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COLOR,
SPACE &
STORY
COLOR SCHEMES
Warm Color Scheme:
–  Red
–  Orange
–  Yellow
•  Warm colors advance
•  Represents – Fire, Sunlight
•  Implies – Happy energy
•  An artist many use warm
and cool color
relationships to create
depth and volume.
•  It can also create a feeling
of light.
Chicago History Museum. Childe Hassam.The Breakfast
Room,Winter Morning. 1911. Oil on canvas. © Worcester
Art Museum, Massachusetts/The Bridgeman Art Library.
Cool Color Scheme:
– Blue
– Green
– Purple
•  Cool colors recede
•  Represents – Sky,
Water, Grass, Plants
•  Implies – Sadness,
Depression, Night Archibald J. Motley Jr. Getting Religion. 1948. Oil on
canvas, 2 7 7/8 x 3 3 1/4 . Collection Archie
Motley andValerie Gerrard Browne, Evanston,
Illinois. Chicago History Museum.
COLOR SCHEMES
ATMOSPHERIC FOCUS
Colors, lines and details are darker up close
and become lighter with less detail in the
distance
•  HUE—Warm colors advance, cool colors
recede.
•  VALUE—Colors are darker closer to the
viewer, lighter as they go back into space.
•  INTENSITY/SATURATION—Colors are more
intense closer to the viewer, duller as they go
back into space.
YOUR TASK…
THE BRAINSTORMER
Color and Space
Color and Space
Color and Space
Color and Space
Color and Space
Color and Space
Color and Space
Color and Space
Color and Space

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Color and Space

  • 2. COLOR SCHEMES Warm Color Scheme: –  Red –  Orange –  Yellow •  Warm colors advance •  Represents – Fire, Sunlight •  Implies – Happy energy •  An artist many use warm and cool color relationships to create depth and volume. •  It can also create a feeling of light. Chicago History Museum. Childe Hassam.The Breakfast Room,Winter Morning. 1911. Oil on canvas. © Worcester Art Museum, Massachusetts/The Bridgeman Art Library.
  • 3. Cool Color Scheme: – Blue – Green – Purple •  Cool colors recede •  Represents – Sky, Water, Grass, Plants •  Implies – Sadness, Depression, Night Archibald J. Motley Jr. Getting Religion. 1948. Oil on canvas, 2 7 7/8 x 3 3 1/4 . Collection Archie Motley andValerie Gerrard Browne, Evanston, Illinois. Chicago History Museum. COLOR SCHEMES
  • 4. ATMOSPHERIC FOCUS Colors, lines and details are darker up close and become lighter with less detail in the distance
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  • 17. •  HUE—Warm colors advance, cool colors recede. •  VALUE—Colors are darker closer to the viewer, lighter as they go back into space. •  INTENSITY/SATURATION—Colors are more intense closer to the viewer, duller as they go back into space.