GENRE ANALYSIS Samantha Fairclough
INTRODUCTION TO 
DOCUMENTARIES 
The purpose to a documentary is to 
document an aspect of reality. They also: 
inform, investigate, educate and entertain. 
They are factual and subject specific with 
an exposition (argument/clear point), facts 
and different styles. 
John Grierson was a pioneering Scottish 
documentary maker, often considered the 
father of British and Canadian documentary 
film. In the 1930s he had a film group 
called General Post Office who made 
documentaries. Documentaries were 
produced for a cinema audience as TV had 
not yet been developed. He coined the term 
Documentary, he defined it as the creative 
treatment of actuality. 
“In documentary we deal with the actual, 
and in one sense with the real. But the 
really real, if I may use that phrase, is 
something deeper than that. The only 
reality which counts in the end is the 
interpretation which is profound” – John
FEATURES OF DOCUMENTARY 
Observation: The action or process of closely observing or monitoring something or 
someone. The normal styling is that the camera is positioned to be unseen and hidden 
away from the people within filming, this therefore equates to the audience having more 
of watching sensation while viewing the documentary. 
Interview: An interview is a conversation between two or more people where questions are 
asked by the interviewer to elicit facts or statements from the interviewee. Interviews are a 
normal element of documentaries, this can be within a various type of documentaries. 
Respondents are asked various questions to gather feedback related to the topic being 
discussed within the programme. 
Dramatisation: The reconstruction of an event, novel, story in a form suitable for dramatic 
presentation. Drama is a key component, as a purpose as well as to inform and document 
is to entertain the viewers. 
Mise-en-scene: An expression used to describe the design aspects of a theatre or film 
production, which essentially means visual theme or telling a story. Costumes, lighting, 
setting, props and actors help create the drama. 
Exposition: The exposition is the portion of a story that introduces important background 
information to the audience; for example, information about the setting, events occurring 
before the main plot, characters' back stories, etc. Dramatic parts of the documentary are 
specially chosen in order to get the viewer’s attention.
Self reflective 
TYPES OF 
DOCUMENT 
ARIES 
Fully narrated 
Fly on the wall Mixed 
Docudrama Docusoap
FULLY NARRATED 
A fully narrated documentary 
contains a voice over the 
majority of the programme, this 
is called the voice of god as the 
narrator is not visible to the 
audience yet their input is still 
vital as it adds a more contextual 
point of view. A direct mode of 
address is used as it anchors the 
meaning of the visual 
representation. It also can be 
argued as a figure of authority as 
the audience is encouraged to 
agree with their opinion. For 
example multiple David 
Attenborough’s documentaries.
MIXED 
A mixed documentary contains 
both narration with elements of 
interviews related to the topics, 
giving a stronger argument 
throughout. It is a combination 
of interviews, observation and 
narration. In this type of 
documentary, the narrator can be 
visible to the audience unlike the 
way a fully narrated documentary 
is run. For example The Devil 
Made Me Do It.
FLY ON THE WALL 
Fly on the wall documentaries are 
mainly observational with limited 
commentary or narration. This is to 
portray the audience as an outsider; 
with the programme is being more 
realistic and less staged. This type of 
documentary is filmed as and when it 
happens i.e. at the point of action; this 
helps to give an unsettling experiences 
towards the viewers as it is showing 
the true events that occurred. However, 
a considerable amount of editing is 
used in the making of a fly on the wall 
documentary which questions the 
actual situation seen. The audience are 
only seeing what the maker of the 
documentary wants them to see, so it 
cannot be taken as complete certainty 
that all the documentary is true.
DOCUDRAMA 
A re-enactment of events as they are suppose 
to have happened, the story would be based on 
a real fact portrayed to the audience as it 
happened. . For example crimewatch or the 
9/11 tragedy. Investigators track as much as 
possible on elements of situations so the 
documentary is as factual as possible. I.e. 
tracking of mobile phone calls before the plane 
crash of 9/11 and re-enact them to how the 
situation may have looked, but due to their 
being no survivors the documentary can not be 
seen as an exact representation.
DOCUSOAP 
A docusoap documentary is a 
documentary that follows the daily 
life of a particular individual. A 
docusoap no cast, very little crew 
involved and are relatively cheap to 
construct due only a camera being 
needed for filming. An example of a 
docusoap would be Benefit street, 
teen mom or my big fat gypsy 
wedding. These have been disputed 
if they are actual documentaries, 
however they are very popular and 
are a low cost to produce.
SELF REFLECTIVE 
In a self-reflective documentary the 
subject acknowledges the camera 
and talks to it directly, as to speak 
to the film maker themselves. This is 
to try to draw the attention of the 
audience. Self-reflective 
documentaries are less popular 
compared to others seen as they are 
criticised for being about the 
presenter and not the content that 
they are supposed to be discussing. 
A self reflexive documentary is 
where the narrator of the 
documentary contributes the most 
input.

Genre analysis

  • 1.
  • 2.
    INTRODUCTION TO DOCUMENTARIES The purpose to a documentary is to document an aspect of reality. They also: inform, investigate, educate and entertain. They are factual and subject specific with an exposition (argument/clear point), facts and different styles. John Grierson was a pioneering Scottish documentary maker, often considered the father of British and Canadian documentary film. In the 1930s he had a film group called General Post Office who made documentaries. Documentaries were produced for a cinema audience as TV had not yet been developed. He coined the term Documentary, he defined it as the creative treatment of actuality. “In documentary we deal with the actual, and in one sense with the real. But the really real, if I may use that phrase, is something deeper than that. The only reality which counts in the end is the interpretation which is profound” – John
  • 3.
    FEATURES OF DOCUMENTARY Observation: The action or process of closely observing or monitoring something or someone. The normal styling is that the camera is positioned to be unseen and hidden away from the people within filming, this therefore equates to the audience having more of watching sensation while viewing the documentary. Interview: An interview is a conversation between two or more people where questions are asked by the interviewer to elicit facts or statements from the interviewee. Interviews are a normal element of documentaries, this can be within a various type of documentaries. Respondents are asked various questions to gather feedback related to the topic being discussed within the programme. Dramatisation: The reconstruction of an event, novel, story in a form suitable for dramatic presentation. Drama is a key component, as a purpose as well as to inform and document is to entertain the viewers. Mise-en-scene: An expression used to describe the design aspects of a theatre or film production, which essentially means visual theme or telling a story. Costumes, lighting, setting, props and actors help create the drama. Exposition: The exposition is the portion of a story that introduces important background information to the audience; for example, information about the setting, events occurring before the main plot, characters' back stories, etc. Dramatic parts of the documentary are specially chosen in order to get the viewer’s attention.
  • 4.
    Self reflective TYPESOF DOCUMENT ARIES Fully narrated Fly on the wall Mixed Docudrama Docusoap
  • 5.
    FULLY NARRATED Afully narrated documentary contains a voice over the majority of the programme, this is called the voice of god as the narrator is not visible to the audience yet their input is still vital as it adds a more contextual point of view. A direct mode of address is used as it anchors the meaning of the visual representation. It also can be argued as a figure of authority as the audience is encouraged to agree with their opinion. For example multiple David Attenborough’s documentaries.
  • 6.
    MIXED A mixeddocumentary contains both narration with elements of interviews related to the topics, giving a stronger argument throughout. It is a combination of interviews, observation and narration. In this type of documentary, the narrator can be visible to the audience unlike the way a fully narrated documentary is run. For example The Devil Made Me Do It.
  • 7.
    FLY ON THEWALL Fly on the wall documentaries are mainly observational with limited commentary or narration. This is to portray the audience as an outsider; with the programme is being more realistic and less staged. This type of documentary is filmed as and when it happens i.e. at the point of action; this helps to give an unsettling experiences towards the viewers as it is showing the true events that occurred. However, a considerable amount of editing is used in the making of a fly on the wall documentary which questions the actual situation seen. The audience are only seeing what the maker of the documentary wants them to see, so it cannot be taken as complete certainty that all the documentary is true.
  • 8.
    DOCUDRAMA A re-enactmentof events as they are suppose to have happened, the story would be based on a real fact portrayed to the audience as it happened. . For example crimewatch or the 9/11 tragedy. Investigators track as much as possible on elements of situations so the documentary is as factual as possible. I.e. tracking of mobile phone calls before the plane crash of 9/11 and re-enact them to how the situation may have looked, but due to their being no survivors the documentary can not be seen as an exact representation.
  • 9.
    DOCUSOAP A docusoapdocumentary is a documentary that follows the daily life of a particular individual. A docusoap no cast, very little crew involved and are relatively cheap to construct due only a camera being needed for filming. An example of a docusoap would be Benefit street, teen mom or my big fat gypsy wedding. These have been disputed if they are actual documentaries, however they are very popular and are a low cost to produce.
  • 10.
    SELF REFLECTIVE Ina self-reflective documentary the subject acknowledges the camera and talks to it directly, as to speak to the film maker themselves. This is to try to draw the attention of the audience. Self-reflective documentaries are less popular compared to others seen as they are criticised for being about the presenter and not the content that they are supposed to be discussing. A self reflexive documentary is where the narrator of the documentary contributes the most input.