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Censorship
Case Studies
Denna Lawson, Sons of Cush, 2016
Denna Lawson, Ring Bearer, 2016
HenryTaylor, Ancestors of Genghis Khan with Black Man on Horse, 2015-17
HenryTaylor, A Happy Day for Us, 2017
#1
David Pulphus, Untitled #1, 2016 MO-1, Rep.William Lacy Clay
Was it right for Congressman
H u n t e r t o r e m o v e t h e
painting?
W a s t h e p a i n t i n g t o o
objectionable to be hung in a
capitol building?
David Pulphus PaintingVideo
“As far as David Pulphus, Jr.'s work, along with the 60 or
so other artworks that were submitted for judging by
myself and two other area artists/art professionals, we
were given the criteria to simply select the 5 pieces we
felt were the best in the exhibit and to select only one
artwork for Best of Show. That Best of Show hands-
down by us three Jurors/Judges went to that artwork.
What he depicted about what was going on in his own
neighborhood and city was sad--he was at the time, just
a teenager, and had seen too much already. It was a
really great artwork and really was Best in Show for
that particular judging.“
“Firstly, our choice was made on artistic merit. That was what we
were asked to do.
Also, understand that we were not told that we could not select an
artwork -- nothing was censored--so that artwork was up for
consideration with all of the others presented to us. Nobody knew
that there would be aftershock, basically--we simply thought that it
was the best artwork.
I was a Judge again for this year's show and we had a couple of
artworks that could be conceived as controversial, the one that we
selected was basically about hair, specifically the hard work that
goes into keeping a young woman of color's hair braided or
straight, and how that can be physically painful. The work was
wonderfully done, again, this was based on creativity and the skill of
the artwork.The second thing that adds to the skill and technique is
the imagery and what it means. All of those things made this piece
and David Pulphus, Jr.'s work the best in the exhibit.”
- Robin Hirsch-Steinhoff, Director of Art St. Louis
Artwork must adhere to the policy of the House Office
Building Commission (the Commission). In accordance with
this policy, exhibits depicting subjects of contemporary
political controversy or a
sensationalistic or gruesome nature are not allowed. Each
Member of Congress will be required to submit a Letter of
Support confirming that the Member has determined that
the winning artwork adheres to the Commission’s policy.
However, if another Member of Congress requests review
of any artwork for compliance with the Commission’s
policy, the final decision regarding the artwork’s
suitability for display will be made by the Commission.
While it is not the intent to censor any artwork, we do
wish to avoid artwork that is potentially inappropriate for
display in this highly travelled area
leading to the Capitol.
Do you agree or disagree with
the court’s ruling?
Should the representative
artworks meet a certain
conceptual standard, not just
based on artistic merit or skill?

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Censorhip case studies

  • 2.
  • 3.
  • 4. Denna Lawson, Sons of Cush, 2016
  • 5. Denna Lawson, Ring Bearer, 2016
  • 6.
  • 7. HenryTaylor, Ancestors of Genghis Khan with Black Man on Horse, 2015-17
  • 8. HenryTaylor, A Happy Day for Us, 2017
  • 9.
  • 10. #1
  • 11. David Pulphus, Untitled #1, 2016 MO-1, Rep.William Lacy Clay
  • 12.
  • 13.
  • 14. Was it right for Congressman H u n t e r t o r e m o v e t h e painting? W a s t h e p a i n t i n g t o o objectionable to be hung in a capitol building?
  • 15.
  • 16.
  • 18.
  • 19.
  • 20. “As far as David Pulphus, Jr.'s work, along with the 60 or so other artworks that were submitted for judging by myself and two other area artists/art professionals, we were given the criteria to simply select the 5 pieces we felt were the best in the exhibit and to select only one artwork for Best of Show. That Best of Show hands- down by us three Jurors/Judges went to that artwork. What he depicted about what was going on in his own neighborhood and city was sad--he was at the time, just a teenager, and had seen too much already. It was a really great artwork and really was Best in Show for that particular judging.“
  • 21. “Firstly, our choice was made on artistic merit. That was what we were asked to do. Also, understand that we were not told that we could not select an artwork -- nothing was censored--so that artwork was up for consideration with all of the others presented to us. Nobody knew that there would be aftershock, basically--we simply thought that it was the best artwork. I was a Judge again for this year's show and we had a couple of artworks that could be conceived as controversial, the one that we selected was basically about hair, specifically the hard work that goes into keeping a young woman of color's hair braided or straight, and how that can be physically painful. The work was wonderfully done, again, this was based on creativity and the skill of the artwork.The second thing that adds to the skill and technique is the imagery and what it means. All of those things made this piece and David Pulphus, Jr.'s work the best in the exhibit.” - Robin Hirsch-Steinhoff, Director of Art St. Louis
  • 22. Artwork must adhere to the policy of the House Office Building Commission (the Commission). In accordance with this policy, exhibits depicting subjects of contemporary political controversy or a sensationalistic or gruesome nature are not allowed. Each Member of Congress will be required to submit a Letter of Support confirming that the Member has determined that the winning artwork adheres to the Commission’s policy. However, if another Member of Congress requests review of any artwork for compliance with the Commission’s policy, the final decision regarding the artwork’s suitability for display will be made by the Commission. While it is not the intent to censor any artwork, we do wish to avoid artwork that is potentially inappropriate for display in this highly travelled area leading to the Capitol.
  • 23. Do you agree or disagree with the court’s ruling? Should the representative artworks meet a certain conceptual standard, not just based on artistic merit or skill?