threats, and vulnerability of female characters.
This poster analyzes the poster for the psychological horror film "The Silence of the Lambs". It summarizes that the poster depicts Jodie Foster's character Clarice with a moth covering her mouth, suggesting she has a secret. Through the use of colors like red and black, as well as lighting and Clarice's eyes, the poster conveys a creepy and mysterious atmosphere. It also effectively draws in audiences by hinting at the deeper narrative without revealing too much, making viewers want to learn more by watching the film.
Ewan Wild is researching existing films, TV shows, and other media to inspire his short film project. He analyzes several dark comedy films and TV shows including The End of the F***ing World, Dr. Strangelove, Four Lions, Shaun of the Dead, and American Psycho. He looks at how they use comedy to make serious or dark moments more impactful. Wild also considers music inspirations from Life is Strange and Scott Pilgrim vs. the World. He wants to incorporate thought voiceovers, tension building scenes, and a serious ending to his film while maintaining elements of comedy.
This document analyzes and summarizes scenes from the film "The Woman in Black" to understand how it creates an atmosphere of fear and suspense. Key techniques include the use of white to represent innocence that is corrupted by evil, creepy music to signal danger, and shocked or soulless expressions on the girls' faces to indicate possession by a paranormal force. These scenes inspired the creator to use similar techniques in their own opening sequence, such as having the protagonist appear soulless to hint at a hidden agenda. Analyzing how the film establishes its antagonistic force and foreshadows death and killing helped the creator understand how to effectively set up terror in their own film.
The film poster for "Sinister" effectively conveys the key elements of the supernatural/possession genre. It depicts a young girl dragging what appears to be blood across a wall, revealing within it the face of the demonic antagonist that has possessed her. The background setting of an attic provides context for where important events in the film will take place. Institutional information establishes the credentials of the film's producers to create an unsettling atmosphere and build audience anticipation.
The document provides an analysis of the characters, narratives, locations, and production elements of the films "The Woman in Black" and "The Butterfly Effect". For both films, the characters fit the genres and further storylines through their portrayals. The narratives introduce mysteries at the start that are partially resolved throughout, with full resolutions by the end. The isolated locations of old houses and rural areas enhance the frightening atmospheres. Overall, the document analyzes how intentional choices in production elements effectively conveyed the intended genres and stories.
This poster promotes the psychological horror film "The Silence of the Lambs". It depicts the main character Clarice with a moth covering her mouth, representing the film's title. The use of orange, black and white establishes it as a psychological horror. While it follows conventions like image dominance and institutional information placement, it breaks conventions by lacking a tagline. The poster attracts audiences through Clarice's mysterious expression and color scheme, enticing them to learn more about the deeper narrative hinted at but not fully revealed.
The document summarizes horror movie posters from the 1920s to the 2000s. Over the decades, posters evolved from simple images of monsters to more stylized designs that revealed less about the plot. Early posters in the 1920s-1940s primarily featured the monster's face. Later posters in the 1990s-2000s tended to use close-up human faces and psychological elements to set tone without explicitly showing monsters. Color usage also became more intentional over time in conveying mood and themes like danger.
The opening sequence conforms to conventions of supernatural horror genre through the use of stock characters, plot, location, sound, and visual elements. Specifically, it features a young American female protagonist and an antagonist in the form of a disturbed spirit. While conforming to genres tropes, the sequence also challenges some conventions through its use of graphic violence and an enigmatic female antagonist meant to subvert patriarchal norms. The sequence largely represents young white Americans but also explores cultural binaries between Western and Japanese cultures. Through its production, the group learned how to use technologies like Premiere, After Effects, and social media to construct media products and engage audiences.
The poster is for the film "The Woman in Black" starring Daniel Radcliffe. It depicts Radcliffe standing outside an abandoned Victorian house that appears to be haunted. The main colors used are brown and black to give an old, decaying feel. The purpose is to convey that it is a period horror film and introduce Daniel Radcliffe as the protagonist who investigates the haunted house. At the bottom are credits for the film companies and release month.
The poster depicts the main character looking disturbed against a gloomy, misty background that conveys a sense of fear and isolation. In the background is a woman dressed in black standing in a graveyard next to a cross, looking very sinister. The title "The Women in Black" stands out in bright white text against the dark background, implying something powerful is hidden. Reviews and ratings are included to attract audiences by promoting the film as worth watching, while the subheading "fear her curse" provides insight into the storyline and makes audiences curious.
This document discusses costumes and props for characters in a student film production. It describes the casual clothing that the three main protagonists (Lennon, Liam, Daniel) will wear to appear relatable to audiences, including branded t-shirts and coats. Minor props like chip bags and beer bottles are also mentioned. More details are given for the primary protagonist Lennon's costume, including no shoes and use of a PlayStation and headset. The lone antagonist Joseph will wear darker, less branded clothes like black jeans and jacket to seem more ominous, and both he and the protagonists may use knives as props.
The document analyzes three movie posters for the film Paranormal Activity 4. All three posters avoid including actors' names to maintain the films' focus on ordinary families encountering supernatural forces. Poster 1 is a teaser with only the number 4, while Posters 2 and 3 include ominous images of a girl asleep unaware of a lurking figure and increasing details about the film title and release date. Common elements across the posters include the use of lighting and shadows to build suspense without revealing too much about the plot.
The document analyzes three movie posters for the film Paranormal Activity 4. All three posters avoid including actors' names to maintain the films' focus on supernatural events affecting normal families. Poster 1 is a teaser with only the number 4, while Posters 2 and 3 reveal more about the plot through ambiguous images of a girl imperiled by a supernatural presence. Across the posters, the film title, taglines, and lack of actors' names remain consistent to build suspense and relate the film to the Paranormal Activity series without revealing too much of the story.
The poster depicts an old woman sitting alone in a dark, dingy room holding a creepy doll. Details like scratches on the walls, shadows on the floor, and the woman's posture imply something supernatural or terrifying has occurred. The poster uses conventions like a dark color scheme, isolated central image, and taglines to promote the film as a supernatural horror and attract audiences interested in the genre.
This document provides analyses of two horror film posters - The Woman in Black (2012) and The Amityville Horror (2005). For the first poster, it examines the denotations and connotations of the visual elements, as well as the language of the film title and catchphrase. It analyzes the text, framing, character representation, setting/location, and color symbolism used. For the second poster, a similar analysis is performed looking at denotations, language elements, text analysis, framing, character representation, color symbolism, setting, and how stereotypes are reinforced.
This poster analyzes conventions found in horror movie posters. It examines posters for The Human Centipede, Predators, Piranha 3D, The Last Exorcism, Paranormal Activity, The Blair Witch Project, and Let Me In. Key elements discussed include taglines, images, fonts, colors, and clues provided about the plot or subgenre. Overall, the document looks at techniques used across posters to entice audiences while revealing aspects of the story without giving too much away.
The document analyzes and summarizes several horror movie posters. It discusses elements like the titles, main images, color schemes, stars, and taglines to infer possible plot details and genres. Key points analyzed include a tree bursting through a cabin suggesting rural/woods setting and resurrection for "Evil Dead", a deer-like symbol creating intrigue for "Vilsen", and a girl emerging from a mirror with the tagline "You see what it wants you to see" for "Oculus".
The document describes the opening of a thriller film called Cold Case. It summarizes the characters, locations, costumes, props, lighting, sound, and camerawork used. The protagonist is a criminology student named Sophie who investigates the cold case of Eve Walcott's 1953 murder. Several locations are used that fit both the 1950s and modern settings, including Elm Hill in Norwich. Character costumes, lighting choices, and music selections all utilize conventions of the thriller genre to set the mood and advance the plot. Camera shots like tilts create tension and suspense as Sophie becomes paranoid of being followed.
The document summarizes the film opening the author is planning to create for a psychological thriller genre film. The opening scene will feature a young woman walking alone along the Dubai Marina promenade late at night, covered in blood with stripes of paint coming down her face. It will build mystery and tension without dialogue. There will be 4 characters total in the opening, focusing mainly on the female protagonist. The opening title sequence and credits will appear over a black background. Soundtrack music will also add tension without overwhelming the visuals when the paint stripes begin.
The document analyzes the codes and conventions used in the teaser trailer for the horror film "Annabelle." It summarizes that the trailer uses techniques like juxtaposition, close-ups, costumes, score, lighting, blood, and screams to establish mood, foreshadow danger, and frighten the audience - which are common conventions of horror film trailers meant to grab attention and set an unsettling tone. The analysis provides specific examples of how each convention is employed to build suspense, compare characters/objects, and imply threats to characters and the spread of evil.
The document provides an analysis of a film poster. It summarizes key elements of the poster's design and how they convey information to viewers. These include the use of dark colors and lighting to set a horror tone, the positioning of the title and actors' names for visibility, and symbolic images that reveal clues about the plot and genre. Overall, the analysis examines how visual codes and conventions in the poster are used to attract audience attention and inform them about the film.
This document analyzes several film posters and discusses their visual elements and how they are used to convey information and intrigue audiences. The posters analyzed employ techniques like shadowy figures, ominous typography, vulnerable characters, and references to true events to create atmospheres of fear, mystery and suspense that draw viewers into the horror genre worlds depicted. Common themes across the posters include the use of dark colors, low-key lighting, ambiguous threats, and vulnerability of female characters.
This poster analyzes the poster for the psychological horror film "The Silence of the Lambs". It summarizes that the poster depicts Jodie Foster's character Clarice with a moth covering her mouth, suggesting she has a secret. Through the use of colors like red and black, as well as lighting and Clarice's eyes, the poster conveys a creepy and mysterious atmosphere. It also effectively draws in audiences by hinting at the deeper narrative without revealing too much, making viewers want to learn more by watching the film.
Ewan Wild is researching existing films, TV shows, and other media to inspire his short film project. He analyzes several dark comedy films and TV shows including The End of the F***ing World, Dr. Strangelove, Four Lions, Shaun of the Dead, and American Psycho. He looks at how they use comedy to make serious or dark moments more impactful. Wild also considers music inspirations from Life is Strange and Scott Pilgrim vs. the World. He wants to incorporate thought voiceovers, tension building scenes, and a serious ending to his film while maintaining elements of comedy.
This document analyzes and summarizes scenes from the film "The Woman in Black" to understand how it creates an atmosphere of fear and suspense. Key techniques include the use of white to represent innocence that is corrupted by evil, creepy music to signal danger, and shocked or soulless expressions on the girls' faces to indicate possession by a paranormal force. These scenes inspired the creator to use similar techniques in their own opening sequence, such as having the protagonist appear soulless to hint at a hidden agenda. Analyzing how the film establishes its antagonistic force and foreshadows death and killing helped the creator understand how to effectively set up terror in their own film.
The film poster for "Sinister" effectively conveys the key elements of the supernatural/possession genre. It depicts a young girl dragging what appears to be blood across a wall, revealing within it the face of the demonic antagonist that has possessed her. The background setting of an attic provides context for where important events in the film will take place. Institutional information establishes the credentials of the film's producers to create an unsettling atmosphere and build audience anticipation.
The document provides an analysis of the characters, narratives, locations, and production elements of the films "The Woman in Black" and "The Butterfly Effect". For both films, the characters fit the genres and further storylines through their portrayals. The narratives introduce mysteries at the start that are partially resolved throughout, with full resolutions by the end. The isolated locations of old houses and rural areas enhance the frightening atmospheres. Overall, the document analyzes how intentional choices in production elements effectively conveyed the intended genres and stories.
This poster promotes the psychological horror film "The Silence of the Lambs". It depicts the main character Clarice with a moth covering her mouth, representing the film's title. The use of orange, black and white establishes it as a psychological horror. While it follows conventions like image dominance and institutional information placement, it breaks conventions by lacking a tagline. The poster attracts audiences through Clarice's mysterious expression and color scheme, enticing them to learn more about the deeper narrative hinted at but not fully revealed.
The document summarizes horror movie posters from the 1920s to the 2000s. Over the decades, posters evolved from simple images of monsters to more stylized designs that revealed less about the plot. Early posters in the 1920s-1940s primarily featured the monster's face. Later posters in the 1990s-2000s tended to use close-up human faces and psychological elements to set tone without explicitly showing monsters. Color usage also became more intentional over time in conveying mood and themes like danger.
The opening sequence conforms to conventions of supernatural horror genre through the use of stock characters, plot, location, sound, and visual elements. Specifically, it features a young American female protagonist and an antagonist in the form of a disturbed spirit. While conforming to genres tropes, the sequence also challenges some conventions through its use of graphic violence and an enigmatic female antagonist meant to subvert patriarchal norms. The sequence largely represents young white Americans but also explores cultural binaries between Western and Japanese cultures. Through its production, the group learned how to use technologies like Premiere, After Effects, and social media to construct media products and engage audiences.
The poster is for the film "The Woman in Black" starring Daniel Radcliffe. It depicts Radcliffe standing outside an abandoned Victorian house that appears to be haunted. The main colors used are brown and black to give an old, decaying feel. The purpose is to convey that it is a period horror film and introduce Daniel Radcliffe as the protagonist who investigates the haunted house. At the bottom are credits for the film companies and release month.
The poster depicts the main character looking disturbed against a gloomy, misty background that conveys a sense of fear and isolation. In the background is a woman dressed in black standing in a graveyard next to a cross, looking very sinister. The title "The Women in Black" stands out in bright white text against the dark background, implying something powerful is hidden. Reviews and ratings are included to attract audiences by promoting the film as worth watching, while the subheading "fear her curse" provides insight into the storyline and makes audiences curious.
The document summarizes research on posters and websites for the horror-thriller genre. It analyzes posters for the films "The Woman in Black" and "Hostage," noting how they prominently feature intimidated or hidden protagonists. It also reviews the websites for "The Woman in Black" and "Final Destination," highlighting how they establish an eerie tone through dark colors, film clips, and interactive elements like a moving background image. The analysis aims to help the author and Nicole design effective promotional materials for their own horror-thriller film poster and website.
The document summarizes research on posters and websites for the horror-thriller films The Woman in Black, Hostage, and Final Destination. The posters all feature the main characters prominently to convey an unsettling situation. The Woman in Black poster shows Daniel Radcliffe's half-hidden face to emphasize hidden elements, while the Hostage poster uses Bruce Willis' lack of eye contact to imply something being hidden. Both films' websites match the eerie feel of the posters to help identify the genre, using clips, tabs, and promotional content to engage the audience.
The document summarizes research on posters and websites for the horror-thriller genre. It analyzes posters for the films "The Woman in Black" and "Hostage," noting how they prominently feature intimidated or hidden protagonists. It also summarizes the website for "The Woman in Black," highlighting how it matches the poster's eerie feel and provides film clips and tabs for the audience. Finally, it analyzes the "Final Destination" website, praising how its main skull image that moves with the mouse creates a scary effect through simplicity and unnatural qualities, fitting the genre well.
The document summarizes research on posters and websites for the horror-thriller films The Woman in Black, Hostage, and Final Destination. The posters all feature the main characters prominently to convey an unsettling atmosphere. The Woman in Black poster emphasizes the protagonist's fear through use of half his face and a mysterious background figure. The Hostage poster focuses simply on the protagonist holding a gun. The Woman in Black and Final Destination websites effectively mimic the dark and supernatural feel of the respective posters to attract audiences.
The document summarizes research on posters and websites for the horror-thriller films The Woman in Black, Hostage, and Final Destination. The posters all feature the main characters prominently to convey an unsettling situation. The Woman in Black poster emphasizes the protagonist's fear through use of half his face and a mysterious background figure. The Hostage poster focuses simply on the protagonist holding a gun. The Woman in Black and Final Destination websites effectively mimic the dark and supernatural feel of the respective posters to attract audiences.
The document summarizes research on posters and websites for the horror-thriller films The Woman in Black, Hostage, and Final Destination. The posters all feature the main characters prominently to convey an unsettling atmosphere. The Woman in Black poster emphasizes the protagonist's fear through use of half his face and a mysterious background figure. The Hostage poster communicates thriller through a gun prop and colors. The Woman in Black and Final Destination websites effectively match the eerie feel of the posters to identify the films' genres through dark tones, film clips, and interactive elements.
The document analyzes several movie posters, summarizing key elements and techniques used:
The Black Dahlia poster uses dark red text on white to represent death covering happiness. Legend prominently features the main characters and title in bold, noting it is based on a true story. The Dark Corner uses bright colors against a dark background to draw the eye to the title and actors. Positioning and lighting of characters are analyzed to infer plot details and character traits. Effective poster techniques highlighted include using contrast to make important elements stand out and conveying personality through lighting.
The document analyzes several horror movie posters featuring girls as the main character. Common elements included disturbing close-up images of the girls, use of black and white or darker tones to set a frightening atmosphere, cryptic taglines to intrigue viewers, and references to supernatural elements like possession or exorcism to indicate the horror genre. These posters provided inspiration for creating a teaser poster with conventions like contrasting colors and unsettling main images to attract an audience.
The poster uses a dark color scheme of black and grey to create a frightening and supernatural atmosphere. The close-up image of the main character's frightened face and the more subtle image of a pale woman's face without eyes add to the eerie and unsettling tone. Shadowy lighting fades from the main character's face into complete darkness around the woman's face, suggesting danger from the unknown. Text styles and placement lead the viewer to the shadowy image of the woman's face and pose an open-ended question to involve the audience.
The document analyzes several movie posters and summarizes key techniques used:
1) Posters use contrasting colors to make important information like titles and actor names stand out from the background. Positioning and lighting of characters can also provide clues about the plot and their roles.
2) The Legend poster positions the two main characters equally, showing they have the same power, unlike posters where one towers over the other.
3) Film noir conventions like men peering through blinds and femme fatales are identifiable in The Dark Corner poster. Lighting suggests one character needs help while the other is optimistic.
This document analyzes the codes and conventions used in horror movie posters for A Nightmare on Elm Street, Scream, and Annabelle. It discusses how each poster places the main character or antagonist prominently in the center to catch the viewer's attention. It also analyzes how lighting, color schemes, imagery and other design elements are used to create an unsettling mood and provide clues about the plot. Common horror conventions like disrupted equilibrium, threats of violence and death are portrayed through visual cues and text. Overall, the document shows how the posters employ standard techniques to advertise the films as scary and draw in audiences.
This document provides analysis of various elements in movie posters, including:
- Symbols like crosses, light, and religious imagery that imply a story's religious background.
- Monochrome color schemes and drained colors that set a tense, ominous tone.
- Character poses and props that provide clues about the plot or hint at supernatural themes.
- Tags, hashtags, and production company logos that can draw in audiences familiar with a director or franchise.
- Enigmatic taglines and compositions that raise questions and intrigue about the story.
The document describes a horror movie poster with prominent use of the color red to suggest evil, blood, and death. In the poster, streams of blood appear to be hanging or draping over figures that could be a family or group of friends. The background wallpaper suggests the scene takes place inside a home, and there is also a drawing of what seems to be the evil character. At the top of the poster, small text mentions previous successful horror movies, likely to attract more viewers.
The woman in black codes and conventions researchSarah Errey
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Similar to Genre in Horror Posters C Grade PPT (20)
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Genre in Horror Posters C Grade PPT
1. Introduction
In this essay I will be analysing and investigating the Woman In Black
Poster. The title of the film is “Woman In Black”.
Full cast: Daniel Radcliffe, Janet Mcteer, Ciaran Hinds, Liz White, Sophie
Stuckey, Jessica Raine, Shaun Dooley, Lucy May Barker, Roger Allam,
Emma Shorey, Misha Handley and Alisa Khazanova etc.
Production Companies for the film: Cross Creek Pictures (presents),
Hammer Film Productions (presents) (as Hammer), Alliance Films
(presents), UK Film Council (presents), Talisman Productions (as
Talisman), Exclusive Media Group (in association with), Film i Väst (in
co-production with) (as Film i Vast), Filmgate Films (co-production),
Filmgate (in co-production with) and Hammer Films.
Release Date:
10 February 2012 (UK)
2. Introduction Continued
Director of the film: James Watkins.
‘Fear Her Curse’ is the tagline for this film suggesting the film will be in the
horror type genre.
Crew: Jane Goldman – Screenplay
Marco Beltrami – Music
Simon Oakes, Richard Jackson & Brian Oliver – Producers
Nigel Sinclair, Tyler Thompson, Guy East & Roy Lee – Executive
Producers
Jon Harris – Editor
Kave Quinn – Production Designer
Tim Maurice-Jones – Cinematographer
Keith Madden – Costume Designer
Karen Lindsay-Stuwart – Casting Director
Box Office:
Budget:
$17,000,000 (estimated)
Opening Weekend:
$20,874,072 (USA) (3 February 2012)
Gross:
$54,322,273 (USA) (27 April 2012)
3. Introduction Continued
I expect this film to be watched by the C2 and D demographic group
because I expect the film to be more appealing to these sort of
demographic groups and the people that are in these groups I would
expect to be maybe in late teens to in their late 20’s. This demographic
group of people would probably stop at the poster and look at it. I
think both Males and Females would enjoy this poster so I’ll say both. I
this main poster actually conform the genre conventions because this
horror poster is like your typical poster in the way that it is set in a dark
mysterious place with the final survivor character in the centre of the
poster with the villain looking at them from behind them.
4. Technical Codes
For this poster they’ve used a medium shot, this shows only half of the
main characters body but in this shot it also has a little bit of a
background that shows as well. They’ve used the rule of thirds for this
poster and It will be shown in the next slide. They’ve used a ghost style
for the typography to implies that maybe the Woman In Black is a
ghost but its like an enigma, is she a ghost or a living woman and it
makes you want to go see the film and get your questions answered by
watching the film. On the poster they have layed it out so that the
main character is centred in the middle just behind the Title and to
both left and right they’ve put different stuff like the actual Woman In
Black sitting to the right, A massive tree to the left and the house on
the right too.
5. Technical Codes (Rule of Thirds)
As you can see here to the right of
the poster in this half we see the
actual Woman In Black looking like
she is sitting on a rock with a cross,
the cross maybe a grave of a relative
or maybe the Woman In Black was
religious? Also behind her is
something which looks like a
abandoned mansion. Her cape is
black which maybe suggests evil and
that she is a very dark character.
To the right of the poster it shows us
a massive scary looking tree with
braches extending out to the other
half of the poster. This looks like it
resembles something important in
the film, its almost like a enigma,
what part will it play in the film or is it
just a normal tree placed there to fill
the space. This makes the audience of
the poster more excited for the film.
In the middle of the poster we get a look at the main character himself,
they’ve put him in the middle to show that he’ll be the last person to
survive or the last to die in the film because making him the centre of the
poster and made him the only actual person in the poster because the
Woman In Black looks like a ghost on the post but you can’t actually see
her face or body but just a cloak sitting on a rock. The typeface for the
poster is directly in the middle and in front of the character in the middle.
The text looks like a ghost styled text.
6. Technical Codes Continued
The meanings behind the technical codes. Shot type is when your
camera is a placed in certain place for example in the poster they’ve
used a middle shot to show a lot for the poster but they’ve only shown
half of Daniel Radcliffe’s body and when they only show half of
something it’s a middle shot. Composition is like features they’ve
added to the poster like positions for example when I was talking
about the rule of thirds, that’s a composition. The layout is when
they’ve placed characters and props in certain positions e.g they put
Daniel Radcliffe in the centre and the Woman In Black is to the right of
him. Finally the Typography is when basically the font and colours of
the title it self talking about what the font of the title symbolizes like I
said that the title was like a ghost styled font so it may have implied
that the woman in black was a ghost.
7. Technical Codes Continued
Passive audiences would see the poster as just seeing Daniel Radcliffe,
the Woman In Black and a massive tree but an active audience would
look at the same things and start thinking why have they placed a
massive tree there?, why is Daniel Radcliffe there?, is he the main
character but they would see his name above himself and they would
know he is the main guy. They would see the cross in the background
and they might think that it’s maybe a grave but who's grave is it?.
Finally they would also see the massive abandoned mansion in the
background quite far away from him.
8. Technical Codes Continued
This poster conforms the convections in the way that it uses a medium shot but also I can’t see
any rule of thirds. The main character (Maybe the main character but placed in the centre) is
placed in the middle of the poster, she is maybe the Orphan and looks like she maybe the villain
in this poster by looking at her eyes its like starring into darkness. Although on the Woman In
Black poster the evil villain is to the right her victim so its different as there aren’t any victims in
this poster, but because she looks like she's the main character so they’ve placed her in the
centre which is the same as the Woman In Black. The typography looks like its been scratched on
which must something to do with film it self which is similar to the Woman In Black poster
because the title on the poster is made as a ghost sort of font style to symbolise that the Woman
In Black is a ghost.
This The Grudge 3 poster conforms to the conventions of the Woman In Black poster,
although this poster uses a sort of wide shot for this poster. Even though we can’t see very
much of this villain, she is still on the right of the poster which is also similar to the Woman In
Black poster as she is on the right of the poster as well.
9. Symbolic Codes
Daniel Radcliffe's clothes are very old but stylish, what I mean is that
back then the clothes that he was wearing were modern and
stylish/fashionable. Although the clothes are fashionable they’re very
ripped, this makes him look scruffy. Some of the props such as the the
cross in the background and the mist really sets the scene as dark and
scary, its makes you feel like you don’t want to be there. The costume
of the ghost is just a black cloak which is so simple yet genius in the
fact that you cant see ghosts or well as far as we know we can’t see
them but we can see what they’re wearing. The light is shining on the
Tree, Daniel Radcliffe and the Woman in Black herself. The colour
scheme is dark colours such as black dark blue, sea green and others.
10. Symbolic Codes Continued
Passive audiences would see the poster as just seeing Daniel Radcliffe,
the Woman In Black and a massive tree but an active audience would
look at the same things and start thinking what details have they made
to make the tree intimidating, why is Daniel Radcliffe in the spotlight
and what is he wearing, why have they shown what the Woman In
Black in so much detail why don’t they leave it as a surprise to what
she looks like.
11. Symbolic Codes Continued
This Orphan main character girl looks very mysterious and her clothes are old but not stylish
they look more like old school clothes like a dress which is completely different to the woman in
black her expression is more evil than Daniel Radcliffe's and unlike Daniel she is much cleaner
and her clothes aren’t wrecked or ruined. Spotlight on her face as well conforms the Woman In
Black poster because the villain or creep has also got a spotlight on her as well. Both females.
This challenges the Woman In Black horror poster.
Can’t really say too much on this because you can hardly see her body or
the clothes she is wearing although we can’t actually see any clothes on her
at all so this may suggest she is naked or has a sleeveless dress but we just
can’t tell because we can see nothing. Lighting is just on her which is similar
to The Woman In Black because she has a spotlight on her as well being the
villain. Both females. Overall I think this challenges the Woman In Black
horror poster.
12. Narratives
The title and the tagline doesn’t do a lot for an audience, it says “Do
you believe in ghosts?”. As you can see it obviously gives you nothing
to go on. The Title is in a ghost type font gives off a lot because we
couldn’t tell if the Woman In Black was a ghost or an actual Woman In
Black clothes so the typeface suggests this that maybe the Woman in
Black is a ghost after all. The poster does have an enigma in fact it has a
lot of enigmas for example The questions maybe “Why is Daniel
Radcliffe there?” or “Who is the Woman In Black?” or “What does that
cross and tree symbolize?” or “Why is there a massive mansion in the
background?”.
13. Narratives Continued
The area or place that they’re are shown to be at is a setting full of
spooky things such as the Mist all around the actors and props you
can’t even see the ground around them. They’ve used the props like
the tree and the cross to give it a scary graveyard feel to the location.
Dark skies gives a scary feel to the picture really setting the mood off.
The Archetypes- Daniel Radcliffe: The Hero but although he looks to be
the hero he doesn’t seem to look like your normal hero because he
doesn’t look aggressive, strong or interrogating in anyway shape or
form but this is only what we can see from the poster.
14. Narratives ContinuedThere are some genre conventions that are the same as the
Woman In Black for example both have the villain, maybe
it's not the same two as the villain isn’t in the centre in the
Woman In Black poster. Both villains wearing completely
different outfits and this Orphan looks like she is a little girl
yet the Woman In Black is an actual woman.
The genre conventions between the two of the
posters are basically the same between the
comparison of the Orphan and the Woman In Black
poster but we can see the Grudge villain looks like a
ghost so maybe there is some relation in the way
that we discussed on the other poster that maybe
the typeface suggests the Woman In Black is a
Ghost.
15. Audience- For horror films like this they usually have a target
audience in the age group 15-25. It is mostly aimed at men as they
are more likely to be able to interact with the characters on screen.
Women can interact with those on screen to but they would tend
to
react differently.
Institution- Saw is a horror film franchise distributed by Lions Gate Entertainment
and produced by Twisted Pictures that consists of seven feature films and
additional merchandise. You can see the influence it had on the poster is that
they’ve used body parts obviously cut off by a saw.
16. Audience- For horror films like this they usually have a target
audience in the age group 15-25. It is mostly aimed at men as they
are more likely to be able to interact with the characters on
screen.
Women can interact with those on screen to but they would tend
to react differently.
Institution- Sinister is a 2012 found footage supernatural horror film directed by
Scott Derrickson and written by Derrickson and C. Robert Cargill. It stars Ethan
Hawke as fictional true-crime writer Ellison Oswalt who discovers a box of home
movies in his attic that puts his family in danger.
17. Conclusion
The poster is very effective and goes well with its Genre. As soon as
you take a look at the film poster you automatically think horror. This
is what excites people a lot of detail has gone into this poster and I
believe it's one of the best horror posters if not the best poster out of
the four I compared it to. I think it does attract its target audience of
around 12a because although people of a young age may not get the
poster as much they will still watch it because of the mystery of the
poster. In my opinion I believe that it does conform the genre
conventions with the spooky settings, the characters and others.