Camera angles we will use in our documentary
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The document discusses various camera angles that will be used to film a documentary about spiritualism. A two shot will be used for interviews to show the relationship between the interviewer and subject. Close-up shots will be used during a palm reading session to allow the audience to see the details of the experience. Long shots will set the scene at iconic spiritual locations. Point of view shots from the documentarians will make the audience feel like they are participating in ghost walks or similar events. Panning shots in the opening sequence will juxtapose real and spiritual worlds.
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Evaluation Question 5
The document discusses ways to attract and address a horror movie audience. It suggests using conventions from popular horror genres and TV shows to create demand. Relatable storylines that audiences can empathize with are also effective. Stereotypical characters are commercially successful because they are widely recognizable. Social networking can help build a fan base through word-of-mouth. The film addresses audiences through dramatic camera angles, editing, sound design, and mise-en-scene to build suspense and engage emotions. Specific shots are described that highlight a killer, victim's fear, and a sense of normality before danger strikes.
How do i know that
This document analyzes how the movie "REWIND" challenges thriller conventions by also fulfilling conventions of horror movies. It identifies several conventions used in "REWIND" that are typical of both horror and thriller genres, such as fast editing during shock scenes, slow cuts when building tension, ominous settings, use of silence and music to increase anxiety, and costumes that symbolize death. The document concludes that through its use of flashing shots and flashbacks, "REWIND" fulfills the horror convention of disorienting the audience to build tension.
Lights out
The document provides information about the 2016 horror film Lights Out, directed by David F. Sandberg. It summarizes the plot, which involves supernatural entities that can only exist in the shadows attacking members of a family. It also discusses the film's editing techniques, mise-en-scene, sound design, and cinematography choices, analyzing how they help establish tension and fear for the audience in line with typical horror film conventions. Background on the director and the film's budget and box office numbers are also presented.
Paranormal activity
Paranormal Activity 4 follows a family that begins experiencing supernatural occurrences after taking in their neighbor's son Robbie, who mentions an invisible friend named Toby. The film is directed by Henry Joost and Ariel Schulman and had a budget of $5 million which it gross over $142 million at the box office. It uses techniques common to the horror genre like dim lighting, jump scares, and an unsettling soundtrack to create tension and fear in viewers.
Collaga medaiii[1]
This document summarizes various scenes and elements from a film opening sequence. It describes establishing shots that set the location, genre and tone. It discusses title design, costume and prop choices to develop characters and move the plot. Camera work and special effects are employed to draw attention to clues and engage the audience. Formats from real news channels and films are challenged and developed upon to create an immersive opening for the mystery genre.
Evaluation - Q1
The document discusses how a student's supernatural horror film opening uses and develops conventions of the genre. It conducted research on other film openings. The title "3:17AM" provides insight without immediately suggesting horror. Visual elements like fonts, effects and desaturated colors follow conventions. The setting in a isolated family home and props like candles are common. Shots build suspense through zooms and pans. Hints about the narrative reference conventions like vulnerable characters and threatening forces. Filming during the day challenged realism expected of the genre. Overall, the opening fits conventions through its use of various visual and audio elements.
Mis en scene
Mis en scene refers to all the visual elements that make up the background and foreground of a film scene. This includes setting, costumes, makeup, props, lighting, and staging of actors. Together, these elements establish time period, location, and mood, and provide clues about characters. For example, in a horror film the setting would be a dark, spooky location with scary costumes and makeup to create tension and suspense for the audience. Lighting can also be manipulated to reflect a character's emotions or advance the plot. The staging of actors, whether facing the camera or in profile, impacts the intimacy and information conveyed to viewers. Overall, mis en scene encompasses all visible aspects of a film scene that help tell the
Trailer analysis2 (1) (1)
A young couple, Micah and Katie, begin filming in their home after Katie claims to be haunted by a ghostly entity. They hope to capture evidence of paranormal activity on camera over three weeks. Strange events occur throughout their home, especially at night, that increasingly disturb the couple. The film follows a typical narrative structure for supernatural horror films, establishing normalcy before disrupting it with ghostly events. The trailer leaves the audience wondering how the story will be resolved.
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Evaluation Question 5
The document discusses ways to attract and address a horror movie audience. It suggests using conventions from popular horror genres and TV shows to create demand. Relatable storylines that audiences can empathize with are also effective. Stereotypical characters are commercially successful because they are widely recognizable. Social networking can help build a fan base through word-of-mouth. The film addresses audiences through dramatic camera angles, editing, sound design, and mise-en-scene to build suspense and engage emotions. Specific shots are described that highlight a killer, victim's fear, and a sense of normality before danger strikes.
How do i know that
This document analyzes how the movie "REWIND" challenges thriller conventions by also fulfilling conventions of horror movies. It identifies several conventions used in "REWIND" that are typical of both horror and thriller genres, such as fast editing during shock scenes, slow cuts when building tension, ominous settings, use of silence and music to increase anxiety, and costumes that symbolize death. The document concludes that through its use of flashing shots and flashbacks, "REWIND" fulfills the horror convention of disorienting the audience to build tension.
Lights out
The document provides information about the 2016 horror film Lights Out, directed by David F. Sandberg. It summarizes the plot, which involves supernatural entities that can only exist in the shadows attacking members of a family. It also discusses the film's editing techniques, mise-en-scene, sound design, and cinematography choices, analyzing how they help establish tension and fear for the audience in line with typical horror film conventions. Background on the director and the film's budget and box office numbers are also presented.
Paranormal activity
Paranormal Activity 4 follows a family that begins experiencing supernatural occurrences after taking in their neighbor's son Robbie, who mentions an invisible friend named Toby. The film is directed by Henry Joost and Ariel Schulman and had a budget of $5 million which it gross over $142 million at the box office. It uses techniques common to the horror genre like dim lighting, jump scares, and an unsettling soundtrack to create tension and fear in viewers.
Collaga medaiii[1]
This document summarizes various scenes and elements from a film opening sequence. It describes establishing shots that set the location, genre and tone. It discusses title design, costume and prop choices to develop characters and move the plot. Camera work and special effects are employed to draw attention to clues and engage the audience. Formats from real news channels and films are challenged and developed upon to create an immersive opening for the mystery genre.
Evaluation - Q1
The document discusses how a student's supernatural horror film opening uses and develops conventions of the genre. It conducted research on other film openings. The title "3:17AM" provides insight without immediately suggesting horror. Visual elements like fonts, effects and desaturated colors follow conventions. The setting in a isolated family home and props like candles are common. Shots build suspense through zooms and pans. Hints about the narrative reference conventions like vulnerable characters and threatening forces. Filming during the day challenged realism expected of the genre. Overall, the opening fits conventions through its use of various visual and audio elements.
Mis en scene
Mis en scene refers to all the visual elements that make up the background and foreground of a film scene. This includes setting, costumes, makeup, props, lighting, and staging of actors. Together, these elements establish time period, location, and mood, and provide clues about characters. For example, in a horror film the setting would be a dark, spooky location with scary costumes and makeup to create tension and suspense for the audience. Lighting can also be manipulated to reflect a character's emotions or advance the plot. The staging of actors, whether facing the camera or in profile, impacts the intimacy and information conveyed to viewers. Overall, mis en scene encompasses all visible aspects of a film scene that help tell the
Trailer analysis2 (1) (1)
A young couple, Micah and Katie, begin filming in their home after Katie claims to be haunted by a ghostly entity. They hope to capture evidence of paranormal activity on camera over three weeks. Strange events occur throughout their home, especially at night, that increasingly disturb the couple. The film follows a typical narrative structure for supernatural horror films, establishing normalcy before disrupting it with ghostly events. The trailer leaves the audience wondering how the story will be resolved.
Conventions of a gangster film
The document discusses the conventions and elements commonly found in gangster films. It notes that gangster film narratives often follow binaries of good vs evil, rich vs poor, or power vs weakness. Typical cinematography includes distorted and skewed camera angles. Mise-en-scene conventions include urban settings, suits and long coats for male characters, red dresses and lipstick for women, and high contrast black and white colors with low lighting. The document then analyzes the opening scene of the film Secretary as an example that establishes characters and environment through long shots and tracking camera movements.
Insidious
The document analyzes the opening title sequence of the film "Insidious" focusing on its use of mise en scene, sound, editing, and cinematography. The cinematography uses close-ups of toys and moving objects to create an unsettling mood and foreshadow paranormal events. The editing smoothly transitions between shots to give the audience glimpses of the characters and setting without revealing the full plot. Overall, the title sequence effectively sets up the suspense and conventions of a supernatural thriller through its use of these film techniques.
Film inspiration
The document discusses how the film Jack Reacher influenced the filmmakers' own film called The Hit. Specifically:
- The films have similar storylines that center around a killer using a sniper in an urban setting.
- The filmmakers chose to analyze the opening sniper scene from Jack Reacher because it relies on visual storytelling rather than dialogue, which could help them improve the quality and impact of their own main sniper scene.
- After analyzing the scene, the filmmakers learned techniques they could apply to their own scene, such as panning the sniper scope between characters to build suspense over who will be shot, and using exaggerated diegetic sounds rather than music to create tension.
Mise en scene booklet GCSE Film Studies
The document discusses the film technique of mise-en-scene and focuses on settings and props. It explains that settings can provide context for where and when a scene takes place and can suggest things about characters. Films use real locations, studio sets, or computer-generated backgrounds. Real locations immerse viewers but are costly, while studios offer control but lack authenticity. Props provide details about characters. Overall, settings are chosen deliberately by filmmakers to inform the story and audience.
Film Language: Mise-En-Scene explanation and examples.
A long and detailed look at what mise-en-scene is and how it can be looked at in different aspects of film language. The presentation is split into the areas of Setting & Props; Costume, Hair and Make-up; Lighting and Colour; Positioning of Objects and People; Facial expression and Body
Language. Each section contains a range of examples (many of which are gifs and videos which obviously won't play on here) and some activities for students to engage with.
Shot types
This document defines and describes various shot types used in filmmaking, including establishing shots, long shots, medium shots, close-ups, point of view shots, two shots, and angle shots like high angles and low angles. It also covers camera movements like zooms, pans, tilts, tracking shots, and the 180 degree rule for shooting dialog scenes.
Moon
The document discusses shots that could be used in a movie title sequence to characterize the main character. It analyzes shots of the character running on a treadmill alone at night to establish a solid daily routine. It then discusses the character using special equipment for a dangerous job, showing he is a professional. Finally, it discusses shots of the character alone on the moon surface, highlighting the dangers and solitary nature of his work.
Trailer Analysis - Paranormal Activity
Micah and Katie, a young couple, experience increasingly disturbing paranormal activity in their suburban home that is captured on video over three weeks. Point-of-view camera shots are used to make the audience feel like they are experiencing the events along with the characters. The trailer starts calmly but builds tension through unsettling sounds and cuts between scenes to scare the audience and make them want to find out more.
Mis en scene new
Mis en scene refers to all the visual elements of a film that help tell the story, including setting, costumes, makeup, props, lighting, and staging of actors. These elements provide context clues to audiences about characters, time periods, and mood. For example, a horror film would use a dark setting, scary costumes and makeup, and low-key lighting to create tension and suspense. The document discusses how these various mis en scene elements convey meaning and influence audience understanding and reaction.
Camera angles presentation
The document discusses different camera angles used in filmmaking and provides examples. It describes close-up shots that focus on a small part of a scene like a face, extreme close-ups that magnify a small detail, and long shots that show more of the background. It also covers high and low angle shots that position the camera above or below eye-level to change perspective, and establishing shots like extreme long shots that set the scene. Each shot conveys a different meaning and level of detail and could be used in different genres for dramatic or descriptive effect.
Camera angles
There are many camera techniques that can be used to engage audiences in films, including different shot types and camera angles. Close-up shots allow audiences to see characters' facial expressions and emotions clearly. Over-the-shoulder shots make it obvious who is speaking to whom. Long shots provide wide establishing views, while medium shots capture characters from the waist up. Aerial shots provide high views from above, and high and low camera angles change the audience's perspective. All of these techniques help audiences understand scenes and engage with characters.
Media unit 1 camera shot type (1)
The document discusses different types of camera shots used in films and television shows, including extreme close-ups, close-ups, medium shots, long shots, and two shots. Each shot type is defined and an example is given of an anime that uses that shot. Camera shots can be used to convey emotion, focus attention on details or the environment, and establish relationships between characters and their surroundings.
Niche vs mass
Horror films target niche audiences for several reasons:
1) Niche audiences are the most interested fans who want to provide input to help improve horror films and keep the genre alive.
2) Horror films appeal to smaller, passionate fan bases rather than mass audiences because the genre is less popular.
3) Targeting niche groups allows filmmakers to focus on fans with unique interests in horror and create films that will appeal specifically to them.
Media: Shot types
Establishing shots establish the location and time for the audience. Long shots show the entire body from head to toe to emphasize scale. Medium shots are the most common, showing subjects from the waist up. Close-ups show details like facial expressions. Extreme close-ups are rarely used as they are reserved for intense emotions. Point-of-view shots allow the audience to experience what a character sees. Over-the-shoulder shots similarly show interactions between characters. Two shots show the relationship between two characters in a scene.
Paranormal activity trailer analysis
The document analyzes the trailer for the film Paranormal Activity. It notes that the trailer uses 51 shots over 1 minute and 46 seconds to target an audience of 15-25 year olds. It employs diegetic dialogue and a slow, non-diegetic soundtrack to create tension and fear without showing the supernatural threat. The trailer leaves the audience in suspense at the end to create interest in the film and establish it as one of the scariest movies, helping it become very profitable.
Taken mise en scene analysis
1) Various shot types are used in the thriller film Taken to effectively convey emotion and tension, including close-ups, medium shots, and low angles.
2) Close-ups of characters' faces clearly show their changing emotions like worry and fear, helping audiences feel what the characters are feeling.
3) Low angle shots make scenes seem more intense from the character's perspective, pulling the audience deeper into the story.
Single Camera Techniques
Different types of single camera shots are described including establishing shots, master shots, tracking shots, cutaways, various camera angles like eye level and low angle, framing techniques like wide shots and close-ups, and point-of-view shots. Examples are provided from films to illustrate each type of shot, showing how they are used to provide context, focus attention on characters, follow action, and convey meaning through visual techniques. The document provides a comprehensive overview of fundamental cinematic camera shots and their purposes.
Mise-en-scene introduction and study guide
A study/revision guide that introduces film students to (or reminds them of) mise-en-scene. 33 pages of activities, commentary, analysis and screenshots, all designed by an experienced film studies teacher and senior examiner.
This guide, which is perfect as a unit of work, homework booklet or as a revision guide, can be purchased for just £2.50 at: https://www.tes.com/teaching-resource/-12009989 and can then be easily printed and handed out to students.
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The document discusses the conventions and elements commonly found in gangster films. It notes that gangster film narratives often follow binaries of good vs evil, rich vs poor, or power vs weakness. Typical cinematography includes distorted and skewed camera angles. Mise-en-scene conventions include urban settings, suits and long coats for male characters, red dresses and lipstick for women, and high contrast black and white colors with low lighting. The document then analyzes the opening scene of the film Secretary as an example that establishes characters and environment through long shots and tracking camera movements.
Insidious
The document analyzes the opening title sequence of the film "Insidious" focusing on its use of mise en scene, sound, editing, and cinematography. The cinematography uses close-ups of toys and moving objects to create an unsettling mood and foreshadow paranormal events. The editing smoothly transitions between shots to give the audience glimpses of the characters and setting without revealing the full plot. Overall, the title sequence effectively sets up the suspense and conventions of a supernatural thriller through its use of these film techniques.
Film inspiration
The document discusses how the film Jack Reacher influenced the filmmakers' own film called The Hit. Specifically:
- The films have similar storylines that center around a killer using a sniper in an urban setting.
- The filmmakers chose to analyze the opening sniper scene from Jack Reacher because it relies on visual storytelling rather than dialogue, which could help them improve the quality and impact of their own main sniper scene.
- After analyzing the scene, the filmmakers learned techniques they could apply to their own scene, such as panning the sniper scope between characters to build suspense over who will be shot, and using exaggerated diegetic sounds rather than music to create tension.
Mise en scene booklet GCSE Film Studies
The document discusses the film technique of mise-en-scene and focuses on settings and props. It explains that settings can provide context for where and when a scene takes place and can suggest things about characters. Films use real locations, studio sets, or computer-generated backgrounds. Real locations immerse viewers but are costly, while studios offer control but lack authenticity. Props provide details about characters. Overall, settings are chosen deliberately by filmmakers to inform the story and audience.
Film Language: Mise-En-Scene explanation and examples.
A long and detailed look at what mise-en-scene is and how it can be looked at in different aspects of film language. The presentation is split into the areas of Setting & Props; Costume, Hair and Make-up; Lighting and Colour; Positioning of Objects and People; Facial expression and Body
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Shot types
This document defines and describes various shot types used in filmmaking, including establishing shots, long shots, medium shots, close-ups, point of view shots, two shots, and angle shots like high angles and low angles. It also covers camera movements like zooms, pans, tilts, tracking shots, and the 180 degree rule for shooting dialog scenes.
Moon
The document discusses shots that could be used in a movie title sequence to characterize the main character. It analyzes shots of the character running on a treadmill alone at night to establish a solid daily routine. It then discusses the character using special equipment for a dangerous job, showing he is a professional. Finally, it discusses shots of the character alone on the moon surface, highlighting the dangers and solitary nature of his work.
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Micah and Katie, a young couple, experience increasingly disturbing paranormal activity in their suburban home that is captured on video over three weeks. Point-of-view camera shots are used to make the audience feel like they are experiencing the events along with the characters. The trailer starts calmly but builds tension through unsettling sounds and cuts between scenes to scare the audience and make them want to find out more.
Mis en scene new
Mis en scene refers to all the visual elements of a film that help tell the story, including setting, costumes, makeup, props, lighting, and staging of actors. These elements provide context clues to audiences about characters, time periods, and mood. For example, a horror film would use a dark setting, scary costumes and makeup, and low-key lighting to create tension and suspense. The document discusses how these various mis en scene elements convey meaning and influence audience understanding and reaction.
Camera angles presentation
The document discusses different camera angles used in filmmaking and provides examples. It describes close-up shots that focus on a small part of a scene like a face, extreme close-ups that magnify a small detail, and long shots that show more of the background. It also covers high and low angle shots that position the camera above or below eye-level to change perspective, and establishing shots like extreme long shots that set the scene. Each shot conveys a different meaning and level of detail and could be used in different genres for dramatic or descriptive effect.
Camera angles
There are many camera techniques that can be used to engage audiences in films, including different shot types and camera angles. Close-up shots allow audiences to see characters' facial expressions and emotions clearly. Over-the-shoulder shots make it obvious who is speaking to whom. Long shots provide wide establishing views, while medium shots capture characters from the waist up. Aerial shots provide high views from above, and high and low camera angles change the audience's perspective. All of these techniques help audiences understand scenes and engage with characters.
Media unit 1 camera shot type (1)
The document discusses different types of camera shots used in films and television shows, including extreme close-ups, close-ups, medium shots, long shots, and two shots. Each shot type is defined and an example is given of an anime that uses that shot. Camera shots can be used to convey emotion, focus attention on details or the environment, and establish relationships between characters and their surroundings.
Niche vs mass
Horror films target niche audiences for several reasons:
1) Niche audiences are the most interested fans who want to provide input to help improve horror films and keep the genre alive.
2) Horror films appeal to smaller, passionate fan bases rather than mass audiences because the genre is less popular.
3) Targeting niche groups allows filmmakers to focus on fans with unique interests in horror and create films that will appeal specifically to them.
Media: Shot types
Establishing shots establish the location and time for the audience. Long shots show the entire body from head to toe to emphasize scale. Medium shots are the most common, showing subjects from the waist up. Close-ups show details like facial expressions. Extreme close-ups are rarely used as they are reserved for intense emotions. Point-of-view shots allow the audience to experience what a character sees. Over-the-shoulder shots similarly show interactions between characters. Two shots show the relationship between two characters in a scene.
Paranormal activity trailer analysis
The document analyzes the trailer for the film Paranormal Activity. It notes that the trailer uses 51 shots over 1 minute and 46 seconds to target an audience of 15-25 year olds. It employs diegetic dialogue and a slow, non-diegetic soundtrack to create tension and fear without showing the supernatural threat. The trailer leaves the audience in suspense at the end to create interest in the film and establish it as one of the scariest movies, helping it become very profitable.
Taken mise en scene analysis
1) Various shot types are used in the thriller film Taken to effectively convey emotion and tension, including close-ups, medium shots, and low angles.
2) Close-ups of characters' faces clearly show their changing emotions like worry and fear, helping audiences feel what the characters are feeling.
3) Low angle shots make scenes seem more intense from the character's perspective, pulling the audience deeper into the story.
Single Camera Techniques
Different types of single camera shots are described including establishing shots, master shots, tracking shots, cutaways, various camera angles like eye level and low angle, framing techniques like wide shots and close-ups, and point-of-view shots. Examples are provided from films to illustrate each type of shot, showing how they are used to provide context, focus attention on characters, follow action, and convey meaning through visual techniques. The document provides a comprehensive overview of fundamental cinematic camera shots and their purposes.
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A study/revision guide that introduces film students to (or reminds them of) mise-en-scene. 33 pages of activities, commentary, analysis and screenshots, all designed by an experienced film studies teacher and senior examiner.
This guide, which is perfect as a unit of work, homework booklet or as a revision guide, can be purchased for just £2.50 at: https://www.tes.com/teaching-resource/-12009989 and can then be easily printed and handed out to students.
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Similar to Camera angles we will use in our documentary
Evaluation Question 1
The document discusses how the student's media product uses conventions from real horror films. It describes how the opening ident, title "Sleepwalker", location of a house, costume of the victim in white, camera shots, editing with quick cuts and pauses, dark lighting, credits in a light gray bold font, and paranormal/possession concept all follow conventions in the horror genre. The student believes using these conventions will make their film feel professional and appeal to audiences familiar with typical horror films.
Evaluation Question 1 - In what ways does your media product use, develop or ...
The document discusses the conventions of thrillers that the media product adhered to or challenged in its genre. It met conventions such as using dimly lit woods to create suspense, revealing institutions to solve a puzzle, and using ambient sounds. It challenged conventions by using a non-British main character, not fully utilizing quick cuts, and not using shadows or black and white shots. Theories of auteur and feminist models were also applied by using close-ups to connect with audiences and not always portraying women as passive objects of the male gaze.
Camera ideas
The document discusses common camera shots used in horror films and the camera shots the author plans to use in their own horror film trailer. It describes shots like close-ups to show character emotion, medium shots to show both facial and body expression, long shots to set the scene, low angles to create fear and implement suspense, and high angles to create suspense about what may be lurking from above. It also discusses using over-the-shoulder shots to make the audience feel like they are peeking behind characters, and high angle point-of-view shots so the audience understands the setting and feels something is lurking above out of view.
Question 4 & 5
The document discusses the target audience and approach for promoting a thriller film called "Missing". The intended audience is 15-34 year olds interested in thrillers and independent British films. Social media promotion is planned to reach this audience. The opening scene aims to attract viewers through techniques like sound, editing, camera shots and mise-en-scene. Feedback from test viewers praised the sound design, point-of-view camera shots, and smooth continuity of the opening scene.
Question 1 kevin
Slow paced editing, close up shots, and establishing shots are widely used conventions in opening sequences. Slow pacing sets the scene and engages audiences. Close ups withhold information and make audiences want to know more. Establishing shots provide context. However, the opening for "The Ritual" challenges conventions by using fast instead of slow pacing. It also uses unconventional high key lighting and close ups to set an initially bright but sinister atmosphere. Vulnerable characters are portrayed through wardrobe and body positioning to convey weakness.
Question 1 - In what ways does your media product use, develop or challenge f...
This document summarizes how the media product adheres to or challenges conventions of real thriller genres. It discusses conventions like low-key lighting, quick cuts, and tense music that were included. Conventions that were challenged include not using black-and-white shots or heavy shadows. Feminist theories are also applied, such as how the female protagonist challenges being viewed as an object through her actions. Overall, the document analyzes genre conventions and how the media product fits within or diverges from typical thriller conventions.
Media powerpoint
The document discusses common tropes and techniques used in horror films. It notes that horror films often begin with characters going about a normal day that is disrupted by some evil force causing trouble. It also mentions the use of isolated settings like abandoned buildings that help create tension. Specific techniques discussed include using startling musical stings to emphasize scary moments and employing point-of-view camera shots to make the audience feel like they are experiencing the horror directly. The document also examines visual symbols and the distinction between good and evil elements as important aspects of horror film iconography.
Evaluation 1
The document discusses conventions of real horror films, including setting isolated or dark places to build tension, using mysterious or unidentifiable characters to create suspense, incorporating plot devices like suspense, surprises, and open endings. It then summarizes how the filmmakers challenged some conventions by using a familiar home setting, portraying a relatable teenage character, including a surprise ending, and employing stylistic camera techniques and lighting/sound effects to enhance tension rather than conforming to genre expectations.
Media powerpoint
The document discusses common elements and techniques used in horror films. It notes that horror films often start with characters going about a normal day that is disrupted by some evil force causing trouble. It then discusses other common tropes like isolated settings that enable vulnerability, use of music stings and jump scares, point-of-view camera shots to involve viewers, and clear distinctions between good and evil characters/symbols. The document also examines how these techniques are employed in popular horror movies and how the filmmakers aimed to utilize these elements in their own horror film.
Types of shots
The document describes different types of standard shots used in filmmaking, including extreme long shots for establishing scenes, medium close ups and medium shots to show characters from the waist up, long shots showing full-body images, extreme close ups for dramatic facial expressions, medium long shots for showing actions between people, cut-ins for point-of-view shots, and close ups to focus on facial details and emotions with less drama than extreme close ups. Each shot type is defined and its common cinematic purpose explained.
Camera angles
There are many camera angles that can be used to engage audiences in films, such as close-ups, over-the-shoulder shots, and long shots. Different camera angles allow the audience to focus on specific characters and understand things like who is speaking. Camera movements like tilts, pans, tracks and zooms can also be used to follow the subject and keep the audience engaged. Elements like colors, clothing, objects, and settings can further immerse audiences and provide context about the characters.
Images of camera angles a2
The document discusses various camera shots and angles that will be used in a documentary about a school. It will use birds eye view shots to provide an unique perspective of the school grounds. Eye level shots and medium shots will be used for interviews and filming students. Close up shots will focus on equipment at a pre-party event. Establishing shots will be used at the start of scenes to set the location. Different shots will be used to film interviews and capture footage of students. Understanding these camera techniques will help the documentary look polished and professional.
Lesson 3 - cinematography
This document outlines a lesson plan on cinematography. It introduces cinematography as using cameras, lighting, and color to create the visual style and look of a film. Examples from The Godfather and La Haine are provided to demonstrate how cinematographers use techniques like lighting, shot composition, and camera angles/movement to build mood, atmosphere, tension, and convey meaning. Students will analyze examples from Roger Deakins' work to understand these cinematography techniques and their effect. The goal is for students to understand and explain how cinematography is used to visually tell stories.
Camera terminology
This document provides definitions and explanations of various camera shots and lighting techniques used in filmmaking. It discusses very long shots, long shots, medium long shots, medium shots, medium close-ups, close-ups, big close-ups, and extreme close-ups. It also covers low angle shots, eye-level shots, high angle shots, worm's eye views, and bird's eye views. For lighting, it defines high key lighting, low key lighting, and chiaroscuro lighting. It concludes with an overview of mise-en-scene elements like body language, facial expressions, costumes, hair/makeup, props, and voice/tone.
Camera Shots
This document defines and provides examples of common camera shots used in filmmaking, including establishing shots, close ups, extreme close ups, two shots, and point of view shots. Establishing shots orient the audience to the location and context of a scene. Close ups focus on a person's face to convey emotions. Extreme close ups zoom in on a specific detail. Two shots include both subjects to show their relationship or partnership. Point of view shots show what a character is looking at from their perspective.
Presentation1 1
The document outlines plans for a student film project titled "Behind Closed Doors". It will be a psychological thriller opening focusing on a serial killer. Scenes will be filmed at a photography studio and outside locations. Props like a scrapbook and pictures will be used to portray the killer adding victims. Flashbacks will show past murders. The opening aims to attract audiences like the film Seven by using editing techniques. A production schedule is included.
Evaluation question 1
The film uses some conventions of social realism such as close-up shots to show emotions and dark lighting when the character is feeling fearful. However, it also challenges conventions by using everyday costumes to make the characters more relatable, and only using diegetic sound to convey emotions rather than music. The film does not rely heavily on typical camera angles or include many jump cuts, diverging from standard techniques of the genre. Overall the film draws on realist conventions while also updating them to connect more directly with audiences.
Shots for The Penelope Case
The document discusses different shot types that will be used in a documentary, including extreme close-ups of eyes and hands, medium shots from the mid-chest up to show facial expressions and body language in interviews, close-up shots to show details of faces and movements, high and low angle shots to manipulate perspective and authority, long shots to emphasize large items, and pan shots to smoothly establish settings. Various shots will be used to depict victims, reenactments of crimes, and interview subjects in a way that stays true to the genre of documentaries.
Types of shots
The document defines and describes various standard film shots including extreme long shot, medium close up, long shot, extreme close up, medium shot, medium long shot, cut-in, and close up. An extreme long shot is used to establish the scene and give context of the location. A medium close up shows a character from the waist up to introduce them in a basic way. A long shot shows a character from head to toe to depict them at about life size on screen.
Lesson 3 - cinematography
This document provides an overview of cinematography techniques used to create atmosphere, tension, and meaning in films. It defines cinematography as "the art and methods of film photography" and discusses how lighting, camera angles, framing, camera movement, and filmmaking style can be manipulated to elicit different emotions from viewers. Specifically, it notes that low key lighting creates tension and suspense through high contrasts, while high key lighting produces more relaxed moods. The document instructs students to analyze how District 9 and Ripper Street employ these cinematography tools.
Similar to Camera angles we will use in our documentary (20)
Evaluation Question 1 - In what ways does your media product use, develop or ...
Evaluation Question 1 - In what ways does your media product use, develop or ...
Question 1 - In what ways does your media product use, develop or challenge f...
Question 1 - In what ways does your media product use, develop or challenge f...
More from Isabelle Marino
Analysis of poster
The poster features BBC branding to indicate the channel, a picture of the main characters Sherlock and Watson dressed in black to symbolize their serious roles, and the program title written in a large font with a pattern symbolizing crime or mystery. The analysis concludes that while basic, the poster effectively juxtaposes the complex program through these visual elements and allows viewers to interpret it in their own way.
Michael moore
Michael Moore is an American documentary filmmaker, author, and political activist known for critically examining American politics and culture. Some of his most famous documentaries include Roger & Me (1989), Bowling for Columbine (2002), and Fahrenheit 9/11 (2004), which is the highest-grossing documentary of all time. Moore has won numerous awards for his work, including the Palme d'Or and an Oscar for Best Documentary Feature for Bowling for Columbine.
Catfish
Catfish is a documentary television series that investigates cases of online dating where people have been deceived through fake online profiles. It aims to educate viewers about the potential dangers of online dating and catfishing, where someone creates a fake online profile to pretend to be someone else. The documentary filmmakers, Nev and Max, use techniques like tense music, shaky camera work, and Skype calls to build suspense as they research online dating profiles and work to determine if the person behind them is who they claim to be. The most memorable moments come when the victim finally meets their online romantic interest in person to discover if they have been catfished.
The hunt
The document summarizes The Hunt, a 7-part BBC nature documentary narrated by David Attenborough about predators hunting prey. It explores the daily lives of wild animals and their relationships. The documentary uses ambient music, juxtaposition between calm and hunting scenes, and slow motion footage to engage viewers. Attenborough narrates both on and off camera to educate audiences about the animal kingdom in a professional manner.
Our pitch
This document outlines pitches for three documentary topics:
1) The occult, exploring beliefs in magic and the paranormal through interviews and archived footage of miraculous events.
2) Whether breastfeeding in public is offensive, interviewing mothers, men and teenagers on their views and the importance of breastfeeding.
3) The fashion industry's effect on animal welfare, comparing media coverage of human and animal deaths in the industry and interviewing vegans and fur wearers.
Christopher nolan
Christopher Nolan is a British-American film director known for thriller films such as Interstellar about explorers traveling through a wormhole to find a habitable planet, Inception about a thief using dream sharing technology to plant an idea in a CEO's mind, The Prestige about competitive magicians creating illusions, and Memento about a man with short-term memory loss hunting his wife's killer. Nolan has achieved 21 Oscar nominations and 6 awards for his thriller films.
Thriller storyboard
A man named Tristan takes a mysterious drug and begins experiencing disturbing hallucinations. He sees a clown kidnapping a girl and then murdering a boy on TV, which match up with real crimes reported on the news. As the story ends, Tristan sees the same clown from his visions now staring at him from the corner of his room.
Presentation1 tom cruise
Tom Cruise is an American actor who has been nominated for three Academy Awards. The document discusses several of Cruise's thriller films including Collateral (2004) about a cab driver taken hostage by a contract killer, War of the Worlds (2005) about Earth being invaded by alien tripod machines, and Valkyrie (2008) which dramatizes an assassination plot against Hitler. It also summarizes Jack Reacher (2012) about a military sniper investigation, Oblivion (2013) about a veteran questioning his mission, and Edge of Tomorrow (2014) where a soldier is caught in a time loop against an alien race.
Charactr profiles (1)
This document contains character profiles that provide basic background information about 6 characters: Tristan, Hannah, Chaz, Clown, Issy. Each profile includes details about their name, age, nationality, socioeconomic background, residence, occupation, income, skills, family relationships, and relationship skills.
Mise en-scene analysis of
The document provides an analysis of the mise-en-scene in a video clip from the TV show Hollyoaks. It analyzes aspects of costume, lighting, acting, makeup, props, and setting to understand how gender is represented. Specific elements analyzed include a bride's wedding dress, two characters holding hands in the countryside, one character looking up at another, light glowing through a window, a separation between characters by a van door, a girl's hairstyle, a ruined wedding venue in the distance, a character looking ahead at a white building, and a panicked girl in a speeding van. The analysis considers both typical and atypical stereotypes of gender represented by these visual elements.
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Camera angles we will use in our documentary
- 1. CAMERA ANGLES WE WILL USE IN OUR DOCUMENTARY: By Issy Marino
- 2. Two shot • This is where the frame encompasses a view of two people. • We thought this shot would be good during our interview sessions with potential spiritual healers and other people we contacted. • A two shot emphasises the relationship between the two people on screen, so as an audience it is clear to see who is interviewing.
- 3. Close-up shot: • This is a type of shot, which tightly frames a person or an object. • It is used to show emotion and attract attention to the filming which is being focused on. • For our documentary, we are thinking of using this shot in a palm reading session we are hopefully going to organise. This will be really effective as the audience will be able to see what really happens in an experience like this.
- 4. Long shot: • The long shot is a shot taken from a further distance to show the setting and costume. • This shot will set the scene, so we are considering of having this shot in our opening sequence or when we film iconic places associated with spiritualism.
- 5. Point of view Shot: • It’s shot as if the viewer was looking through the eyes of a specific character (documentarian). • This encourages the audience to identify with the documentarians, giving a personal touch to the documentary. • We thought this shot would be really good in the scene where we go on a ‘ghost walk’ in London or a similar event. As it makes it so realistic and scary which is how we want the audience to react.
- 6. Panning Shot: • This is where the camera stays still, but rotates- it makes the filming very continuous. • We thought we might use this shot in the opening sequence, and pan from realism to unnatural, spiritual events. • This juxtaposition will be very appealing to the audience, as it will show the contrast between our every day life and #theotherside. We are going to try do this by getting footage of normal experiences and then pan to unnatural ones.