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Cultural Trauma and Collective
            Identity

       Jeffrey C. Alexander

      Presented by Christina Vollbrecht
          FSS MUNI April 28, 2011
What is Cultural Trauma?
• “Cultural trauma occurs when members of a
  collectivity feel they have been subjected to a
  horrendous event that leaves indelible marks
  on their group consciousness, marking their
  memories forever and changing their future
  identity in fundamental and irrevocable
  ways.”
• An empirical, scientific concept
• Within the domain of social responsibility and
  political action
I. Theoretical Roots
• “Trauma” is rooted in reality and has a language,
  therefore social and collective.
• Common-sense or “Lay Trauma Theory” identifies
  traumas as naturally occurring events which
  undermine well-being.
• Enlightenment thinking adds that trauma is a rational
  response to a naturally occurring abrupt change,
  which leads towards progress.
• The psychoanalytic lens distorts the rational internal
  response though emotional displacement of trauma
  in the imagination.
I. The Naturalistic Fallacy: trauma
       is socially constructed
• “Events do not, in and of themselves, create
  collective trauma. Events are not inherently
  traumatic. Trauma is a socially mediated attribution.”
• Imagination informs trauma construction by
  representing experience, whether actually occurred
  or not.
• Traumatic status is attributed to phenomena which
  affect the collective identity. The destabilization of
  structures of meaning depends on the imposition of
  new cultural classification and the skills of powerful
  agents.
II. the “trauma process”: between
     the event and representation

1. Claim making: symbolic representations
2. Carrier groups: actors in the public sphere
3. Audience and situation: public and context

•Social actors decide to represent social pain as
a fundamental threat to who they are, where
they come from, and where they want to go
II. Trauma becomes the new cultural
              narrative.
• A successful story answers the following
  questions, both for particular groups and the
  wider “people”:

  – The nature of the pain: what happened?
  – The nature of the victim: to who?
  – The relation of the victim to the audience: what
    does it have to do with me?
  – Attribution of responsibility: who did it?
II. Mediating the language of the
        narrative: Institutions and
         Stratification Hierarchies
• Realms of religion (theodicy), aesthetics (imagination
  and emotion), law (binding responsibilities,
  punishments, reparations), science (documentation,
  methodology), mass media (dramatics, distortion),
  state bureaucracy (channel and tilt the process)
• Resources and networks of the institutions mediate
  their influence.
• The government at all levels has significant power
  over the trauma process.
II. “Calming down”: identity
revision, memory, and routinization
•   The trauma process revises collective identity
•   “lessons” become objectified
•   Routinization detaches affect from meaning
•   New collective identity is a source for
    resolving future problems
III. The Rape of Nanking
III. The Rape of Nanking
• Wide participation in pain broadens social understanding and
  incorporation when the process is successful
• Claims of trauma have been made
• For social-structural and cultural reasons, carrier groups have
  not emerged
• Persuasive narratives have no been created, or have not been
  successfully broadcast
• Perpetrators have not been compelled to accept moral
  responsibility
• Lessons have not been memorialized or ritualized
• New scope of moral and social responsibility has not been
  generated
• More particular collective identities have not been created

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Cultural Trauma and Collective Identity

  • 1. Cultural Trauma and Collective Identity Jeffrey C. Alexander Presented by Christina Vollbrecht FSS MUNI April 28, 2011
  • 2. What is Cultural Trauma? • “Cultural trauma occurs when members of a collectivity feel they have been subjected to a horrendous event that leaves indelible marks on their group consciousness, marking their memories forever and changing their future identity in fundamental and irrevocable ways.” • An empirical, scientific concept • Within the domain of social responsibility and political action
  • 3. I. Theoretical Roots • “Trauma” is rooted in reality and has a language, therefore social and collective. • Common-sense or “Lay Trauma Theory” identifies traumas as naturally occurring events which undermine well-being. • Enlightenment thinking adds that trauma is a rational response to a naturally occurring abrupt change, which leads towards progress. • The psychoanalytic lens distorts the rational internal response though emotional displacement of trauma in the imagination.
  • 4. I. The Naturalistic Fallacy: trauma is socially constructed • “Events do not, in and of themselves, create collective trauma. Events are not inherently traumatic. Trauma is a socially mediated attribution.” • Imagination informs trauma construction by representing experience, whether actually occurred or not. • Traumatic status is attributed to phenomena which affect the collective identity. The destabilization of structures of meaning depends on the imposition of new cultural classification and the skills of powerful agents.
  • 5. II. the “trauma process”: between the event and representation 1. Claim making: symbolic representations 2. Carrier groups: actors in the public sphere 3. Audience and situation: public and context •Social actors decide to represent social pain as a fundamental threat to who they are, where they come from, and where they want to go
  • 6. II. Trauma becomes the new cultural narrative. • A successful story answers the following questions, both for particular groups and the wider “people”: – The nature of the pain: what happened? – The nature of the victim: to who? – The relation of the victim to the audience: what does it have to do with me? – Attribution of responsibility: who did it?
  • 7. II. Mediating the language of the narrative: Institutions and Stratification Hierarchies • Realms of religion (theodicy), aesthetics (imagination and emotion), law (binding responsibilities, punishments, reparations), science (documentation, methodology), mass media (dramatics, distortion), state bureaucracy (channel and tilt the process) • Resources and networks of the institutions mediate their influence. • The government at all levels has significant power over the trauma process.
  • 8. II. “Calming down”: identity revision, memory, and routinization • The trauma process revises collective identity • “lessons” become objectified • Routinization detaches affect from meaning • New collective identity is a source for resolving future problems
  • 9. III. The Rape of Nanking
  • 10. III. The Rape of Nanking • Wide participation in pain broadens social understanding and incorporation when the process is successful • Claims of trauma have been made • For social-structural and cultural reasons, carrier groups have not emerged • Persuasive narratives have no been created, or have not been successfully broadcast • Perpetrators have not been compelled to accept moral responsibility • Lessons have not been memorialized or ritualized • New scope of moral and social responsibility has not been generated • More particular collective identities have not been created