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workshop directions
• Write a good workshop question: specific, contextualized, revision-oriented, and
focused on the “how.”
• Get together in pairs.
• Read first writer’s draft aloud.
• Discuss the writer’s question.
• Discuss how can the writer make his/her description even more vivid.
• Discuss the details should the writer focus on in the interpretive section.
• Repeat with second writer.
When you’re done with both drafts
Either:
Start drafting the your interpretive section:
– Write a summary paragraph, creating a conversation between Mumford and
Zukin on the question: What is a city?
– Write a thesis paragraph wherein you add your perspective to the Mumford-
Zukin conversation, making an argument about the place you observed, in
response to the question For the users of your space, what city is this and whose
city is it?
– Outline an arrangement for the rest of the section.
Or:
Continue making revisions to Essays 1 and 2.

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Essay 3 workshop directions

  • 1. workshop directions • Write a good workshop question: specific, contextualized, revision-oriented, and focused on the “how.” • Get together in pairs. • Read first writer’s draft aloud. • Discuss the writer’s question. • Discuss how can the writer make his/her description even more vivid. • Discuss the details should the writer focus on in the interpretive section. • Repeat with second writer. When you’re done with both drafts Either: Start drafting the your interpretive section: – Write a summary paragraph, creating a conversation between Mumford and Zukin on the question: What is a city? – Write a thesis paragraph wherein you add your perspective to the Mumford- Zukin conversation, making an argument about the place you observed, in response to the question For the users of your space, what city is this and whose city is it? – Outline an arrangement for the rest of the section. Or: Continue making revisions to Essays 1 and 2.