Philippine indigenous arts developed over thousands of years as various groups migrated to the islands. Major art forms included sculpture, pottery, weaving, and physical ornaments. Sculptures like the Bul-ul figures and hagabi chairs reflected important cultural and social roles. Pottery like the Manunggul Jar showed influences of beliefs about the afterlife. Weaving traditions varied by region and material, with techniques and designs demonstrating cultural identities. Ornaments displayed in textiles, jewelry, and tattoos communicated status and heritage. Overall, indigenous Philippine art was deeply rooted in each group's environment, history, and way of life.

1. Philippine Indigenous Arts
Penn Tulabing Larena ,AB,CPS,CPE,MPA

2. Objective
• Identify the major
influence artworks of
Philippine art history
• Identify the major art form
in Philippine Indigenous
Arts
• Understanding of
Philippine Indigenous
Arts development in
History

3. Ancient and Pre-Spanish Era:
It is believed that the first inhabitants of the Philippines arrived over many
thousands of years ago. It is commonly thought that they migrated over a
land bridge, which existed at that time, from the Asian mainland.
The next known inhabitation is when the Negrito or Aeta arrived in the
islands. However, they were driven back by several waves of immigrants
from Indonesia, only to be followed by the maritime peoples of the
Malayan islands.

4. Philippine Indigenous Arts
• Sculpture /Carving
• Pottery
• Weaving
• Physical ornaments

5. Sculpture is three-dimensional artwork created by
shaping or combining hard materials, typically
stone such as marble, metal, glass, or wood, or
plastic materials such as clay, textiles, polymers
and softer metals.

6. Carving is one of the techniques used in
sculpture.

7. • Bul-ul are carved
Anito figures of the
Ifugaos: these
represent their
ancestral spirit and
granary gods.
• SEATED IFUGAO
"BULUL" AT THE
CONCLUSION OF
THE ANNUAL
IFUGAO
HARVEST RITUAL
"BULULS" PLACED
IN RICE GRANARIES
ARE CONSIDERED
GUARDIANS OF
THE HARVEST

8. Ifugao sculpture

9. Sarimanok
Shown above are the most well-known of the old designs, the sarimanok. The
figure represents a fowl with wings, feathered tail, and a head decorated with
ornaments of scrolled and painted motif of leaves, spirals, and feather-like
forms. It usually stands on a fish and another one hangs from its beak. The
wooden figure, usually perched atop a bamboo pole, stands among
decorative flags during weddings and other festive occasions.

10. Ang Hagabi ay isang upuang kahoy ng mga Ifugao na sumisimbolo
sa panlipunang katayuan ng isang mamamayan. Ito ay nagpapakita
ng yaman at kapangyarihan ng may-ari nito na kadalasan ay isang
Kadanagyan o isang taong nabibilang sa mataas na antas sa
lipunan. Ito ay sa kadahilanang tanging ang mga mayayaman
lamang ang may kakayahang mag pagawa nito kasama na ang ritwal
na ipinagdiriwang sa oras na matapos ang pagbubuo nito.

11. Ang hagabi ay isang upuang kahoy na gawa sa narra o ipil. Ang orihinal
na anyo nito ay tinatawag na ginulgulding na ang ibig sabihin ay "kagaya
ng kambing", sapagkat sa dalawang dulo ng upuan ay mayroong nakaukit
na animo'y ulo ng kambing. Sa kasalukuyan ang hagabi ay may iba't iba
nang anyo - ang isang dulo nito na tinatawag na ngiwi ay kagaya na ng
ulo ng isang hayop na may mahabang ilong at dalawang malalaking
tainga.

12. Torogan, the ancestral home of the
Maranao Sultan or Datu.
• One of the richest
survivors of Philippine
pre-Spanish art is
Maranao decorative art,
described by critics as
graceful and rhythmical.
• The floorbeams of the
houses project beyond
the walls, and the ends
or panolong, such as the
decorative figure, are
carved and multicolored.

13. The Panolong is a carved end
beam of the Torogon.

14. Pottery are objects that are first shaped of wet
clay, then hardened by baking. Pottery includes
both decorative and practical items such as bowls,
vases, dishes, and lamps

15. Terra Cotta in the Philippines varies in forms and
functions. The forms of the bricks are directly
influenced by the functions of the pots and the
tradition of the community/local area.

16. Palayok

17. Manunggul Jar
The Manunggul Jar is a secondary burial jar excavated from a Neolithic
burial site in Manunggul cave of Tabon Caves at Lipuun Point at Palawan
dating from 890–710 B.C. The two prominent figures at the top handle of
its cover represent the journey of the soul to the afterlife..

18. • The Manunggul Jar is a
National Treasure of the
Philippines. A secondary
burial jar, it is designated
item 64-MO-74 in the
National Museum of the
Philippines, Manila. The
jar was found in Chamber
A of the Tabon Cave, one
of the Manunggul caves
in Palawan. The jar is
dated from about 2800
years before the present.
It was found by Robert
Fox and Miguel Santiago.

19. Leta-leta cave archaeology
Leta-leta Cave, Langen Island,
El Nido, Palawan was
excavated in 1965 by Dr.
Robert Fox. Leta-leta Cave is
an important burial site
belonging to the Late
Neolithic Period where an
assemblage of stone and
shell artifacts associated
with sophisticated pottery
and nephrite adzes and axes
were recovered. Other
materials include stone
ornaments and shell beads.

20. Weaving means to make cloth and other
objects. Threads or strands of material
are passed under and over each other.

21. Weaving in the Philippines has different forms, functions
and materials. They also vary in design and techniques
used. Most of the common forms of weaving in the
Philippines are in the form of hats, mats, bags, baskets
and textiles (clothes and blankets).

22. Weaving

23. A malong bearing okir designs.
The Maranaos call their ornamental design okir, a
general term for both the scroll and the geometric form.

24. Okir Design
•Okir a datu (gentlemen’s design) The scroll is
the dominant feature in the men’s work composed
of various spiral forms. In contrasts, the zigzag and
angular forms are the dominating motifs in
women’s geometric art – okir a bay (ladies’

25. •The most popular of all the malong styles is the landap. Which is
either dominantly red, yellow, green, blue, or violet. Red is the
favorite color along with yellow; these colors stand for royalty or
aristocracy. Often, men wear the red landap and the women, the
yellow.

26. Physical Ornaments
BONTOC, IFUAGO, AND KALINGA TRIBAL TEXTILES
WITH A VARIETY OF SILVER AND BRASS
"LINGLINGO" FERTILITY CHARMS

27. BONTOC WARRIOR'S RITUAL "BOAYA" HEAD HUNTING NECKLACE: SHELL,
BOAR TUSK, RATTAN, FIBERAND BONE
Physical ornamentation can be categorized to three areas specifically
the use of traditional costumes (textile), jewelries and tattoos. The
designs vary depending on the location, users and function of the
ornaments.

28. Filipino bawisak earrings
• Traditional Ifugao tribe
(Northern Luzon,
Philippines) bead and
shell bawisak earrings.
The bottom shell designs
have been described as
either representing
butterflies
or a certain item of male
generative anatomy.

29. IFUGAO: WARRIOR'S
SILVER "LINGLINGO"
EARRING PAIR AND PENDANTS

30. Pangalapang Ifugao shell necklace from the
Philipines, mother of pearl necklace, asian
jewellery,

31. Traditional Filipino Tattoo

32. The mat weavers of Basey
• Basey in Samar
province is one of the
oldest towns in the
country dating back to
Hispanic times and
tikog (rush) weaving
has always been its
leading industry until
Typhoon Yolanda
practically wiped it out.

33. The Philippine Tribal Costumes
The B'laan are one of the indigenous peoples of Southern Mindanao in
The Philippines.
They are famous for their brassworks, beadwork and t'nalak weave.
The people of these tribes wear colorful embroidered native costumes
and beadwork accessories.

34. KALINGA
• The Kalinga are called the
“peacocks of the north”
because of their attention to
appearance and dressing.
Kalinga is a landlocked
province of northern
Cordillera, Philippines.
“Kalinga” means enemy, a
name that the bordering
inhabitants
called this tribe because of
their headhunting attacks.
The name stuck and became
accepted by the natives
themselves.

35. T'BOLI
• The T'boli distinguish
themselves from other
Tribal Groups
by their colorful
clothes, bracelets and
earrings,
this tribe is famous for
their complicated
beadwork,
wonderful woven
fabrics and beautiful
brass ornaments.

36. The Bagobo are proud people with proto Malayan features.
They have ornate traditions in weaponry and other metal arts.
They are noted for their skill in producing brass articles through the ancient lost-
wax process.
These people also weave abacca cloths of earth tones and make baskets
that are trimmed with beads, fibers and horse's hair.

37. Eskaya
• Visayan-Eskaya, is the
collective name for the
members of
a cultural minority found
inBohol, Philippines, which
is distinguished by its
cultural heritage, particularly
its literature, language,
dress and religious
observances. After the
Eskaya first came to public
attention in 1980

38. Negrito
• Among its earliest
inhabitants were dark-
skinned natives
belonging to the
Negrito ethnic group
with their unique
culture. Negros Island

39. Samal
• The Eastern Samals trace
their ancestry to the east
of Job. Nowadays, a great
number of Samals are
found
in Zamboanga City, Basila
n and even in Zambaonga
del Norte and Zamboanga
del Sur who have migrated
in search of better
economic clout.

40. Tagbanua
• The Tagbanwa or
Tagbanua, one of the
oldest ethnic groups in
the Philippines, can be
mainly found in the
central and
northern Palawan.

42. THANK YOU
•

43. How does Philippine folk
(indigenous) art reflect nature
and the life of the common
folk?
• Philippine folk (indigenous) art reflects
nature and the life of the common folk
through various media techniques and
processes based on the factors of time,
climate, resources, ideas and historical
and cultural context