4. Solid Definitive Cast (master or working
cast); It is the positive replica of the
prepared tooth or teeth, ridge area ,and
other parts of the dental arch
Die ;
The die is the positive reproduction of the
prepared tooth/teeth and consists of a
suitable hard substance of sufficient
accuracy (usually an improved stone,
resin, or metal plating
6. Prerequisites
- It must be an exact reproduction of both
prepared and unprepared tooth surfaces.
- All the prepared and unprepared teeth
should voids free.
- All surfaces of any teeth involved in
anterior guidance and the occlusal surfaces
of all unprepared teeth must allow for precise
articulation of the opposing casts.
- All relevant soft tissues should be
reproduced in the definitive cast, including
all edentulous spaces and residual ridge
contours that will be involved in the fixed
prosthesis.
7. Requirements of the die(s)
1- It must produce the prepared tooth/teeth
exactly
2- All surfaces must be accurately
duplicated and no bubbles or voids
3- The remaining unprepared tooth
structure immediately cervical to finish
line (0.5 : 1.0 mm) should be discernible
on the die to help technician establish the
correct contour
4- Adequate access to the margin is
imperative
8. Requirements of die materials
1- Should have high mechanical strength to
withstand handling
2- Should have high stability and dimensional
accuracy
3- Should be compatible with the impression
materials
4- Should have good color contrast with other
materials being used
5- Should be compatible with the separating
medium that will be used
6- Easy wettable by wax
9. Die Material
1- Gypsum: ( universal die materials)
Type IV (High strength dental stone)
Type V (High strength, high expansion dental stone)
Advantages;
1- Straight forward technique
2- The most cheapest material
Disadvantage;
• Gypsum is relatively poor resistance to abrasion.
To overcome this problem use ;
1- Surface hardener as (colloidal silica)
2- Cyanoacrylate
3- Other additives, like concretes or resin materials with
low viscosity and low expansion
10. 2- Resin Die
Example
Epoxy resin & Polyurethane
Advantage
Higher strength and abrasion resistance
than stone die
Disadvantages
1- Slight polymerization shrinkage
2- More expensive than stone
3- Not compatible with polysulfide and
hydrocolloids
11. 3- Electroplated Die
Silver plated die
Copper plated die
The technique involve deposition of a coat of pure
silver or copper on the impression, and supported
by type IV stone or resin.
polysulfide can be plated with silver
Impression compound can be plated with copper
polyether and hydrocolloids can’t plated due to
imbibition
Silicones can’t plated due to low surface energy
12. Sliver Plating Copper Plating
Metalizing Agent
Bronze, Graphite, or Silver
powder
Metalizing agent
Sensitizing solution (stannous
chloride, hydrochloric acid,
distilled water) then silver
nitrate + reducing agent
(Pyrogallic acid, citric acid,
distilled water)
Cathode away from anode by
4 inches
Cathode away from anode by
8 inches
Current
10 milliampere
Current
20 milliampere
Tank Solution
Silver Cyanide
Tank Solution
Copper Sulphate + H2So4
13. 4- Refractory Die (Ceramic Die)
A ceramic material composed of powder and liquid
mixed together and poured into the impression ,
after one hour separated and fired at 1000°C for
8 minutes to produce strong die used for all
ceramic restorations
14. Solid cast with individual dies
(multiple poor technique)
-The first pour, which is the most accurate,
is trimmed into a die with a handle of
sufficient length (similar to a tooth root)
- The second pour is mounted on an
articulator
15. - The wax pattern is started on the first pour
(the die) and is then transferred to the
articulated cast for refinement of axial
contours and occlusal anatomy
- When completed, this pattern is returned
to the die so that the margins can be
readapted immediately
before the pattern is invested
16.
17. Advantages;
-minimal lab. Procedures
Disadvantages;
1- It may be difficult to transfer complex or
fragile wax patterns from cast to die
2- Seating the pattern on the definitive cast
may be problematic because the second
pour of some impression materials is
slightly larger than the first
3- The technique can be used only with
elastomeric impression materials
18. Solid cast with removable dies
Techniques For Removable Die
Dowel Pin Technique
Pindex System
Die-lock Tray technique
27. Dowel Pin Technique
1- Dowel pin is positioned over each prepared tooth in the
impression
Accurate position of the pin is important, other wise it will
weaken the die or prevent
the easy removal or
insertion of the die
2- insert the dowel free hand
parallel to the path of removal
and insertion in the centre
of the prepared tooth
3- A dowel is placed between the arms of a bobby pin, the
bobby pin is positioned buccolingually across the
impression and stabilized by two pins
28.
29. 4- Die stone is then poured
into the impression,
filling the impression of
the teeth and cover the
knurled end of the pin
5- Paper clips are set into
the stone before it set, to
provide retention for the
base which will be placed
later
6- these clips should be
placed in all parts of the
model that are not to be
removable from the
complete cast
30. 7- When the stone has set, the
straight pins and the bobby
pin are removed from the
impression
8- A ball of soft wax is placed
on the tip of each dowel
9- A V-shape buccolingual
orientation grooves or a
round dimple is cut on each
die to aid in the complete
and accurate reseating of
the die during use
10- the stone around each
dowel should lubricated
with a thin coat of
petrolatum to permit easier
separation of the die from
the working cast
31. 11- Pour another stone with
different color to make the
base of the cast
12- After complete setting of
the stone remove the cast
from the impression and
trim of the excess by
model trimmer
13- Use sharp knife to
uncover the spheres of
wax and remove them
32. 14- When the stone become
hard and dry, use a saw
frame and blade to cut
through the first layer of
the stone, mesially and
distally to each die.
15- The cut should parallel to
each other or slight
occlusal diverge to the
path of
removal
16- Loosen the die gently
using an instrument handle
38. 17- Trim away any excess stone
gingival to the finish line
18- Ditching the die 0.5 : 1.0 mm
below the level of the finish
line for proper carving the
cervical wax pattern
19- Correction of defects
above the finish line
39. 20- The finish line should be
colored with red pencil
21- Reseat the die on the
working cast, place wax ball
around the tips of the
dowel
22- Sock the cast in water and
mount it on the articulator,
using mounting plaster, and
after hardening of plaster
remove wax covering the
tip of the dowel
49. 1- Mark the location of each
dowel on the occlusal
surface (two dowels are
needed to stabilize each
segment)
2- Position the cast on the drill
stage, a light indicates the
location of the drill
50. - Clean the pin holes by air stream
-Try the pins and cement them in place with Cyanoacrylate
- Short locating dowels should be used on the lingual
surface
51.
52.
53. - Coat the dowels with petrolatum
to ensure clean separation
- Position the plastic sleeves
- Place the assembly into a special
rubber mold
- Put a piece of wax over a head
of each sleeve
- Make the second pour of stone
with different color into the
mold
54. - Marking the sawing cuts with
pencil
- Sawing the dies
- Reassemble to the base
- Finish the die (as discussed
before)
- Mount to the articulator
56. 1- Pour the entire full arch impression with die
stone , respected to U-shaped arch, up to one
inch
2- After setting of the stone separate the U-shape
cast, trim the buccal and lingual to be fit
loosely into the Di-Lock tray
3- One or two horizontal grooves are placed on
the inner and outer aspect of the cast to
provide undercuts for holding the cast into the
other stone in the tray
58. 4- Soak the base of the cast in
water for 5 min.
5- Mix a stone with different color
and fill ¾ of the tray
6- Seat the first cast to the tray.
The cervical margin of the teeth
should be above the periphery
of the tray by 4.0 mm, then
remove the excess cement
7- Disassemble the tray after
complete setting of the second
stone by lifting the back up, and
slide the buccal facing forward,
then slide the cast forward to
remove it from the base
59. 8- By the use of frame and blade saw, cut
between the prepared dies by the
same way like dowel pin technique
9- Cutting extend ¾ of the way through
the stone cast
10- Use finger pressure to break the dies
11- finishing the die by the same way like
dowel pin technique
60. 12- Reassemble the dies
and the other parts of
the cast in the tray
13- Die-Lock tray is ready
for the fabrication of the
wax pattern after
mounting on the
articulator
