Fonts!
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The document discusses potential fonts for a project, noting that the artist has used a variety of fonts in the past. It considers using a font similar to what the artist has commonly used but also something more different to reflect progression. It aims to select a clear, easy-to-read font that represents the artist while maintaining synergy across materials using the same font.
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Masthead and Font Decisions
The document discusses font choices for a magazine masthead and artist's name. For the masthead, simpler, classic sans-serif fonts were chosen over more flashy options to balance the colorful cover design. A font with curved styles and a slightly youthful feel was selected. For the artist's name, girly or childish fonts were rejected in favor of a taller, slimmer sans-serif font that represents the artist in a classic way.
Kerrang and Vamp Conventions
The document discusses how the media product, a magazine called "Vamp", uses, develops, and challenges conventions of real magazines like "Kerrang!".
The magazine uses conventions like a black, white, and red color scheme. Fonts are chosen to fit the rock genre. Photos are placed on the left side with artists looking at the camera. Issue contents list band names in titles. However, some conventions are challenged, like using subtle front cover photos instead of high contrast images. Fonts and colors are also experimented with in non-traditional ways. Overall, the magazine borrows from real magazines but also puts its own spin on conventions of the genre.
Cover Layout Decisions / Photoshop
The document describes the process taken to design the cover of a K-pop magazine mockup. Key details include cropping and placing a masthead font on the cover, adding the magazine title in Korean text above the masthead, using a gradient of pink and green colors for the cover background inspired by other magazines, editing the model's hair for a smooth edge, including the album name and artist's name on the cover inspired by real K-pop albums, and adding additional Korean text elements and a barcode inspired by other magazine layouts.
Font research
The document discusses fonts that could be used for a digipak. It examines Adobe fonts, which will be easy to use in Photoshop, and notes that they are clear, readable, and neither distinctly feminine nor masculine. It also reviews fonts from Dafont that could be downloaded, including some feminine handwriting styles to target female listeners and a "traveling typewriter" font to give the digipak a vintage feel alluding to time periods when inspiring bands were popular.
Fonts and design
The document discusses various fonts and their suitability for a hip hop album digipak and poster. It examines several fonts, evaluating whether they fit the hip hop genre or seem too basic, artistic, or suited for other genres. The author settles on the "mix tumble" font from DaFont for the digipak and a similar melting font for the poster, noting they reflect the hip hop genre and have been used effectively in previous album and poster designs.
Double page spread development
C-Bizzle is featured in a double page spread where the designer copied elements from the magazine's front cover, including the artist's name and a serious mid-shot photo of him. Boxes were added for body copy and a headline, along with logos, page numbers, and a credited photographer name along the bottom to look authentic. A pull quote in red and black font was inserted, later changing a reference to Maybach to Mercedes. The body copy used an interview format with questions in red and answers in black, continuing the color scheme and adding black bars for consistency with the contents page.
Contents research
The document summarizes an image on the cover of a rap music magazine. The image features the rap artist Ice Cube in close-up with an aggressive expression, reflecting the serious and angry nature of his music. His face is faded into the dark background to portray the dark side of hip hop. Text and other design elements are used strategically throughout the image to highlight Ice Cube as the focus, match the dark tone of hip hop, and align with song and album titles from Ice Cube's discography. The magazine's logo, colors, and layout are also designed to look dark and unique in capturing the essence of hip hop culture.
Flat Plan Feedback
This document provides feedback from three people - Mae, Naya, and Annastasiya - on sample flat plans for the front cover, contents page, and double page spread of a Kpop magazine. Mae and Annastasiya are Kpop fans, while Naya is a non-fan. Mae likes the use of the @ symbol on the cover and thinks the contents page looks neat and professional. Naya thinks the gradient colors on the artist's name looks fun and the small magazine name in the corner is a nice link. Annastasiya thinks keeping the Korean and English contents page texts close is a good idea and likes the classic layout of the name and introductory paragraph.
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The document discusses how the media product, a magazine called "Vamp", uses, develops, and challenges conventions of real magazines like "Kerrang!".
The magazine uses conventions like a black, white, and red color scheme. Fonts are chosen to fit the rock genre. Photos are placed on the left side with artists looking at the camera. Issue contents list band names in titles. However, some conventions are challenged, like using subtle front cover photos instead of high contrast images. Fonts and colors are also experimented with in non-traditional ways. Overall, the magazine borrows from real magazines but also puts its own spin on conventions of the genre.
Cover Layout Decisions / Photoshop
The document describes the process taken to design the cover of a K-pop magazine mockup. Key details include cropping and placing a masthead font on the cover, adding the magazine title in Korean text above the masthead, using a gradient of pink and green colors for the cover background inspired by other magazines, editing the model's hair for a smooth edge, including the album name and artist's name on the cover inspired by real K-pop albums, and adding additional Korean text elements and a barcode inspired by other magazine layouts.
Font research
The document discusses fonts that could be used for a digipak. It examines Adobe fonts, which will be easy to use in Photoshop, and notes that they are clear, readable, and neither distinctly feminine nor masculine. It also reviews fonts from Dafont that could be downloaded, including some feminine handwriting styles to target female listeners and a "traveling typewriter" font to give the digipak a vintage feel alluding to time periods when inspiring bands were popular.
Fonts and design
The document discusses various fonts and their suitability for a hip hop album digipak and poster. It examines several fonts, evaluating whether they fit the hip hop genre or seem too basic, artistic, or suited for other genres. The author settles on the "mix tumble" font from DaFont for the digipak and a similar melting font for the poster, noting they reflect the hip hop genre and have been used effectively in previous album and poster designs.
Double page spread development
C-Bizzle is featured in a double page spread where the designer copied elements from the magazine's front cover, including the artist's name and a serious mid-shot photo of him. Boxes were added for body copy and a headline, along with logos, page numbers, and a credited photographer name along the bottom to look authentic. A pull quote in red and black font was inserted, later changing a reference to Maybach to Mercedes. The body copy used an interview format with questions in red and answers in black, continuing the color scheme and adding black bars for consistency with the contents page.
Contents research
The document summarizes an image on the cover of a rap music magazine. The image features the rap artist Ice Cube in close-up with an aggressive expression, reflecting the serious and angry nature of his music. His face is faded into the dark background to portray the dark side of hip hop. Text and other design elements are used strategically throughout the image to highlight Ice Cube as the focus, match the dark tone of hip hop, and align with song and album titles from Ice Cube's discography. The magazine's logo, colors, and layout are also designed to look dark and unique in capturing the essence of hip hop culture.
Flat Plan Feedback
This document provides feedback from three people - Mae, Naya, and Annastasiya - on sample flat plans for the front cover, contents page, and double page spread of a Kpop magazine. Mae and Annastasiya are Kpop fans, while Naya is a non-fan. Mae likes the use of the @ symbol on the cover and thinks the contents page looks neat and professional. Naya thinks the gradient colors on the artist's name looks fun and the small magazine name in the corner is a nice link. Annastasiya thinks keeping the Korean and English contents page texts close is a good idea and likes the classic layout of the name and introductory paragraph.
Can, could and be able to
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Features page
The features page profiles an up-and-coming acoustic musician who performs love songs and acoustic indie music. Pull quotes are used throughout the black and white page to highlight parts of an interview with the musician. The layout uses two columns of text formatted like a conversation rather than a question and answer format. A serif font is used for the musician's name heading while sans-serif fonts are used elsewhere for visual appeal. The musician is photographed against a plain white backdrop directing the viewer's eye to the text.
FONT RESEARCH
The document summarizes the author's research into different fonts for a jazz album cover. The author looked at fonts that represented the jazz genre through features like bold lettering, keyboards, and multi-colored styles. One font was chosen for having a "retro, 'jazzy' look" that would stand out on store shelves. Another font resembled a feminine style more suitable for the female artist. A final font suggested a "party like" and nighttime vibe through its sparkly style resembling a disco ball.
Media evaluation question 1
The document describes how the creator of a magazine front cover was inspired by and copied conventions from two existing music magazines, NME and Kerrang, to design their own magazine intended for a female audience. Key elements copied included layouts, fonts, colors, photo styles, and sections like contents pages. The goal was to take the indie theme but make it more appealing to women, incorporating conventions from the example magazines into the creator's own style and design.
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The document discusses selecting a font for an artist's album cover and advertisement. The author tries different fonts from the website DaFont to find one that represents the artist and genre of acoustic/folk music. Ultimately, the author selects the font "Queen of Clubs" because it is bold, readable and similar to fonts used by other acoustic/folk artists. The author believes this font best represents their artist and the genre of music.
Album covers
This document discusses and analyzes several album covers that have a similar minimalist aesthetic. It notes that the covers feature just one striking photograph with simple or minimal text titles that do not overwhelm the image. The covers give a plain yet powerful impression and feel imaginative. Some covers use a grainy, old effect that suggests they were taken with disposable, film, or Polaroid cameras to give an indie, authentic vibe. White minimal text on the covers is discussed as standing out against the photos without distracting from them.
My Fonts
The document discusses 6 different fonts being considered for a music magazine. The first and third fonts are favorites - the first because it looks messy like rap/R&B artists, and the third because it has a chalk effect. However, the third may not show up well on all backgrounds. The second, fourth, and fifth fonts will not be used - the second is boring, the fourth and fifth are too similar and hard to read. The final font has a border but a thick underline. The author decides the first or third font will be used for headers and the fourth for descriptions.
Task 5 masthead colour and font
The document discusses font and color choices for a magazine masthead. It considers using yellow or red as both colors would stand out from the background. For yellow, the author chose the Rezland font from DaFont.com as it suited R&B music but also looked unique. For red, the Lemon/Milk font was selected as red is often associated with R&B and the font fit the theme while making the masthead stand out and look exciting.
Fonts N Tht
The document discusses choosing a font for a music magazine focused on modern rock and indie music. It considers several fonts that could fit the genre by looking edgy or like a band logo. It mentions exploring different colors as well to see which pair best with the selected font. The document concludes it will try out the various fonts being considered for the magazine splash page to see which looks best.
Fonts N Tht
The document discusses choosing a font for a music magazine focused on modern rock and indie music. It considers several fonts that could fit the genre by looking edgy or like a band logo. It mentions exploring different colors as well to see which pair best with the selected font. The document concludes it will try out the various fonts being considered for the magazine splash page to see which looks best.
Font research
The document discusses different fonts that could be used for a punk/rock band's album cover. It analyzes four fonts that were found on the website "dafont", noting how some fonts resemble those used by iconic punk bands like The Sex Pistols. The fonts are described as minimal, simple designs that fit the punk genre's attitude of taking little effort. One font stands out as eye-catching, while another is seen as more boring. The last font discussed is said to look handwritten and scruffy, suiting the punk notion of putting in no effort.
Font research
The document discusses different fonts that could be used for a punk/rock band's album cover. It analyzes four fonts taken from the website "dafont", favoring fonts that look punk/rock inspired by appearing handwritten or as if cut out from a newspaper. The first and fourth fonts stood out as looking low effort like punk music, and would work well on the front or back cover.
Masthead Analysis
The document analyzes and compares the styles of mastheads used in magazines covering different music genres such as rock, pop, and indie/alternative. It finds that rock mastheads typically use black and white sans-serif fonts to contrast with colorful magazine covers and emphasize the power of rock music. Pop mastheads tend to be more colorful with playful fonts to appeal to younger audiences. Indie/alternative mastheads are similar to rock styles using basic sans-serif fonts in black, white, or red to avoid distraction from content. The author decides to design their masthead in the style of rock magazines for authenticity.
Masthead Analysis
The document analyzes and compares the styles of mastheads used in magazines covering different music genres such as rock, pop, and indie/alternative. It finds that rock mastheads typically use black and white sans-serif fonts to contrast with colorful magazine covers and emphasize the power of rock music. Pop mastheads tend to be more colorful with playful fonts to appeal to younger audiences. Indie/alternative mastheads are similar to rock styles using basic sans-serif fonts in black, white, or red to avoid distraction from content. The author decides to design their masthead in the style of rock magazines for authenticity.
Looking at music magazines
The document discusses various aspects of magazine design including house styles, fonts, colors, and photography. It provides examples of house styles from magazines like NME and Kerrang, noting their typical font, color, and logo choices. The document also discusses developing a name, house style, color scheme, fonts, and logo for a new music magazine, settling on the name "NCYDE" and using black, blue, yellow, and white colors. Next steps include finalizing these design elements and planning a photography shoot.
Fonts
The document evaluates several fonts for suitability in a rap magazine masthead. It discusses the fonts "Bomb font", "Badaboom BB", "Blazed", "Docallisme", "Next Custom", and "Outrun future". The author selects Bomb font, Badaboom font, Next custom font, and Outrun future font for the magazine based on readability, representation of the genre, and familiarity to the target audience from prior music videos.
Production elements.
Oliver Ingham is creating a magazine cover and double page spread about three deceased artists: Lil Peep, XXXTentacion, and NF.
For the cover, Oliver will use Photoshop to edit images from Google Images alongside the colors pink, blue, black, and white to represent each artist. Lil Peep and XXXTentacion will be the main focus in the center, while NF will be in a smaller image in the corner.
For the double page spread, Oliver will compare Lil Peep and XXXTentacion across one page each using pink/white and black/blue color schemes respectively. NF will be featured alone on a following black page with silver text. Oliver plans to
Main magazine and digipak pitch
This document provides details about a magazine and digipak pitch for the artist Ella Henderson and her song "Yours". It summarizes the chosen artist and song, moodboard inspirations focusing on winter coats, a vintage-style font called "FF Market", planned shot types including close-ups and establishing shots, a red envelope prop symbolizing love, location selection of Ferry Meadows in Peterborough, and requests feedback via SWOT sheets.
Image for my Artist
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As if
The document discusses the conjunctions "as if", "as though", and "like" and how they are used to describe how something or someone looks, sounds, feels, behaves, or acts. It provides examples of their use in different contexts and tenses. It also notes that "like" can be used informally in American English instead of "as if/as though" followed by a clause. The classroom activity section includes exercises filling in the missing conjunction and choosing the correct option.
Two column documentary script
1. Zak introduces himself as a bodybuilder who has been training for years. He used to work in a lab but quit to pursue his passion for bodybuilding.
2. Zak talks about his early bodybuilding competitions where he won trophies and felt nervous in his first competition performing for strangers.
3. Zak started his own protein supplement company to ensure bodybuilders have healthy options for training and owns his own gym. He is preparing for an upcoming major competition.
Choosing my font
The chosen font for the poster is "Code Bold Regular". It was selected over a more traditional Saul Bass style font to give the poster a more modern look, which this font achieves. While having a slightly digital feel, it is not as digitally extreme as "Agency FB Regular", providing a clear font that is modern but not overly technological.
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Can, could and be able to
The document discusses various uses of common English verbs like "can", "could", and "see". It provides examples of how to use these verbs correctly in sentences, such as using "can't" to express inability, using "could" to describe senses, and using "see" to look at something from a distance. The document also notes some differences in verb forms, such as using the present perfect with "be able to" but not with other modal verbs.
Features page
The features page profiles an up-and-coming acoustic musician who performs love songs and acoustic indie music. Pull quotes are used throughout the black and white page to highlight parts of an interview with the musician. The layout uses two columns of text formatted like a conversation rather than a question and answer format. A serif font is used for the musician's name heading while sans-serif fonts are used elsewhere for visual appeal. The musician is photographed against a plain white backdrop directing the viewer's eye to the text.
FONT RESEARCH
The document summarizes the author's research into different fonts for a jazz album cover. The author looked at fonts that represented the jazz genre through features like bold lettering, keyboards, and multi-colored styles. One font was chosen for having a "retro, 'jazzy' look" that would stand out on store shelves. Another font resembled a feminine style more suitable for the female artist. A final font suggested a "party like" and nighttime vibe through its sparkly style resembling a disco ball.
Media evaluation question 1
The document describes how the creator of a magazine front cover was inspired by and copied conventions from two existing music magazines, NME and Kerrang, to design their own magazine intended for a female audience. Key elements copied included layouts, fonts, colors, photo styles, and sections like contents pages. The goal was to take the indie theme but make it more appealing to women, incorporating conventions from the example magazines into the creator's own style and design.
FONT RESEARCH AND DESIGN
The document discusses selecting a font for an artist's album cover and advertisement. The author tries different fonts from the website DaFont to find one that represents the artist and genre of acoustic/folk music. Ultimately, the author selects the font "Queen of Clubs" because it is bold, readable and similar to fonts used by other acoustic/folk artists. The author believes this font best represents their artist and the genre of music.
Album covers
This document discusses and analyzes several album covers that have a similar minimalist aesthetic. It notes that the covers feature just one striking photograph with simple or minimal text titles that do not overwhelm the image. The covers give a plain yet powerful impression and feel imaginative. Some covers use a grainy, old effect that suggests they were taken with disposable, film, or Polaroid cameras to give an indie, authentic vibe. White minimal text on the covers is discussed as standing out against the photos without distracting from them.
My Fonts
The document discusses 6 different fonts being considered for a music magazine. The first and third fonts are favorites - the first because it looks messy like rap/R&B artists, and the third because it has a chalk effect. However, the third may not show up well on all backgrounds. The second, fourth, and fifth fonts will not be used - the second is boring, the fourth and fifth are too similar and hard to read. The final font has a border but a thick underline. The author decides the first or third font will be used for headers and the fourth for descriptions.
Task 5 masthead colour and font
The document discusses font and color choices for a magazine masthead. It considers using yellow or red as both colors would stand out from the background. For yellow, the author chose the Rezland font from DaFont.com as it suited R&B music but also looked unique. For red, the Lemon/Milk font was selected as red is often associated with R&B and the font fit the theme while making the masthead stand out and look exciting.
Fonts N Tht
The document discusses choosing a font for a music magazine focused on modern rock and indie music. It considers several fonts that could fit the genre by looking edgy or like a band logo. It mentions exploring different colors as well to see which pair best with the selected font. The document concludes it will try out the various fonts being considered for the magazine splash page to see which looks best.
Fonts N Tht
The document discusses choosing a font for a music magazine focused on modern rock and indie music. It considers several fonts that could fit the genre by looking edgy or like a band logo. It mentions exploring different colors as well to see which pair best with the selected font. The document concludes it will try out the various fonts being considered for the magazine splash page to see which looks best.
Font research
The document discusses different fonts that could be used for a punk/rock band's album cover. It analyzes four fonts that were found on the website "dafont", noting how some fonts resemble those used by iconic punk bands like The Sex Pistols. The fonts are described as minimal, simple designs that fit the punk genre's attitude of taking little effort. One font stands out as eye-catching, while another is seen as more boring. The last font discussed is said to look handwritten and scruffy, suiting the punk notion of putting in no effort.
Font research
The document discusses different fonts that could be used for a punk/rock band's album cover. It analyzes four fonts taken from the website "dafont", favoring fonts that look punk/rock inspired by appearing handwritten or as if cut out from a newspaper. The first and fourth fonts stood out as looking low effort like punk music, and would work well on the front or back cover.
Masthead Analysis
The document analyzes and compares the styles of mastheads used in magazines covering different music genres such as rock, pop, and indie/alternative. It finds that rock mastheads typically use black and white sans-serif fonts to contrast with colorful magazine covers and emphasize the power of rock music. Pop mastheads tend to be more colorful with playful fonts to appeal to younger audiences. Indie/alternative mastheads are similar to rock styles using basic sans-serif fonts in black, white, or red to avoid distraction from content. The author decides to design their masthead in the style of rock magazines for authenticity.
Masthead Analysis
The document analyzes and compares the styles of mastheads used in magazines covering different music genres such as rock, pop, and indie/alternative. It finds that rock mastheads typically use black and white sans-serif fonts to contrast with colorful magazine covers and emphasize the power of rock music. Pop mastheads tend to be more colorful with playful fonts to appeal to younger audiences. Indie/alternative mastheads are similar to rock styles using basic sans-serif fonts in black, white, or red to avoid distraction from content. The author decides to design their masthead in the style of rock magazines for authenticity.
Looking at music magazines
The document discusses various aspects of magazine design including house styles, fonts, colors, and photography. It provides examples of house styles from magazines like NME and Kerrang, noting their typical font, color, and logo choices. The document also discusses developing a name, house style, color scheme, fonts, and logo for a new music magazine, settling on the name "NCYDE" and using black, blue, yellow, and white colors. Next steps include finalizing these design elements and planning a photography shoot.
Fonts
The document evaluates several fonts for suitability in a rap magazine masthead. It discusses the fonts "Bomb font", "Badaboom BB", "Blazed", "Docallisme", "Next Custom", and "Outrun future". The author selects Bomb font, Badaboom font, Next custom font, and Outrun future font for the magazine based on readability, representation of the genre, and familiarity to the target audience from prior music videos.
Production elements.
Oliver Ingham is creating a magazine cover and double page spread about three deceased artists: Lil Peep, XXXTentacion, and NF.
For the cover, Oliver will use Photoshop to edit images from Google Images alongside the colors pink, blue, black, and white to represent each artist. Lil Peep and XXXTentacion will be the main focus in the center, while NF will be in a smaller image in the corner.
For the double page spread, Oliver will compare Lil Peep and XXXTentacion across one page each using pink/white and black/blue color schemes respectively. NF will be featured alone on a following black page with silver text. Oliver plans to
Main magazine and digipak pitch
This document provides details about a magazine and digipak pitch for the artist Ella Henderson and her song "Yours". It summarizes the chosen artist and song, moodboard inspirations focusing on winter coats, a vintage-style font called "FF Market", planned shot types including close-ups and establishing shots, a red envelope prop symbolizing love, location selection of Ferry Meadows in Peterborough, and requests feedback via SWOT sheets.
Image for my Artist
The document discusses selecting fonts and clothing for a pop music artist's logo and music video. Three specific fonts were narrowed down, with blue chosen for the logo to break conventions. Two dresses above knee length were selected - one bright colored and one little black dress. The dresses tuck in at the waist to showcase the artist's body and sell her image in line with common pop music video aesthetics.
As if
The document discusses the conjunctions "as if", "as though", and "like" and how they are used to describe how something or someone looks, sounds, feels, behaves, or acts. It provides examples of their use in different contexts and tenses. It also notes that "like" can be used informally in American English instead of "as if/as though" followed by a clause. The classroom activity section includes exercises filling in the missing conjunction and choosing the correct option.
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3. Zak started his own protein supplement company to ensure bodybuilders have healthy options for training and owns his own gym. He is preparing for an upcoming major competition.
Choosing my font
The chosen font for the poster is "Code Bold Regular". It was selected over a more traditional Saul Bass style font to give the poster a more modern look, which this font achieves. While having a slightly digital feel, it is not as digitally extreme as "Agency FB Regular", providing a clear font that is modern but not overly technological.
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The document describes an artist experimenting with filters on a stock photo of a polaroid camera to achieve a Saul Bass style. They recreated the camera image themselves and found that adding film grain further enhanced the style. After finishing their camera recreation, they added a photo coming out of the camera and used grids to center and align the text.
Saul Bass
Saul Bass was a graphic designer and filmmaker known for his title sequences and film posters. He created logos for major American companies and began working in Hollywood, creating title sequences for films by Alfred Hitchcock, Stanley Kubrick, and others. Bass also worked as a visual consultant and storyboarded scenes, including the famous shower scene in Psycho. He later directed the documentary Why Man Creates, which won an Oscar. While stepping back from title sequences in later decades, Bass continued to influence other artists and his style was featured in the openings for Catch Me If You Can and Casino Royale.
A2 Evaluation Question 1
In what ways does your music promotional package use, develop or challenge forms and conventions of existing music promotional packages?
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Album Covers
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Water vapor, carbon dioxide, and methane are greenhouse gases that absorb infrared radiation emitted from the Earth's surface and atmosphere. While water vapor accounts for the largest percentage of infrared absorption, rising levels of carbon dioxide and methane from human activities like burning fossil fuels are contributing most to increased global temperatures. The speed of current climate change caused by greenhouse gas emissions is unprecedented and poses serious risks to ecosystems if average temperatures rise more than 3 degrees Celsius.
Evaluation Question 2
This document summarizes how the opening sequence of a character named Chloe represents particular social groups. It describes her simple hairstyle as implying she is laid back but her black dress suggests some sophistication and formality as the caretaker of a child. Her orange dress connotes optimism and confidence that she will achieve her goals of finding her teddy bear and mother. The black cardigan also represents confidence that will help her embark alone on her journey. She is not wearing makeup to appear as the child she is, making her seem vulnerable to gain the audience's sympathy. Her red shirt underneath can represent both danger from the missing poster and her power and determination, contrasting what the audience has seen so far and intriguing the viewer
Evaluation q2
This document summarizes how the opening sequence of a character named Chloe represents particular social groups. It describes her simple hairstyle as implying she is laid back but her black dress suggests some sophistication and formality as the caretaker of a child. Her orange dress connotes optimism and confidence that she will achieve her goals of finding her teddy bear and mother. The black cardigan also represents confidence that will help her embark alone on her journey. She is shown with no makeup to appear as a vulnerable child to gain audience sympathy. Her red shirt underneath is meant to relate to the danger suggested by the missing poster while also conveying her power and determination, though this contrasts with the story so far and may intrigue viewers
Evaluation Question 1
1. The opening sequence establishes the main characters, Millie, her mother Jessica, and her Aunt Sarah. It introduces Millie's problem of her mother going missing.
2. The credits are superimposed over the video as is conventional. It includes production company, distribution company, top billed actors, composer, editor, director, and producers.
3. The camera style aims to replicate the handheld style common in drama films to give a sense of realism and continuity between scenes.
The Location - Shot by Shot
The document outlines 20 shots for a film scene. Shot 1 establishes the main character in a hallway. Shot 2 shows her peeking through a kitchen door. Shot 3 introduces another character in the kitchen and establishes a back-and-forth dialogue between shots. Further shots alternate between characters' points of view, follow the character through the house including up stairs, and eventually show her finding her lost teddy under a bed. The shots are planned to follow standard cinematography techniques like the rule of thirds.
Opening Titles Analysis Margin Call
The film Margin Call explores a financial crisis through the lens of four employees at an unnamed investment bank. It was written and directed by J.C. Chandor. The film follows these employees over a short period of time as the financial crisis begins to unfold and the bank is forced to make significant job cuts.
Opening Titles Analysis Cemetery Junction
This opening title sequence introduces the three main characters - Bruce, Freddie, and Snork - who are working class friends in 1970s Britain. Through a series of shots, we learn that the trio enjoy rebelling and getting into fights regularly, as shown by their interactions on the train tracks and later getting into a bar fight. Their casual relationship with the police implies they are well-known troublemakers. The sequence ends with the friends being arrested and released again, indicating this is a repetitive cycle for them. Overall, the sequence establishes the central characters and their rebellious lifestyle through primarily long shots set to period music.
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