MUGNA- is the outcome of a regional and national planning process involving the various NCCA sub-commissions with the end view of expanding the contributions of culture to national growth and development . Towards a Sustained Cultural Development of Negros Island
#National Commission for Culture and the Arts (NCCA), Negros Cultural Foundation for the Negros Island, YATTA. #For 2016, six cities/ towns of Negros Island have been selected for its pilot run, namely DUMAGUETE, BAIS & AMLAN,CALATRAVA, KABANKALAN AND MURCIA.
My Tribute to a great man, Political Hero and my great grandfather Gov. Demetrio Larena y Sande
I hope relatives and cousins would give a tribute and do some historical research about Demetrio Larena better than this research
Breaking down language and cultural barriers in tourism by providing entertaining, educational, and engaging stories using GPS tour systems on buses, boats, trains, trolleys, and trams.
The 13th OECD Rural Development Conference was held in Cavan, Ireland on 28-30 September 2022 under the theme "Building Sustainable, Resilient and Thriving
Rural Places".
These are the presentations from the Conference parallel session "Revitalising Town Centres: Creating Places Where People Want to Work and Live".
For more information visit https://www.oecd.org/rural/rural-development-conference/.
Development support communication, its history and needs, development communication its failure and the need of DSC, also a touch of DSC campaign, By Aamir Ayub, department of Journalism and mass communication University of Peshawar.
CITY MEDIA is an independent foundation based in Lausanne (Switzerland). Its aim is to facilitate information access on towns, cities and regions of the world. It promotes and offers local representatives tools for expanding their official communication and getting involved in global development by simplifying information access and knowledge sharing. Their latest project is called [City].vi, a network of 68,000 video sites, each specific to a city.
ParticipatoryAsset MappingCOMMUNITY RESEARCH COMMU.docxkarlhennesey
Participatory
Asset Mapping
COMMUNITY
RESEARCH
COMMUNITY
RESEARCH
LAB
TOOLBOX
COMMUNITY
RESEARCH
LAB
TOOLBOX
A
TOOLKIT
APril 2012a program of
1PARTICIPATORY ASSET MAPPING
Acknowledgments
Acknowledgments
This toolkit was made possible through our work with
Advancement Project’s Urban Peace Institute and such
organizations as the Alliance for a Better Community
(ABC) and Community Coalition. Healthy City, through
the Community Research Lab, developed this toolkit with
funding from First 5 Los Angeles. This and other toolkits
can be accessed through the Healthy City website at
www.healthycity.org/toolbox.
content
Authors: Janice C. Burns, M.A.; Dagmar Pudrzynska Paul;
and Silvia R. Paz, B.A.
editors: Taisha Bonilla, M.T.S.; Deanna Cooke, Ph.D.;
and Tahirah Farris, AICP, M.PL
design
Rosten Woo and Colleen Corcoran / bycommittee.net
For more information, visit
www.advancementprojectca.org or contact us at
(213) 989-1300.
Copyright Dec. 2011 Advancement Project – Healthy City
Updated April 2012
All rights reserved. Use and reproduction of these mate-
rials in any format should be credited to Advancement
Project- Healthy City Community Research Lab. Materials
are not to be used or sold for commercial purposes
or profit.
About Us
AdvAncement Project
Advancement Project (www.advancementprojectca.org)
is a public policy change organization rooted in the civil
rights movement. We engi neer large-scale systems
change to remedy inequality, expand opportunity and open
paths to upward mobil ity. Our goal is that members of all
communities have the safety, opportunity and health they
need to thrive. Advancement Project’s Programs include:
Educational Equity, Equity in Public Funds, Healthy City,
and Urban Peace Institute.
HeAltHy city
Healthy City (www.healthycity.org) is an information
+ action resource that unites community voices, rigor-
ous research and innovative technologies to solve the
root causes of social inequity. We transform how people
access and use information about their communities. As
a program of Healthy City, the Community Research Lab
partners with community-based organizations to develop,
implement, and disseminate data/ mapping projects, tools,
and workshops that promote community knowledge and
Community Based Participatory Action Research.
www.healthycity.org/toolbox
http://bycommittee.net
www.advancementprojectca.org
www.advancementprojectca.org
www.healthycity.org
2PARTICIPATORY ASSET MAPPING
How cAn tHis toolkit be UsefUl in yoUr
sPecific work or Projects?
About this toolkit
How can this toolkit be used?
+ As an instructional toolkit for using and applying
Participatory Asset mapping. Community-Based
Organizations can use the concepts, methods, and
tools provided, such as the Community-Engaged
Mapping Facilitation Guide and Guide to Planning a
Community-Engaged Mapping Event, to host an event
or activity that collects knowledge and experiences
f ...
Huntsville, Alabama is one of the most recognized cities in the Southeast - named as one of the best places to live and work by a variety of national publications and recognized as a premier location for both business and quality of life. Recently, Forbes named Huntsville one of the nation’s Top 10 Places for Business and Careers. In 2012, the City of Huntsville launched a citizen engagement campaign that solicited public feedback on subjects such as park revitalization and improvements to the historic district. It served as an online town hall and was used to make numerous decisions about city planning.
Learn how the City of Huntsville:
- launched the BIG Picture, an 18-month comprehensive master urban planning initiative that would shape the future of Huntsville for decades to come
- fostered dialogue within the community that was valuable, respectful, and appreciated by citizens
- validated and fast-tracked issues in the planning phase
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
2. Introduction
• Cultural mapping is not only a method for cataloguing the
cultural assets of a community it is also a tool useful for
community engagement and collaboration. For the purposes of
this chapter, cultural mapping is understood to be the process of
identifying and stating, in a written or visual inventory, all cultural
assets within a specific geographic area. This includes the
gathering of tangible and intangible assets from the community
including but not limited to cultural organizations, artists, and
stories. Cultural mapping provides an understanding of culture,
history, and a community’s unique identity that should be used at
the beginning of any community development or planning
project to create a list of potential partners, community
resources, and tools needed for successful implementation. Input
is sought from the community to guide the development of a
plan to create a map of community networks and assets.
3. What is Cultural Mapping?
• Cultural mapping allows individuals
to discover and identify multiple as
well as shared stories of their
community. The following are
definitions necessary for
understanding cultural mapping:
4. What is Cultural Mapping?
• Cultural mapping is the process of identifying and
stating, in a written or visual inventory, all cultural
assets within a specific geographic region.
5. Assets
• Assets are the facilities,
organizations, people, ideas,
customs, and relationships that
contribute to a way of life in a
specific place.
9. Step I: Planning
• Step I: Planning
• The cultural mapping process should begin with an internal capacity
and community networks assessment before opening the project to
the entire community. An internal audit is necessary to ensure that
all ideas, resources, and current partnerships are organized. This
serves as a good foundation for the community engagement work
that will follow.
•
• The establishment of goals, objectives, and parameters for
developing a cultural map is essential; however, it is critical to
include the entire community in doing so. Beginning the planning
process with a town hall meeting allows community members the
opportunity to be involved from the start. Asking for assistance in
this also enables the community to build a sense of ownership in
the project. This creates the opportunity for the cultural map to
strengthen community identity and sense of place.
10. Step II: Mapping Design
• Cultural maps can take multiple shapes. They can be,
for example, a written inventory, a searchable
database, a Geographic Information Systems (GIS)
map, or a hand-drawn map. The design chosen for the
cultural map not only depends upon the technology
and funding available, but also on the community
environment. Understanding how the community
would engage with the map is a necessary question to
ask during this step of the process. If the majority of
the community has a lack of online resources it would
not make sense to create a GIS map that only a few
could access. On the other hand, if a GIS map is an
important component for connecting across local and
regional barriers, it should not be neglected.
11. Step III: Community Support and
Insight
• This step includes ways to announce the project
to the community, getting them excited to
participate, and hosting focus groups and
meetings. Creating trust in and a sense of
transparency about the project are essential for a
fully inclusive cultural map. Encouraging
participation and support for this project can
come from announcing the cultural map as a way
to find the unique identity of the community or
to learn more about its under-recognized cultural
assets.
12. Step IV: Creating the Map
• Completing the cultural map takes great attention to detail
and a firm grasp of the parameters of the project. The map
design from Step II will guide the creation of the map.
Creating the actual map will involve a small group of
individuals, but must include regular check-ins with the
wider community. After asking for community support
during data collection, it is crucial to keep the community
involved throughout the implementation process. This way
both the tangible and intangible assets can be correctly
categorized and plotted. Transparency at this time also
serves to build trust between the organization leading the
mapping and the community, enhancing the likelihood of
broad support for whatever projects result from the
mapping.
13. Step V: Finalizing the Map
• After completing final edits based upon the community review, the
map is ready to be made public. This step should be designed to
gain enthusiastic participation by a wide range of community
members. Collaborators and, most importantly, the community as a
whole should be thanked for their help in creating the map. This
can be done as a launch party, as part of another community event,
or as a press conference. What is important is that the entire
community learns about and has access to the finished product.
During this final step the community should have the opportunity
to engage with the map and see how they helped shape it. This step
should not be the end of community engagement but should be the
door that opens up new partnerships and collaborations
throughout the community.
•
14. The use of cultural mapping falls into
three categories:
• Cultural Mapping to Inform Planning –
Identifying and mapping cultural assets
strengthens the base of information that can
be used to inform future planning and
decision-making in any municipality (e.g.
cultural planning and development, land use
planning, economic development and
tourism, among others).
15. • Cultural Mapping to
Increase Community
Awareness – Cultural
mapping helps build
consolidated databases of
assets that in turn can be
used to support marketing
and promotion of these
assets to both residents
and visitors/tourists.
16. • Cultural Mapping to Support Culture Sector
Development – The cultural sector in most
communities tends to be very disconnected in
the distinctions drawn between different
types of cultural activity (e.g., arts, heritage,
libraries, and cultural businesses). Building a
stronger base of information will strengthen
the networks and collaboration across a wide
range of cultural groups and activities.
17. Final Words
• Cultural mapping is a tool for building
community that can then be used for
advocacy and cultural planning, as well as
economic and community development. The
process of engaging citizens in the creation of
their unique cultural identity, by finding the
assets already existing in the community,
promotes community empowerment,
sustainability, diversity, and equality and
strengthens their sense of civic pride.
18. GAINING COMMUNITY SUPPORT FOR CULTURAL MAPPING IS TREMENDOUSLY
HELPFUL FOR COMPLETING A COMPREHENSIVE MAP. IT IS ALSO IMPORTANT TO
CONNECT WITH THE COMMUNITY TO BUILD TRUST FOR THE PEOPLE AND
ORGANIZATIONS CONDUCTING THE INTERVIEWS AND FOCUS GROUPS.
Community Support and Insight
19. Announcing the Project
• Letting the community know about the
project well in advance of the town hall
meetings can offer a chance to take advantage
of word of mouth advertising for it.
Excitement can grow from the opportunity to
share cultural experiences. There are a variety
of methods to get the word out:
•
20. Creating the Map
• This step of the cultural mapping process can be
the most creative and also the most time-
consuming. Actually building a map from the
information gathered requires sorting all of the
data into categories and double-checking with
the community to ensure that nothing was left
out. Depending on the type of map being created
it can be shared as a digital or paper product.
•
21. Finalizing the Map
• After completing any final edits based upon the
community review, it is time to go public with the map.
This step should be exciting and fun. Collaborators and,
most importantly, the entire community should be
thanked for their help in creating the map. This can be
done as a launch party, during a community event, or
as a press conference. What is important here is that
the whole community learns about the finished
product.
• During this event people should be informed where the
map can be found, what its use will be, how they can
continue to contribute to the map, and how much fun
it was creating it together.
23. Movable Heritage in Bais City
• Portrait of Baisanons . Josefa V. Perez
• Paintings Paintings
• Antique . Old Vinatage Pictures
Habal –Habal ride . Family Tree of old familiars
• Horse back riding .Pot pot
• Locomotive Bangon
• Baldwin Locomotive 1926
24. Heritage Baisanons
• Demetrio Larena –First Civil Governor of Negros
Oriental
• Meliton Larena- Board Member of Negros Oriental
during the American Regime
• Senator Jose M. Romero Sr.- Senator, Secretary of
Education , Ambassador to England .
• Senator Bindoy Teves Villanueva – Senator
,Secretary of Labor, Presidential Adviser for
labor relations
25. Heritage Baisanons
• Antonio Somoza Arnaiz –Philippine Pioneer
Pilot in Aviation History
• Dr. Vicente G. Sinco-Founder of Foundation
University ,delegate to the
Second Constitutional
Convention & UP President.
• Gov. Serafin Lajato Teves- Former Governor, past
Grand master of Masons in the
Philippines & Asia Pacific with
jurisdiction Okinawa,Guam, and
Japan
26. Heritage Baisanons
• Enrique Teves Villanueva- Founder of Bais Peace &
Order Council, Congressman & Governor
• Maria Somoza Arnaiz Diaz –first woman vice
governor of Negros Oriental
• Gov. Mariano Perdices –Governor & Hall of Fame
Boy Scout of the Philippines
• Genero B. Goni- The first charter city Mayor
• Eddie Sinco Romero- National Artist for Film
• Mamento Bocanegra- First Army General from Bais
27. Heritage Baisanons
• Manolet G. Teves-Society Historian, Civic
leader and Writer.
• Francisca Somoza Arnaiz Ponce de leon –Civic
leader & Cultural Worker
• Trinidad Teves Sagarbarria –Founder of the
Sans Rival Cake House
• Josefa Baena Teves Escano- Civic Leader ,Girls
Scout Official, Women &
Children Advocate
28. • Josefa Villanueva Perez - Historian and visual artist
• Juvenal Villanueva Somoza- Martyr & World War II
Hero
• Ambrosio B. Somoza –Political Hero ,Cabeza de
Barangay & Sugar Planter
• Diogenes Villanueva Baena –Historian, Politician,
Sugar Technologist
• Sergio Lopez Sinco- Revolution Hero of Bais
29. Heritage Baisanons
• Práxedes Daniel Teves Villanueva- Governor,
Mayor and Theatre Actor
• Alberto V. Furbeyre –Governor ,Vice Governor and
Board Member
• William Villanueva Villegas- Governor ,Vice
Governor and Hall of Fame
Boy Scout of the Philippines
• Guillermo Villanueva, Governor of Negros Oriental
BOT Vice Chair ,Silliman University
• Mellimore Saycon - former Board Member and
Broadcaster
30. Built Heritage
• San Nicolas de Tolentino Church
• Old Villanueva la Familia Cemetery Talungon
• UCCP Town Church
• Campana de Villanueva 1890
• Old Larena –Rubio la Familia Cemetery
Katacgahan built 1916
• Sugar Central: CENTRAL AZUCARERA DE BAIS
First Sugar Central in Asia 1918
31. Built Heritage
• Dulce Nombre de Maria Chapel in Talungon
• Presidencia de Bais
• Train rail system
• Steel Bridge
• Kawa
• Gabaldon Building First Educative Edifice
• Tribal Cemetery
32. Built Heritage
• Rizal Bronze Statue
• Veterans Marker
• Pantawan
• Mariana Mall Art deco
• La Planta Powerhouse Building
• Kiosk (1923)
• Montesol
• Alcazar Apartment
• Old Ruins of the old Hospital & Eye Peak
33. Built Heritage
• Old Ancestral House
Casa Rubio / Larena
Casa Lita
Casa Rotea
Casa Antonia
Gonzaga House
Judge Ybanez House
Casa Don Julian
34. Built Heritage
• Plantation Houses
• Manuel L. Teves Canlargo
• Serafin L. Teves Canlargo
• Villa Maria Buntod
• Nolan House
• CAB Staff House
• Julian Teves House
• Hacienda Valencia House
• URSUMCO 60th year old
35. Nature Heritage
• Mabunao Trees .Nikel Source
• Kanumay Mangroves . Hudugan ug Manok
• Banmil Caves . Danao lake
• Twin Falls at Cantugot .Kan-alino River
• Lag-it Favorite Place .Kunlawis
• Barang- Barang Cave .Santan
• Dolphins/ Whale .Bais Fresh Water Eel
• Tindog-bato Watershed .Sugar Cane
• Ritual Cave of Babundi-an .Fish Pond
36. Intangible Heritage
• Tinalampad ( Dance of Ata) .
• Kinalasag ( Dance of Ata)
• Inagong ( Dance of Ata)
• Ginaray ( Dance of Ata)
• Inubay- ubay ( Dance of Ata)
• Sipong
• Pilising Dance
• Wake Rituals
• Tabo
37. Intangible Heritage
• Fertility Tree ( Tagpo )
• Maruya cookies ( Tok-tik)
• Sa mais ,tuno’lubi,asukar fried ( Tik-tik ,asukar putos
dahon saging)
• Original Composition “Taga –asa ka Hoi”
• Ginaray :Songs and Dances of Ata
• Batak –Balitay of the Ata
• Diwata OFFerings
• Kuratsa de Negros Folk Dance
38. HUDYAKA SA BAIS ......
• Photo by : Nich Port Blairnich
Photography/Cinematography Bais City
39. Living Legacy of Baisanons
• Hector Romero Villanueva- Former Press
Secretary ,Post Master General and Writer
• Fr. Rudy Villanueva –Music Composer and
Father of Modern Cebuano Literature
• Josefino T. Larena Jr. –Family and Cultural
Historian, Civic Leader,Heritage
Advocate, Consumer Advocate
and Social Sciences Educator
• Empalz Violeta- Art Teacher, Visual Artist and
Humanities Teacher
40. • Francisco G. Villanueva- Sculpture
• Alex Baena- Natural History Historian and Science
Teacher
• Valene Montenegro- TV & Movie Actress
• Gretchen Nadine Teves Villanueva –Visual Artist
• Yul Gabriel Fausto Dionson - young Visual Artist
• Paula and Trina Celdran Montenegro–Visual Artists
• Jerry Miraflor-Fashion Designer
• Jeremias Navarro Perez–Music Teacher
41. • Jose V. Romero, Jr. Ph.D. who served as
Philippine Ambassador to
the Republic of Italy, his
mother Elisa Villanueva
Romero is from Bais.
• Frankie Ferrer -Former Original Balancing Act
• Mercedes Teves Goni- Dancer ,a former member
of the Bayanihan Folk Dance
Company
• Marissa Villanueva Yoldi – Owner Ana Maria
Bakershop
• Angela B. Vicente –Children Advocate and Theatre Arts
42. Old Familia
• Montenegro Clan Rubio Clan
• Teves Clan .Villacampa
Villamil .Somoza
• Villanueva Clan .Larena
* Pinili .Arnaiz
* Teves .Diaz
* Villamil .Pastrano
Bocanegra Clan Cabanang Clan
Laxina Clan de Guia Clan
Montesa Clan Pileo Clan