John Goldsmith

Consonants and vowels
Kinds of phonetics
• Transcribing: descriptive phonetics?
  transcriptional phonetics? No standard name.
• Articulatory phonetics
• Acoustic phonetics
• Perceptual phonetics (Psychology)
• Computational phonetics (CS)
Articulatory apparatus
Some (not so happy) assumptions
    generally made to do transcriptions
• There is a (1-dimensional) sequence of units that
  define or characterize the utterance – rather than 2
  or more parallel streams. We think of the
  articulators as being a single instrument rather
  than as an orchestra.
• We can slice the utterances into pieces vertically,
  in time, and ignore most differences in duration.
• Sounds follow one another, and that’s it: there is no
  packing of them into groups.
Sounds of English
Consonants: first, the stops:   When we need to emphasize
                                that we are using a phonetic
• b as in bat, sob, cubby       transcription, we put square
                                brackets [b] around the symbols.
• d as in date, hid, ado
• g as in gas, lag, ragged
• p as in pet, tap, repeat
• t as in tap, pet, attack
• k as in king, pick, picking
More consonants: fricatives
•   f as in fail, life
•   v as in veil, live
•   Ɵ as in thin, wrath
•   ð as in this, bathe
•   s as in soft, miss
•   z as in zoo, as
•   š (American) or ʃ (IPA) as in shame, mash
•   ž (American) or ǯ (IPA)as in triage, garage, azure,
•   h as in help, vehicular
affricates
• č (American) or tʃ (IPA) as in cheap, hatch
• ǰ (American) or ʤ (IPA) as in jump, hedge
nasal consonants
•   m as in map, him
•   n as in knot, tin (alveolar POA)
•   ñ as in canyon
•   ŋ as in sing, gingham, dinghy
Liquids
• l as in large, gull
• r as in red, jar
glides and semi-consonants
• y (American) or j (IPA) as in boy, yellow
• w as in wall, cow
Sub-Classification of Consonants
•   6 stops
•   2 affricates
•   9 fricatives
•   4 nasals
•   2 liquids
•   2 glides
Short vowels
Front:                        ǝ “schwa” as in about
I        as in bit
Ɛ        as in bet
æ        as in bat
Back
       as in put
ʌ      as in putt
 as in bought
a or ɑ as in Mott, ma, spot
Long vowels
•   iy or i    as in beet
•   ey or ej   as in bait
•   ay         as in bite
•   oy         as in boy
•   uw or u    as in boot
•   ow         as in boat
•   aw         as how
Review where we’ve been
• We’ve listened to the sounds of “our” English,
  and assigned a set of symbols to them.
• We abstracted away from pitch, loudness, and
  duration.
• We hope to better understanding our
  language’s sounds by analyzing them as being
  composed of a sequence of identifiable
  sounds, each of which occurs frequently in
  words of the language.
• Frequently? If a sound occurs in just 2 or 3
  words, we don’t take it seriously (glottal stop,
  velar fricative)
• We do this against the background knowledge
  that the inventory of sounds in English is not
  necessary as human languages go: they are
  what they are against a much wider backdrop
  of possible linguistic sounds.
• We also attempt to physically characterize
  these sounds: acoustically and articulatorily.
  Consonants are easier to characterize
  articulatorily, vowels acoustically.
• We are particularly interested in those ways
  in which the English of Speaker 1 is different
  from the English of Speaker 2: again, working
  against the background knowledge of
  variation.
• We also characterize differences of sounds
  across sound contexts: we say, notice the
  different sound that occurs in front of a
  voiceless consonant in height.
• Looking ahead to phonology, we will attempt
  to get a handle on variation in sounds in two
  ways:
  – Two sounds are similar if (roughly) we can
    characterize one of them as a variant of the other
    used in a particular context (“under the influence
    of that context,” so to speak)
  – Two sounds are distinct (hence, different) if two
    distinct words differ only with regard to these
    two sounds, in otherwise identical positions
• We try to characterize the inventory of
  sounds in a language, knowing that that
  language chose one set of sounds when a vast
  range of other possibilities might have been
  chosen.
Symbols
• We assign symbols to these sounds; in
  addition, we want to characterize them as
  best we can articulatorily and acoustically.
Sounds can be divided into two major
  groups, consonants and vowels; or set
  along a continuum known as the sonority
  hierarchy:
Sonority hierarchy
•   Vowels
•   Glides
•   Liquids
•   Nasals
•   Obstruents:
    – Fricatives
    – Affricates
    – Stops
Consonants
• Consonants = obstruents + sonorants
  – Obstruents: (oral) stops, affricates, and
    fricatives
  – Sonorants: nasals and liquids (l,r)
Consonants have a point of
            articulation
The crucial points of articulation for English
  consonants are:
• Labial
• Labio-dental
• Dental
• Alveolar: at the alveolar ridge, behind the teeth
• Post-alveolar/palato-alveolar/alveopalatal:
  multiple names for the same thing
• Retroflex (r only)
• Palatal (y, ñ)
• Velar
• Laryngeal
Obstruents:
• 6 stops
• 9 fricatives
• 2 affricates
• Nasals (4)
• 2 other sonorants (what are they?)
• 2 glides
Vowels
• Vowels are harder to characterize
  articulatorily, but we try!
• The fact that it’s harder is reflected in the
  fact that there is more than one way in
  which it’s done. IPA is one way; American
  is another.
IPA
Two systems side by side
A phonetic chart based on the first
          two formants
From: http://hyperphysics.phy-astr.gsu.edu/hbase/music/vocres.html
/i/ green




 /ae/ hat




/u/ boot

            graphics thanks to
            Kevin Russell, Univ of Manitoba
“Hi” /haj/




we were away a year ago   FORMANTS

Consonants and vowels umar bashir shad

  • 1.
  • 2.
    Kinds of phonetics •Transcribing: descriptive phonetics? transcriptional phonetics? No standard name. • Articulatory phonetics • Acoustic phonetics • Perceptual phonetics (Psychology) • Computational phonetics (CS)
  • 3.
  • 5.
    Some (not sohappy) assumptions generally made to do transcriptions • There is a (1-dimensional) sequence of units that define or characterize the utterance – rather than 2 or more parallel streams. We think of the articulators as being a single instrument rather than as an orchestra. • We can slice the utterances into pieces vertically, in time, and ignore most differences in duration. • Sounds follow one another, and that’s it: there is no packing of them into groups.
  • 6.
    Sounds of English Consonants:first, the stops: When we need to emphasize that we are using a phonetic • b as in bat, sob, cubby transcription, we put square brackets [b] around the symbols. • d as in date, hid, ado • g as in gas, lag, ragged • p as in pet, tap, repeat • t as in tap, pet, attack • k as in king, pick, picking
  • 7.
    More consonants: fricatives • f as in fail, life • v as in veil, live • Ɵ as in thin, wrath • ð as in this, bathe • s as in soft, miss • z as in zoo, as • š (American) or ʃ (IPA) as in shame, mash • ž (American) or ǯ (IPA)as in triage, garage, azure, • h as in help, vehicular
  • 8.
    affricates • č (American)or tʃ (IPA) as in cheap, hatch • ǰ (American) or ʤ (IPA) as in jump, hedge
  • 9.
    nasal consonants • m as in map, him • n as in knot, tin (alveolar POA) • ñ as in canyon • ŋ as in sing, gingham, dinghy
  • 10.
    Liquids • l asin large, gull • r as in red, jar
  • 11.
    glides and semi-consonants •y (American) or j (IPA) as in boy, yellow • w as in wall, cow
  • 12.
    Sub-Classification of Consonants • 6 stops • 2 affricates • 9 fricatives • 4 nasals • 2 liquids • 2 glides
  • 13.
    Short vowels Front: ǝ “schwa” as in about I as in bit Ɛ as in bet æ as in bat Back as in put ʌ as in putt  as in bought a or ɑ as in Mott, ma, spot
  • 14.
    Long vowels • iy or i as in beet • ey or ej as in bait • ay as in bite • oy as in boy • uw or u as in boot • ow as in boat • aw as how
  • 15.
    Review where we’vebeen • We’ve listened to the sounds of “our” English, and assigned a set of symbols to them. • We abstracted away from pitch, loudness, and duration. • We hope to better understanding our language’s sounds by analyzing them as being composed of a sequence of identifiable sounds, each of which occurs frequently in words of the language.
  • 16.
    • Frequently? Ifa sound occurs in just 2 or 3 words, we don’t take it seriously (glottal stop, velar fricative) • We do this against the background knowledge that the inventory of sounds in English is not necessary as human languages go: they are what they are against a much wider backdrop of possible linguistic sounds.
  • 17.
    • We alsoattempt to physically characterize these sounds: acoustically and articulatorily. Consonants are easier to characterize articulatorily, vowels acoustically. • We are particularly interested in those ways in which the English of Speaker 1 is different from the English of Speaker 2: again, working against the background knowledge of variation.
  • 18.
    • We alsocharacterize differences of sounds across sound contexts: we say, notice the different sound that occurs in front of a voiceless consonant in height. • Looking ahead to phonology, we will attempt to get a handle on variation in sounds in two ways: – Two sounds are similar if (roughly) we can characterize one of them as a variant of the other used in a particular context (“under the influence of that context,” so to speak) – Two sounds are distinct (hence, different) if two distinct words differ only with regard to these two sounds, in otherwise identical positions
  • 19.
    • We tryto characterize the inventory of sounds in a language, knowing that that language chose one set of sounds when a vast range of other possibilities might have been chosen.
  • 20.
    Symbols • We assignsymbols to these sounds; in addition, we want to characterize them as best we can articulatorily and acoustically. Sounds can be divided into two major groups, consonants and vowels; or set along a continuum known as the sonority hierarchy:
  • 21.
    Sonority hierarchy • Vowels • Glides • Liquids • Nasals • Obstruents: – Fricatives – Affricates – Stops
  • 22.
    Consonants • Consonants =obstruents + sonorants – Obstruents: (oral) stops, affricates, and fricatives – Sonorants: nasals and liquids (l,r)
  • 23.
    Consonants have apoint of articulation The crucial points of articulation for English consonants are: • Labial • Labio-dental • Dental • Alveolar: at the alveolar ridge, behind the teeth • Post-alveolar/palato-alveolar/alveopalatal: multiple names for the same thing • Retroflex (r only) • Palatal (y, ñ) • Velar • Laryngeal
  • 24.
    Obstruents: • 6 stops •9 fricatives • 2 affricates • Nasals (4) • 2 other sonorants (what are they?) • 2 glides
  • 26.
    Vowels • Vowels areharder to characterize articulatorily, but we try! • The fact that it’s harder is reflected in the fact that there is more than one way in which it’s done. IPA is one way; American is another.
  • 27.
  • 28.
  • 29.
    A phonetic chartbased on the first two formants
  • 30.
  • 31.
    /i/ green /ae/hat /u/ boot graphics thanks to Kevin Russell, Univ of Manitoba
  • 32.
    “Hi” /haj/ we wereaway a year ago FORMANTS