Creativity + Innovation 1.6
Kevin Popović, B.A., M.S.
© Kevin Popović, SDSU Creativity + Innovation
CourseKey
© Kevin Popović, SDSU Creativity + Innovation
Please check-in.
Session 1.6
• Welcome
• Roll, Admin
• #MGT353 Prague
• Quiz
© Kevin Popović, SDSU Creativity + Innovation
• Show ‘n Tell
• Quiz Chapter 5
• Discuss Chapter 5
• Guest Lecturer
• Assignments
Show ‘n Tell
An Exercise in Ideation.
© Kevin Popović, SDSU Creativity + Innovation
Assignment
© Kevin Popović, SDSU Creativity + Innovation
• Bring an object into
class that could spark
creativity
• Visual, article, person
• Explain why it is
relevant to creativity
• Class will examine and
provide feedback
Brandon Noel
Brandon Noel
CourseKey
© Kevin Popović, SDSU Creativity + Innovation
Class Exercise.
Creativity
The generation of ideas.
© Kevin Popović, SDSU Creativity + Innovation
Innovation
The Implementation of ideas.
© Kevin Popović, SDSU Creativity + Innovation
Chapter 5 of Creativity, Inc.
© Kevin Popović, SDSU Creativity + Innovation
Quiz: Personal Creative Climate
Chapter 5 of Creativity, Inc.
© Kevin Popović, SDSU Creativity + Innovation
Personal Creative Climate
The Climate for Creativity
• The ideal creative climate nurtures intrinsic
motivation, assures the safety necessary for
curiosity, holds high expectations for creativity
and provides the support critical to evaluation.
© Kevin Popović, SDSU Creativity + Innovation
The Climate for Creativity
• The ability of individuals to achieve full creative
potential depends on their ability to create their
own internal climate
• and to influence their ability to create their own
internal climate
• and to influence the immediate climate around
them.
© Kevin Popović, SDSU Creativity + Innovation
The Climate for Creativity
• Literally, it’s a space.
• Figuratively, it’s a state of mind.
© Kevin Popović, SDSU Creativity + Innovation
The Climate for Creativity
• Last week one of our designers was on a
production deadline. With just 24 hours to go,
he still had no copy to work with. He knew he
was only going to get one shot at designing
something the client would love. As we were
coming down to the wire he turned and said
with a grin, “This would make a great war story.”
© Kevin Popović, SDSU Creativity + Innovation
The Bubble
• You must fight to keep personal creativity alive
for your own good, and for the good of the
company.
• Once you make a conscious effort at creativity
and have developed a sense of personal
creative worth, your sophistication can begin to
grow.
© Kevin Popović, SDSU Creativity + Innovation
The Bubble
• You will know the history and motivation and
your curiosity, how and why you approach the
breaking and making of connections, and what
evaluation can mean on a personal level.
© Kevin Popović, SDSU Creativity + Innovation
The Creative Profile
• The more people have a sense of their creative
profile, the more they are able to bring the
creative process into play.
• The more deeply a person understands their
creative profile, the more they will be able to
create circumstances in which they will flourish.
© Kevin Popović, SDSU Creativity + Innovation
The Creative Profile
• Review your creative profile now.
• Discussion: What do want to change?
© Kevin Popović, SDSU Creativity + Innovation
Expecting Success
• When you expect that what you are working on
will have a successful outcome, you more
readily dip into resources and energy you would
not otherwise expend because you believe the
extra-effort will be rewarded.
© Kevin Popović, SDSU Creativity + Innovation
Expecting Success
• Expectations become self-fulfilling.
• With each new success, confidence and
competence and expectations grow, which
leads into more ambitious challenges.
• Agree / Disagree?
© Kevin Popović, SDSU Creativity + Innovation
Expecting Failure
• Personal expectations can fail to materialize,
and failure can be problematic.
• Keep expectations high, but within reason, or
you run the risk of sabotaging your career.
• Agree / Disagree?
© Kevin Popović, SDSU Creativity + Innovation
The Power of Passion
• Passion strengthens a personal creative
climate.
• The value of intrinsic motivation.
• The individual climate impacts the local climate,
which can impact the global climate.
© Kevin Popović, SDSU Creativity + Innovation
The Power of Passion
• People of passion can develop a local climate
that supports higher energy for more
imaginative and more productive breaking and
making of connections.
© Kevin Popović, SDSU Creativity + Innovation
Reaching Outside the Bubble
• If you want to increase personal creative
performances, consider the task from two
perspectives:
• What you can bring to the table
• What the larger climate has to bring
© Kevin Popović, SDSU Creativity + Innovation
Reaching Outside the Bubble
• Which external factors critically amplify or
dampen creative ability.
• Which factors can you change and which you
cannot.
• Success = customizing your local climate
© Kevin Popović, SDSU Creativity + Innovation
Make A Better: Workspace
A Game of Innovation
© Kevin Popović, SDSU Creativity + Innovation
The Problem Statement
• Design the physically smallest, functional office
space that you can, BUT:
• Required: it’s a pleasant environment
• Required: it can be personalized by its occupant
• Required: it provides privacy when needed
• Required: it facilitates collaboration with others
when needed
© Kevin Popović, SDSU Creativity + Innovation
The Problem Statement
• Prototypes are vehicles for communicating with and
learning from others
• Sketch, storyboard, prototype – use whatever works
to tell the story
• Give us a 'feel' for what the space would be like
(overview)
• Show us how we would use the space
• Show us how you’ve addressed the requirements
© Kevin Popović, SDSU Creativity + Innovation
Create a Safe Environment
• This is an opportunity to practice, not a
competition
• Listen carefully to each other: there are no
“experts” in this context
• Build on each other’s ideas, don’t stomp on
them!
• “Yes, and…” NOT “no, but…”
© Kevin Popović, SDSU Creativity + Innovation
Create a Safe Environment
• Ideas aren’t precious – don’t be afraid to let
them go
• Think wild and crazy thoughts to solve the
problem
• Synthesis and play work better than analysis
© Kevin Popović, SDSU Creativity + Innovation
Rules for Brainstorming
• Defer judgment
• Encourage wild ideas
• Build on others’ ideas
• Stay focused on the topic
• One conversation at a time
• Go for quantity
• Be visual – sketch, don’t just write
© Kevin Popović, SDSU Creativity + Innovation
Share Results – Submit Work
Teams have 1 minutes to share:
• Preferred solution with no/minimal explanation
• Did it meet goals, demonstrate creativity and
innovation?
• Audience Q&A
• One thing to do differently next time
• The most important lesson learned
© Kevin Popović, SDSU Creativity + Innovation
Recap / Q&A
Questions for you, now and in future
• Did sketching generate new ideas?
• What worked? What didn’t?
• How could you tell your story more clearly?
© Kevin Popović, SDSU Creativity + Innovation
My Perspective
• Sketching improves ideas and communication
• You create a vehicle for gathering feedback
• The process is iterative, fast and cheap
© Kevin Popović, SDSU Creativity + Innovation
Assignment
© Kevin Popović, SDSU Creativity + Innovation
• Read Chapter 6
• Prepare for Quiz
Assignment
© Kevin Popović, SDSU Creativity + Innovation
• Read “Innovation: The
Classic Traps”
• Prepare for Quiz

Creativity + Innovation 1.6

  • 1.
    Creativity + Innovation1.6 Kevin Popović, B.A., M.S. © Kevin Popović, SDSU Creativity + Innovation
  • 2.
    CourseKey © Kevin Popović,SDSU Creativity + Innovation Please check-in.
  • 3.
    Session 1.6 • Welcome •Roll, Admin • #MGT353 Prague • Quiz © Kevin Popović, SDSU Creativity + Innovation • Show ‘n Tell • Quiz Chapter 5 • Discuss Chapter 5 • Guest Lecturer • Assignments
  • 4.
    Show ‘n Tell AnExercise in Ideation. © Kevin Popović, SDSU Creativity + Innovation
  • 5.
    Assignment © Kevin Popović,SDSU Creativity + Innovation • Bring an object into class that could spark creativity • Visual, article, person • Explain why it is relevant to creativity • Class will examine and provide feedback
  • 6.
  • 7.
  • 8.
    CourseKey © Kevin Popović,SDSU Creativity + Innovation Class Exercise.
  • 9.
    Creativity The generation ofideas. © Kevin Popović, SDSU Creativity + Innovation
  • 10.
    Innovation The Implementation ofideas. © Kevin Popović, SDSU Creativity + Innovation
  • 11.
    Chapter 5 ofCreativity, Inc. © Kevin Popović, SDSU Creativity + Innovation Quiz: Personal Creative Climate
  • 13.
    Chapter 5 ofCreativity, Inc. © Kevin Popović, SDSU Creativity + Innovation Personal Creative Climate
  • 14.
    The Climate forCreativity • The ideal creative climate nurtures intrinsic motivation, assures the safety necessary for curiosity, holds high expectations for creativity and provides the support critical to evaluation. © Kevin Popović, SDSU Creativity + Innovation
  • 15.
    The Climate forCreativity • The ability of individuals to achieve full creative potential depends on their ability to create their own internal climate • and to influence their ability to create their own internal climate • and to influence the immediate climate around them. © Kevin Popović, SDSU Creativity + Innovation
  • 16.
    The Climate forCreativity • Literally, it’s a space. • Figuratively, it’s a state of mind. © Kevin Popović, SDSU Creativity + Innovation
  • 17.
    The Climate forCreativity • Last week one of our designers was on a production deadline. With just 24 hours to go, he still had no copy to work with. He knew he was only going to get one shot at designing something the client would love. As we were coming down to the wire he turned and said with a grin, “This would make a great war story.” © Kevin Popović, SDSU Creativity + Innovation
  • 18.
    The Bubble • Youmust fight to keep personal creativity alive for your own good, and for the good of the company. • Once you make a conscious effort at creativity and have developed a sense of personal creative worth, your sophistication can begin to grow. © Kevin Popović, SDSU Creativity + Innovation
  • 19.
    The Bubble • Youwill know the history and motivation and your curiosity, how and why you approach the breaking and making of connections, and what evaluation can mean on a personal level. © Kevin Popović, SDSU Creativity + Innovation
  • 20.
    The Creative Profile •The more people have a sense of their creative profile, the more they are able to bring the creative process into play. • The more deeply a person understands their creative profile, the more they will be able to create circumstances in which they will flourish. © Kevin Popović, SDSU Creativity + Innovation
  • 21.
    The Creative Profile •Review your creative profile now. • Discussion: What do want to change? © Kevin Popović, SDSU Creativity + Innovation
  • 23.
    Expecting Success • Whenyou expect that what you are working on will have a successful outcome, you more readily dip into resources and energy you would not otherwise expend because you believe the extra-effort will be rewarded. © Kevin Popović, SDSU Creativity + Innovation
  • 24.
    Expecting Success • Expectationsbecome self-fulfilling. • With each new success, confidence and competence and expectations grow, which leads into more ambitious challenges. • Agree / Disagree? © Kevin Popović, SDSU Creativity + Innovation
  • 25.
    Expecting Failure • Personalexpectations can fail to materialize, and failure can be problematic. • Keep expectations high, but within reason, or you run the risk of sabotaging your career. • Agree / Disagree? © Kevin Popović, SDSU Creativity + Innovation
  • 26.
    The Power ofPassion • Passion strengthens a personal creative climate. • The value of intrinsic motivation. • The individual climate impacts the local climate, which can impact the global climate. © Kevin Popović, SDSU Creativity + Innovation
  • 27.
    The Power ofPassion • People of passion can develop a local climate that supports higher energy for more imaginative and more productive breaking and making of connections. © Kevin Popović, SDSU Creativity + Innovation
  • 28.
    Reaching Outside theBubble • If you want to increase personal creative performances, consider the task from two perspectives: • What you can bring to the table • What the larger climate has to bring © Kevin Popović, SDSU Creativity + Innovation
  • 29.
    Reaching Outside theBubble • Which external factors critically amplify or dampen creative ability. • Which factors can you change and which you cannot. • Success = customizing your local climate © Kevin Popović, SDSU Creativity + Innovation
  • 30.
    Make A Better:Workspace A Game of Innovation © Kevin Popović, SDSU Creativity + Innovation
  • 31.
    The Problem Statement •Design the physically smallest, functional office space that you can, BUT: • Required: it’s a pleasant environment • Required: it can be personalized by its occupant • Required: it provides privacy when needed • Required: it facilitates collaboration with others when needed © Kevin Popović, SDSU Creativity + Innovation
  • 32.
    The Problem Statement •Prototypes are vehicles for communicating with and learning from others • Sketch, storyboard, prototype – use whatever works to tell the story • Give us a 'feel' for what the space would be like (overview) • Show us how we would use the space • Show us how you’ve addressed the requirements © Kevin Popović, SDSU Creativity + Innovation
  • 33.
    Create a SafeEnvironment • This is an opportunity to practice, not a competition • Listen carefully to each other: there are no “experts” in this context • Build on each other’s ideas, don’t stomp on them! • “Yes, and…” NOT “no, but…” © Kevin Popović, SDSU Creativity + Innovation
  • 34.
    Create a SafeEnvironment • Ideas aren’t precious – don’t be afraid to let them go • Think wild and crazy thoughts to solve the problem • Synthesis and play work better than analysis © Kevin Popović, SDSU Creativity + Innovation
  • 35.
    Rules for Brainstorming •Defer judgment • Encourage wild ideas • Build on others’ ideas • Stay focused on the topic • One conversation at a time • Go for quantity • Be visual – sketch, don’t just write © Kevin Popović, SDSU Creativity + Innovation
  • 37.
    Share Results –Submit Work Teams have 1 minutes to share: • Preferred solution with no/minimal explanation • Did it meet goals, demonstrate creativity and innovation? • Audience Q&A • One thing to do differently next time • The most important lesson learned © Kevin Popović, SDSU Creativity + Innovation
  • 38.
    Recap / Q&A Questionsfor you, now and in future • Did sketching generate new ideas? • What worked? What didn’t? • How could you tell your story more clearly? © Kevin Popović, SDSU Creativity + Innovation
  • 39.
    My Perspective • Sketchingimproves ideas and communication • You create a vehicle for gathering feedback • The process is iterative, fast and cheap © Kevin Popović, SDSU Creativity + Innovation
  • 40.
    Assignment © Kevin Popović,SDSU Creativity + Innovation • Read Chapter 6 • Prepare for Quiz
  • 41.
    Assignment © Kevin Popović,SDSU Creativity + Innovation • Read “Innovation: The Classic Traps” • Prepare for Quiz

Editor's Notes

  • #2 Creativity and innovation are integral to an organization’s ability to survive and thrive in today’s competitive marketplace. This course provides students with an understanding of how creativity and innovation can be facilitated and managed in a work setting. Students will learn about theoretical conceptualizations of creativity and innovation as well as practical applications involved in fostering creativity and innovation in the workplace. Students will be expected to play an active role in learning through class exercises, class discussions, and dialogue with guest speakers, and presentations about real (or planned) innovations in organizations.
  • #7 Brandon Noel, CEO, Rezident Management http://www.rezidentmgmt.com/who-we-are http://www.djnoel2033.com/
  • #8 Brandon Noel, Rezident Management http://www.rezidentmgmt.com/who-we-are http://www.djnoel2033.com/
  • #12 Required Text: Creativity, Inc.: Building an Inventive Organization by Jeff Mauzy and Richard Harriman, ISBN: 1-57851-207-7, Harvard Business School Press. Chapter 3 = making and breaking connections, and at the keys to successfully engaging that critical dynamic Chapter 4 addresses the climate: the key to engaging the other dynamics of the creative process
  • #14 Required Text: Creativity, Inc.: Building an Inventive Organization by Jeff Mauzy and Richard Harriman, ISBN: 1-57851-207-7, Harvard Business School Press. Chapter 3 = making and breaking connections, and at the keys to successfully engaging that critical dynamic Chapter 4 addresses the climate: the key to engaging the other dynamics of the creative process
  • #15 It is the protection and enhancement of a personal creative climate that allows individuals to accomplish their creative work within larger climate scales. Reference EQ: preparing for training
  • #16 It is the protection and enhancement of a personal creative climate that allows individuals to accomplish their creative work within larger climate scales. Reference EQ: preparing for training
  • #17 Class Discussion: What happens to you under pressure? Under the influence of others? Note: In a climate of consensus, the individual needs a particularly strong personal creative climate to sustain his or her personal intrinsic motivation and singular risk-taking curiosity.
  • #18 Class Discussion: What happens to you under pressure? Under the influence of others? Note: In a climate of consensus, the individual needs a particularly strong personal creative climate to sustain his or her personal intrinsic motivation and singular risk-taking curiosity.
  • #23 Does your environment impact your creativity? Class Discussion: Would this workstation improve or decrease your creativity?
  • #29 People who’s livelihood depends on creativity, their own and those around them, examine what influences personal climates so they can customize local climates. Leaders cannot adjust the creative climate for each individual, but they can develop an overall climate friendly to the largest number of employees.
  • #30 People who’s livelihood depends on creativity, their own and those around them, examine what influences personal climates so they can customize local climates. Leaders cannot adjust the creative climate for each individual, but they can develop an overall climate friendly to the largest number of employees.
  • #31 Make A Better: Workspace Break into groups of 5 Design a better workspace based on your creative profile Use what you have learned about yourself in your creative profile Draw a picture Present your concept to the class
  • #37 Everyone draws.
  • #41  https://hbr.org/product/paul-robertson-and-the-medici-string-quartet/an/607083-PDF-ENG Class Quiz: Team – Creative Collaborative in Teams
  • #42  https://hbr.org/product/paul-robertson-and-the-medici-string-quartet/an/607083-PDF-ENG Class Quiz: Team – Creative Collaborative in Teams